Portrét Margaret Stoddart

7 nejslavnějších obrazů autora Margaret Stoddart, každý naprosto unikátní

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 7 děl umělce Margaret Stoddart v našem katalogu

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Untitled (1885) je obraz autora Margaret Stoddart, který přitahuje nejvíce pohledů; originál se nachází v instituci The Suter Te Aratoi o Whakatū. Poté se zrak přesouvá k Roses (1894) a View of Mount Cook (1930). Z 7 děl umělce Margaret Stoddart v našem katalogu je těchto 7 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1865 – 1934, Diamond Harbour Nejvíce děl: The Suter Te Aratoi o Whakatū

Top 10 obrazů autora Margaret Stoddart podle výběru galerie

7
Roses (1930) od Margaret Stoddart

Roses

1930 · Te Papa, Wellington

This essay originally appeared in New Zealand Art at Te Papa (Te Papa Press, 2018). In 1940, six years after Margaret Stoddart’s death, EH McCormick observed in his centennial survey, Letters and art in New Zealand, that along with the still life of zinnias by DK Richmond, ‘Miss Stoddart’s roses have become part of the tradition of New Zealand painting’.1 Stoddart was arguably this country’s best-known painter of flowers. Born…

Muzea, v nichž jsou vystavena originálna umělce Margaret Stoddart

3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Margaret Stoddart Obrazy z tohoto seznamu
The Suter Te Aratoi o WhakatūThe Suter Te Aratoi o Whakatū 5 Untitled, Roses, A Surrey Lane
Museum of New Zealand Te Papa Tongarewa, WellingtonMuseum of New Zealand Te Papa Tongarewa Wellington 1 View of Mount Cook
Te Papa, WellingtonTe Papa Wellington 1 Roses

Margaret Stoddart napříč desetiletími: jeden unikátní originál pro každou dekádu

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Margaret Stoddart: dotazy pro galerii

Kterým nejznámějším dílem je Margaret Stoddart?Odhalit odpověď

Untitled (1885), The Suter Te Aratoi o Whakatū. Následují Roses (1894) a View of Mount Cook (1930).

V jakém věku vytvořil(a) Margaret Stoddart dílo Untitled?Odhalit odpověď

20 let: dílo Untitled pochází z roku 1885 a Margaret Stoddart se narodil/a v roce 1865.

Kolik známých děl má autor Margaret Stoddart?Odhalit odpověď

Náš katalog obsahuje 7 děl umělce Margaret Stoddart z let 1885 až 1930.

Kde lze vidět nejznámější originály umělce Margaret Stoddart?Odhalit odpověď

Většinou v The Suter Te Aratoi o Whakatū, Museum of New Zealand Te Papa Tongarewa (Wellington) a Te Papa (Wellington). V tabulce muzeí výše jsou vypsány všechny.

V jakém období vytvořil(a) Margaret Stoddart svá nejznámější obrazy?Odhalit odpověď

V období 1930s: 2 z celkem 7 děl na této stránce vzniklo právě tehdy, z toho View of Mount Cook z nich.

Který slavný obraz od Margaret Stoddart je nejstarší a který nejnovější?Odhalit odpověď

Na této stránce je nejstarší dílo z Untitled (1885) a nejnovější z View of Mount Cook (1930).

Jaká originální díla Margaret Stoddart mohu vidět v The Suter Te Aratoi o Whakatū?Odhalit odpověď

Untitled, Roses a A Surrey Lane: muzeum The Suter Te Aratoi o Whakatū má v obsluze 5 děl z této stránky.

Margaret Stoddart: portrét umělce

Margaret Olrog Stoddart: A New Zealand Watercolourist

Early Life and Education

  • Born in Diamond Harbour, Canterbury, New Zealand in 1865, Margaret Olrog Stoddart was one of six children.
  • Her family moved to Scotland in 1876, where she attended Edinburgh Ladies' College.
  • Returning to New Zealand in 1882, she enrolled at the Canterbury College School of Art (now Ilam School of Fine Arts), completing her studies in 1890.
  • She became a member of the Palette Club, dedicated to painting from nature.

Artistic Development and Style

  • Stoddart established herself as a prominent flower painter during the late 19th and early 20th centuries.
  • Her artistic style is characterized by her masterful use of watercolour, a popular medium of the time.
  • She frequently depicted landscapes and still-life compositions, reflecting the aesthetic preferences of her era.
  • Her travels to the Chatham Islands in 1886 and 1891 provided inspiration for documenting the islands’ unique vegetation.

European Influences and Travels

  • Around 1898, Stoddart embarked on a nine-year period of artistic exploration in Europe.
  • She resided in London, St Ives (Cornwall), France, and Italy, immersing herself in diverse artistic environments.
  • Her work was significantly influenced by the Impressionist and Expressionist movements prevalent during this time.
  • She studied with notable artists such as Norman Garstin, Louis Grier, and Charles Lasal.
  • Stoddart exhibited her paintings at prestigious venues including the Royal Institute in London, the Society of Aquarellists in Rome, and salons in Paris.

Return to New Zealand and Later Life

  • In 1906, Stoddart returned to New Zealand, settling with her family in Christchurch.
  • She continued to paint and exhibit her work, becoming a respected figure in the local art community.
  • Stoddart was an active member of the Christchurch Sketch Club and served as vice president of the Canterbury Society of Arts.
  • She also shared her expertise by teaching at the Canterbury College School of Art, influencing generations of young artists including Toss Woollaston and Evelyn Page.

Major Achievements and Legacy

  • Stoddart’s paintings were acquired by prominent institutions such as the Canterbury Society of Arts and the Canterbury Museum early in her career.
  • Her work was praised by critics, including recognition in The Sunday Times.
  • Following her death in 1934, major retrospective exhibitions of her art were held in Christchurch, Wellington, and Auckland in 1935.
  • Today, Margaret Olrog Stoddart is recognized as a significant figure in New Zealand’s art history, celebrated for her delicate watercolour paintings and contribution to the country's artistic heritage.

Historical Significance

  • Stoddart represents an important link between European artistic trends and the development of a distinctively New Zealand visual culture.
  • Her dedication to capturing the beauty of the New Zealand landscape through watercolour painting helped establish a tradition that continues to inspire artists today.
  • Her work provides valuable insights into the social and cultural context of late 19th and early 20th century New Zealand.