Portrét James Seymour

Obrazy autora James Seymour: 24 nejznámějších díel podle pohledu galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 25 děl umělce James Seymour v našem katalogu

Stručně řečeno

Z pohledu galerie je nejslavnějším dílem James Seymour obrazem Old Fox held by a Groom (1721), jehož originál je vystaven v Yale Center for British Art v obci New Haven. A Bay Racehorse with Jockey Up (1730) a The Duke of Devonshire's Flying Childers (1742) doplňují trio, které každé oko okamžitě pozná. Z 25 děl umělce James Seymour v našem katalogu představuje galerie níže 24 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.

1702 – 1752, London Neoclassicism Nejvíce děl: Yale Center for British Art

Top 10 obrazů umělce James Seymour v naší galerii

1
Old Fox held by a Groom (1721) od James Seymour

Old Fox held by a Groom

1721 · Oil · Yale Center for British Art, New Haven

In this 1721 oil painting, we find ourselves observing a quiet moment of connection between man and animal. A chestnut horse, captured in profile, occupies the center of the composition, its sleek musculature defined by soft, diffused light that suggests an overcast day in the English countryside. A groom stands to the right, his dark attire providing a grounded contrast to the warm tones of the horse's coat. There is…

2
A Bay Racehorse with Jockey Up (1730) od James Seymour

A Bay Racehorse with Jockey Up

1730 · Oil On Canvas · Yale Center for British Art, New Haven

A bay racehorse and its jockey are captured in profile, positioned horizontally across the midground of a serene landscape. The composition emphasizes stability and classical balance, centering the rider and animal against a vast, open expanse. Earthy tones of brown, green, and ochre dominate the palette, providing a grounded backdrop for the horse's warm bay coat and the sharp blue of the jockey's attire. The scene reflects the disciplined elegance…

3
The Duke of Devonshire's Flying Childers (1742) od James Seymour

The Duke of Devonshire's Flying Childers

1742 · Oil On Canvas · Yale Center for British Art, New Haven

The artwork titled The Duke of Devonshire's Flying Childers is an oil on canvas painting by the artist James Seymour. This equestrian portrait depicts a figure on horseback, specifically the horse known as Flying Childers. The subject is presented in a formal composition that focuses on the animal and its rider within a landscape. The work is dated about 1742.

4
Sir Roger Burgoyne Riding "Badger" (1740) od James Seymour

Sir Roger Burgoyne Riding "Badger"

1740 · Oil On Canvas · Yale Center for British Art, New Haven

In this 1740 oil on canvas, we find Sir Roger Burgoyne Riding "Badger," a work by the British artist James Seymour. The portrait captures Sir Roger Burgoyne, 6th Baronet, in a moment of poised equestrian grace. He was a man of significant standing in the Georgian era, known as an English landowner and a Whig politician. His influence extended into the political sphere of the mid-18th century, as he sat…

5
The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton (1747) od James Seymour

The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton

1747 · Oil On Canvas · Yale Center for British Art, New Haven

The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton is an oil on canvas by James Seymour. Executed about 1747, the work centers on themes of equestrian prestige and the orderly management of high-status animals. The composition captures a moment of quietude within a structured stable environment, emphasizing the connection between aristocratic ownership and the physical presence of the horses.

6
Hunting Scene No.1 od James Seymour

Hunting Scene No.1

Oil On Paper · Shugborough Hall, Stoke-on-Trent

In this oil painting on paper, several riders on horseback move through a countryside landscape. The figures are positioned at varying depths, with some riders appearing in the immediate foreground while others recede into the distance. A dog is situated near the center of the composition, appearing to participate in the activity alongside the horses and riders. The scene depicts a coordinated movement of animals and people across a verdant…

Obrazy autora James Seymour, seřazeny od 11 do 24

Slavná díla James Seymour podle jednotlivých období

Motivy, které zaujaly James Seymour

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce James Seymour

4 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora James Seymour Obrazy z tohoto seznamu
Yale Center for British Art, New HavenYale Center for British Art New Haven 8 Old Fox held by a Groom, A Bay Racehorse with Jockey Up, The Duke of Devonshire's Flying Childers
Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 Hunting Scene No.1, Hunting Scene No.2
Fitzwilliam MuseumFitzwilliam Museum 1 Horse And Groom
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Untitled (D2X8EW)

James Seymour, jeden ikonický obraz na každé desetiletí

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce James Seymour: odpovědi galerie

Který obraz autora James Seymour je nejslavnější ze všech?Odhalit odpověď

Old Fox held by a Groom (1721), Yale Center for British Art, New Haven. Následují A Bay Racehorse with Jockey Up (1730) a The Duke of Devonshire's Flying Childers (1742).

Kolik let bylo James Seymour, když dokončil/a Old Fox held by a Groom?Odhalit odpověď

19 let: dílo Old Fox held by a Groom pochází z roku 1721 a James Seymour se narodil/a v roce 1702.

Kterých 10 nejlepších obrazů má James Seymour?Odhalit odpověď

Old Fox held by a Groom, A Bay Racehorse with Jockey Up, The Duke of Devonshire's Flying Childers, Sir Roger Burgoyne Riding "Badger", The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton, Hunting Scene No.1, The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August, 1750, Mr John Martindale’s 'Sedbury', with Jockey Up, Charles Powlett, 8th Marquess Of Winchester a Hunting Scene No.2. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik děl vytvořil/a James Seymour?Odhalit odpověď

Náš katalog obsahuje 25 děl umělce James Seymour z let 1721 až 1750.

Kde jsou vystavena nejznámější originály umělce James Seymour?Odhalit odpověď

Většinou v Yale Center for British Art (New Haven), Shugborough Hall (Stoke-on-Trent) a Fitzwilliam Museum. V tabulce muzeí výše jsou vypsány všechny.

Kdy James Seymour vytvořil své nejslavnější obrazy?Odhalit odpověď

V období 1740s: 3 z celkem 24 děl na této stránce vzniklo právě tehdy, z toho The Duke of Devonshire's Flying Childers z nich.

Která jsou nejstarší a nejnovější slavná díla umělce James Seymour?Odhalit odpověď

Na této stránce je nejstarší dílo z Old Fox held by a Groom (1721) a nejnovější z The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August, 1750 (1750).

Kterým tématům se James Seymour věnoval(a) nejčastěji?Odhalit odpověď

Horse (7), Landscape (7) a Man (5) napříč 24 díly na této stránce.

V jaké technice tvořil(a) James Seymour nejčastěji?Odhalit odpověď

Oil On Canvas, u 5 z 24 děl na této stránce.

S jakým směrem je spojen(a) James Seymour?Odhalit odpověď

Neoclassicism, podle originálů na této stránce.

Jaká originální díla James Seymour má v obsluze Yale Center for British Art?Odhalit odpověď

Old Fox held by a Groom, A Bay Racehorse with Jockey Up a The Duke of Devonshire's Flying Childers: muzeum Yale Center for British Art, New Haven má v obsluze 8 děl z této stránky.

James Seymour: umělec

The Master of the Galloping Canvas

James Seymour (1702–1752) stands as a significant figure in British art history, particularly celebrated for his masterful depictions of equestrian pursuits and aristocratic life during the Georgian era. Born in London, he emerged from a family steeped in artistic tradition, though biographical details remain somewhat sparse, reflecting the limitations of archival records prevalent at the time. His father, also named James Seymour, was an amateur artist and art dealer whose diverse business dealings as a banker, goldsmith, and diamond merchant provided the young painter with a unique advantage. This affluent background afforded the boy the leisure time to study art independently, often drawing inspiration from his father’s personal collections or the refined works displayed at the Virtuosi Club of St. Luke, an exclusive gentleman's club specializing in fine art.

Seymour's artistic journey was deeply shaped by his early training under Francis Hayman, a prominent painter renowned for his portraits of nobility and sweeping landscapes. This formative influence instilled in him a profound appreciation for meticulous detail and the ability to capture human emotion within formal, structured compositions. However, Seymour did not merely replicate the styles of his mentors; he swiftly established himself as an independent force, developing a distinctive style characterized by a striking realism and an expressive handling of color. His work moved beyond mere documentation, seeking instead to convey the palpable energy of the English countryside and the social prestige inherent in the sporting world.

A Symphony of Motion and Aristocratic Grace

The heart of Seymour’s oeuvre lies in his dedication to equestrian subjects—horse racing events, hunting expeditions, and intimate portraits of riders that reflected the prevailing passions of Britain's upper classes. Unlike many contemporaries who favored idealized or static representations, Seymour’s canvases possess a sense of immediacy and psychological depth. He possessed a rare ability to capture the rhythmic pulse of life, whether it was the steady stride of a noble steed on a windswept shoreline or the coordinated chaos of a hunt.

In his more delicate works, such as A Lady and a Gentleman Riding Out, one observes the masterful command of the Rococo style. Here, Seymour utilizes fluid lines and organic forms to create a sense of balanced movement and refined leisure. His technique involved a sophisticated layering of paint to build textures that bring the scene to life; the viewer can almost feel the contrast between the smooth, lustrous sheen of fine silk attire and the rugged, tactile reality of a horse's coat. This atmospheric approach, characterized by soft, diffused illumination, creates a gentle glow that blends his subjects seamlessly into pastoral backgrounds, lending his work a dreamlike, romantic quality.

His achievements are best understood through the diversity of his subject matter:

  • Equestrian Realism: His ability to portray the physical power and anatomical accuracy of horses, as seen in works like The Famous Childers.
  • Genre Scenes: The meticulous rendering of social interactions and hunting parties, exemplified by Hunting Scene No.2, where he captures the textures of fur coats and the nuanced expressions of participants.
  • Atmospheric Landscapes: The use of light and weather to evoke the mood of the English landscape, moving from tranquil coastal scenes to verdant woodlands.

Legacy and Historical Significance

Though his life was relatively short, James Seymour’s impact on the development of British sporting art is immeasurable. He was among the first English painters to specialize in the equestrian genre, paving the way for future generations of artists who would document the intersection of animal athleticism and human social hierarchy. His work serves as a vital historical window into the Georgian era, capturing the subtle symbolism of clothing, equestrian equipment, and the choreographed displays of status that defined the age.

The enduring relevance of his talent is perhaps best honored by the James Seymour Stakes, a prestigious horse race held at Newmarket. This tradition ensures that while the man has passed into history, his name remains inextricably linked to the very spirit of the equine excellence he so brilliantly immortalized on canvas. Through his brush, the fleeting moments of 18th-century aristocratic life were transformed into permanent monuments of grace, strength, and motion.