Portrét Everett Shinn

Obrazy autora Everett Shinn: 100 nejznámějších díel podle pohledu galerie

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 139 děl umělce Everett Shinn v našem katalogu

Stručně řečeno

Z pohledu galerie je nejslavnějším dílem Everett Shinn obrazem First Row at the Opera (1942), jehož originál je vystaven v Boca Raton Museum of Art v obci Boca Raton. Nude Bathers a The East River at Night (1906) doplňují trio, které každé oko okamžitě pozná. Z 139 děl umělce Everett Shinn v našem katalogu představuje galerie níže 100 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.

1876 – 1953, Woodstown Realism Nejvíce děl: Boca Raton Museum of Art
First Row at the Opera (1942) od Everett Shinn1. First Row at the Opera 1942 Nude Bathers od Everett Shinn2. Nude Bathers The East River at Night (1906) od Everett Shinn3. The East River at Night 1906

Top 10 obrazů umělce Everett Shinn v naší galerii

1
First Row at the Opera (1942) od Everett Shinn

First Row at the Opera

1942 · Painting · Boca Raton Museum of Art, Boca Raton

In this 1942 work, we find ourselves drawn into the intimate, focused atmosphere of an opera house. The scene is rendered in a monochromatic palette, stripping away the distraction of color to emphasize the raw energy of the performance. A central figure stands before a seated audience, holding a microphone as if caught in the middle of a song or a spoken monologue. There is a sense of immediacy here,…

Příběh tohoto originálu
2
Nude Bathers od Everett Shinn

Nude Bathers

Pastel

In Nude Bathers, Everett Shinn presents a quiet, unvarnished moment of leisure. The scene focuses on four main figures, all of whom are nude women, gathered together in a park. They are positioned upon the grass, appearing to enjoy a shared moment of repose in the outdoors. The atmosphere is one of stillness and relaxation, capturing a private interval of companionship.

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3
The East River at Night (1906) od Everett Shinn

The East River at Night

1906

The night settles heavily over the East River, casting the world into a study of shadow and silver. Two boats drift upon the dark surface, their forms silhouetted against the murky depths of the water. One boat rests toward the left, while the other occupies the center, creating a sense of balance in the stillness. Near the vessels, three figures move through the gloom, perhaps tending to the craft or…

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4
The Orchestra Pit (1906) od Everett Shinn

The Orchestra Pit

1906 · Oil On Canvas

is an oil on canvas work by the American artist Everett Shinn. Executed in 1906, the painting captures a specific moment within Old Proctor's Fifth Avenue Theater. The composition focuses on the specialized environment of the orchestra pit, providing a view of the space situated below the stage level.

Příběh tohoto originálu
5
The White Ballet (1904) od Everett Shinn

The White Ballet

1904 · Oil · Smithsonian American Art Museum, Washington, D.C.

A darkened theater box provides the vantage point for this 1904 oil painting, positioning the viewer among a silent audience. From this shadowed periphery, the gaze is directed toward a brightly lit stage where a corps de ballet performs. The composition relies on a sharp tension between the muted, dark tones of the spectators in the foreground and the luminous, ethereal presence of the dancers. A rhythmic repetition of white…

O tomto originálu
10
The Hippodrome, London (1902) od Everett Shinn

The Hippodrome, London

1902 · Oil On Canvas · Art Institute of Chicago, Chicago

The Hippodrome, London is an oil on canvas painting by Everett Shinn, executed in 1902. This work represents a significant moment in the artist's career, acting as a souvenir of his only trip to Europe. Through this piece, Shinn captures a specific atmosphere of international entertainment, marking the beginning of his long-standing interest in the spectacle of the stage.

O tomto originálu

Obrazy autora Everett Shinn, seřazeny od 11 do 100

11Over the Audience od Everett ShinnOver the Audience 12Fifth Avenue od Everett ShinnFifth Avenue 13Girl On A Swing od Everett ShinnGirl On A Swing 14Paris Street No. 2 (1902) od Everett ShinnParis Street No. 21902 · New Britain Museum of American Art 15The Singer (1902) od Everett ShinnThe Singer1902 16The Fight (1899) od Everett ShinnThe Fight1899 17Saturday Night (1905) od Everett ShinnSaturday Night1905 18Rehearsal of the Ballet (1905) od Everett ShinnRehearsal of the Ballet1905 19Olympic Theater (1907) od Everett ShinnOlympic Theater1907 20The Argument od Everett ShinnThe Argument 21Trinity Church, New Year's Eve od Everett ShinnTrinity Church, New Year's Eve 22Figure od Everett ShinnFigure 23The Hatpin od Everett ShinnThe Hatpin 24Woman in a Bed od Everett ShinnWoman in a Bed 25Man Walking Through Snow Storm od Everett ShinnMan Walking Through Snow Storm 26Woman With Fox Collar od Everett ShinnWoman With Fox Collar 27Snow Storm od Everett ShinnSnow Storm 28Woman Getting Into Bed od Everett ShinnWoman Getting Into Bed 29The Mirror od Everett ShinnThe Mirror 30Study of Nude Woman od Everett ShinnStudy of Nude Woman 31Woman Combing Her Hair od Everett ShinnWoman Combing Her Hair 32Manon od Everett ShinnManon 33Julie Bonbon 1 od Everett ShinnJulie Bonbon 1 34Washington Square Park in Winter od Everett ShinnWashington Square Park in Winter 35Albert Pinkham Ryder od Everett ShinnAlbert Pinkham Ryder 36Matinée Crowd, Manhattan od Everett ShinnMatinée Crowd, Manhattan 37Broadway, late in the afternoon od Everett ShinnBroadway, late in the afternoon 38In the Boudoir od Everett ShinnIn the Boudoir 39The Princess od Everett ShinnThe Princess 40Street Scene, Paris od Everett ShinnStreet Scene, Paris 41Ballet Girls od Everett ShinnBallet Girls 42Julie Bonbon od Everett ShinnJulie Bonbon 43The Bright Shawl od Everett ShinnThe Bright Shawl 44Trapeze Artists Proctors Theatre od Everett ShinnTrapeze Artists Proctors Theatre 45Girl at her toilet od Everett ShinnGirl at her toilet 46The Magician od Everett ShinnThe Magician 47Boudoir scene od Everett ShinnBoudoir scene 48Study of a man in a fur collared coat smoking a cigar od Everett ShinnStudy of a man in a fur collared coat smoking a cigar 49Winter on 21st Street, New York od Everett ShinnWinter on 21st Street, New York 50Fifth Avenue 1 od Everett ShinnFifth Avenue 1 51Ballet Dancers od Everett ShinnBallet Dancers 52Fleishman's Bread Line od Everett ShinnFleishman's Bread Line 53The Mishap od Everett ShinnThe Mishap 54Nude (1910) od Everett ShinnNude1910 55Vaudeville Dancer (1912) od Everett ShinnVaudeville Dancer1912 56French Vaudeville (1917) od Everett ShinnFrench Vaudeville1917 57Girl with Japanese Lanterns (1912) od Everett ShinnGirl with Japanese Lanterns1912 58The Canfield Gambling House (1912) od Everett ShinnThe Canfield Gambling House1912 59Ladies on a Swing (1921) od Everett ShinnLadies on a Swing1921 60Spanish Music Hall od Everett ShinnSpanish Music Hall 61Revue (1908) od Everett ShinnRevue1908 62Fire on 24th Street, New York City od Everett ShinnFire on 24th Street, New York City 63London Music Hall (1918) od Everett ShinnLondon Music Hall1918 · Metropolitan Museum of Art 64The Golden Lancet od Everett ShinnThe Golden LancetGeorgia Museum of Art 65Blossoms in a lacquered vase od Everett ShinnBlossoms in a lacquered vase 66Female Figure In Black Gown od Everett ShinnFemale Figure In Black Gown 67The Duel od Everett ShinnThe Duel 68Singer od Everett ShinnSinger 69Dancer With Fan od Everett ShinnDancer With Fan 70Winter, New York City od Everett ShinnWinter, New York City 71Street Carnival od Everett ShinnStreet Carnival 72Musicians od Everett ShinnMusicians 73The Cafe od Everett ShinnThe Cafe 74Young Woman and Her Maid od Everett ShinnYoung Woman and Her Maid 75Fifth Avenue Bus, 23rd Street and Broadway od Everett ShinnFifth Avenue Bus, 23rd Street and Broadway 76The Yellow Dancer od Everett ShinnThe Yellow DancerThiel Gallery 77Bonnie Glass od Everett ShinnBonnie Glass 78Bathing Wood Nymphs od Everett ShinnBathing Wood Nymphs 79Ballet od Everett ShinnBallet 80Nude With Green Fan od Everett ShinnNude With Green Fan 81City Scene od Everett ShinnCity Scene 82Women Seated In The Park od Everett ShinnWomen Seated In The Park 83View of Washington Square, New York od Everett ShinnView of Washington Square, New York 84French Maiden od Everett ShinnFrench Maiden 85Two men conversing from The Mystery of Edwin Drood, Chapter 9 od Everett ShinnTwo men conversing from The Mystery of Edwin Drood, Chapter 9 86The Dress Rehearsal od Everett ShinnThe Dress Rehearsal 87Canfields Gambling House od Everett ShinnCanfields Gambling House 88Washington Square od Everett ShinnWashington Square 89Clown With Big Pants od Everett ShinnClown With Big Pants 90Rooftop Cafe od Everett ShinnRooftop Cafe 91Flower Market Paris od Everett ShinnFlower Market Paris 92Music Hall Scene od Everett ShinnMusic Hall Scene 93Geen Park London od Everett ShinnGeen Park London 94Washington Square Park New York od Everett ShinnWashington Square Park New York 95Man seen from behind from The Mystery of Edwin Drood, Chapter Head od Everett ShinnMan seen from behind from The Mystery of Edwin Drood, Chapter Head 96Interior-Man in Red Vest od Everett ShinnInterior-Man in Red Vest 97Alley Cat od Everett ShinnAlley Cat 98He Is The Man For Me od Everett ShinnHe Is The Man For Me 99The Clown od Everett ShinnThe Clown 100Working at 21st Street and 4th Avenue od Everett ShinnWorking at 21st Street and 4th Avenue

Slavná díla Everett Shinn podle jednotlivých období

Early Period

1902 – 1908 · 5 děl v tomto seznamu
The East River at Night (1906), Everett Shinn #3 The East River at Night 1906 The White Ballet (1904), Everett Shinn #5 The White Ballet 1904 · Smithsonian American Art Museum The Hippodrome, London (1902), Everett Shinn #10 The Hippodrome, London 1902 · Art Institute of Chicago Olympic Theater (1907), Everett Shinn #19 Olympic Theater 1907 Revue (1908), Everett Shinn #61 Revue 1908

Mature Period

1906 – 1912 · 15 děl v tomto seznamu
The Orchestra Pit (1906), Everett Shinn #4 The Orchestra Pit 1906 Woman With Fox Collar, Everett Shinn #26 Woman With Fox Collar The Mirror, Everett Shinn #29 The Mirror Manon, Everett Shinn #32 Manon The Princess, Everett Shinn #39 The Princess

Early Modern

3 děl v tomto seznamu
Winter on 21st Street, New York, Everett Shinn #49 Winter on 21st Street, New York Musicians, Everett Shinn #72 Musicians Young Woman and Her Maid, Everett Shinn #74 Young Woman and Her Maid

Motivy, které zaujaly Everett Shinn

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

New york 10 děl

Fifth Avenue, Everett Shinn #12 Fifth Avenue Matinée Crowd, Manhattan, Everett Shinn #36 Matinée Crowd, Manhattan Broadway, late in the afternoon, Everett Shinn #37 Broadway, late in the afternoon Fifth Avenue 1, Everett Shinn #50 Fifth Avenue 1

Women 9 děl

Nude Bathers, Everett Shinn #2 Nude Bathers The Hatpin, Everett Shinn #23 The Hatpin Woman in a Bed, Everett Shinn #24 Woman in a Bed Woman Getting Into Bed, Everett Shinn #28 Woman Getting Into Bed

Music 8 děl

The Singer (1902), Everett Shinn #15 The Singer 1902 Rehearsal of the Ballet (1905), Everett Shinn #18 Rehearsal of the Ballet 1905 Vaudeville Dancer (1912), Everett Shinn #55 Vaudeville Dancer 1912 Singer, Everett Shinn #68 Singer

Men 8 děl

The Argument, Everett Shinn #20 The Argument Figure, Everett Shinn #22 Figure Man Walking Through Snow Storm, Everett Shinn #25 Man Walking Through Snow Storm Study of a man in a fur collared coat smoking a cigar, Everett Shinn #48 Study of a man in a fur collared coat smoking a cigar

Muzea, v nichž jsou vystavena originálna umělce Everett Shinn

7 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Everett Shinn Obrazy z tohoto seznamu
Boca Raton Museum of Art, Boca RatonBoca Raton Museum of Art Boca Raton 1 First Row at the Opera
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 The White Ballet
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Hippodrome, London
New Britain Museum of American Art, New BritainNew Britain Museum of American Art New Britain 1 Paris Street No. 2
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 London Music Hall
Georgia Museum of Art, AthensGeorgia Museum of Art Athens 1 The Golden Lancet
Thiel Gallery, StockholmThiel Gallery Stockholm 1 The Yellow Dancer

Everett Shinn, jeden ikonický obraz na každé desetiletí

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Everett Shinn: odpovědi galerie

Který obraz autora Everett Shinn je nejslavnější ze všech?Odhalit odpověď

First Row at the Opera (1942), Boca Raton Museum of Art, Boca Raton. Následují Nude Bathers a The East River at Night (1906).

Kolik let bylo Everett Shinn, když dokončil/a First Row at the Opera?Odhalit odpověď

66 let: dílo First Row at the Opera pochází z roku 1942 a Everett Shinn se narodil/a v roce 1876.

Kterých 10 nejlepších obrazů má Everett Shinn?Odhalit odpověď

First Row at the Opera, Nude Bathers, The East River at Night, The Orchestra Pit, The White Ballet, Theatre Box, Mrs A Stewart Walker in a Fur, Girl on Stage, The Revue (c. 1915) a The Hippodrome, London. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik děl vytvořil/a Everett Shinn?Odhalit odpověď

Náš katalog obsahuje 139 děl umělce Everett Shinn z let 1899 až 1942.

Kde jsou vystavena nejznámější originály umělce Everett Shinn?Odhalit odpověď

Většinou v Boca Raton Museum of Art (Boca Raton), Smithsonian American Art Museum (Washington, D.C.) a Art Institute of Chicago (Chicago). V tabulce muzeí výše jsou vypsány všechny.

Kdy Everett Shinn vytvořil své nejslavnější obrazy?Odhalit odpověď

V období 1900s: 12 z celkem 100 děl na této stránce vzniklo právě tehdy, z toho The East River at Night z nich.

Která jsou nejstarší a nejnovější slavná díla umělce Everett Shinn?Odhalit odpověď

Na této stránce je nejstarší dílo z The Fight (1899) a nejnovější z First Row at the Opera (1942).

Kterým tématům se Everett Shinn věnoval(a) nejčastěji?Odhalit odpověď

New york (10), Women (9) a Music (8) napříč 100 díly na této stránce.

V jaké technice tvořil(a) Everett Shinn nejčastěji?Odhalit odpověď

Oil On Canvas, u 3 z 100 děl na této stránce.

S jakým směrem je spojen(a) Everett Shinn?Odhalit odpověď

Realism, podle originálů na této stránce.

Everett Shinn: umělec

A Chronicler of Urban Life: The World of Everett Shinn

Everett Shinn, born in Woodstown, New Jersey, in 1876, wasn’t simply a painter; he was a visual poet of the burgeoning metropolis. He captured the raw energy, the vibrant spectacle, and often, the underlying grit of early 20th-century America with an immediacy that set him apart. From his beginnings as a newspaper illustrator to his prominence within the Ashcan School, Shinn’s artistic journey reflects a commitment to portraying life as it was lived – unvarnished, compellingly real. Art historian Sam Hunter affectionately dubbed him “the dandy of the realists,” a moniker reflecting both his refined aesthetic and his embrace of the city's pleasures. His early training at the Spring Garden Institute and later, the Pennsylvania Academy of the Fine Arts in Philadelphia, provided a solid foundation, but it was his work as an artist-reporter for Philadelphia newspapers – the *Press*, the *Inquirer*, and the *Ledger* – that truly honed his observational skills. This experience instilled in him a fascination with urban life and a knack for capturing fleeting moments before they vanished.

From Philadelphia Streets to New York Stages

The move to New York City in 1897 marked a turning point. Shinn quickly found work as an illustrator, contributing to publications like *Harper’s Weekly*, but it was his burgeoning friendships with fellow artists – George Luks, John Sloan, William J. Glackens, and Robert Henri – that truly shaped his artistic direction. These connections led him to the heart of the Ashcan School, a group dedicated to depicting the everyday realities of urban existence, often focusing on scenes overlooked by more traditional art circles. While many of his peers embraced oil paints, Shinn distinguished himself through his masterful use of pastels, a medium that allowed for a unique blend of spontaneity and delicate detail. He found particular inspiration in the city’s theaters, captivated by their dazzling displays of light, color, and performance. Works like “Olympic Theater” and “Revue” are not simply depictions of entertainment; they are vibrant studies of human interaction, capturing the energy and excitement of a night out in the city. The theatrical world offered Shinn a stage for exploring themes of illusion, spectacle, and the complex relationship between performer and audience. He wasn’t merely recording what he saw; he was interpreting it through a lens of dramatic flair and psychological insight.

The Ashcan School and Beyond

Shinn's association with the Ashcan School was crucial to his artistic development, challenging academic conventions and rejecting idealized representations in favor of honest portrayals of urban life – its poverty, its vibrancy, its struggles, and its joys. Their work often focused on working-class neighborhoods, saloons, and dance halls, subjects previously considered unworthy of serious artistic attention. Shinn’s participation in the landmark exhibition “The Eight” in 1908 solidified his position within this movement, though he always maintained a slightly more refined aesthetic than some of his colleagues. He wasn't solely focused on social commentary; he was equally interested in capturing the spectacle and allure of modern life. His versatility extended beyond painting, as demonstrated by his murals for private homes and public spaces, including those at the Stuyvesant Theatre and the Plaza Hotel. Even as his work evolved beyond the strict tenets of the Ashcan School, a commitment to realism and an acute observation of human behavior remained central to his artistic vision. He continued to explore themes of urban life, but with an increasing emphasis on its glamour and theatricality.

A Life Marked by Passion and Turmoil

Everett Shinn’s personal life was as dynamic and complex as the scenes he depicted in his art. He experienced multiple marriages – four in total – and a reputation for enjoying the pleasures of city life, contributing to his “dandy” persona. These personal challenges often intersected with his artistic pursuits, influencing his subject matter and adding layers of emotional depth to his work. Despite periods of financial hardship, particularly during the Depression, Shinn continued to paint and exhibit, receiving recognition from institutions like the National Academy of Design and the American Academy of Arts and Letters later in his career. He passed away in 1953, leaving behind a legacy that continues to resonate with audiences today. His life was a testament to the power of artistic vision and the enduring appeal of capturing life as it truly is, even amidst personal struggles and societal changes.

Enduring Legacy

Everett Shinn’s influence on American art remains significant.
  • Influence on American Realism: Shinn’s work significantly contributed to the development of American realism, paving the way for future generations of artists who sought to depict everyday life with honesty and authenticity.
  • Capturing a Moment in Time: His paintings and pastels offer invaluable insights into the social and cultural landscape of early 20th-century America, providing a visual record of a rapidly changing world.
  • Masterful Technique: Shinn’s innovative use of pastel as a fine art medium expanded the possibilities of this often-underappreciated technique.
  • Theatricality and Spectacle: His depictions of theater scenes are not merely representations of entertainment; they are explorations of human psychology, social dynamics, and the allure of illusion.
His art serves as a powerful reminder of a pivotal moment in American art history – a time when artists dared to look beyond conventional beauty and embrace the raw, unfiltered realities of modern life. He remains a vital figure for understanding the complexities of urban experience and the enduring power of artistic observation. Shinn’s legacy is not just about what he painted, but how he saw the world—with a keen eye for detail, a dramatic flair, and an unwavering commitment to truth.
Všechna díla od Everett Shinn: 139 →