Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 30 děl umělce Franciabigio v našem katalogu
Stručně řečeno
Portrait of a Man (1510) je obraz autora Franciabigio, který přitahuje nejvíce pohledů; originál se nachází v Louvre, Paříž. Poté se zrak přesouvá k Noli me tangere (1520) a Mary from the Annunciation (1510). Z 30 děl umělce Franciabigio v našem katalogu je těchto 30 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
In the quiet intensity of Franciabigio’s Portrait of a Man, we encounter more than just a mere likeness; we are invited into a profound meditation on human presence and the subtle complexities of the Renaissance spirit. Painted around 1510, this masterpiece serves as a captivating window into an era where the boundaries between the physical world and the psychological landscape began to dissolve. The subject, a young man of poised…
The fresco depicts Jesus Christ with arms outstretched, positioned within a landscape of green grass and distant trees. Two figures occupy the immediate space around him: one person kneels before him, while another stands behind. The scene is populated by several other individuals scattered throughout the composition, some situated in the foreground and others in the background. Above the assembly, a single bird flies through the sky. The arrangement of…
The air in the small, architectural space feels heavy with a sudden, holy stillness. To the right, Mary leans into the moment, her body caught in a subtle, twisting movement that breaks the stillness of a traditional pose. She is a figure of quiet reverence, her profile turned toward a white dove descending from the upper left. This celestial visitor, representing the Holy Spirit, glides through a cool, muted blue-green…
A single man emerges from a void of deep, shadowy tones, his presence felt through the quiet intensity of his stare. He sits slightly off-center, his body turned toward us, yet his eyes remain fixed directly upon the observer, creating an immediate, intimate connection. The light falls from the upper left, carving the contours of his face with a sharp, directional clarity. This light catches the bridge of his nose…
In this three-quarter view, we encounter a young man caught in a moment of profound introspection. He is positioned slightly off-center, his gaze directed away from us, as if lost in a private thought that we are merely permitted to observe. The lighting, descending from the upper left, carves the contours of his face with a gentle precision, casting soft shadows that define the bridge of his nose and the…
The composition is anchored by a stable pyramidal structure, a hallmark of High Renaissance balance. At the center, the Madonna sits with a serene presence, her form defined by soft contours and the gentle interplay of light and shadow. She is draped in deep blues and crimson reds, colors that provide a weight to her figure against the naturalistic greens of the background. Beside her, the Christ Child and a…
The composition centers on a moment of sudden, heavy realization within a structured architectural space. A male figure stands on the right, his body angled toward a woman on the left. He wears a muted teal tunic paired with pinkish-red hosiery, his hand gripping a sword that creates a sharp diagonal line across the center of the frame. The woman is dressed in a deep forest green gown, her posture…
We are looking at The Canonization of Saint Nicholas of Tolentino, a work executed by the Florentine painter Franciabigio. This piece dates to 1515, a period when the artist was active in the heart of the Italian Renaissance. His true name may have been Francesco di Cristofano, though he is most frequently recognized by the name Franciabigio.
We are looking at Holy Family in a Landscape, a work from 1520. This painting is attributed to the Florentine artist Franciabigio, whose full name was Francesco di Cristofano, gen. Franciabigio. It is a significant example of the High Renaissance style, captured during a period of profound transition in Italian art.
A sudden movement breaks the stillness of the stone ledge. An angel leans into the frame, caught in the middle of a divine arrival. The figure is a swirl of coral and warm pink, the heavy folds of the robes catching a light that spills from the upper right. These garments billow with a rhythmic energy, tracing the curve of a great, dark wing that sweeps through the composition. In…
St Nicholas of Tolentino performing a Miracle1517 · Ashmolean Museum
12
Portrait of a Jeweler1516
13
St. Bartholomew1515 · Museo di Capodimonte
14
The Triumph of Cicero1520 · Villa Medici
15
The Last Supper1514 · Convento della Calza
16
Angel1515 · Santo Spirito
17
Madonna with Child and the Young St John1518 · Liechtenstein Museum
18
Virgin and Child with Sts John the Baptist and Job1516 · Museo di San Salvi
19
Portrait of a Man1517 · Liechtenstein Museum
20
Portrait of a Man1522 · Staatliche Museen zu Berlin
21
Portrait of a ManDetroit Institute of Arts
22
Portrait of Jacopo CenniniRoyal Collection
23
Portrait of a Man in a Black HatBowes Museum
24
Madonna with Child1514 · Státní Ermitáž
25
Head of the Madonna1509 · Metropolitan Museum of Art
26
Madonna and Christ ChildBirmingham Museum of Art
27
Portrait of a Knight of RhodesNational Gallery
28
Madonna of the Well or Madonna and Child with the young St. John the Baptist1517
29
Bathsheba bathing1523 · Staatliche Kunstsammlungen Dresden
30
Betrothal of the Virgin1513 · Santissima Annunziata
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Franciabigio | Obrazy z tohoto seznamu |
|---|---|---|---|
 Národní muzeum ve Varšavě |
Varšava | 2 | Mary from the Annunciation, Angel from the Annunciation |
 Detroit Institute of Arts |
Detroit | 2 | Portrait of a Man, Portrait of a Man |
 Kunsthistorisches Museum |
Vídeň | 2 | Madonna and Child with John the Baptist, Holy Family in a Landscape |
 Liechtenstein Museum |
Vídeň | 2 | Madonna with Child and the Young St John, Portrait of a Man |
 Louvre |
Paříž | 1 | Portrait of a Man |
 Museo del Cenacolo di San Salvi |
Řím | 1 | Noli me tangere |
 Národní muzeum starého umění |
Lisabon | 1 | Retrato de Homem |
 Philadelphia Museum of Art |
Philadelphia | 1 | Saint Julian the Hospitaler Meeting His Wife after Killing His Parents |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
A single man emerges from a void of deep, shadowy tones, his presence felt through the quiet intensity of his stare. He sits slightly off-center, his body turned toward us, yet his eyes remain fixed directly upon the observer, creating an immediate, intimate connection. The light falls from the upper left, carving the contours of his face with a sharp, directional clarity. This light catches the bridge of his nose…
In the quiet intensity of Franciabigio’s Portrait of a Man, we encounter more than just a mere likeness; we are invited into a profound meditation on human presence and the subtle complexities of the Renaissance spirit. Painted around 1510, this masterpiece serves as a captivating window into an era where the boundaries between the physical world and the psychological landscape began to dissolve. The subject, a young man of poised…
The fresco depicts Jesus Christ with arms outstretched, positioned within a landscape of green grass and distant trees. Two figures occupy the immediate space around him: one person kneels before him, while another stands behind. The scene is populated by several other individuals scattered throughout the composition, some situated in the foreground and others in the background. Above the assembly, a single bird flies through the sky. The arrangement of…
Portrait of a Man (1510), Louvre, Paříž. Následují Noli me tangere (1520) a Mary from the Annunciation (1510).
26 let: dílo Portrait of a Man pochází z roku 1510 a Franciabigio se narodil/a v roce 1484.
Portrait of a Man, Noli me tangere, Mary from the Annunciation, Retrato de Homem, Portrait of a Man, Madonna and Child with John the Baptist, Saint Julian the Hospitaler Meeting His Wife after Killing His Parents, The Canonization of Saint Nicholas of Tolentino, Holy Family in a Landscape a Angel from the Annunciation. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 30 děl umělce Franciabigio z let 1501 až 1523.
Většinou v Národní muzeum ve Varšavě (Varšava), Detroit Institute of Arts (Detroit) a Kunsthistorisches Museum (Vídeň). V tabulce muzeí výše jsou vypsány všechny.
V období 1510s: 17 z celkem 30 děl na této stránce vzniklo právě tehdy, z toho Portrait of a Man z nich.
Na této stránce je nejstarší dílo z Retrato de Homem (1501) a nejnovější z Bathsheba bathing (1523).
Man (7), Portrait (5) a Landscape (4) napříč 30 díly na této stránce.
Oil On Panel, u 12 z 30 děl na této stránce.
High renaissance a Renaissance, podle originálů na této stránce.
Mary from the Annunciation a Angel from the Annunciation: muzeum Národní muzeum ve Varšavě, Varšava má v obsluze 2 děl z této stránky.
