Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 24 děl umělce Henrique Bernardelli Thierry v našem katalogu
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Z všech originálů, které Henrique Bernardelli Thierry zanechal, je nejslavnější A Tarantela (1886), který se nachází ve sbírce Museu Nacional de Belas Artes, Rio de Janeiro. Hned za ním následují Retrato de Joachim Lebreton (1909) a Interior Scene with a Girl Reading (1881). Náš katalog obsahuje 24 děl umělce Henrique Bernardelli Thierry; galerie si zachovala 23 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.
The air inside the rustic room feels thick with the heat of the dance and the rhythmic pulse of the music. In the center of a circular composition, two women spin, their bodies caught in the frantic, joyful energy of the Tarantella. Their clothing, flashes of bright white and blue, cuts through the heavy shadows of the dimly lit interior. Every limb follows a swirling, fluid line, pulling the eye…
The gaze of the viewer meets the steady presence of Retrato de Joachim Lebreton, a work that brings the figure of Joachim Lebreton into immediate focus. This portrait, rendered by the hand of Henrique Bernardelli, captures a moment of quiet intensity. The subject remains fixed in time, his features emerging from the shadows of the composition to command attention. It is a study of character that feels deeply personal, as…
Retrato do pianista Artur Napoleão1904 · Museu Nacional de Belas Artes
12
Head of an Indian1925 · Pinacoteca do Estado de São Paulo
13
Landscape of Ouro Preto1881 · Muzeum umění v São Paulu Assis Chateaubriand
14
D. João VI ouvindo o padre José Maurício ao cravo (estudo)Museu Histórico Nacional
15
Portrait (Human Figure 1)Ipiranga Museum
16
Cabeça de cavalo1920 · Museu Histórico Nacional
17
Marshall Deodoro da Fonseca1919 · Museu Histórico Nacional
18
Dom João VI listening to Father José Maurício at the harpsichord (study)1936 · Museu Histórico Nacional
19
Busto de Joaquim Nabuco1950 · Muzeum Nejvyššího federálního soudu
20
Fragmento de retratoIpiranga Museum
21
Retirada do Cabo de São Roque1927 · Ipiranga Museum
22
Últimos Momentos de um Bandeirante1932 · Ipiranga Museum
23
Ciclo da Caça ao Índio1922 · Ipiranga Museum
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Henrique Bernardelli Thierry | Obrazy z tohoto seznamu |
|---|---|---|---|
 Museu Nacional de Belas Artes |
Rio de Janeiro | 8 | A Tarantela, Retrato de Joachim Lebreton, Vista de Roma |
 Ipiranga Museum |
São Paulo | 6 | Bandeirantes na selva, Portrait (Human Figure 1), Fragmento de retrato |
 Museu Histórico Nacional |
Rio de Janeiro | 4 | D. João VI ouvindo o padre José Maurício ao cravo (estudo), Cabeça de cavalo, Marshall Deodoro da Fonseca |
 Muzeum umění v São Paulu Assis Chateaubriand |
São Paulo | 2 | Interior Scene with a Girl Reading, Landscape of Ouro Preto |
 Pinacoteca do Estado de São Paulo |
São Paulo | 2 | Portrait of a Lady, Head of an Indian |
 Muzeum Nejvyššího federálního soudu |
Brasília | 1 | Busto de Joaquim Nabuco |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
The air inside the rustic room feels thick with the heat of the dance and the rhythmic pulse of the music. In the center of a circular composition, two women spin, their bodies caught in the frantic, joyful energy of the Tarantella. Their clothing, flashes of bright white and blue, cuts through the heavy shadows of the dimly lit interior. Every limb follows a swirling, fluid line, pulling the eye…
The gaze of the viewer meets the steady presence of Retrato de Joachim Lebreton, a work that brings the figure of Joachim Lebreton into immediate focus. This portrait, rendered by the hand of Henrique Bernardelli, captures a moment of quiet intensity. The subject remains fixed in time, his features emerging from the shadows of the composition to command attention. It is a study of character that feels deeply personal, as…
Bust of elderly man, directed to the left. Long face and nose. High forehead. Dark, unruly hair. Thin eyebrows. Brown eyes. Thick mustache and long beard, gray. Left ear visible. Dark jacket and tie sketches, and white shirt. White background. Author
In this evocative study by the Brazilian master Henrique Bernardelli Thierry, we are invited into an intimate, gilded moment of musical devotion. The scene captures a profound intersection of faith, royalty, and artistry as Dom João VI sits in quiet contemplation, listening to Father José Maurício perform at the harpsichord. There is a palpable stillness in the air, a sense of held breath that accompanies the delicate notes of a…
A Tarantela (1886), Museu Nacional de Belas Artes, Rio de Janeiro. Následují Retrato de Joachim Lebreton (1909) a Interior Scene with a Girl Reading (1881).
28 let: dílo A Tarantela pochází z roku 1886 a Henrique Bernardelli Thierry se narodil/a v roce 1858.
A Tarantela, Retrato de Joachim Lebreton, Interior Scene with a Girl Reading, Vista de Roma, Messalina, Maternidade, Os Bandeirantes, Model at rest, Portrait of a Lady a Bandeirantes na selva. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 24 děl umělce Henrique Bernardelli Thierry z let 1880 až 1936.
Většinou v Museu Nacional de Belas Artes (Rio de Janeiro), Ipiranga Museum (São Paulo) a Museu Histórico Nacional (Rio de Janeiro). V tabulce muzeí výše jsou vypsány všechny.
V období 1880s: 7 z celkem 23 děl na této stránce vzniklo právě tehdy, z toho A Tarantela z nich.
Na této stránce je nejstarší dílo z Messalina (1880) a nejnovější z Dom João VI listening to Father José Maurício at the harpsichord (study) (1936).
Man (3) a Portrait (3) napříč 23 díly na této stránce.
Oil On Canvas, u 2 z 23 děl na této stránce.
A Tarantela, Retrato de Joachim Lebreton a Vista de Roma: muzeum Museu Nacional de Belas Artes, Rio de Janeiro má v obsluze 8 děl z této stránky.
