Portrét Joseph Badger

32 nejslavnějších obrazů autora Joseph Badger, výběr z galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 32 děl umělce Joseph Badger v našem katalogu

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Z všech originálů, které Joseph Badger zanechal, je nejslavnější Portrait of Sarah Larrabee Edes (1760), který se nachází ve sbírce Los Angeles County Museum of Art, Los Angeles. Hned za ním následují Little Girl Holding Flowers (attributed to Joseph Badger) (1755) a Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746). Náš katalog obsahuje 32 děl umělce Joseph Badger; galerie si zachovala 32 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1708 – 1765, Charlestown Nejvíce děl: Muzeum umění v Bostonu

10 nejlepších obrazů umělce Joseph Badger: výběr galerie

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Portrait of Sarah Larrabee Edes (1760) od Joseph Badger

Portrait of Sarah Larrabee Edes

1760 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

Sarah Larrabee Edes sits before us, suspended in a quiet moment of the mid-18th century. She is positioned in a three-quarter view, her gaze meeting the viewer with a steady, composed dignity. The light falls softly across her face and chest, carving her features out of a deep, atmospheric background of nebulous foliage and a hazy, indistinct sky. Her gown, a deep shade of blue, possesses a silken sheen that…

Výběr umělce Joseph Badger pokračuje, od 11 do 32

Muzea, v nichž jsou vystavena originálna umělce Joseph Badger

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Joseph Badger Obrazy z tohoto seznamu
Muzeum umění v Bostonu, BostonMuzeum umění v Bostonu Boston 5 William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith)
National Gallery of Art, WashingtonNational Gallery of Art Washington 4 Captain Isaac Foster, Eleanor Wyer Foster (Mrs. Isaac Foster), Isaac Foster, Jr.
Worcester Art Museum, WorcesterWorcester Art Museum Worcester 3 Portrait of Cornelius Waldo, Rebecca Orne, Lois Orne
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 3 Portrait of Mr. Sargent, Portrait of Ann Savage, Portrait of an Unknown Woman
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758)
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 2 Portrait of Mary Croswell (1730-1830?), Portrait of Abigail Gowen (1759-1850)
New Britain Museum of American Art, New BritainNew Britain Museum of American Art New Britain 2 Samuel Moody, Hannah Minot Moody
Los Angeles County Museum of Art, Los AngelesLos Angeles County Museum of Art Los Angeles 1 Portrait of Sarah Larrabee Edes

Joseph Badger dekáda po dekádě: originální díla, která definují každou z nich

Díla podle dekád

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Otázky sběratelů o obrazech umělce Joseph Badger

Kterým dílem je Joseph Badger nejznámější?Odhalit odpověď

Portrait of Sarah Larrabee Edes (1760), Los Angeles County Museum of Art, Los Angeles. Následují Little Girl Holding Flowers (attributed to Joseph Badger) (1755) a Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746).

Kolik let bylo Joseph Badger, když bylo vytvořeno dílo Portrait of Sarah Larrabee Edes?Odhalit odpověď

52 let: dílo Portrait of Sarah Larrabee Edes pochází z roku 1760 a Joseph Badger se narodil/a v roce 1708.

Kterých deset nejslavnějších obrazů má Joseph Badger?Odhalit odpověď

Portrait of Sarah Larrabee Edes, Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758), Portrait of Cornelius Waldo, Portrait of John Gerry, William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith), Mrs. John Edwards (Abigail Fowle) a George Whitefield (1714-1770). Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik obrazů zanechal(a) Joseph Badger?Odhalit odpověď

Náš katalog obsahuje 32 děl umělce Joseph Badger z let 1745 až 1763.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Joseph Badger?Odhalit odpověď

Většinou v Muzeum umění v Bostonu (Boston), National Gallery of Art (Washington) a Worcester Art Museum (Worcester). V tabulce muzeí výše jsou vypsány všechny.

V jakých letech namaloval Joseph Badger svá nejznámější díla?Odhalit odpověď

V období 1750s: 18 z celkem 32 děl na této stránce vzniklo právě tehdy, z toho Little Girl Holding Flowers (attributed to Joseph Badger) z nich.

Jaká jsou první a poslední slavná originální díla umělce Joseph Badger?Odhalit odpověď

Na této stránce je nejstarší dílo z Portrait of John Gerry (1745) a nejnovější z Portrait of Mary Croswell (1730-1830?) (1763).

Která díla umělce Joseph Badger jsou vystavena v Muzeum umění v Bostonu?Odhalit odpověď

William Foye, Jr., Mrs. William Foye (Elizabeth Campbell) a Elizabeth Storer (Mrs. Isaac Smith): muzeum Muzeum umění v Bostonu, Boston má v obsluze 5 děl z této stránky.

Joseph Badger: život a dílo

The Artisan of Colonial Boston: The Life and Legacy of Joseph Badger

In the bustling, salt-aired streets of eighteenth-century Boston, where the intellectual fervor of the Enlightenment began to stir amidst colonial tradition, there lived a man whose brush captured the very soul of a burgeoning nation. Joseph Badger (c. 1707–1765) was far more than a mere recorder of faces; he was a bridge between the practical grit of colonial craftsmanship and the refined elegance of high portraiture. Born in Charlestown to Stephen Badger, a skilled tailor, and Mercy Kettell, his early life was rooted in the industrious spirit of Massachusetts. Before he ever commanded the attention of the merchant elite, Badger honed his eye through the meticulous labor of an apprentice house painter and glazier. This foundational period of manual artistry instilled in him a profound reverence for materials and a precision of touch that would later define his most celebrated canvases.

Badger’s journey was one of constant movement and adaptation, reflecting the fluid social structures of his era. After marrying Katharine Felch in 1731, he transitioned to the heart of Boston around 1733, establishing himself within a community of thinkers and traders. While his primary calling was the pursuit of fine art, the economic realities of colonial life required a versatile hand. To sustain his practice during periods when portrait commissions were sparse, Badger turned to the more utilitarian arts, painting signs, hatchments, and heraldic devices. This duality of vocation—the ability to move between the decorative and the profound—allowed him to maintain a constant presence in the visual landscape of the city, ensuring that even his most commercial works carried the weight of his developing mastery.

A Mastery of Light and Character

The true brilliance of Badger’s work lies in his ability to transcend simple likeness, imbuing his subjects with an unmistakable sense of presence and intellect. Influenced by the enduring traditions of European portraiture, particularly the subtle realism found in Dutch masters, he developed a technique characterized by an expressive handling of light and shadow. His portraits do not merely sit upon the canvas; they breathe with the dignity of their sitters. In his famous 1747 depiction of James Bowdoin, one can observe how Badger utilizes composition to convey status and curiosity, placing the subject against a backdrop that suggests both maritime prosperity and scholarly depth.

His subjects were often the architects of colonial society—wealthy merchants, influential clergymen, and prominent families who sought to immortalize their legacy. Through his brush, these figures are rendered with a realism that captures the texture of fine fabrics, the glint of light on polished surfaces, and the nuanced expressions of a class navigating a changing world. His work serves as a vital historical window, offering glimpses into the social fabric of Boston through the very clothing, posture, and gaze of its most notable citizens.

Historical Significance and Rediscovery

Though his talent was respected during his lifetime, the true magnitude of Joseph Badger’s contribution to American art underwent a period of quietude following his death in 1765. For many years, his name resided in the shadows of later, more famous American masters. It was not until the early twentieth century, through the scholarly efforts of historians like Lawrence Park, that the significance of his oeuvre was fully re-evaluated and brought back into the light of art historical discourse.

Today, Badger’s legacy is preserved in some of the most prestigious institutions in the United States, serving as a cornerstone for anyone studying the evolution of American portraiture. His works can be found in:

  • The Museum of Fine Arts, Boston: Where his ability to capture the colonial spirit remains on permanent display.
  • The Worcester Art Museum: Housing pieces that showcase his technical command and historical importance.
  • Historic New England’s Phillips House: Preserving the connection between his art and the domestic history of Salem.

Ultimately, Joseph Badger remains a pivotal figure in the narrative of early American art. He represents the transition from the functional trades of the colonial era to the sophisticated artistic expressions of a maturing society. His life, marked by both the humble work of a glazier and the elevated pursuit of the portraitist, mirrors the very growth of the American identity itself—a journey from craftsmanship toward a distinct and enduring cultural voice.