Portrét Philip Cortelyou Johnson

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The Glass House (1949) je obraz autora Philip Cortelyou Johnson, který přitahuje nejvíce pohledů. Z 1 děl umělce Philip Cortelyou Johnson v našem katalogu je těchto 1 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1906 – 2005, Cleveland

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The Glass House (1949)

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Philip Cortelyou Johnson: portrét umělce

Philip Cortelyou Johnson: A Life in Architecture

Early Life and Education

  • Born: July 8, 1906, Cleveland, Ohio.
  • Johnson came from a privileged background, with his father being a successful lawyer. This financial stability would later allow him to pursue ambitious projects and support the arts.
  • He attended Harvard University, initially focusing on Greek, philology, history, and philosophy rather than architecture directly.
  • Early struggles with stuttering led him to explore visual and spatial forms as a means of expression.

The Museum of Modern Art and Early Career (1930s)

  • First Director of Architecture: In 1930, Johnson became the first director of the Department of Architecture at the Museum of Modern Art (MoMA) in New York City.
  • International Style: He played a pivotal role in popularizing modern architecture in America, organizing influential exhibitions like “Modern Architecture: International Exhibition” in 1932 with Henry-Russell Hitchcock. This exhibition codified the "International Style."
  • He facilitated visits from European architectural giants such as Walter Gropius and Le Corbusier.
  • Controversial Period: The mid-1930s saw a disturbing turn in Johnson’s political views. He became an admirer of Adolf Hitler, writing favorably about Nazi Germany and expressing antisemitic sentiments. This period remains a dark chapter in his biography.

Post-War Development & The Glass House (1940s - 1950s)

  • Renunciation and Return: With the outbreak of World War II, Johnson abruptly abandoned his pro-fascist views and dedicated himself to anti-Fascist activities.
  • The Glass House (1949): This iconic structure in New Canaan, Connecticut, is considered a masterpiece of modern architecture. It embodies minimalist principles and transparency, becoming Johnson’s signature work.
  • The Glass House was heavily influenced by Mies van der Rohe's Farnsworth House but represented Johnson’s unique interpretation of the modernist aesthetic.

Mature Career & Postmodernism (1960s - 2005)

  • Shift to Postmodernism: In the 1970s, Johnson embraced postmodern architecture, moving away from the strict functionalism of modernism.
  • AT&T Building (now Sony Tower): Designed in 1984, this skyscraper in New York City with its Chippendale-style broken pediment was a landmark example of early postmodern design. It challenged conventional skyscraper aesthetics.
  • Other notable works include 190 South La Salle Street in Chicago and the Sculpture Garden at MoMA.
  • Prolific Output: Johnson continued to design buildings throughout his life, leaving a significant mark on skylines across the United States and internationally.

Influences & Legacy

  • Key Influences: Ludwig Mies van der Rohe was a major influence, shaping Johnson’s early modernist style. He also drew inspiration from Frank Lloyd Wright and the classical tradition.
  • Awards & Recognition: Johnson received numerous accolades, including the American Institute of Architects Gold Medal (1978) and the first Pritzker Architecture Prize (1979).
  • Historical Significance: Philip Johnson was a pivotal figure in 20th-century architecture. He not only popularized modernism but also helped pioneer postmodernism, leaving an enduring legacy of innovative and often controversial designs.
  • His work continues to be studied and debated by architects and scholars today.