Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 10 děl umělce Jost Amman v našem katalogu
Stručně řečeno
Portrait of Stephen Bathory (detail). (1585) je obraz autora Jost Amman, který přitahuje nejvíce pohledů; originál se nachází v Královský zámek ve Varšavě, Varšava. Poté se zrak přesouvá k The Feast Of Herod, a The Sin And Punishment Of The Thief Achan. Z 10 děl umělce Jost Amman v našem katalogu je těchto 10 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
A single figure commands the space, anchored by the heavy gravity of velvet and fur. Stephen Bathory is rendered in a moment of stillness, his posture a vertical line of authority against a draped, shadowed background. The light falls from the upper left, catching the ridges of a brocade tunic and the soft, dark texture of a fur lining. Every fold in the fabric carries a sense of physical weight,…
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
Muzeum, které má v této kolekci nejvíce obrazů.
| Muzea | Město | Díla autora Jost Amman | Obrazy z tohoto seznamu |
|---|---|---|---|
 Královský zámek ve Varšavě |
Varšava | 1 | Portrait of Stephen Bathory (detail). |
Všechny originály umělce Jost Amman s datem 1585 zobrazené zde patří k jednomu roku, 1585: jsou uspořádány podle míry slavnosti.
Vyberte rok a prohlédněte si originály.
A single figure commands the space, anchored by the heavy gravity of velvet and fur. Stephen Bathory is rendered in a moment of stillness, his posture a vertical line of authority against a draped, shadowed background. The light falls from the upper left, catching the ridges of a brocade tunic and the soft, dark texture of a fur lining. Every fold in the fabric carries a sense of physical weight,…
Portrait of Stephen Bathory (detail). (1585), Královský zámek ve Varšavě, Varšava. Následují The Feast Of Herod, a The Sin And Punishment Of The Thief Achan.
46 let: dílo Portrait of Stephen Bathory (detail). pochází z roku 1585 a Jost Amman se narodil/a v roce 1539.
Portrait of Stephen Bathory (detail)., The Feast Of Herod,, The Sin And Punishment Of The Thief Achan, Jacob Wrestles With The Angel,, Nobilis Neapolitana' From Trachtenbuch Von Nurnberg (costume Book Of Nuremberg), Mauritana In Domestico' From Trachtenbuch Von Nurnberg (costume Book Of Nuremberg, Foemina Ex Praecipua Nobi' From Trachtenbuch Von Nurnberg (costume Book Of Nuremberg), The Priests Carry The Ark Of The Covenant, Zechariah's Vision Christ's Entry Into Jerusalem In The Background, a Russian embassy (1576 engraving). Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 10 děl od Jost Amman.
Většinou v Královský zámek ve Varšavě (Varšava). V tabulce muzeí výše jsou vypsány všechny.
Clothing (3) a Books (3) napříč 10 díly na této stránce.
Jost Amman (1539-1591) was a Swiss-German artist born in Zurich, Switzerland. His father was a professor of Classics and Logic, ensuring Jost received a well-rounded education – an unusual advantage for artists of his time. Little is known about his early artistic training, but his later work demonstrates a strong foundation in drawing and design.
In 1560, Amman moved to Nuremberg, a major center for printmaking at the time. He became a citizen of the city and remained there until his death in March 1591. Initially, he worked alongside Virgil Solis, a leading producer of book illustrations. This collaboration undoubtedly influenced Amman’s early style and technique.
Amman was remarkably productive; one account suggests his drawings from just four years could fill a hay wagon! Approximately 1,500 prints are attributed to him, making him one of the last major producers of woodcuts for books before engravings largely took over that role. He often employed specialist cutters (Formschneider) but occasionally signed his work with both a cutter’s knife and quill pen, suggesting he sometimes cut blocks himself.
Amman’s drawing style is characterized by its accuracy, spirit, and attention to detail. He excelled at depicting costumes with remarkable precision. While influenced by Virgil Solis, Amman developed his own distinct style, focusing on clarity and informative representation. His work reflects the Renaissance interest in observation and documentation.
Jost Amman played a crucial role in preserving visual records of 16th-century life. His illustrations provide invaluable information about trades, costumes, and social customs of the period. As one of the last major woodcut artists for books, he bridged the gap between traditional woodcut techniques and the emerging dominance of engraving. His work continues to be studied by historians, art scholars, and costume designers today.
Although paintings in oil and on glass have been attributed to Amman, none have been definitively identified. His enduring legacy rests primarily on his prolific output of woodcuts and book illustrations, which remain a testament to his skill, dedication, and the importance of visual documentation in the Renaissance era.
