Portrét Jan de Stomme

33 nejslavnějších obrazů autora Jan de Stomme, každý naprosto unikátní

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 33 děl umělce Jan de Stomme v našem katalogu

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Portrait of a Boy (1654) je obraz autora Jan de Stomme, který přitahuje nejvíce pohledů; originál se nachází v Museum Boijmans Van Beuningen, Rotterdam. Poté se zrak přesouvá k Portrait of Geerteke van Scheltinga (1635) a Self-portrait (1635). Z 33 děl umělce Jan de Stomme v našem katalogu je těchto 33 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1615 – 1658, Franeker Nejvíce děl: Groninger Museum

Top 10 obrazů autora Jan de Stomme podle výběru galerie

1
Portrait of a Boy (1654) od Jan de Stomme

Portrait of a Boy

1654 · Oil On Panel · Museum Boijmans Van Beuningen, Rotterdam

A young boy gazes directly from the canvas, his expression marked by a solemn, steady dignity. He is positioned in a three-quarter length view against a dark, indistinct background that pushes his figure into the foreground. The composition relies heavily on chiaroscuro, using a strong light source from the upper left to sculpt the contours of his face and hands. This directional lighting creates deep shadows on the right side…

Slavná díla umělce Jan de Stomme, čísla 11 až 33

11Portrait of a woman, possibly Elisabeth Simons (1647) od Jan de StommePortrait of a woman, possibly Elisabeth Simons1647 · Groninger Museum 12Portrait of a man, possibly Roelof Pathuis (ca 1602-1647) (1647) od Jan de StommePortrait of a man, possibly Roelof Pathuis (ca 1602-1647)1647 · Groninger Museum 13Unknown Gentleman, (1657) od Jan de StommeUnknown Gentleman,1657 · Groninger Museum 14Evert and Reint Lewe, (1657) od Jan de StommeEvert and Reint Lewe,1657 · Groninger Museum 15Allard Tjarda van Starckenborgh, (1652) od Jan de StommeAllard Tjarda van Starckenborgh,1652 · Groninger Museum 16Two girls from Groningen (1654) od Jan de StommeTwo girls from Groningen1654 17Portrait of Clara Joachimsdr. van Andrée (?-1697) (1650) od Jan de StommePortrait of Clara Joachimsdr. van Andrée (?-1697)1650 · Fries Museum 18Houcke van Vreeden, wife of Gerhard ten Berge (1655) od Jan de StommeHoucke van Vreeden, wife of Gerhard ten Berge1655 · Groninger Museum 19Burgemeester Gerhard ten Berge (1655) od Jan de StommeBurgemeester Gerhard ten Berge1655 · Groninger Museum 20Portrait of Regnerus Tjaerda (1651) od Jan de StommePortrait of Regnerus Tjaerda1651 · Groninger Museum 21Evangelist St. Mathew (1655) od Jan de StommeEvangelist St. Mathew1655 · Groninger Museum 22Portrait of a Girl with a Goat and a Dog, possibly Beerta Elisabeth Gockinga (1654-1711) (1656) od Jan de StommePortrait of a Girl with a Goat and a Dog, possibly Beerta Elisabeth Gockinga (1654-1711)1656 · Groninger Museum 23Evangelist St. John (1655) od Jan de StommeEvangelist St. John1655 · Groninger Museum 24Portrait of Johanna Folckers (1651) od Jan de StommePortrait of Johanna Folckers1651 · Groninger Museum 25Portrait of Melchior van Lissebon (1627-....) (1651) od Jan de StommePortrait of Melchior van Lissebon (1627-....)1651 · Groninger Museum 26Geertruida Alberda, vrouwe van Middelstum (1653) od Jan de StommeGeertruida Alberda, vrouwe van Middelstum1653 · Groninger Museum 27Joan Lewe, heer van Middelstum op 30-jarige leeftijd (1653) od Jan de StommeJoan Lewe, heer van Middelstum op 30-jarige leeftijd1653 · Groninger Museum 28Portrait of Elisabeth Hooftman van Godlinze gezegd Eyckelenberg (1625-....) (1653) od Jan de StommePortrait of Elisabeth Hooftman van Godlinze gezegd Eyckelenberg (1625-....)1653 · Groninger Museum 29Portrait of Abel Coenders Lewe tot Asinga 1624-1663) (1653) od Jan de StommePortrait of Abel Coenders Lewe tot Asinga 1624-1663)1653 · Groninger Museum 30Evangelist St. Luke (1655) od Jan de StommeEvangelist St. Luke1655 · Groninger Museum 31Portrait of Frederika, Edzard Jacob and Lambert Tjarda van Starkenborgh (1654) od Jan de StommePortrait of Frederika, Edzard Jacob and Lambert Tjarda van Starkenborgh1654 · Groninger Museum 32Portrait of a dead child wearing a mourning wreath around its head (1654) od Jan de StommePortrait of a dead child wearing a mourning wreath around its head1654 · Groninger Museum 33Portrait Of A Boy, wearing a Grey Embroidered Suit and Holding a Feathered Hat od Jan de StommePortrait Of A Boy, wearing a Grey Embroidered Suit and Holding a Feathered Hat

Muzea, v nichž jsou vystavena originálna umělce Jan de Stomme

5 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Jan de Stomme Obrazy z tohoto seznamu
Groninger Museum, GroningenGroninger Museum Groningen 23 Duurt Sirps Elema Tho Allersma (1618-1682), Meenwertien Fockens (ca. 1620-1645), Family portrait of Bouwina Coenders van Helpen (..-1667) and her daughters Gratia Susanna Clant (1630-1690) and Amelia Clant (1633-1695)
Fries Museum, LeeuwardenFries Museum Leeuwarden 5 Portrait of Geerteke van Scheltinga, Portrait of Dirck Fogelsangh (1600-1663), Portrait of Poppe van Burmania (1603-1676)
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 Portrait of a Boy
Museum Martena, WaadhoekeMuseum Martena Waadhoeke 1 Self-portrait
Holburne Museum, BathHolburne Museum Bath 1 Portrait of a gentleman

Jan de Stomme napříč desetiletími: jeden unikátní originál pro každou dekádu

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Jan de Stomme: dotazy pro galerii

Kterým nejznámějším dílem je Jan de Stomme?Odhalit odpověď

Portrait of a Boy (1654), Museum Boijmans Van Beuningen, Rotterdam. Následují Portrait of Geerteke van Scheltinga (1635) a Self-portrait (1635).

V jakém věku vytvořil(a) Jan de Stomme dílo Portrait of a Boy?Odhalit odpověď

39 let: dílo Portrait of a Boy pochází z roku 1654 a Jan de Stomme se narodil/a v roce 1615.

Kterých deset obrazů autora Jan de Stomme je nejznámějších?Odhalit odpověď

Portrait of a Boy, Portrait of Geerteke van Scheltinga, Self-portrait, Portrait of Dirck Fogelsangh (1600-1663), Portrait of a gentleman, Portrait of Poppe van Burmania (1603-1676), Portrait of Dorck Fogelsangh (1600-1663), Duurt Sirps Elema Tho Allersma (1618-1682), Meenwertien Fockens (ca. 1620-1645) a Family portrait of Bouwina Coenders van Helpen (..-1667) and her daughters Gratia Susanna Clant (1630-1690) and Amelia Clant (1633-1695). Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik známých děl má autor Jan de Stomme?Odhalit odpověď

Náš katalog obsahuje 33 děl umělce Jan de Stomme z let 1635 až 1657.

Kde lze vidět nejznámější originály umělce Jan de Stomme?Odhalit odpověď

Většinou v Groninger Museum (Groningen), Fries Museum (Leeuwarden) a Museum Boijmans Van Beuningen (Rotterdam). V tabulce muzeí výše jsou vypsány všechny.

V jakém období vytvořil(a) Jan de Stomme svá nejznámější obrazy?Odhalit odpověď

V období 1650s: 21 z celkem 33 děl na této stránce vzniklo právě tehdy, z toho Portrait of a Boy z nich.

Který slavný obraz od Jan de Stomme je nejstarší a který nejnovější?Odhalit odpověď

Na této stránce je nejstarší dílo z Portrait of Geerteke van Scheltinga (1635) a nejnovější z Unknown Gentleman, (1657).

Jaká originální díla Jan de Stomme mohu vidět v Groninger Museum?Odhalit odpověď

Duurt Sirps Elema Tho Allersma (1618-1682), Meenwertien Fockens (ca. 1620-1645) a Family portrait of Bouwina Coenders van Helpen (..-1667) and her daughters Gratia Susanna Clant (1630-1690) and Amelia Clant (1633-1695): muzeum Groninger Museum, Groningen má v obsluze 23 děl z této stránky.

Jan de Stomme: portrét umělce

The Silent Master of the Golden Age

In the vibrant, bustling landscape of the Dutch Golden Age, where the air was thick with the scent of maritime trade and the fervor of religious debate, there existed a painter whose very existence was defined by a profound silence. Jan Jansz. de Stomme, born around 1615 in the quiet town of Franeker, navigated a world he could not hear, yet he possessed an extraordinary ability to capture the visible essence of his subjects. Known affectionately—and perhaps somewhat descriptively—as "De Stomme" or "the Mute," this artist transformed his sensory isolation into a unique form of visual eloquence. His life, marked by early tragedy and a resilient spirit, serves as a testament to the power of perception beyond the spoken word.

Orphaned at a young age following the death of his father, a prominent local official, De Stomme’s path was shaped by the guidance of others. Under the guardianship of legal minds and the tutelage of established painters like Wybrand de Geest, he began to translate the nuances of light and shadow onto canvas. There is even a lingering, romantic whisper in art history suggesting a possible connection to the legendary Rembrandt; while scholars debate whether such an apprenticeship truly occurred, the notion that the master of chiaroscuro might have influenced this silent virtuoso adds a layer of mythic depth to his developing style.

A Legacy Captured in Portraiture

As De Stomme matured, his artistic focus sharpened toward the prestigious realm of portraiture. Moving to Groningen in 1643, he established himself as a painter of significant repute, becoming the preferred chronicler for the local aristocracy and the burgeoning merchant class. His work was not merely about capturing a likeness; it was about documenting the dignity, status, and quiet character of the Dutch elite. Through his brush, the textures of fine lace, the weight of velvet, and the subtle expressions of the nobility were rendered with a meticulous devotion that spoke volumes where words failed.

His oeuvre, though numbering around forty-five known works, remains a vital window into the social fabric of 17th-century Netherlands. The significance of his contribution lies in several key areas:

  • Technical Mastery: His ability to manipulate oil on panel to create lifelike textures and depth.
  • Social Documentation: Providing an intimate visual record of the Groningen nobility and their customs.
  • Communicative Artistry: Using the medium of painting as a primary language for expression, bridging the gap between his silent reality and the vocal world around him.

The Resonance of Silence

Beyond the technicalities of his craft, the life of Jan Jansz. de Stomme is imbued with a poignant human narrative. Historical accounts suggest that despite his inability to speak, he engaged in profound intellectual and spiritual exchanges, using sign language to discuss complex theological matters with his family and household. This ability to communicate deep, abstract truths through gesture and sight mirrors the very essence of his painting—a silent but powerful dialogue between the artist and the observer.

His life came to a close around 1657 or 1658, a period marked by personal loss that mirrored the fleeting nature of the era's prosperity. Today, when we gaze upon his self-portrait or the faces of those he painted, we are not just looking at historical artifacts; we are witnessing the triumph of a vision that refused to be silenced. De Stomme remains a captivating figure in the Dutch canon, reminding us that true understanding often requires us to look past the surface and listen with our eyes.