Portrét Floris Van Schooten

67 nejslavnějších obrazů autora Floris Van Schooten, každý naprosto unikátní

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 67 děl umělce Floris Van Schooten v našem katalogu

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Kitchen Scene (1622) je obraz autora Floris Van Schooten, který přitahuje nejvíce pohledů; originál se nachází v Statens Museum for Kunst, Kodaň. Poté se zrak přesouvá k Christ and the woman of Samaria at the well (1620) a A woman and a boy in a kitchen (1620). Z 67 děl umělce Floris Van Schooten v našem katalogu je těchto 67 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1580 – 1656, Amsterdam Nejvíce děl: Statens Museum for Kunst

Top 10 obrazů autora Floris Van Schooten podle výběru galerie

Slavná díla umělce Floris Van Schooten, čísla 11 až 67

11A kitchen interior with fish and utensils on a table (1650) od Floris Van SchootenA kitchen interior with fish and utensils on a table1650 12A kitchen still life with a maid cleaning fish at a table and a boy holding an apple (1650) od Floris Van SchootenA kitchen still life with a maid cleaning fish at a table and a boy holding an apple1650 13Laid Table (1617) od Floris Van SchootenLaid Table1617 14Breakfast (1615) od Floris Van SchootenBreakfast1615 · Kröller-Müllerův Muzeum 15Still life with cheese, herring, bread and wine (1620) od Floris Van SchootenStill life with cheese, herring, bread and wine1620 · Národní galerie 16Kitchen Scene (1620) od Floris Van SchootenKitchen Scene1620 · Rheinisches Landesmuseum 17Kitchen Utensils, Meat and Vegetables (1610) od Floris Van SchootenKitchen Utensils, Meat and Vegetables1610 18Still life of laid table with cheese (1635) od Floris Van SchootenStill life of laid table with cheese1635 · Bavarské státní sbírky malby 19Still Life with Cheese, Candlestick and Tobacco (1630) od Floris Van SchootenStill Life with Cheese, Candlestick and Tobacco1630 20Still Life with smoked herring, oysters and smoker's gear (1625) od Floris Van SchootenStill Life with smoked herring, oysters and smoker's gear1625 · Frans Halsův muzejní palác 21Still life with Jan Steen pitcher, salt cellar, and cheese on a laid table (1629) od Floris Van SchootenStill life with Jan Steen pitcher, salt cellar, and cheese on a laid table1629 · Het Prinsenhof 22Still life with grilled rib, cheese, apples and bread (1630) od Floris Van SchootenStill life with grilled rib, cheese, apples and bread1630 · Het Prinsenhof 23Fruit Basket (1634) od Floris Van SchootenFruit Basket1634 · Statens Museum for Kunst 24Still life with pie on a laid table (1633) od Floris Van SchootenStill life with pie on a laid table1633 · Muzeum Pałacu krále Jana III ve Wilanově 25Still life of food on a table (1635) od Floris Van SchootenStill life of food on a table1635 26Still life with a Jan Steen pitcher on a laid table (1625) od Floris Van SchootenStill life with a Jan Steen pitcher on a laid table1625 27Still life of fruit, butter and cheese (1630) od Floris Van SchootenStill life of fruit, butter and cheese1630 28Still life of fruit with bread, butter and a silver cup (1625) od Floris Van SchootenStill life of fruit with bread, butter and a silver cup1625 · Gebruder Douwes 29Fruit still life (1645) od Floris Van SchootenFruit still life1645 · Kröller-Müllerův Muzeum 30Still life with fruit, bread and a silver chalice (1642) od Floris Van SchootenStill life with fruit, bread and a silver chalice1642 31Still life of butter, cheese, bread, shrimp and biscuits (1642) od Floris Van SchootenStill life of butter, cheese, bread, shrimp and biscuits1642 32Still life with cut of meat, butter, chestnuts, glassware and bread on a table (1639) od Floris Van SchootenStill life with cut of meat, butter, chestnuts, glassware and bread on a table1639 33Stillife with dead birds (1637) od Floris Van SchootenStillife with dead birds1637 34Copper kettles and other objects on a tabletop (1650) od Floris Van SchootenCopper kettles and other objects on a tabletop1650 35Still-life with Ham (1650) od Floris Van SchootenStill-life with Ham1650 36Still life with bread, cheese, prawns and crabs (1656) od Floris Van SchootenStill life with bread, cheese, prawns and crabs1656 · Groninger Museum 37Breakfast with roast meat, bread, olives and chestnuts (1650) od Floris Van SchootenBreakfast with roast meat, bread, olives and chestnuts1650 38Still life of a laid table with cheese (1650) od Floris Van SchootenStill life of a laid table with cheese1650 39Still life of a laid table with cheese (1650) od Floris Van SchootenStill life of a laid table with cheese1650 40Still life of fruit and ham on a laid table (1650) od Floris Van SchootenStill life of fruit and ham on a laid table1650 41Still life of fruit in a stone niche (1650) od Floris Van SchootenStill life of fruit in a stone niche1650 42Still life with cheese, chalice and spoon (1650) od Floris Van SchootenStill life with cheese, chalice and spoon1650 · The National Museum in Poznań 43Still life with bread, meat and olives (1650) od Floris Van SchootenStill life with bread, meat and olives1650 · Herzog Anton Ulrich Museum 44Still life with fruits in Delft porcelain (1650) od Floris Van SchootenStill life with fruits in Delft porcelain1650 45Still life with fruit (1650) od Floris Van SchootenStill life with fruit1650 · Museum Voor Moderne Kunst 46Still life with ham and fish with unplucked poultry. (1650) od Floris Van SchootenStill life with ham and fish with unplucked poultry.1650 · Museum of John Paul II Collection 47Still-life with Bread, Cheese and a cut Pie (1650) od Floris Van SchootenStill-life with Bread, Cheese and a cut Pie1650 · Koetser Gallery 48Still life of apples and grapes (1650) od Floris Van SchootenStill life of apples and grapes1650 49Still life of pie, cheese, bread and olives on a laid table (1650) od Floris Van SchootenStill life of pie, cheese, bread and olives on a laid table1650 · Gallery van Diemen 50Still life of a laid table with cheese, meat and bread (1650) od Floris Van SchootenStill life of a laid table with cheese, meat and bread1650 · Hamburger Kunsthalle 51Laid table with cheese, bread, fruit and a roemer (1650) od Floris Van SchootenLaid table with cheese, bread, fruit and a roemer1650 52Still life with a ham on a laid table (1650) od Floris Van SchootenStill life with a ham on a laid table1650 53Fruit still life with silver beaker (1650) od Floris Van SchootenFruit still life with silver beaker1650 · Francisque Mandet Museum 54Kitchen Interior (1655) od Floris Van SchootenKitchen Interior1655 55Breakfast od Floris Van SchootenBreakfastKrálovské muzeum výtvarného umění Antverpy 56Kitchen piece with woman cleaning a fish od Floris Van SchootenKitchen piece with woman cleaning a fish 57Kitchen Still Life od Floris Van SchootenKitchen Still Life 58Fruit Stall (1630) od Floris Van SchootenFruit Stall1630 · Zamek Królewski w Warszawie 59Breakfast Still Life with Cheese od Floris Van SchootenBreakfast Still Life with CheeseVon der Heydt Museum 60Still life of assorted fruit with two blue-and-white porcelain bowls od Floris Van SchootenStill life of assorted fruit with two blue-and-white porcelain bowls 61Still life of fruit served in kraak porcelain od Floris Van SchootenStill life of fruit served in kraak porcelain 62Still life with berries od Floris Van SchootenStill life with berriesKrálovské muzea krásných umění v Belgii 63Still life with copper pans, utensils and plums on a stone ledge od Floris Van SchootenStill life with copper pans, utensils and plums on a stone ledgeKoetser Gallery 64Still life with cut of beef, chalice and bread od Floris Van SchootenStill life with cut of beef, chalice and breadMuseum Kunstpalast 65Strawberries in a silver dish, cherries and white currents in a wanli bowl, with a bread roll and silver cup od Floris Van SchootenStrawberries in a silver dish, cherries and white currents in a wanli bowl, with a bread roll and silver cup 66Still-life Of Fruit od Floris Van SchootenStill-life Of Fruit 67a Kitchen Still Life with pots and pans on a stone ledge and animated figures in the background od Floris Van Schootena Kitchen Still Life with pots and pans on a stone ledge and animated figures in the background

Motivy, které zaujaly Floris Van Schooten

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Floris Van Schooten

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Floris Van Schooten Obrazy z tohoto seznamu
Statens Museum for Kunst, KodaňStatens Museum for Kunst Kodaň 4 Kitchen Scene, Women and Children by a Fruit Seller, Stall with Fruit and Vegetables
Frans Halsův muzejní palác, HarenFrans Halsův muzejní palác Haren 2 Kitchen scene, Still Life with smoked herring, oysters and smoker's gear
Kröller-Müllerův Muzeum, OtterloKröller-Müllerův Muzeum Otterlo 2 Breakfast, Fruit still life
Het Prinsenhof, DelftHet Prinsenhof Delft 2 Still life with Jan Steen pitcher, salt cellar, and cheese on a laid table, Still life with grilled rib, cheese, apples and bread
Koetser Gallery 2 Still-life with Bread, Cheese and a cut Pie, Still life with copper pans, utensils and plums on a stone ledge
Národní muzeum ve Varšavě, VaršavaNárodní muzeum ve Varšavě Varšava 1 Kitchen interior with a female cook.
High Museum of Art, AtlantaHigh Museum of Art Atlanta 1 Kitchen still life with two children
Gemäldegalerie Alte Meister, DrážďanyGemäldegalerie Alte Meister Drážďany 1 Young woman peeling a pear at a table with various fruits, an old man with a money bag adressing her

Floris Van Schooten napříč desetiletími: jeden unikátní originál pro každou dekádu

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Floris Van Schooten: dotazy pro galerii

Kterým nejznámějším dílem je Floris Van Schooten?Odhalit odpověď

Kitchen Scene (1622), Statens Museum for Kunst, Kodaň. Následují Christ and the woman of Samaria at the well (1620) a A woman and a boy in a kitchen (1620).

V jakém věku vytvořil(a) Floris Van Schooten dílo Kitchen Scene?Odhalit odpověď

42 let: dílo Kitchen Scene pochází z roku 1622 a Floris Van Schooten se narodil/a v roce 1580.

Kterých deset obrazů autora Floris Van Schooten je nejznámějších?Odhalit odpověď

Kitchen Scene, Christ and the woman of Samaria at the well, A woman and a boy in a kitchen, Larder Still Life with Cheese, Kitchen interior with a female cook., Women and Children by a Fruit Seller, Stall with Fruit and Vegetables, Kitchen scene, Kitchen still life with two children a Young woman peeling a pear at a table with various fruits, an old man with a money bag adressing her. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik známých děl má autor Floris Van Schooten?Odhalit odpověď

Náš katalog obsahuje 67 děl umělce Floris Van Schooten z let 1610 až 1656.

Kde lze vidět nejznámější originály umělce Floris Van Schooten?Odhalit odpověď

Většinou v Statens Museum for Kunst (Kodaň), Frans Halsův muzejní palác (Haren) a Kröller-Müllerův Muzeum (Otterlo). V tabulce muzeí výše jsou vypsány všechny.

V jakém období vytvořil(a) Floris Van Schooten svá nejznámější obrazy?Odhalit odpověď

V období 1650s: 23 z celkem 67 děl na této stránce vzniklo právě tehdy, z toho A kitchen interior with fish and utensils on a table z nich.

Který slavný obraz od Floris Van Schooten je nejstarší a který nejnovější?Odhalit odpověď

Na této stránce je nejstarší dílo z Kitchen Utensils, Meat and Vegetables (1610) a nejnovější z Still life with bread, cheese, prawns and crabs (1656).

Jakým tématům se Floris Van Schooten věnoval/a nejčastěji?Odhalit odpověď

Fruits (2) a Life (2) napříč 67 díly na této stránce.

Jaká originální díla Floris Van Schooten mohu vidět v Statens Museum for Kunst?Odhalit odpověď

Kitchen Scene, Women and Children by a Fruit Seller a Stall with Fruit and Vegetables: muzeum Statens Museum for Kunst, Kodaň má v obsluze 4 děl z této stránky.

Floris Van Schooten: portrét umělce

Floris van Schooten: A Master of Dutch Still Life

Floris Gerritsz van Schooten (c. 1585 – November 14, 1656) stands as a pivotal figure in the development of still life painting within the Dutch Golden Age. Often operating behind the scenes of more flamboyant contemporaries, he quietly yet profoundly shaped the genre, reflecting its evolution and absorbing the innovations of Haarlem’s vibrant artistic community. His legacy lies not in revolutionary techniques but in his meticulous observation, skillful rendering, and a deep understanding of how to capture the essence of everyday objects – from humble breakfast spreads to elaborate kitchen scenes – imbued with a subtle sense of vanitas.

Born into a prosperous Catholic family who had migrated from Amsterdam to Haarlem seeking greater religious tolerance in 1612, Floris’s early life was steeped in the traditions of his lineage. His father, Gerrit Jacobsz van Schooten, was a member of this influential family, and his marriage to Rycklant Bol van Zanen, daughter of a prominent beer brewer, provided him with both social standing and a connection to Haarlem's economic heart. This background subtly influenced his subject matter – frequently depicting the bounty of the table, reflecting the wealth and prosperity of the era.

Van Schooten’s artistic journey began within the walls of the St. Luke’s Guild in Haarlem, a crucial institution for training and regulating artists. He quickly ascended through its ranks, eventually becoming Dean in 1639, demonstrating his respect and expertise within the local art world. His career spanned several decades, during which he produced an impressive oeuvre estimated to be around 120 works – a testament to his consistent output and dedication. Remarkably, only one fully signed painting is known: a breakfast still life now housed in the Von der Heydt Museum of Wuppertal, Germany, offering a rare glimpse into the artist’s own intentions.

The Haarlem Influence and Artistic Connections

Van Schooten's artistic development was inextricably linked to the thriving still-life scene of Haarlem. He absorbed the techniques and sensibilities of his contemporaries, particularly the masterful works of Floris van Dyck, Pieter Claesz., and Roelof Koets – all prominent figures within the guild. These artists served as significant influences, shaping his approach to composition, color palettes, and the depiction of textures. Notably, he mirrored the innovations occurring in Haarlem’s still life community, demonstrating a keen awareness of contemporary trends.

His work also reveals an appreciation for earlier masters like Pieter Aertsen and Joachim Beuckelaer, whose large-scale market scenes had established conventions that Van Schooten skillfully adapted. He simplified the complex arrangements of these predecessors, creating a greater sense of order and stability within his compositions. This careful assimilation of influences is a hallmark of his style – he wasn’t an innovator himself, but rather a diligent recorder and interpreter of artistic developments.

Subject Matter and Recurring Motifs

Van Schooten's oeuvre is characterized by its diverse range of still life subjects. He excelled in depicting breakfast pieces, showcasing the sumptuousness of morning meals with carefully arranged ham, cheese, bread, and fruit. Equally adept was he at capturing kitchen scenes – elaborate displays of culinary provisions, reflecting the domestic rhythms of 17th-century Dutch households. Market scenes also featured prominently, offering glimpses into the bustling commerce of Haarlem’s streets.

Recurring motifs punctuated his work, most notably the pairing of ham and cheese. These seemingly simple combinations became a signature element, imbued with symbolic weight – representing abundance, prosperity, and perhaps even mortality (a common theme in vanitas paintings). His meticulous attention to detail—the sheen of polished silver, the texture of ripe fruit, the folds of linen—elevated these everyday objects into captivating works of art.

Legacy and Historical Significance

Despite his relatively modest profile, Floris van Schooten played a crucial role in documenting the evolution of still life painting during the Dutch Golden Age. His works provide invaluable insights into the artistic practices and aesthetic sensibilities of Haarlem’s guild system. Abraham Bredius, a prominent Dutch art historian, recognized the significance of the monogram “F.v.S” or “FVS” as identifying the artist, solidifying his place within the historical record.

His oeuvre serves as a testament to the dynamic artistic landscape of 17th-century Netherlands – a reflection of both established traditions and emerging trends. Through his skillful rendering of everyday objects, Van Schooten offered viewers a poignant meditation on wealth, mortality, and the beauty found in the ordinary.