Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 15 děl umělce Jan Van De Velde v našem katalogu
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Merry company in the park (1621) je obraz autora Jan Van De Velde, který přitahuje nejvíce pohledů; originál se nachází v Národní muzeum ve Varšavě, Varšava. Poté se zrak přesouvá k Landscape (1620) a A View of Amsterdam seen from the River IJ (1664). Z 15 děl umělce Jan Van De Velde v našem katalogu je těchto 13 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
The scene unfolds within the lively world of Merry company in the park, a work that captures a moment of social leisure amidst the lush greenery of a garden. This painting, created by the Dutch Golden Age painter and printmaker Jan van de Velde, invites the viewer into a spirited outdoor banquet. The figures gather in a setting where the architecture of the past meets the natural abundance of the…
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Jan Van De Velde | Obrazy z tohoto seznamu |
|---|---|---|---|
 National Maritime Museum |
Londýn | 3 | Dutch Attack on the Medway, 9-14 June 1667, Ships at Anchor Off a Mediterranean Harbour, Shipping Off a Rocky Coast |
 Nationalmuseum |
Stockholm | 3 | Shipwreck, Fortress on a Riverbank, A Fortified Harbour |
 Národní muzeum ve Varšavě |
Varšava | 1 | Merry company in the park |
 Fitzwilliam Museum |
1 | Landscape | |
 Tyntesfield |
1 | A View of Amsterdam seen from the River IJ | |
 Hartwell House |
Aylesbury | 1 | A Mediterranean Port Scene with Shipping in Choppy Seas and with Fort in the centre |
 Rijksmuseum |
Amsterdam | 1 | Naval battle near Elseneur in the Sound between the Dutch and the Swedish fleets, 8 November 1658 |
 Amsterdam Museum |
Amsterdam | 1 | Harbour in the Mediterranean |
Každý originál umělce Jan Van De Velde s uvedeným datem, který je zde zobrazen, vznikl během 2 let, v období mezi 1620 a 1621: rok po roce, zde jsou.
Vyberte rok a prohlédněte si originály.
The scene unfolds within the lively world of Merry company in the park, a work that captures a moment of social leisure amidst the lush greenery of a garden. This painting, created by the Dutch Golden Age painter and printmaker Jan van de Velde, invites the viewer into a spirited outdoor banquet. The figures gather in a setting where the architecture of the past meets the natural abundance of the…
Merry company in the park (1621), Národní muzeum ve Varšavě, Varšava. Následují Landscape (1620) a A View of Amsterdam seen from the River IJ (1664).
28 let: dílo Merry company in the park pochází z roku 1621 a Jan Van De Velde se narodil/a v roce 1593.
Merry company in the park, Landscape, A View of Amsterdam seen from the River IJ, A Mediterranean Port Scene with Shipping in Choppy Seas and with Fort in the centre, Dutch Attack on the Medway, 9-14 June 1667, Naval battle near Elseneur in the Sound between the Dutch and the Swedish fleets, 8 November 1658, Ships at Anchor Off a Mediterranean Harbour, Shipwreck, Shipping Off a Rocky Coast a Harbour in the Mediterranean. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 15 děl umělce Jan Van De Velde z let 1620 až 1621.
Většinou v National Maritime Museum (Londýn), Nationalmuseum (Stockholm) a Národní muzeum ve Varšavě (Varšava). V tabulce muzeí výše jsou vypsány všechny.
Na této stránce je nejstarší dílo z Landscape (1620) a nejnovější z Merry company in the park (1621).
Dutch Attack on the Medway, 9-14 June 1667, Ships at Anchor Off a Mediterranean Harbour a Shipping Off a Rocky Coast: muzeum National Maritime Museum, Londýn má v obsluze 3 děl z této stránky.
Willem van de Velde the Younger (1633-1707) stands as a towering figure in the history of marine painting, inextricably linked to the Dutch Golden Age and its unparalleled seafaring prowess. Born into an artistic family – his father, Willem van de Velde the Elder, was already a celebrated maritime artist – young Willem inherited not just a profession but a deep-seated fascination with the sea, ships, and the lives they encompassed. His career unfolded against a backdrop of naval conflict, burgeoning trade, and national pride, all powerfully reflected in his meticulously detailed and dramatically rendered canvases.
Van de Velde’s early years were spent in Leiden and Amsterdam, immersed in the sights and sounds of Dutch maritime life. While his father initially guided his artistic development, Willem soon sought formal training under Simon de Vlieger, a prominent marine painter known for his dynamic compositions and skillful use of color. This apprenticeship proved crucial, broadening Van de Velde’s technical abilities beyond the precise draughtsmanship favored by his father. The Elder excelled in monochrome pen paintings – incredibly detailed records of ships and naval scenes – while the Younger gravitated towards the vibrancy and expressiveness of oil painting. Even as a young artist, Van de Velde demonstrated an exceptional talent for capturing the nuances of light on water, the texture of sails billowing in the wind, and the complex rigging of Dutch vessels.
The artistic partnership between father and son was a defining feature of their careers. Willem van de Velde the Elder’s role often involved creating detailed sketches directly from life, frequently accompanying fleets on voyages to document naval battles and harbor scenes firsthand. These sketches served as invaluable source material for both artists, but they were utilized in distinct ways. The Elder transformed them into his signature pen paintings, prized for their accuracy and topographical detail. The Younger, however, used these same studies as the foundation for larger, more ambitious oil paintings that captured not only the *appearance* of maritime life but also its atmosphere, drama, and emotional weight. This division of labor allowed both artists to flourish, establishing a unique synergy that cemented their reputation throughout Europe.
The year 1672 marked a turning point in the Van de Veldes’ lives. Amidst political turmoil and Anglo-Dutch conflicts, they accepted an invitation from King Charles II to relocate to London. This move was strategically advantageous for both parties: the king sought skilled artists capable of documenting the English fleet, while the Van de Veldes gained access to royal patronage, a studio space at the Queen’s House in Greenwich, and a steady income. Their presence revolutionized maritime art in Britain, influencing generations of artists with their realism and attention to detail. They were commissioned to create an extensive series of paintings depicting naval battles and ship portraits, becoming chroniclers of England's burgeoning sea power. The meticulous records they produced remain invaluable historical documents today.
Willem van de Velde the Younger’s legacy extends far beyond his technical mastery. He captured a pivotal moment in maritime history, documenting the height of Dutch and English naval power with unparalleled accuracy and artistic skill. His paintings are not merely representations of ships; they are windows into a world of commerce, conflict, and adventure. He imbued his work with a sense of immediacy and drama that set him apart from his contemporaries. His influence can be seen in the works of later marine painters, including J.M.W. Turner, who admired Van de Velde’s ability to convey the power and majesty of the sea. Today, his paintings are held in prestigious collections worldwide, serving as a testament to his enduring artistic vision and historical importance.
