Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Stručně řečeno
Dead Wildfowl (1674) je obraz autora Jacob Biltius, který přitahuje nejvíce pohledů; originál se nachází v Statens Museum for Kunst, Kodaň. Poté se zrak přesouvá k Dead Birds (1670) a Snip, hanging (1663). Z 10 děl umělce Jacob Biltius v našem katalogu je těchto 10 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Jacob Biltius | Obrazy z tohoto seznamu |
|---|---|---|---|
| Kodaň | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| Leeuwarden | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
Dlouhá kariéra trvající 17 let, od 1663 do 1679: nejznámější originály umělce Jacob Biltius představené rok po roce.
Vyberte rok a prohlédněte si originály.
Více od 1666
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Více od 1670
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum for Kunst, Kodaň. Následují Dead Birds (1670) a Snip, hanging (1663).
41 let: dílo Dead Wildfowl pochází z roku 1674 a Jacob Biltius se narodil/a v roce 1633.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall a Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 10 děl umělce Jacob Biltius z let 1663 až 1679.
Většinou v Statens Museum for Kunst (Kodaň), Fries Museum (Leeuwarden) a Kunsthandel P. de Boer. V tabulce muzeí výše jsou vypsány všechny.
V období 1663: 2 z celkem 10 děl na této stránce vzniklo právě tehdy, z toho Snip, hanging z nich.
Na této stránce je nejstarší dílo z Snip, hanging (1663) a nejnovější z Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679).
Feathers (2) a Dark background (2) napříč 10 díly na této stránce.
Oil On Canvas, u 2 z 10 děl na této stránce.
Dead Wildfowl, Dead Birds a Wildfowl on a Wooden Table: muzeum Statens Museum for Kunst, Kodaň má v obsluze 5 děl z této stránky.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.