Portrét Jacob Huysmans

34 nejslavnějších obrazů autora Jacob Huysmans, výběr z galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 35 děl umělce Jacob Huysmans v našem katalogu

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Z všech originálů, které Jacob Huysmans zanechal, je nejslavnější Cupid preparing his Bow (after Van Dyck) (1673), který se nachází ve sbírce Kingston Lacy, Wimborne Minster. Hned za ním následují Catherine of Braganza (1638-1705) (1667) a Catherine of Braganza (1638-1705) (1663). Náš katalog obsahuje 35 děl umělce Jacob Huysmans; galerie si zachovala 34 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1633 – 1696, Antwerp Baroque Nejvíce děl: Royal Collection

10 nejlepších obrazů umělce Jacob Huysmans: výběr galerie

Výběr umělce Jacob Huysmans pokračuje, od 11 do 34

Motivy, které zaujaly Jacob Huysmans

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Jacob Huysmans

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Jacob Huysmans Obrazy z tohoto seznamu
Royal Collection, LondýnRoyal Collection Londýn 3 Catherine of Braganza (1638-1705), Catherine of Braganza (1638-1705), Frances Stewart, later Duchess of Richmond (1647-1702)
National Portrait Gallery, LondýnNational Portrait Gallery Londýn 2 John Maitland, Duke of Lauderdale, Izaak Walton
National Trust, AntonyNational Trust Antony 2 Anne Morice (d.1713 1714), Lady Pole, Sir William Morice (1602–1676), PC, MP
National Trust, GranthamNational Trust Grantham 2 Sir Richard Mason (1619–1685), MP, Anne Margaret Long (c.1637–1711), Lady Mason
Kingston Lacy, Wimborne MinsterKingston Lacy Wimborne Minster 1 Cupid preparing his Bow (after Van Dyck)
Kenwood House, LondýnKenwood House Londýn 1 Portrait of Catharine of Braganza (1638-1705), Queen of England
Dulwich Picture Gallery, LondýnDulwich Picture Gallery Londýn 1 Portrait of a Lady
Lyme ParkLyme Park 1 Possibly Elizabeth Chicheley, Mrs Legh

Jacob Huysmans dekáda po dekádě: originální díla, která definují každou z nich

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Otázky sběratelů o obrazech umělce Jacob Huysmans

Kterým dílem je Jacob Huysmans nejznámější?Odhalit odpověď

Cupid preparing his Bow (after Van Dyck) (1673), Kingston Lacy, Wimborne Minster. Následují Catherine of Braganza (1638-1705) (1667) a Catherine of Braganza (1638-1705) (1663).

Kolik let bylo Jacob Huysmans, když bylo vytvořeno dílo Cupid preparing his Bow (after Van Dyck)?Odhalit odpověď

40 let: dílo Cupid preparing his Bow (after Van Dyck) pochází z roku 1673 a Jacob Huysmans se narodil/a v roce 1633.

Kterých deset nejslavnějších obrazů má Jacob Huysmans?Odhalit odpověď

Cupid preparing his Bow (after Van Dyck), Catherine of Braganza (1638-1705), Catherine of Braganza (1638-1705), Portrait of Catharine of Braganza (1638-1705), Queen of England, John Maitland, Duke of Lauderdale, King Charles II (1630-1685), Queen Catherine (of Braganza) (1638-1705) (after Sir Peter Lely), Portrait of a Lady, Dr Peter Barwick (1619–1705) a Possibly Elizabeth Chicheley, Mrs Legh. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik obrazů zanechal(a) Jacob Huysmans?Odhalit odpověď

Náš katalog obsahuje 35 děl umělce Jacob Huysmans z let 1660 až 1696.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Jacob Huysmans?Odhalit odpověď

Většinou v Royal Collection (Londýn), National Portrait Gallery (Londýn) a National Trust (Antony). V tabulce muzeí výše jsou vypsány všechny.

V jakých letech namaloval Jacob Huysmans svá nejznámější díla?Odhalit odpověď

V období 1660s: 9 z celkem 34 děl na této stránce vzniklo právě tehdy, z toho Catherine of Braganza (1638-1705) z nich.

Jaká jsou první a poslední slavná originální díla umělce Jacob Huysmans?Odhalit odpověď

Na této stránce je nejstarší dílo z Portrait of a Lady (1660) a nejnovější z Lady Elizabeth Pope (1660–1719), Lady Lee, Later Countess of Lindsey, as Diana (1696).

Jaká témata si Jacob Huysmans vybíral nejčastěji?Odhalit odpověď

Opulence (3), Portraiture (2) a Formal (2) napříč 34 díly na této stránce.

K kterému uměleckému směru patří Jacob Huysmans?Odhalit odpověď

Baroque, podle originálů na této stránce.

Která díla umělce Jacob Huysmans jsou vystavena v Royal Collection?Odhalit odpověď

Catherine of Braganza (1638-1705), Catherine of Braganza (1638-1705) a Frances Stewart, later Duchess of Richmond (1647-1702): muzeum Royal Collection, Londýn má v obsluze 3 děl z této stránky.

Jacob Huysmans: život a dílo

The Radiant Brush of Jacob Huysmans: A Master of Baroque Splendor

In the vibrant, turbulent landscape of seventeenth-century Flanders, few names evoke the dramatic flair of the Baroque era quite like Jacob Huysmans. Born in Antwerp around 1633, Huysmans was a man destined for the canvas, emerging from a lineage where artistic talent was woven into the very fabric of family life. With an uncle and brother who were accomplished landscape painters, his upbringing was steeped in the visual language of light and form. Under the rigorous tutelage of celebrated history painters such as Gillis Backereel and Frans Wouters, he mastered the ability to breathe life into subjects, learning to balance meticulous anatomical observation with the grand, expressive gestures that would later define his signature style.

The trajectory of Huysmans’ life took a transformative turn when he migrated toward England, arriving in London around 1662, just as the nation was emerging from the shadows of political and religious upheaval. To establish himself within the competitive English art market, he initially practiced the art of the "pastiche," creating skillful, smaller-scale interpretations of the legendary Anthony van Dyck. This strategic homage allowed him to harmonize his Flemish training with the established tastes of the English aristocracy, eventually paving the way for a career that would see him stand as a formidable rival to the court painter Peter Lely. While Lely was celebrated for a more restrained and sober approach, Huysmans offered a lush, exuberant alternative that captured the imagination of the era's most powerful figures.

Royal Patronage and the Splendor of the Court

The true zenith of Huysmans’ career was reached through his profound connection to Queen Catherine of Braganza. As a fellow Roman Catholic, the Portuguese-born Queen found in Huysmans an artist who could translate her royal dignity into something both divine and earthly. His relationship with the court was not merely professional but deeply embedded in the cultural and religious currents of the Restoration period. The famous diarist Samuel Pepys famously noted the brilliance of Huysmans’ workshop, describing his skill as something that could rival or even exceed the great Lely. Through his portraits of the Queen—depicting her both in regal splendor and in more allegorical, tender roles like a shepherdess—Huysmans helped craft the visual identity of a monarch who captivated an entire nation.

Beyond the royal family, Huysmans’ brush touched the lives of the highest echelons of English nobility. His ability to render the tactile richness of silk, the heavy weight of velvet, and the shimmering glow of pearls made him the preferred chronicler of aristocratic status. Notable works from his repertoire include:

A Legacy Written in Light and Shadow

The historical significance of Jacob Huysmans lies in his role as a bridge between the classical traditions of the Flemish masters and the evolving tastes of the English Baroque. He did not merely copy the past; he infused it with a new, energetic vitality. Even when faced with the displacement caused by the Great Fire of London, which saw him residing temporarily in Chichester, his artistic output remained a testament to resilience and stylistic evolution. His work remains a vital window into a period where art was used as a tool for both political legitimacy and religious expression.

Today, when we gaze upon a Huysmans portrait, we are not just looking at a likeness of a person, but at a carefully constructed drama of light, shadow, and status. His ability to blend the grandeur of history painting with the intimacy of portraiture ensures his place in the pantheon of great European masters. He remains an artist whose legacy is defined by the exuberant spirit of an era that sought beauty amidst the complexities of a changing world.