Portrét Henry Barraud

19 nejslavnějších obrazů autora Henry Barraud, každý naprosto unikátní

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 21 děl umělce Henry Barraud v našem katalogu

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'We praise thee, O Lord' (1850) je obraz autora Henry Barraud, který přitahuje nejvíce pohledů. Poté se zrak přesouvá k Horace Mayhew (1871) a Children with Horse and Dog (1836). Z 21 děl umělce Henry Barraud v našem katalogu je těchto 19 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1811 – 1874, London Nejvíce děl: British Library

Top 10 obrazů autora Henry Barraud podle výběru galerie

1
'We praise thee, O Lord' (1850) od Henry Barraud

'We praise thee, O Lord'

1850 · Oil

'We praise thee, O Lord' is a painting by Henry Barraud, executed about 1850. The artist was a British painter specializing in portraits, subjects, and animals. Born in London in 1811, Barraud established himself within the mid-Victorian artistic community, eventually dying in London in 1874.

2
Horace Mayhew (1871) od Henry Barraud

Horace Mayhew

1871 · Oil On Canvas · British Library, Londýn

The oil on canvas painting titled Horace Mayhew features the subject of the same name. Henry Barraud executed this portrait, which measures 104 x 83 cm. The work was created about 1871. This specific piece is currently held within the British Library in London, United Kingdom.

3
Children with Horse and Dog (1836) od Henry Barraud

Children with Horse and Dog

1836 · Oil On Canvas · Yale Center for British Art, New Haven

In this 1836 portrait, we find ourselves within the serene confines of a 19th-century estate. The scene is composed with a deliberate, balanced grace, placing the viewer at eye-level as if we were standing on the manicured grounds ourselves. Three young girls, dressed in soft pastels of pink, lavender, and white, gather on the left, their presence lending a sense of innocence to the landscape. They are accompanied by a…

4
Charles Davis (1788-1866) (1847) od Henry Barraud

Charles Davis (1788-1866)

1847 · Oil On Canvas · Royal Collection, Londýn

In this 1847 oil painting, a male figure occupies the central foreground, positioned against a dark and atmospheric background. He is dressed in hunting attire, featuring a scarlet jacket that provides a sharp contrast to the surrounding muted tones. Beside him, a horse and a pack of hounds are situated within the composition. The color palette relies heavily on earthy pigments, including ochre, deep browns, and muted greens. The lighting…

Slavná díla umělce Henry Barraud, čísla 11 až 19

Motivy, které zaujaly Henry Barraud

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Henry Barraud

6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Henry Barraud Obrazy z tohoto seznamu
British Library, LondýnBritish Library Londýn 3 Horace Mayhew, William Abington (c.1770–1839), Clerk to the East India Company's Military Seminary (1809–1834), Horace Mayhew
Royal Collection, LondýnRoyal Collection Londýn 2 Charles Davis (1788-1866), King Edward VII when Prince of Wales (1841-1910) on Horseback
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Children with Horse and Dog
The National Trust For Scotland, ForresThe National Trust For Scotland Forres 1 Black Horse in a Loose Box
Te Whare O Rehua Sarjeant GalleryTe Whare O Rehua Sarjeant Gallery 1 Untitled (The White Horse) Now thought to be "The Rabbit"
Parliamentary Art Collection, LondýnParliamentary Art Collection Londýn 1 Lobby of the House of Commons, 1872 1873

Henry Barraud napříč desetiletími: jeden unikátní originál pro každou dekádu

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Henry Barraud: dotazy pro galerii

Kterým nejznámějším dílem je Henry Barraud?Odhalit odpověď

'We praise thee, O Lord' (1850). Následují Horace Mayhew (1871) a Children with Horse and Dog (1836).

V jakém věku vytvořil(a) Henry Barraud dílo 'We praise thee, O Lord'?Odhalit odpověď

39 let: dílo 'We praise thee, O Lord' pochází z roku 1850 a Henry Barraud se narodil/a v roce 1811.

Kterých deset obrazů autora Henry Barraud je nejznámějších?Odhalit odpověď

'We praise thee, O Lord', Horace Mayhew, Children with Horse and Dog, Charles Davis (1788-1866), King Edward VII when Prince of Wales (1841-1910) on Horseback, William Abington (c.1770–1839), Clerk to the East India Company's Military Seminary (1809–1834), Black Horse in a Loose Box, 'Lord, have mercy upon us', 'Lord, have mercy upon us' a Valentine Barford (1786–1864), with His Purebred Sheep. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik známých děl má autor Henry Barraud?Odhalit odpověď

Náš katalog obsahuje 21 děl umělce Henry Barraud z let 1836 až 1874.

Kde lze vidět nejznámější originály umělce Henry Barraud?Odhalit odpověď

Většinou v British Library (Londýn), Royal Collection (Londýn) a Yale Center for British Art (New Haven). V tabulce muzeí výše jsou vypsány všechny.

V jakém období vytvořil(a) Henry Barraud svá nejznámější obrazy?Odhalit odpověď

V období 1850s: 4 z celkem 19 děl na této stránce vzniklo právě tehdy, z toho 'We praise thee, O Lord' z nich.

Který slavný obraz od Henry Barraud je nejstarší a který nejnovější?Odhalit odpověď

Na této stránce je nejstarší dílo z Children with Horse and Dog (1836) a nejnovější z Portrait Group of Members of the Marylebone Cricket Club Outside the Pavilion at Lord's, London (1874).

Jakým tématům se Henry Barraud věnoval/a nejčastěji?Odhalit odpověď

Man (2) a Horse (2) napříč 19 díly na této stránce.

Jaké materiály používal(a) Henry Barraud nejčastěji?Odhalit odpověď

Oil On Canvas, u 3 z 19 děl na této stránce.

Jaká originální díla Henry Barraud mohu vidět v British Library?Odhalit odpověď

Horace Mayhew, William Abington (c.1770–1839), Clerk to the East India Company's Military Seminary (1809–1834) a Horace Mayhew: muzeum British Library, Londýn má v obsluze 3 děl z této stránky.

Henry Barraud: portrét umělce

Henry Barraud: Bridging the Worlds of Animal and Portrait

Henry Barraud (1811-1874) wasn’t merely a painter; he was a conduit, skillfully translating the vibrant energy of the British countryside – its hunting traditions, its social rituals, and its beloved animals – into meticulously rendered portraits and captivating scenes. Born in London to a family steeped in artistic heritage—his grandfather a chronometer maker, his uncle a miniature artist—Barraud’s early life instilled within him a deep appreciation for craftsmanship and visual storytelling. His lineage, tracing back to French Huguenot refugees, added a layer of cultural richness to his already burgeoning talent, shaping his perspective on the world and informing his artistic choices.

His formative years were spent largely under the tutelage of Abraham Cooper, a prominent animal painter whose influence is readily apparent in Barraud’s early works. This apprenticeship provided him with a solid foundation in capturing the nuances of equine anatomy and behavior – skills he would later hone to breathtaking effect. However, Barraud's artistic journey wasn't solely defined by imitation; he quickly developed his own distinctive style, characterized by a remarkable attention to detail, a subtle use of light and shadow, and an uncanny ability to imbue his subjects with personality.

The Dualities of His Art: Animals and People

Barraud’s oeuvre is often perceived as divided into two distinct yet inextricably linked categories: animal paintings and portraits. While he excelled in both genres, it was the interplay between these seemingly disparate elements that truly defined his artistic vision. His depictions of hunting scenes – such as “The Pope Blessing the Animals” (1842), a remarkably detailed tableau capturing a grand event at Windsor Castle – are not simply illustrations of sporting activity; they’re imbued with social commentary and a celebration of British tradition. The figures, rendered with meticulous accuracy, represent the aristocracy and gentry who participated in these hunts, while the horses and hounds embody the wildness and beauty of the English countryside.

Conversely, his portraits – including “The London Season, a Scene in Hyde Park” (1853) and “Lord’s Cricket Ground” (1872) – are equally compelling. He didn't merely reproduce likenesses; he sought to capture the essence of his subjects, revealing their personalities through subtle gestures, expressions, and carefully chosen attire. His portraits were often commissioned by prominent figures of the day, solidifying his position as a respected artist within London’s social circles.

Collaboration and Legacy: The Barraud Brothers

Barraud's artistic life was profoundly shaped by his relationship with his elder brother, William. Together they established a studio in 1835, forging a unique collaborative partnership that produced some of their most celebrated works. While William specialized in painting the animals – horses and hounds – Henry focused on capturing the human figures within these scenes. This division of labor allowed them to create complex compositions that seamlessly blended animal action with human interaction, resulting in paintings of remarkable depth and dynamism.

Their joint efforts culminated in “Sketches of Figures and Animals” (1850), a beautifully illustrated book showcasing their combined talents. The publication served as both a testament to their artistic partnership and a valuable resource for aspiring artists seeking guidance on composition, technique, and subject matter. The brothers’ shared studio was a crucible of creativity, fostering an environment where experimentation and innovation flourished.

A Royal Patronage and Enduring Influence

Barraud's success extended beyond the confines of the Royal Academy and British Institution. He received numerous commissions from members of the royal family, including Queen Victoria herself, further elevating his status within the artistic community. His paintings – particularly “The Lobby of the House of Commons” (1872), a meticulously detailed depiction of Parliament’s central hall – became iconic representations of Victorian London and continue to be admired for their historical accuracy and artistic merit.

Beyond his individual achievements, Barraud's legacy lies in his ability to bridge the gap between different worlds—the world of sport and hunting, the world of aristocracy and social life, and the world of animal and human experience. His paintings offer a captivating glimpse into Victorian Britain, capturing not only its visual landscape but also its cultural values and traditions. His son, Francis Barraud, continued this artistic lineage, most famously creating the iconic image of “Nipper” for the His Master’s Voice record label, ensuring that his father's legacy would endure for generations to come.