Portrét Filippo Parodi

Obrazy autora Filippo Parodi: 11 nejznámějších díel podle pohledu galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 11 děl umělce Filippo Parodi v našem katalogu

Stručně řečeno

Z pohledu galerie je nejslavnějším dílem Filippo Parodi obrazem Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius (1661), jehož originál je vystaven v Calouste Gulbenkian Foundation v obci Lisabon. Adonis (1680) a Immaculate Conception (1700) doplňují trio, které každé oko okamžitě pozná. Z 11 děl umělce Filippo Parodi v našem katalogu představuje galerie níže 11 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.

1630 – 1702 Nejvíce děl: Galleria di Palazzo Reale

Top 10 obrazů umělce Filippo Parodi v naší galerii

Obrazy autora Filippo Parodi, seřazeny od 11 do 11

Muzea, v nichž jsou vystavena originálna umělce Filippo Parodi

6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Filippo Parodi Obrazy z tohoto seznamu
Galleria di Palazzo Reale, GenovaGalleria di Palazzo Reale Genova 5 Adonis, Venus, Hyacinth
Liechtenstein Museum, VídeňLiechtenstein Museum Vídeň 2 Allegory of Vice, Allegory of Virtue
Calouste Gulbenkian Foundation, LisabonCalouste Gulbenkian Foundation Lisabon 1 Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius
San Luca, GenovaSan Luca Genova 1 Immaculate Conception
Santa Maria della Cella, GenovaSanta Maria della Cella Genova 1 Immaculate Conception
Biennale Internazionale dell'Antiquariato di Firenze, FlorencieBiennale Internazionale dell'Antiquariato di Firenze Florencie 1 Virgin and Child

Filippo Parodi, jeden ikonický obraz na každé desetiletí

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Filippo Parodi: odpovědi galerie

Který obraz autora Filippo Parodi je nejslavnější ze všech?Odhalit odpověď

Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius (1661), Calouste Gulbenkian Foundation, Lisabon. Následují Adonis (1680) a Immaculate Conception (1700).

Kolik let bylo Filippo Parodi, když dokončil/a Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius?Odhalit odpověď

31 let: dílo Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius pochází z roku 1661 a Filippo Parodi se narodil/a v roce 1630.

Kterých 10 nejlepších obrazů má Filippo Parodi?Odhalit odpověď

Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius, Adonis, Immaculate Conception, Immaculate Conception, Venus, Hyacinth, Clytie, Christ at the Column, Allegory of Vice a Allegory of Virtue. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik děl vytvořil/a Filippo Parodi?Odhalit odpověď

Náš katalog obsahuje 11 děl umělce Filippo Parodi z let 1660 až 1700.

Kde jsou vystavena nejznámější originály umělce Filippo Parodi?Odhalit odpověď

Většinou v Galleria di Palazzo Reale (Genova), Liechtenstein Museum (Vídeň) a Calouste Gulbenkian Foundation (Lisabon). V tabulce muzeí výše jsou vypsány všechny.

Kdy Filippo Parodi vytvořil své nejslavnější obrazy?Odhalit odpověď

V období 1680s: 6 z celkem 11 děl na této stránce vzniklo právě tehdy, z toho Adonis z nich.

Která jsou nejstarší a nejnovější slavná díla umělce Filippo Parodi?Odhalit odpověď

Na této stránce je nejstarší dílo z Immaculate Conception (1660) a nejnovější z Immaculate Conception (1700).

Jaká originální díla Filippo Parodi má v obsluze Galleria di Palazzo Reale?Odhalit odpověď

Adonis, Venus a Hyacinth: muzeum Galleria di Palazzo Reale, Genova má v obsluze 5 děl z této stránky.

Filippo Parodi: umělec

The Sculptor of Genoa’s Golden Age

Filippo Parodi stands as a monumental figure in the history of Genoese Baroque sculpture, a master who earned the enduring title of Gemma’s first and greatest native sculptor. Born in 1630 into a lineage deeply rooted in artistic craftsmanship, Parodi was destined for the chisel. His father, Giovanni Battista, was a respected woodcarver, and it was within the intimate, sawdust-filled atmosphere of the family workshop that Filippo first learned to breathe life into raw material. This early immersion in the delicate intricacies of wood carving gifted him with an extraordinary sensitivity to form and texture—a foundational skill that would later allow him to transition seamlessly from the warmth of timber to the cold, commanding elegance of marble and the fluid grace of stucco.

The trajectory of Parodi’s career was irrevocably altered by his transformative journey to Rome. Between 1655 and 1661, he secured an apprenticeship within the studio of Gian Lorenzo Bernini, the undisputed titan of the Baroque era. To work under Bernini was to witness the very pinnacle of dramatic composition and technical virtuosity. Through this immersive experience, Parodi absorbed the secrets of movement, light, and theatricality that defined the Roman High Baroque. Yet, his artistic vision was not merely a mirror of his master; he also drew profound stylistic cues from the works of Algardi and Ercole Ferrata, synthesizing these diverse influences into a unique aesthetic language that blended Roman grandeur with a distinct Genoese sensibility.

A Legacy Carved in Marble and Spirit

Upon his return to Genoa in the mid-1670s, Parodi did not merely return as a student, but as a master capable of reshaping the city's visual landscape. His arrival coincided with a period of intense artistic ferment, and he quickly became a central figure in the local creative community. The sculptor’s ability to manipulate different media allowed him to dominate both large-scale architectural decorations and intimate, emotive busts. His work often captured the tension between the physical weight of stone and the ethereal lightness of divine grace, a hallmark of the Baroque spirit.

The significance of Parodi's contribution extends far beyond his individual masterpieces; he established a standard of excellence that influenced generations of Ligurian artists. His career was marked by several key achievements:

  • Technical Versatility: The rare ability to master wood, marble, and stucco, allowing for a cohesive artistic vision across various architectural contexts.
  • The Bernini Connection: Bringing the sophisticated, dramatic language of Roman Baroque sculpture to the heart of Genoa.
  • Founding a Dynasty: Establishing an artistic legacy through his family, including his son Domenico Parodi, who would continue to shape the late Baroque period.

As we look upon the enduring works of Filippo Parodi, we see more than just stone and pigment; we see the triumph of a native talent who took the lessons of Rome and used them to crown his home city with splendor. His life, spanning from 1630 until his death in 1702, remains a testament to the power of tradition meeting innovation, leaving behind a sculptural heritage that continues to captivate the soul of Genoa.