Portrét Harald Jerichau

3 nejslavnějších obrazů autora Harald Jerichau, výběr z galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 3 děl umělce Harald Jerichau v našem katalogu

Stručně řečeno

Z všech originálů, které Harald Jerichau zanechal, je nejslavnější Landscape from Rome, Villa dei Quintili near Via Appia (1870), který se nachází ve sbírce Nivaagaards Malerisamling, Nibe. Hned za ním následují The Lydian Plain near Sardis, Asia Minor (Turkey) (1878) a Coast Scene, Capri (1876). Náš katalog obsahuje 3 děl umělce Harald Jerichau; galerie si zachovala 3 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1851 – 1878, Copenhagen Nejvíce děl: Nivaagaards Malerisamling

10 nejlepších obrazů umělce Harald Jerichau: výběr galerie

Muzea, v nichž jsou vystavena originálna umělce Harald Jerichau

3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Harald Jerichau Obrazy z tohoto seznamu
Nivaagaards Malerisamling, NibeNivaagaards Malerisamling Nibe 1 Landscape from Rome, Villa dei Quintili near Via Appia
Statens Museum for Kunst, KodaňStatens Museum for Kunst Kodaň 1 The Lydian Plain near Sardis, Asia Minor (Turkey)
Gothenburg Museum of Art, GothenburgGothenburg Museum of Art Gothenburg 1 Coast Scene, Capri

Harald Jerichau rok po roce: originální díla, která definují každou éru

Ani necelých deset let, od 1870 do 1878, obdarilo svět v tomto výběru každým datovaným originálem od Harald Jerichau: zde jej najdete, rok po roce.

Díla podle roku

Vyberte rok a prohlédněte si originály.

Otázky sběratelů o obrazech umělce Harald Jerichau

Kterým dílem je Harald Jerichau nejznámější?Odhalit odpověď

Landscape from Rome, Villa dei Quintili near Via Appia (1870), Nivaagaards Malerisamling, Nibe. Následují The Lydian Plain near Sardis, Asia Minor (Turkey) (1878) a Coast Scene, Capri (1876).

Kolik let bylo Harald Jerichau, když bylo vytvořeno dílo Landscape from Rome, Villa dei Quintili near Via Appia?Odhalit odpověď

19 let: dílo Landscape from Rome, Villa dei Quintili near Via Appia pochází z roku 1870 a Harald Jerichau se narodil/a v roce 1851.

Kolik obrazů zanechal(a) Harald Jerichau?Odhalit odpověď

Náš katalog obsahuje 3 děl umělce Harald Jerichau z let 1870 až 1878.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Harald Jerichau?Odhalit odpověď

Většinou v Nivaagaards Malerisamling (Nibe), Statens Museum for Kunst (Kodaň) a Gothenburg Museum of Art (Gothenburg). V tabulce muzeí výše jsou vypsány všechny.

Jaká jsou první a poslední slavná originální díla umělce Harald Jerichau?Odhalit odpověď

Na této stránce je nejstarší dílo z Landscape from Rome, Villa dei Quintili near Via Appia (1870) a nejnovější z The Lydian Plain near Sardis, Asia Minor (Turkey) (1878).

Harald Jerichau: život a dílo

A Life Painted in Brief Brilliance

The story of Harald Adolf Nikolaj Jerichau is one of profound talent tragically interrupted, a fleeting but luminous chapter in the history of Danish landscape painting. Born in Copenhagen in 1851, Harald was destined for an artistic existence from his very first breath, emerging from a lineage of immense creative power. He was the son of the renowned sculptor Jens Adolf Jerichau and the celebrated painter Elisabeth Jerichau-Baumann, placing him at the heart of a family where art was not merely a profession but a shared language. This pedigree provided him with an early immersion in the nuances of form and color, though his own path would diverge from sculpture to capture the ephemeral beauty of the natural world through the medium of landscape.

His formal education began with the disciplined eye of the architect C. V. Nielsen, who taught him the foundational principles of drawing, before he sought more advanced studies in perspective at the Royal Danish Academy of Fine Arts in 1868. This academic rigor was soon balanced by a wandering spirit and an insatiable curiosity for the light of distant lands. Under the guidance of masters such as Frederik Christian Lund and Eiler Rasmussen Eilersen, Harald began to develop a sensitivity to atmosphere that would become his hallmark. His early exhibitions in Copenhagen, beginning in 1873, signaled the arrival of a promising new voice capable of translating the soul of a landscape onto canvas.

Journeys Through Light and Shadow

Harald’s artistic development was deeply shaped by his travels, which acted as a series of profound encounters with light. Following his mother to Italy, he became a pupil of Jean-Achille Benouville, the director of the French Academy in Rome, an experience that undoubtedly refined his command over Mediterranean luminosity. His wanderlust then carried him through the vibrant landscapes of Turkey and Greece, and eventually to the historic streets of Paris and the majestic peaks of Switzerland. These journeys were more than mere sightseeing; they were essential components of his visual vocabulary, allowing him to absorb the diverse textures of the Orient and the classical grandeur of Europe.

The emotional depth of his work was often intertwined with the personal upheavals of his life. In 1875, he married his cousin, Maria Kutzner, a union that brought moments of profound joy amidst a period of great sorrow. The loss of their first child and the subsequent, devastating death of Maria in 1876 cast a long shadow over his spirit, momentarily threatening to extinguish his creative will. Yet, even in the wake of such grief, Harald demonstrated a remarkable resilience, attempting to rebuild his career through a renewed focus on his craft. His later works, particularly those capturing scenes from Turkey, reflect a mastery of light that speaks to both his technical skill and his enduring connection to the world around him.

A Legacy Etched in Memory

Though his life was cut short by the dual tragedies of typhus and malaria in 1878, at the tender age of only twenty-seven, Harald Jerichau left behind a legacy that continues to resonate within the Danish art tradition. He belonged to a unique era of landscape painters who sought to capture not just the topography of a place, but its very essence—the way light settles upon a valley or how mist clings to a distant mountain. His work remains a testament to a brief but intense period of artistic exploration, bridging the gap between academic precision and a more emotive, atmospheric approach to nature.

Today, Harald is remembered not only as an individual master but as a vital part of the Jerichau artistic dynasty. His contributions are preserved in the collective memory of Danish art history, serving as a poignant reminder of the beauty that can be captured even by those whose time on this earth was all too short. To look upon his landscapes is to witness a soul that, despite facing immense personal darkness, remained forever dedicated to chasing the light.