Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 50 děl umělce George Grey Barnard v našem katalogu
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Z všech originálů, které George Grey Barnard zanechal, je nejslavnější The Mystery of Life (1897). Hned za ním následují Sherman and His Generals (1866) a Untitled (1846). Náš katalog obsahuje 50 děl umělce George Grey Barnard; galerie si zachovala 47 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.
The Mystery of Life is a marble relief created by the American sculptor George Grey Barnard. Modeled between 1895 and 1897, this work belongs to a specific series of allegorical images exploring the themes of Life and Death. It was originally conceived as a component of an urn intended to hold the ashes of Anton Seidl.
In the quiet, monochromatic depths of George N. Barnard’s Sherman and His Generals, we find more than a mere photographic record; we encounter a profound meditation on authority and the heavy mantle of leadership. Created in 1866, this striking work captures nine men—most notably General William Tecumseh Sherman and his senior commanders—arranged in a deliberate, semi-circular formation. There is an undeniable gravity to their presence, as they sit upon chairs…
This work, titled Untitled, is a vintage daguerreotype photograph created by George Grey Barnard. Dating from about 1846, the piece offers a rare glimpse into a specific moment of mid-19th-century portraiture. It captures a family portrait of four children, presented with the formal arrangement characteristic of the era.
This work is titled Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign. It was captured by George N. Barnard in 1864. The image provides a direct record of the devastation within the city, specifically focusing on the remnants of a church. A prominent clock tower rises from the wreckage, marking the site of what was once a central structure.
In this monochromatic albumen silver print from 1864, we find ourselves standing before a scene of quiet, heavy stillness. The image captures a moment of pause amidst the chaos of the American Civil War, specifically within the context of Sherman's Campaign. A solitary cannon, its metallic form rendered in subtle shades of gray, sits positioned within defensive fortifications. It is the central weight of the composition, anchored by the dark,…
Ringold, Georgia from the album Photographic Views of Sherman's Campaign is a photographic work by George N. Barnard. Produced in 1864, the image captures a landscape where natural terrain meets human settlement. The scene presents a view of rolling hills and dense forest, punctuated by a small village and a prominent stone wall in the foreground.
In "Ruins in Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866)" by George Grey Barnard, the scene unfolds as a heavy, silent aftermath of conflict. The composition is dominated by the towering ruins of a large building, its broken architecture reaching upward like a fractured skeleton against the sky. These remnants of a church or cathedral loom over the landscape, their jagged edges and sharp, broken surfaces…
A Snapshot of Resilience: George Grey Barnard’s “City of Atlanta, Georgia No. 2” The photograph presented here—George Grey Barnard’s “City of Atlanta, Georgia No. 2,” created in 1866—is more than just a depiction of a street scene; it's a testament to endurance and an emblem of the American spirit emerging from the shadow of Reconstruction. Captured during Sherman’s devastating march through Georgia, this panoramic view offers a glimpse into the…
Le Lys Casse (The Broken Lily) is a pencil drawing by the American sculptor George Grey Barnard. Created about 1910, the work reflects the artist's engagement with the human form through a medium distinct from his primary sculptural practice.
In the quiet stillness of George Grey Barnard’s Solitude, or Adam and Eve, one finds much more than a mere depiction of biblical figures; one encounters a profound meditation on the very essence of human intimacy. Created in 1906, this exquisite marble masterpiece captures a moment of tender vulnerability, where the boundaries between two souls seem to dissolve into the stone itself. The sculpture portrays Adam and Eve locked in…
Scene of General McPherson's Death from the album Photographic Views of Sherman's Campaign1864
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Fountain and Park, Savannah from the album Photographic Views of Sherman's Campaign1864
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The Crest of Mission Ridge from the album Photographic Views of Sherman's Campaign1864
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The Hell Hole, Battlefield of New Hope Church from the album Photographic Views of Sherman's Campaign1864
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The Potter House, Atlanta from the album Photographic Views of Sherman's Campaign1864
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The Battle Ground of Resaca, No. 1 from the album Photographic Views of Sherman's Campaign1864
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Interior View of Fort Sumter from the album Photographic Views of Sherman's Campaign1864
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Savannah River, near the City from the album Photographic Views of Sherman's Campaign1864
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Orchard Knob, from Mission Ridge from the album Photographic Views of Sherman's Campaign1864
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Pass in the Racoon Range, No. 1 from the album Photographic Views of Sherman's Campaign1864
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Sherman's Hair Pins1864
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The Battle Ground of Resaca, No.2 from the album Photographic Views of Sherman's Campaign1864
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Ruins of the Pinckney Mansion, Charleston from the album Photographic Views of Sherman's Campaign1864
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The Battle Ground of Resaca, No. 3 from the album Photographic Views of Sherman's Campaign1864
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The New Capitol, Columbia, South Carolina from the album Photographic Views of Sherman's Campaign1864
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Atlanta, from the Works, No. 3 from the album Photographic Views of Sherman's Campaign1864
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Pass in the Raccoon Range, No. 2 from the album Photographic Views of Sherman's Campaign1864
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Exterior View of Fort Sumter from the album Photographic Views of Sherman's Campaign1864
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Trestle Bridge, at Whiteside from the album Photographic Views of Sherman's Campaign1864
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Rebel Works in front of Atlanta, No. 1 from the album Photographic Views of Sherman's Campaign1864
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Battlefield of New Hope Church, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign1864
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Buen Ventura, Savannah from the album Photographic Views of Sherman's Campaign1864
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Battlefield of the New Hope Church, Georgia, No. 2 from the album Photographic Views of Sherman's Campaign1864
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Lu La Lake, Lookout Mountain from the album Photographic Views of Sherman's Campaign1864
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Chattanooga Valley, from Lookout Mountain from the album Photographic Views of Sherman's Campaign1864
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Battlefield of Atlanta, 22nd July, 1864, No. 1 from the album Photographic Views of Sherman's Campaign1864
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Ruins of the R.R. Depot, Charleston from the album Photographic Views of Sherman's Campaign(1866)1864
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Untitled (Chicago after the Chicago Fire)1871
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(Untitled) (Mansfield 1907)1907
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(Untitled Head, Two Women, studies)1920
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(Untitled Striding Figure)1925
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(Untitled Woman and Serpent)1925
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My Mother As I Visioned When a Boy1935
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(Untitled Head)1925
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Therefore1924
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The Dance1910 · Smithsonian American Art Museum
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The Leap of the Soul1921
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
#2 Sherman and His Generals
#6 Ringold, Georgia from the album Photographic Views of Sherman's Campaign
#11 Scene of General McPherson's Death from the album Photographic Views of Sherman's Campaign
#35 Chattanooga Valley, from Lookout Mountain from the album Photographic Views of Sherman's Campaign
3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora George Grey Barnard | Obrazy z tohoto seznamu |
|---|---|---|---|
 J. Paul Getty Museum |
Los Angeles | 2 | Sherman and His Generals, City of Atlanta, Georgia, No. 2 |
 Taft Museum of Art |
Cincinnati | 1 | Solitude, or Adam and Eve |
 Smithsonian American Art Museum |
Washington, D.C. | 1 | The Dance |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
Chicago’s Great Fire of 1871 killed 300 people, left 100,000 homeless, and leveled four square miles of the city. Yet as the flames died, resolve replaced despair. This photograph was made perhaps one month after the fire, and it shows the makeshift homes, businesses, telegraph poles, and streetcar tracks that were in place even before the rubble was pushed into the lake. Within three years, Chicago would regain its position…
The Mystery of Life is a marble relief created by the American sculptor George Grey Barnard. Modeled between 1895 and 1897, this work belongs to a specific series of allegorical images exploring the themes of Life and Death. It was originally conceived as a component of an urn intended to hold the ashes of Anton Seidl.
In the quiet stillness of George Grey Barnard’s Solitude, or Adam and Eve, one finds much more than a mere depiction of biblical figures; one encounters a profound meditation on the very essence of human intimacy. Created in 1906, this exquisite marble masterpiece captures a moment of tender vulnerability, where the boundaries between two souls seem to dissolve into the stone itself. The sculpture portrays Adam and Eve locked in…
Le Lys Casse (The Broken Lily) is a pencil drawing by the American sculptor George Grey Barnard. Created about 1910, the work reflects the artist's engagement with the human form through a medium distinct from his primary sculptural practice.
The Mystery of Life (1897). Následují Sherman and His Generals (1866) a Untitled (1846).
34 let: dílo The Mystery of Life pochází z roku 1897 a George Grey Barnard se narodil/a v roce 1863.
The Mystery of Life, Sherman and His Generals, Untitled, Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign, Rebel Works in front of Atlanta, No. 2 from the album Photographic Views of Sherman's Campaign, Ringold, Georgia from the album Photographic Views of Sherman's Campaign, Ruins in Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866), City of Atlanta, Georgia, No. 2, Le Lys Casse (The Broken Lily) a Solitude, or Adam and Eve. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 50 děl umělce George Grey Barnard z let 1871 až 1935.
Většinou v J. Paul Getty Museum (Los Angeles), Taft Museum of Art (Cincinnati) a Smithsonian American Art Museum (Washington, D.C.). V tabulce muzeí výše jsou vypsány všechny.
V období 1920s: 6 z celkem 47 děl na této stránce vzniklo právě tehdy, z toho (Untitled Head, Two Women, studies) z nich.
Na této stránce je nejstarší dílo z Untitled (Chicago after the Chicago Fire) (1871) a nejnovější z My Mother As I Visioned When a Boy (1935).
Civil war (4), American history (4) a Woman (3) napříč 47 díly na této stránce.
Black and White Photography, u 3 z 47 děl na této stránce.
Contemporary realism a Documentary photography, podle originálů na této stránce.
Sherman and His Generals a City of Atlanta, Georgia, No. 2: muzeum J. Paul Getty Museum, Los Angeles má v obsluze 2 děl z této stránky.
