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5 nejslavnějších obrazů autora Jan Philip Koelman, výběr z galerie
Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 6 děl umělce Jan Philip Koelman v našem katalogu
Stručně řečeno
Z všech originálů, které Jan Philip Koelman zanechal, je nejslavnější Portrait of Hendrik Koelman, the father of the painter (1845). Hned za ním následují Portrait of the painter's nephew, namely Romolo Koelman, later landscape painter (1850) a Josephina Johanna Koelman (1834-1914) (1855). Náš katalog obsahuje 6 děl umělce Jan Philip Koelman; galerie si zachovala 5 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.
1818 – 1893, The Hague
Nejvíce děl: Rijksmuseum Twenthe
10 nejlepších obrazů umělce Jan Philip Koelman: výběr galerie
Muzea, v nichž jsou vystavena originálna umělce Jan Philip Koelman
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Jan Philip Koelman | Obrazy z tohoto seznamu |
|---|---|---|---|
 Rijksmuseum Twenthe |
Enschede | 1 | Portrait of the painter's nephew, namely Romolo Koelman, later landscape painter |
Jan Philip Koelman dekáda po dekádě: originální díla, která definují každou z nich
Díla podle dekád
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
1850s
Portrait of the painter's nephew, namely Romolo Koelman, later landscape painter
Věk 32 – 41
3 děl v tomto desetiletí
Otázky sběratelů o obrazech umělce Jan Philip Koelman
Kterým dílem je Jan Philip Koelman nejznámější?Odhalit odpověď
Portrait of Hendrik Koelman, the father of the painter (1845). Následují Portrait of the painter's nephew, namely Romolo Koelman, later landscape painter (1850) a Josephina Johanna Koelman (1834-1914) (1855).
Kolik let bylo Jan Philip Koelman, když bylo vytvořeno dílo Portrait of Hendrik Koelman, the father of the painter?Odhalit odpověď
27 let: dílo Portrait of Hendrik Koelman, the father of the painter pochází z roku 1845 a Jan Philip Koelman se narodil/a v roce 1818.
Kolik obrazů zanechal(a) Jan Philip Koelman?Odhalit odpověď
Náš katalog obsahuje 6 děl umělce Jan Philip Koelman z let 1845 až 1865.
Ve kterých muzeích jsou vystavena díla mistrovská umělce Jan Philip Koelman?Odhalit odpověď
Většinou v Rijksmuseum Twenthe (Enschede). V tabulce muzeí výše jsou vypsány všechny.
V jakých letech namaloval Jan Philip Koelman svá nejznámější díla?Odhalit odpověď
V období 1850s: 3 z celkem 5 děl na této stránce vzniklo právě tehdy, z toho Portrait of the painter's nephew, namely Romolo Koelman, later landscape painter z nich.
Jaká jsou první a poslední slavná originální díla umělce Jan Philip Koelman?Odhalit odpověď
Na této stránce je nejstarší dílo z Portrait of Hendrik Koelman, the father of the painter (1845) a nejnovější z Allegory on National History (1865).
Jan Philip Koelman: život a dílo
The Revolutionary Eye
To understand Jan Philip Koelman, one must look past the quietude of his watercolours and see the man who stood in the trenches of the Roman Republic. He was not merely a painter or a sculptor; he was an active participant in the political upheavals of the mid-nineteenth century. While many of his contemporaries remained safely tucked away in studios, Koelman joined Garibaldi’s defense of Rome against the French Army. This period of combat and upheaval left a permanent mark on his historical record. His memoirs, Memorie Romane, provide a gritty, firsthand account of the struggle for Italian unification that historians still rely upon today. He saw the conflict from the perspective of an outsider, providing details that official records often omit.
His training began in The Hague, where he studied under Cornelis Kruseman. This foundation placed him alongside a specific generation of Dutch talent, including Alexander Hugo Bakker Korff and Herman ten Kate. These connections anchored him to the technical traditions of his homeland even as his ambitions pulled him toward the Mediterranean. His work reflects this duality: the disciplined technique of a Hague-trained artist applied to the subject matter of a man living through revolution.
A Roman Influence
The years between 1846 and 1851 in Rome transformed his artistic output. It was here that Koelman engaged with the cosmopolitan community of expatriate artists, finding inspiration in the daily life of the Italian landscape. His watercolours often focused on the contadina, or the Italian peasant woman. In works like Italian girl, he captures a specific, idealized version of the Roman Campagna. He rendered the bright sun, the colorful folk costumes, and the textures of fruit with a precise, observational hand. This approach was common in the 1830s, yet Koelman’s connection to the local landscape was far more visceral than that of a mere tourist.
His versatility extended well beyond the brush. As a sculptor and designer, he took on significant official commissions within the Netherlands. His ability to move between the delicate rendering of a watercolour and the heavy permanence of stone is evident in his design for the monument to the Duke of Saxony-Weimar in The Hague. This range defined his professional identity.
Institutional Legacy
Koelman’s later years were marked by academic authority. He did not simply practice art; he directed its instruction. From 1870 to 1888, he served as the director of the Royal Academy of Art in The Hague. This period of leadership solidified his influence over the next generation of Dutch artists. His career was a continuous loop between the radical energy of his youth in Rome and the structured responsibility of his later years in the Netherlands.
His life ended in The Hague in 1893, leaving behind a body of work that spans several disciplines:
- Painting: Primarily watercolours and oil paintings focusing on Italian subjects.
- Sculpture: Monumental designs and official Dutch commissions.
- Literature: Historical memoirs documenting the Risorgimento.
- Graphic Arts: Work as a lithographer and draftsperson.