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Obrazy autora Ida Silfverberg: 11 nejznámějších díel podle pohledu galerie
Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 12 děl umělce Ida Silfverberg v našem katalogu
Stručně řečeno
Z pohledu galerie je nejslavnějším dílem Ida Silfverberg obrazem Mother Reading to Her Sick Child (1860), jehož originál je vystaven v Finnish National Gallery v obci Helsinki. Woman teaching a Child to Read (1866) a The Shepherdess (1867) doplňují trio, které každé oko okamžitě pozná. Z 12 děl umělce Ida Silfverberg v našem katalogu představuje galerie níže 11 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.
1834 – 1899, Helsinki
Nejvíce děl: Finnish National Gallery
Top 10 obrazů umělce Ida Silfverberg v naší galerii
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Obrazy autora Ida Silfverberg, seřazeny od 11 do 11
Muzea, v nichž jsou vystavena originálna umělce Ida Silfverberg
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Ida Silfverberg | Obrazy z tohoto seznamu |
|---|---|---|---|
 Finnish National Gallery |
Helsinki | 9 | Mother Reading to Her Sick Child, The Shepherdess, Bohemian Fiddler |
 Serlachius Manor |
Mänttä-Vilppula | 1 | Woman teaching a Child to Read |
Ida Silfverberg, ikonická díla každého roku
Deset let, od 1860 do 1868, bylo pro Ida Silfverberg dostatečných: galerie je prochází rok po roce, jeden slavný originál za druhým.
Díla podle roku
Vyberte rok a prohlédněte si originály.
Obrazy umělce Ida Silfverberg: odpovědi galerie
Který obraz autora Ida Silfverberg je nejslavnější ze všech?Odhalit odpověď
Mother Reading to Her Sick Child (1860), Finnish National Gallery, Helsinki. Následují Woman teaching a Child to Read (1866) a The Shepherdess (1867).
Kolik let bylo Ida Silfverberg, když dokončil/a Mother Reading to Her Sick Child?Odhalit odpověď
26 let: dílo Mother Reading to Her Sick Child pochází z roku 1860 a Ida Silfverberg se narodil/a v roce 1834.
Kterých 10 nejlepších obrazů má Ida Silfverberg?Odhalit odpověď
Mother Reading to Her Sick Child, Woman teaching a Child to Read, The Shepherdess, Bohemian Fiddler, Self-Portrait, In the washing cabin, Crusaders, copy after Emile Signolin, part, Board Game Players, copy after Bartolomeo Manfredi, part, Singing Woman and a Gentleman Playing Guitar, Copy after Caspar Netscher a Girl Leaning on Her Hand, copy of detail in Jean-Baptiste Greuze’s painting “L’accordée de village”. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Kolik děl vytvořil/a Ida Silfverberg?Odhalit odpověď
Náš katalog obsahuje 12 děl umělce Ida Silfverberg z let 1860 až 1868.
Kde jsou vystavena nejznámější originály umělce Ida Silfverberg?Odhalit odpověď
Většinou v Finnish National Gallery (Helsinki) a Serlachius Manor (Mänttä-Vilppula). V tabulce muzeí výše jsou vypsány všechny.
Která jsou nejstarší a nejnovější slavná díla umělce Ida Silfverberg?Odhalit odpověď
Na této stránce je nejstarší dílo z Mother Reading to Her Sick Child (1860) a nejnovější z Self-Portrait (1868).
Jaká originální díla Ida Silfverberg má v obsluze Finnish National Gallery?Odhalit odpověď
Mother Reading to Her Sick Child, The Shepherdess a Bohemian Fiddler: muzeum Finnish National Gallery, Helsinki má v obsluze 9 děl z této stránky.
Ida Silfverberg: umělec
A Life in Color and Shadow
Born in Helsinki on 23 January 1834, Ida Silfverberg began her engagement with the canvas at the tender age of fifteen. Her early years were defined by a disciplined study of existing works, notably through painting copies for the Finnish Art Association's exhibition in 1849. This period of imitation was not merely an exercise but a foundational apprenticeship. She later sought refinement in Dresden, where she studied the Dutch masters within the Gemaldegalerie Alte Meister collection. Her hands learned the language of light and texture by tracing the strokes of those who had come before her.
Her career was marked by a steady ascent through the competitive landscape of Finnish art. In 1860, she earned the second prize in the Finnish Ducat Competition for the promotion of young artists, followed by the first prize in 1862. These accolades reflected a growing technical command that allowed her to move beyond simple reproduction into the realms of portraiture and genre scenes. Her travels took her across the borders of Germany, France, and Italy, expanding her visual vocabulary through direct contact with the European continent.
The Art of the Observed Life
Silfverberg’s repertoire was diverse, ranging from intimate self-portraits to detailed genre studies. She possessed a particular skill for capturing the quietude of domestic life and the character of her subjects. Her work often drew upon the traditions of masters like Caspar Netscher, Adriaen van de Velden, and Isaac van Ostaden, yet she applied these influences to her own compositions. Some of her notable subjects and studies included:
- A 1868 self-portrait rendered in oil on canvas.
- Genre scenes such as Woman teaching a Child to Read.
- Studies of figures, including the Bohemian fiddler and various depictions of children and women.
- Interpretations of Dutch-style subjects, such as skaters in Holland.
There was a certain complexity to her historical presence. For a time, her identity as an author of specific works remained obscured. Her painting Woman teaching a Child to Read was held by the Serliachus Museum under the mistaken belief that it was the work of Pehr Hilleström. It was only through the discovery of fraudulent signatures that her true hand was identified, restoring her rightful place in the records of Finnish art history.
Final Days in Florence
The trajectory of Silfverberg’s life concluded far from her Helsinki birthplace. After years of navigating the art circles of Europe, she passed away in Florence on 23 December 1899. She left behind a body of work that bridged the gap between the rigorous tradition of the copyist and the expressive potential of the genre painter. Her presence in recent exhibitions, such as those at the Ateneum in Helsinki and the Museum Kunstpalast in Düsseldorf, continues to bring her specific, quiet observations back into the light.