Portrét Morris Graves

Obrazy autora Morris Graves: 30 nejznámějších díel podle pohledu galerie

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 32 děl umělce Morris Graves v našem katalogu

Stručně řečeno

Z pohledu galerie je nejslavnějším dílem Morris Graves obraz Bird Singing in the Moonlight (1938). Crow, Surf and Moon (1943) a Logged Mountains (1943) doplňují trio, které každé oko okamžitě pozná. Z 32 děl umělce Morris Graves v našem katalogu představuje galerie níže 30 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.

1910 – 2001, Fox Nejvíce děl: Art Museum

Top 10 obrazů umělce Morris Graves v naší galerii

3
Logged Mountains (1943) od Morris Graves

Logged Mountains

1943 · Smithsonian American Art Museum, Washington, D.C.

The Logged Mountains painting by Morris Graves is a thought-provoking artwork that showcases the artist's skill in combining natural elements with artistic expression. Created in 1943, this oil on canvas painting measures 66 x 92 cm and is currently housed at the Smithsonian American Art Museum in the United States. Artist Background Morris Graves was an American artist known for his delicate and contemplative drawings that capture the essence of…

Obrazy autora Morris Graves, seřazeny od 11 do 30

Muzea, v nichž jsou vystavena originálna umělce Morris Graves

3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Morris Graves Obrazy z tohoto seznamu
Art Museum, SeattleArt Museum Seattle 6 Crow, Surf and Moon, Bird in the Night, Sea, Fish and Constellation
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 3 Surf and Bird, Young Gander Ready for Flight, August Still Life
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Logged Mountains

Morris Graves, jeden ikonický obraz na každé desetiletí

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Morris Graves: odpovědi galerie

Který obraz autora Morris Graves je nejslavnější ze všech?Odhalit odpověď

Bird Singing in the Moonlight (1938). Následují Crow, Surf and Moon (1943) a Logged Mountains (1943).

Kolik let bylo Morris Graves, když dokončil/a Bird Singing in the Moonlight?Odhalit odpověď

28 let: dílo Bird Singing in the Moonlight pochází z roku 1938 a Morris Graves se narodil/a v roce 1910.

Kterých 10 nejlepších obrazů má Morris Graves?Odhalit odpověď

Bird Singing in the Moonlight, Crow, Surf and Moon, Logged Mountains, Surf and Bird, Snake and Moon, Wheelbarrow, Bird in the Night, Sea, Fish and Constellation, Bird in the Spirit a Nestling. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik děl vytvořil/a Morris Graves?Odhalit odpověď

Náš katalog obsahuje 32 děl umělce Morris Graves z let 1934 až 1988.

Kde jsou vystavena nejznámější originály umělce Morris Graves?Odhalit odpověď

Většinou v Art Museum (Seattle), The Phillips Collection (Washington, D.C.) a Smithsonian American Art Museum (Washington, D.C.). V tabulce muzeí výše jsou vypsány všechny.

Kdy Morris Graves vytvořil své nejslavnější obrazy?Odhalit odpověď

V období 1940s: 11 z celkem 30 děl na této stránce vzniklo právě tehdy, z toho Crow, Surf and Moon z nich.

Která jsou nejstarší a nejnovější slavná díla umělce Morris Graves?Odhalit odpověď

Na této stránce je nejstarší dílo z Wheelbarrow (1934) a nejnovější z Summer Still Life (1988).

Jaká originální díla Morris Graves má v obsluze Art Museum?Odhalit odpověď

Crow, Surf and Moon, Bird in the Night a Sea, Fish and Constellation: muzeum Art Museum, Seattle má v obsluze 6 děl z této stránky.

Morris Graves: umělec

The Visionary of the Pacific Northwest

In the mist-shrouded landscapes where the rugged beauty of Oregon meets the contemplative stillness of the Puget Sound, the spirit of Morris Graves found its eternal home. Born in 1910, Graves was an artist who did not merely observe the world but sought to pierce through its physical veil to reveal the consciousness beneath. As a cornerstone of the Northwest School, his work emerged from a profound intimacy with nature—a landscape steeped in both wild resilience and a quiet, almost spiritual, grace. His journey was one of self-directed discovery, eschewing traditional academic rigor for a life lived in deep conversation with the elements: the flight of a bird, the delicate curve of a petal, and the shifting light of a coastal morning.

Eastern Echoes and the Mystic's Eye

The essence of Graves’s artistry was deeply intertwined with his fascination with Eastern aesthetics and Zen Buddhism. A formative voyage to Japan in the early 1930s left an indelible mark on his soul, instilling a reverence for simplicity, suggestion, and the beauty of the ephemeral. This influence manifested in a unique symbolic vocabulary where animals—most notably birds—served not as mere biological subjects but as metaphors for the human psyche and the fragility of existence. Through his mastery of texture and light, he developed a language that was both intimate and universal, characterized by:

  • Symbolic Motifs: The recurring use of birds, flowers, and chalices to represent spiritual vessels and the essence of life.
  • Atmospheric Depth: A technique that captures the ethereal, misty quality of the Northwest through delicate washes and shadows.
  • Philosophical Resonance: An integration of Eastern meditative principles into the very structure of his compositions.

His ability to blend these elements allowed him to create works like Folded Wings Memory the Moon Weeping, which haunt the viewer with their sense of isolation and transcendence.

A Legacy of Light and Shadow

Throughout his prolific career, Graves’s evolution was marked by a transition from delicate, contemplative drawings to more complex, abstract expressions. His breakthrough in 1942 at New York's Museum of Modern Art cemented his position as a leading figure of American Modernism, standing alongside contemporaries such as Mark Tobey. Even as he moved toward the abstractions of the machine age in later years, his work remained anchored in a deep-seated respect for quietude and the natural order. Pieces such as Hibernation and Logged Mountains stand as testaments to his ability to capture the tension between the organic world and the encroaching modern era. His legacy remains that of a true mystic, an artist who transformed the damp, grey atmosphere of the Pacific Northwest into a luminous window onto the infinite.