Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 52 děl umělce Käthe Kollwitzová v našem katalogu
Stručně řečeno
Z všech originálů, které Käthe Kollwitzová zanechal, je nejslavnější The Mothers (1922). Hned za ním následují Mother with Child (1933) a The Survivors (1923). Náš katalog obsahuje 52 děl umělce Käthe Kollwitzová; galerie si zachovala 52 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.
The Mothers (*Die Mütter*) is a work by Käthe Kollwitz, created between 1921 and 1922. It belongs to the artist's War (*Krieg*) portfolio, which was published in 1923. This specific piece is part of a series of seven prints that address the human cost of conflict.
Mother with Child is a black and white drawing by the artist Käthe Kollwitz. The work is dated 1933. This piece focuses on the physical and emotional bond between a mother and her child, centering the composition on their intertwined forms. The figures are positioned against a plain background, which directs the viewer's attention to the immediate connection between the two subjects.
The Survivors by Käthe Kollwitz emerges from the shadows of a fractured era. Created between 1922 and 1923, this drawing captures a moment of profound human experience. It belongs to the artist's poignant War (Krieg) portfolio, a collection born from the heavy silence following the Great War. Within this series, the work finds its place among others that address the heavy toll of conflict on those left behind.
is a work by the artist Käthe Kollwitz. It is a piece from the Peasants' War (Bauernkrieg) series, created in Germany. This specific print is also known by several names, including Losbruch, Outbreak [Losbruch] from Peasants' War [Bauernkrieg], The peasants' revolt, and sheet 5 of Peasants' War. The image captures a moment of sudden upheaval.
In this poignant work, titled Germany's children starve!, the artist Käthe Kollwitz addresses the profound suffering of a nation. Created around 1923 or 1924, the piece emerged from a period of intense social upheaval. It was commissioned by the Workers International Relief (WIR) to bring attention to the acute deprivation facing the German population. The work specifically responds to the devastating consequences of post-war inflation, which left many families without…
The artwork titled Never Again War (Nie Wieder Krieg) was created by the artist Käthe Kollwitz in 1924. This specific piece was commissioned by the Socialist Workers' Youth in Leipzig. It was produced for the Central German Youth Day, which took place in Leipzig from 1 to 4 August 1924.
The scene unfolds through Death and Woman (Self-Portrait), a profound work by the German artist Käthe Kollwitz. Created about 1910, this piece captures a moment of intense existential struggle. The artist uses her own likeness to navigate the heavy boundaries between existence and the void. It is a self-portrait that reaches far beyond a simple likeness, turning the artist's own body into a site of profound conflict.
A solitary figure dominates the composition, her body curled inward in a gesture of profound distress. She wears a long dress, her arms wrapped tightly around herself as if attempting to hold together a fractured sense of self. The scene is marked by a heavy sense of loss, a quietude that speaks of the void left by death. To the side, a handbag rests near the center, a mundane object…
The artwork titled Woman with Dead Child was created by the artist Käthe Kollwitz. Dating to about 1903, this work focuses on the human body as its primary motif. The composition centers on the physical presence of the figures, capturing a moment of profound stillness.
In "Old Man with Noose" by Käthe Kollwitz, we encounter a stark, vertical woodcut print that commands immediate attention through its high-contrast economy. The composition is oriented vertically, a choice that emphasizes the height of the solitary figure and draws the eye upward through the frame. This man, whose posture suggests he might be a performer or a clown, is caught in a moment of profound vulnerability. He leans heavily…
Peasant War print 1: The Tiller1907
12
Peasant War print 2: Raped1908
13
Peasant War print 6: Battlefield1907
14
In Memoriam Karl Liebknecht1920
15
Zeichnung zu Volks1921 · Národní muzeum krásných umění
16
The Parents1919
17
Killed in Action1921
18
The Widow II1922
19
The Mothers1919
20
Self-Portrait1924
21
Bread!1924
22
Solidarity1932
23
Death Seizing A Woman1934
24
Call of Death1934
25
Mother with Child / Children1909 · Kunsthalle Bremen
26
Self-Portrait1921 · Kunsthalle Bremen
27
The Sacrifice1922
28
Conspiracy1897
29
Need1897
30
The March of the Weavers in Berlin1897
31
The End1897
32
Death1897
33
Revolt (By the Gates of a Park)1897
34
Gretchen1899
35
Pregnant woman with folded hands1899
36
The Carmagnole (Dance Around the Guillotine)1901
37
Peasant War print 4: Seizing Weapons1906
38
Death with Girl in Her Lap
39
The Prisoners1908
40
The Volunteers1922
41
Memorial for Karl Liebknecht1919
42
The Parents1922
43
Hunger1923
44
Two Chatting Women with Two Children1930
45
Tower of MothersMuseum Folkwang
46
The DowntroddenNational Museum of Women in the Arts
47
Mourning for BarlachOldenburg State Museum for Art and Cultural History
48
The People1922
49
Hospital Visit
50
Whetting the Scythe
51
Mary and Elizabeth
52
Study Sheet1931 · Kunsthalle Bremen
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
5 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Käthe Kollwitzová | Obrazy z tohoto seznamu |
|---|---|---|---|
 Kunsthalle Bremen |
Bremen | 3 | Mother with Child / Children, Self-Portrait, Study Sheet |
 Národní muzeum krásných umění |
Buenos Aires | 1 | Zeichnung zu Volks |
 Museum Folkwang |
Essen | 1 | Tower of Mothers |
 National Museum of Women in the Arts |
Washington, D.C. | 1 | The Downtrodden |
 Oldenburg State Museum for Art and Cultural History |
Oldenburg | 1 | Mourning for Barlach |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
is a work by the artist Käthe Kollwitz. It is a piece from the Peasants' War (Bauernkrieg) series, created in Germany. This specific print is also known by several names, including Losbruch, Outbreak [Losbruch] from Peasants' War [Bauernkrieg], The peasants' revolt, and sheet 5 of Peasants' War. The image captures a moment of sudden upheaval.
The scene unfolds through Death and Woman (Self-Portrait), a profound work by the German artist Käthe Kollwitz. Created about 1910, this piece captures a moment of intense existential struggle. The artist uses her own likeness to navigate the heavy boundaries between existence and the void. It is a self-portrait that reaches far beyond a simple likeness, turning the artist's own body into a site of profound conflict.
The Mothers (*Die Mütter*) is a work by Käthe Kollwitz, created between 1921 and 1922. It belongs to the artist's War (*Krieg*) portfolio, which was published in 1923. This specific piece is part of a series of seven prints that address the human cost of conflict.
Mother with Child is a black and white drawing by the artist Käthe Kollwitz. The work is dated 1933. This piece focuses on the physical and emotional bond between a mother and her child, centering the composition on their intertwined forms. The figures are positioned against a plain background, which directs the viewer's attention to the immediate connection between the two subjects.
The Mothers (1922). Následují Mother with Child (1933) a The Survivors (1923).
55 let: dílo The Mothers pochází z roku 1922 a Käthe Kollwitzová se narodil/a v roce 1867.
The Mothers, Mother with Child, The Survivors, Outbreak, Germany's children starve!, Never Again War, Death and Woman (Self-Portrait), The Widow I, Woman with Dead Child a Old Man with Noose. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 52 děl umělce Käthe Kollwitzová z let 1897 až 1934.
Většinou v Kunsthalle Bremen (Bremen), Národní muzeum krásných umění (Buenos Aires) a Museum Folkwang (Essen). V tabulce muzeí výše jsou vypsány všechny.
V období 1920s: 18 z celkem 52 děl na této stránce vzniklo právě tehdy, z toho The Mothers z nich.
Na této stránce je nejstarší dílo z Conspiracy (1897) a nejnovější z Death Seizing A Woman (1934).
Woman (14), People (11) a Figures (10) napříč 52 díly na této stránce.
Lithograph, u 8 z 52 děl na této stránce.
Expressionism, podle originálů na této stránce.
Mother with Child / Children, Self-Portrait a Study Sheet: muzeum Kunsthalle Bremen, Bremen má v obsluze 3 děl z této stránky.
