Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 15 děl umělce James Peter Quinn v našem katalogu
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Z všech originálů, které James Peter Quinn zanechal, je nejslavnější A Japanese Lady (1914), který se nachází ve sbírce Walker Art Gallery, Liverpool. Hned za ním následují Lillias Hamilton (1858–1925), Physician (1924) a LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910). Náš katalog obsahuje 15 děl umělce James Peter Quinn; galerie si zachovala 13 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
The canvas holds a man of quiet weight. Lieutenant R.G. Combe sits in a three-quarter profile, his gaze directed toward an unseen point to the left. He wears a military tunic of deep olive green, the fabric rendered with thick, impasto strokes that suggest the heavy texture of wool. Light falls from the upper left, carving the contours of his face and casting soft, directional shadows that define the bridge…
In the portrait LIEUTENANT COLONEL W.A. BISHOP, James Peter Quinn presents a three-quarter length depiction of the military officer. The subject is positioned slightly off-center against a dark, indeterminate background that lacks specific environmental detail. This compositional choice focuses the viewer's attention entirely on the sitter and his attire. The officer is rendered in full military regalia, which includes visible medals, insignia, and a cross-belt. The arrangement of these elements…
The gaze of Major Okill Massey Learmonth meets the viewer through this formal oil portrait by the Australian portrait painter James Peter Quinn. Painted about 1918, the work captures a man defined by his service and the weight of his command. Learmonth holds the rank of acting Major in the 2nd (Eastern Ontario) Battalion of the Canadian Expeditionary Force, a position that carries a heavy sense of duty within the…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
George Bell (artist and critic) is a portrait by James Peter Quinn, executed about 1939. The sitter is George Bell, an Australian painter and teacher. Quinn, a prominent figure in Australian portraiture, captured the subject during a period of significant activity in the local art scene.
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
5 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora James Peter Quinn | Obrazy z tohoto seznamu |
|---|---|---|---|
 Canadian War Museum |
Ottawa | 3 | LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth |
 Art Gallery of New South Wales |
Sydney | 2 | George Bell (artist and critic), The rendezvous |
 Walker Art Gallery |
Liverpool | 1 | A Japanese Lady |
 Government Art Collection |
Londýn | 1 | Arthur, Duke of Connaught and Strathearn (1850–1942) (copy after John Singer Sargent) |
 The National Trust For Scotland |
Forres | 1 | Fish Market at Étaples, France |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
A Japanese Lady (1914), Walker Art Gallery, Liverpool. Následují Lillias Hamilton (1858–1925), Physician (1924) a LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910).
45 let: dílo A Japanese Lady pochází z roku 1914 a James Peter Quinn se narodil/a v roce 1869.
A Japanese Lady, Lillias Hamilton (1858–1925), Physician, LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth, William Self Weeks, George Bell (artist and critic), C. J. Bowen Cooke, London and North Western Railway, Dr Robert Aitken (1869–1951) a Arthur (1850–1942), Duke of Connaught, President of the Bible Society (copy of John Singer Sargent). Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 15 děl umělce James Peter Quinn z let 1910 až 1939.
Většinou v Canadian War Museum (Ottawa), Art Gallery of New South Wales (Sydney) a Walker Art Gallery (Liverpool). V tabulce muzeí výše jsou vypsány všechny.
V období 1930s: 5 z celkem 13 děl na této stránce vzniklo právě tehdy, z toho William Self Weeks z nich.
Na této stránce je nejstarší dílo z LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910) a nejnovější z George Bell (artist and critic) (1939).
Man (5), Chair (3) a Portrait (3) napříč 13 díly na této stránce.
Oil On Canvas, u 4 z 13 děl na této stránce.
LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP a Major Okill Massey Learmonth: muzeum Canadian War Museum, Ottawa má v obsluze 3 děl z této stránky.
