Portrét Petrus Van Schendel

43 nejslavnějších obrazů autora Petrus Van Schendel, výběr z galerie

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Z všech originálů, které Petrus Van Schendel zanechal, je nejslavnější Portrait of Elisabeth de Groot Schimmel-Wuijster (1829). Hned za ním následují Self portrait (1828) a Portrait of Maria Catharina Petronella Langlois (1787-1873), in her right hand a miniature portrait of her husband, Franciscus Bartholomeus Hollingerus Pijpers (1827). Náš katalog obsahuje 46 děl umělce Petrus Van Schendel; galerie si zachovala 43 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1806 – 1870, Terheijden Romanticism Nejvíce děl: Museum Rotterdam

10 nejlepších obrazů umělce Petrus Van Schendel: výběr galerie

1
Portrait of Elisabeth de Groot Schimmel-Wuijster (1829) od Petrus Van Schendel

Portrait of Elisabeth de Groot Schimmel-Wuijster

1829 · Oil

In this 1829 oil portrait, we encounter Elisabeth de Groot Schimmel-Wuijster in a moment of quiet, formal dignity. The composition is a medium close-up, positioning her against a dark, atmospheric background that creates a profound sense of depth through the use of chiaroscuro. This technique allows the subject to emerge from the shadows, her presence felt through the interplay of light and darkness. The light, appearing to descend from the…

2
Self portrait (1828) od Petrus Van Schendel

Self portrait

1828 · Oil · Dordrechts Museum, Dordrecht

In this 1828 self-portrait, we find ourselves in a space defined by shadow and a singular, concentrated glow. The composition centers on a table lamp, its shade casting a warm, amber light that carves the subject out of a deep, dark background. This is a study of chiaroscuro, where the interplay of light and dark creates a sense of profound intimacy. The man, dressed in dark attire, looks directly at…

3
Portrait of Maria Catharina Petronella Langlois (1787-1873), in her right hand a miniature portrait of her husband, Franciscus Bartholomeus Hollingerus Pijpers (1827) od Petrus Van Schendel

Portrait of Maria Catharina Petronella Langlois (1787-1873), in her right hand a miniature portrait of her husband, Franciscus Bartholomeus Hollingerus Pijpers

1827 · Oil

Maria Catharina Petronella Langlois sits in a composed three-quarter view, her presence defined by the quiet gravity of 19th-century dignity. The composition centers on her upper body, emerging from a dark, indistinct background that utilizes chiaroscuro to create a sense of immediate depth. Light enters from the upper left, casting soft shadows across her face and catching the lustrous texture of her dark silk or satin dress. Her attire, characterized…

4
Portreait of a man, possibly Leonardus Corstiaan Bernet (1809-1863) (1834) od Petrus Van Schendel

Portreait of a man, possibly Leonardus Corstiaan Bernet (1809-1863)

1834 · Oil On Panel · Museum Rotterdam, Rotterdam

A single light source, likely from the upper left, carves a profile out of the darkness. The subject sits in a three-quarter length pose, his presence defined by the sharp white of a crisp cravat and the deep, absorbing black of a frock coat. He is a man of quiet intellect, his gaze steady and calm. Behind him, the heavy folds of a curtain fall in soft, blended lines, while…

5
Portrait of a woman, possibly Elise Martine Marie Labee (1810-1886) (1833) od Petrus Van Schendel

Portrait of a woman, possibly Elise Martine Marie Labee (1810-1886)

1833 · Oil · Museum Rotterdam, Rotterdam

A single light source finds the curve of a cheek and the pale expanse of a throat. The woman sits in a quiet, three-quarter pose, her dark hair gathered into structured, voluminous curls that frame a face of steady poise. She is draped in the heavy textures of 1833: a deep black satin dress with puffed sleeves and a neckline edged in white lace. A dark fur mantle rests upon…

6
Portrait of Christiaan Bernet (1770-1832) (1834) od Petrus Van Schendel

Portrait of Christiaan Bernet (1770-1832)

1834 · Oil · Museum Rotterdam, Rotterdam

Christiaan Bernet sits before us, a man of composed dignity caught in a moment of stillness. The light finds him from the upper left, brushing against the high curve of his forehead and the pale, crisp fabric of his cravat. He is dressed in the somber, heavy tones of charcoal and black, the tailoring of his coat rendered with a precision that speaks to his status. Behind him, the world…

7
Rotterdam, Fruit Market at Night (1837) od Petrus Van Schendel

Rotterdam, Fruit Market at Night

1837 · Oil On Canvas · New York Historical Society, New York

Shadows stretch long and deep across the cobblestones of Rotterdam as the night market hums with a quiet, nocturnal industry. A single, brilliant light source—perhaps an oil lamp or a flickering candle—anchors the scene, casting a warm, amber radiance that cuts through the heavy darkness. This light spills over the rounded forms of fruit and the textures of woven baskets, creating a sanctuary of warmth amidst the surrounding gloom. Figures…

8
Before the ball (1835) od Petrus Van Schendel

Before the ball

1835 · Oil On Canvas

The room breathes with the soft, amber warmth of a single candle. In this intimate corner of the nineteenth century, a young woman sits at a circular table, caught in a moment of quiet anticipation. She is the center of a small, domestic universe, surrounded by the gentle assistance of two figures—perhaps a maid and a companion—who move through the shadows to prepare her for the evening ahead. The light…

9
Fish Seller at an Evening market (1843) od Petrus Van Schendel

Fish Seller at an Evening market

1843 · Oil On Canvas · Alte Nationalgalerie, Berlín

In this 1843 oil on canvas, we find ourselves drawn into a private, nocturnal moment amidst the commerce of an evening market. The scene is defined by a profound sense of stillness, where the darkness of the night is not merely an absence of light, but a heavy, atmospheric presence. Two women occupy the center of this intimate circle, their forms emerging from the deep indigo and charcoal shadows. One…

Výběr umělce Petrus Van Schendel pokračuje, od 11 do 43

Slavná díla Petrus Van Schendel podle jednotlivých období

Motivy, které zaujaly Petrus Van Schendel

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Petrus Van Schendel

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Petrus Van Schendel Obrazy z tohoto seznamu
Museum Rotterdam, RotterdamMuseum Rotterdam Rotterdam 3 Portreait of a man, possibly Leonardus Corstiaan Bernet (1809-1863), Portrait of a woman, possibly Elise Martine Marie Labee (1810-1886), Portrait of Christiaan Bernet (1770-1832)
Bavarské státní sbírky malby, MnichovBavarské státní sbírky malby Mnichov 2 Antwerp Market by Night, Market scene at night
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 2 Evening Market in a Frisian City, Shopkeeper at Evening
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 1 Self portrait
New York Historical Society, New YorkNew York Historical Society New York 1 Rotterdam, Fruit Market at Night
Alte Nationalgalerie, BerlínAlte Nationalgalerie Berlín 1 Fish Seller at an Evening market
Hampton Court Palace, LondýnHampton Court Palace Londýn 1 Market Scene by Night
Auckland Art Gallery Toi o Tāmaki, AucklandAuckland Art Gallery Toi o Tāmaki Auckland 1 Market woman by candle-light

Petrus Van Schendel dekáda po dekádě: originální díla, která definují každou z nich

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Otázky sběratelů o obrazech umělce Petrus Van Schendel

Kterým dílem je Petrus Van Schendel nejznámější?Odhalit odpověď

Portrait of Elisabeth de Groot Schimmel-Wuijster (1829). Následují Self portrait (1828) a Portrait of Maria Catharina Petronella Langlois (1787-1873), in her right hand a miniature portrait of her husband, Franciscus Bartholomeus Hollingerus Pijpers (1827).

Kolik let bylo Petrus Van Schendel, když bylo vytvořeno dílo Portrait of Elisabeth de Groot Schimmel-Wuijster?Odhalit odpověď

23 let: dílo Portrait of Elisabeth de Groot Schimmel-Wuijster pochází z roku 1829 a Petrus Van Schendel se narodil/a v roce 1806.

Kterých deset nejslavnějších obrazů má Petrus Van Schendel?Odhalit odpověď

Portrait of Elisabeth de Groot Schimmel-Wuijster, Self portrait, Portrait of Maria Catharina Petronella Langlois (1787-1873), in her right hand a miniature portrait of her husband, Franciscus Bartholomeus Hollingerus Pijpers, Portreait of a man, possibly Leonardus Corstiaan Bernet (1809-1863), Portrait of a woman, possibly Elise Martine Marie Labee (1810-1886), Portrait of Christiaan Bernet (1770-1832), Rotterdam, Fruit Market at Night, Before the ball, Fish Seller at an Evening market a Antwerp Market by Night. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik obrazů zanechal(a) Petrus Van Schendel?Odhalit odpověď

Náš katalog obsahuje 46 děl umělce Petrus Van Schendel z let 1827 až 1869.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Petrus Van Schendel?Odhalit odpověď

Většinou v Museum Rotterdam (Rotterdam), Bavarské státní sbírky malby (Mnichov) a Amsterdam Museum (Amsterdam). V tabulce muzeí výše jsou vypsány všechny.

V jakých letech namaloval Petrus Van Schendel svá nejznámější díla?Odhalit odpověď

V období 1830s: 7 z celkem 43 děl na této stránce vzniklo právě tehdy, z toho Portreait of a man, possibly Leonardus Corstiaan Bernet (1809-1863) z nich.

Jaká jsou první a poslední slavná originální díla umělce Petrus Van Schendel?Odhalit odpověď

Na této stránce je nejstarší dílo z Portrait of Maria Catharina Petronella Langlois (1787-1873), in her right hand a miniature portrait of her husband, Franciscus Bartholomeus Hollingerus Pijpers (1827) a nejnovější z Self-Portrait, seated at a desk (1869).

Jaká témata si Petrus Van Schendel vybíral nejčastěji?Odhalit odpověď

Woman (12), Markets (7) a Man (6) napříč 43 díly na této stránce.

Kterou techniku používal(a) Petrus Van Schendel nejčastěji?Odhalit odpověď

Oil, u 13 z 43 děl na této stránce.

K kterému uměleckému směru patří Petrus Van Schendel?Odhalit odpověď

Romanticism, podle originálů na této stránce.

Která díla umělce Petrus Van Schendel jsou vystavena v Museum Rotterdam?Odhalit odpověď

Portreait of a man, possibly Leonardus Corstiaan Bernet (1809-1863), Portrait of a woman, possibly Elise Martine Marie Labee (1810-1886) a Portrait of Christiaan Bernet (1770-1832): muzeum Museum Rotterdam, Rotterdam má v obsluze 3 děl z této stránky.

Petrus Van Schendel: život a dílo

The Master of Light and Shadow

In the annals of the Dutch Romantic School, few names evoke as much atmospheric mystery as Petrus van Schendel. A painter of profound technical skill, he earned the evocative moniker "Monsieur Chandelle" due to his unparalleled ability to capture the flickering, intimate glow of candlelight and the soft, silvered radiance of the moon. Born in Terheijden, near Breda, his journey into the heart of light began with formal training at the Royal Academy of Fine Arts in Antwerp. Under the guidance of the history painter Mattheus Ignatius van Bree, Van Schendel honed a mastery of perspective that would later allow him to construct deeply immersive nocturnal worlds.

His early career was marked by a nomadic spirit, as he moved through the vibrant art centers of the Low Countries, including Amsterdam, Rotterdam, and The Hague. While he initially gained recognition as a skilled portrait painter, it was his devotion to the genre of nighttime scenes that secured his lasting legacy. He possessed a rare gift for chiaroscuro, the dramatic interplay between light and dark, which allowed him to transform simple street markets and quiet interiors into captivating, emotive stages. Whether depicting the bustling energy of a night market or the serene stillness of a moonlit landscape, his work resonated with a romantic fascination for the mysterious forces of nature and the warmth of human presence amidst the darkness.

A Legacy of Luminous Innovation

The evolution of Van Schendel’s technique reveals an artist who was never content to remain tethered to a single light source. While his fame was built upon the soft, amber hues of candles and oil lamps—reminiscent of the seventeenth-century traditions of masters like Godfried Schalcken—he continually expanded his visual vocabulary. As technology progressed, so did his curiosity; he began to experiment with the more modern, sharper glows of gas burners, fireworks, and even the nascent, electric arc lamps. This willingness to embrace the changing light of his era ensured that his paintings remained both a tribute to classical beauty and a reflection of contemporary life.

Beyond the canvas, Van Schendel was a man of diverse intellectual pursuits, demonstrating a keen interest in the mechanics of the industrial age. His mind, much like his brush, sought to understand the underlying structures of the world, leading him to patent a device for improving steamship blades and to offer innovations for railroad stability. This blend of artistic sensitivity and scientific inquiry characterizes the true breadth of his contribution to nineteenth-century culture.

Today, the significance of his work is preserved in prestigious collections across the globe, from the Rijksmuseum in Amsterdam to the National Gallery in Brussels. His ability to evoke a sense of nostalgia and wonder through the simple act of illuminating the dark ensures that his "colors of night" continue to enchant viewers, inviting them to step into the luminous, quiet magic of his painted worlds.