Portrét Elliott Daingerfield

49 nejslavnějších obrazů autora Elliott Daingerfield, každý naprosto unikátní

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 57 děl umělce Elliott Daingerfield v našem katalogu

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Grand Canyon, Moonlight (1913) je obraz autora Elliott Daingerfield, který přitahuje nejvíce pohledů. Poté se zrak přesouvá k Monk Smelling a Bottle of Wine (1880) a Sunset Hour (1893). Z 57 děl umělce Elliott Daingerfield v našem katalogu je těchto 49 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1859 – 1932, Harpers Ferry Nejvíce děl: The Johnson Collection

Top 10 obrazů autora Elliott Daingerfield podle výběru galerie

1
Grand Canyon, Moonlight (1913) od Elliott Daingerfield

Grand Canyon, Moonlight

1913 · Oil On Canvas

Grand Canyon, Moonlight is a work by Elliott Daingerfield. Created in 1913, the painting emerged during a period of significant travel for the artist, who explored the American West in 1911 and 1913. This specific piece is one of seven paintings the artist produced of the Grand Canyon.

2
Monk Smelling a Bottle of Wine (1880) od Elliott Daingerfield

Monk Smelling a Bottle of Wine

1880 · Oil On Canvas

In "Monk Smelling a Bottle of Wine" by Elliott Daingerfield, a young man dressed in the robes of a monk or friar occupies the center of the frame. He is positioned within a dark, shadowy setting that obscures the background. The figure holds several bottles, appearing to drink from one as he engages in a solitary activity. The composition remains relatively simple, focusing the viewer's attention on the man and…

3
Sunset Hour (1893) od Elliott Daingerfield

Sunset Hour

1893 · Oil On Canvas · The Johnson Collection, Spartanburg County

A seated woman and a small child occupy the foreground of this 1893 oil on canvas, sheltered beneath the heavy, spreading canopy of a dark tree. The composition centers on their stillness, a moment of rest amidst a rural landscape. Earthy tones dominate the scene, from the deep greens of the meadow to the muted browns and greys of the figures' clothing. On the horizon, a striking red sun provides…

Slavná díla umělce Elliott Daingerfield, čísla 11 až 49

Motivy, které zaujaly Elliott Daingerfield

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Elliott Daingerfield

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Elliott Daingerfield Obrazy z tohoto seznamu
The Johnson Collection Spartanburg County 3 Sunset Hour, Springtime, Troubled Waters
The Mint Museum, CharlotteThe Mint Museum Charlotte 3 Call of the Winds, Moonlight, Cornelia Vanderbilt
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Bringing home the new born lamb, Return from the Farm
Morris Museum of Art Location, AugustaMorris Museum of Art Location Augusta 2 The Genius of the Canyon, A Fantasy
High Museum of Art, AtlantaHigh Museum of Art Atlanta 1 Tanagra
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Slumbering Fog
Mint Museums, CharlotteMint Museums Charlotte 1 Landscape with Green Mountain
Reading Public Museum, ReadingReading Public Museum Reading 1 Mountain Country

Elliott Daingerfield napříč desetiletími: jeden unikátní originál pro každou dekádu

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Elliott Daingerfield: dotazy pro galerii

Kterým nejznámějším dílem je Elliott Daingerfield?Odhalit odpověď

Grand Canyon, Moonlight (1913). Následují Monk Smelling a Bottle of Wine (1880) a Sunset Hour (1893).

V jakém věku vytvořil(a) Elliott Daingerfield dílo Grand Canyon, Moonlight?Odhalit odpověď

54 let: dílo Grand Canyon, Moonlight pochází z roku 1913 a Elliott Daingerfield se narodil/a v roce 1859.

Kterých deset obrazů autora Elliott Daingerfield je nejznámějších?Odhalit odpověď

Grand Canyon, Moonlight, Monk Smelling a Bottle of Wine, Sunset Hour, Shepherdess, Flowers, Bringing home the new born lamb, The Drover, Home and Harvest, My Lady Rhododendron a Tanagra. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik známých děl má autor Elliott Daingerfield?Odhalit odpověď

Náš katalog obsahuje 57 děl umělce Elliott Daingerfield z let 1880 až 1927.

Kde lze vidět nejznámější originály umělce Elliott Daingerfield?Odhalit odpověď

Většinou v The Johnson Collection (Spartanburg County), The Mint Museum (Charlotte) a Smithsonian American Art Museum (Washington, D.C.). V tabulce muzeí výše jsou vypsány všechny.

V jakém období vytvořil(a) Elliott Daingerfield svá nejznámější obrazy?Odhalit odpověď

V období 1910s: 13 z celkem 49 děl na této stránce vzniklo právě tehdy, z toho Grand Canyon, Moonlight z nich.

Který slavný obraz od Elliott Daingerfield je nejstarší a který nejnovější?Odhalit odpověď

Na této stránce je nejstarší dílo z Monk Smelling a Bottle of Wine (1880) a nejnovější z Springtime (1927).

Jaké materiály používal(a) Elliott Daingerfield nejčastěji?Odhalit odpověď

Oil On Canvas, u 3 z 49 děl na této stránce.

Jaká originální díla Elliott Daingerfield mohu vidět v The Johnson Collection?Odhalit odpověď

Sunset Hour, Springtime a Troubled Waters: muzeum The Johnson Collection, Spartanburg County má v obsluze 3 děl z této stránky.

Elliott Daingerfield: portrét umělce

The Visionary Spirit of Elliott Daingerfield

Elliott Daingerfield stands as one of North Carolina’s most celebrated and evocative artists, a painter whose work bridged the gap between the tangible beauty of the American landscape and the profound depths of spiritual symbolism. Born in 1859 in Harpers Ferry, West Virginia, to a Confederate officer, Daingerfield’s early life was shaped by the rugged landscapes of his youth in Fayetteville, North Carolina. This deep-seated connection to the natural world would later become the foundation of his artistic language, providing him with an endless reservoir of inspiration for his sweeping vistas and luminous compositions.

His journey into the heart of the American art establishment began at the age of twenty-one when he moved to New York City. It was here that Daingerfield’s formal training took root under the guidance of Walter Satterlee, an apprenticeship that not only introduced him to the delicate nuances of still life painting but also placed him within a vibrant circle of influential masters. The shadows and light of his early studies were profoundly transformed by his encounters with titans such as George Inness and Albert Pinkham Ryder. These luminaries, along with the burgeoning influence of European Symbolism which he encountered during his travels abroad around 1897, guided him toward a visionary style. His work began to transcend mere representation, moving toward an expressive mode where color palettes became more luminous and brushwork more meticulous, designed to convey unseen spiritual truths.

A Legacy of Light and Devotion

As his career matured, Daingerfield achieved significant recognition within the prestigious National Academy of Design, ascending from an associate member in 1902 to full membership by 1906. This era marked his emergence as a master of religious and monumental art. His ability to weave narrative and emotion into large-scale works was perhaps most brilliantly demonstrated in his impactful commissions for sacred spaces, most notably the monumental mural adorning Saint Mary the Virgin Church in New York City. In these works, Daingerfield utilized a dramatic interplay of light and shadow to tell stories of faith, much like his more intimate pieces such as Monk Smelling a Bottle of Wine, which explores the delicate tension between indulgence and devotion.

Beyond the confines of religious iconography, Daingerfield’s fascination with the grandeur of the American wilderness led him to remarkable heights. His travels to the American West in 1911 and 1913 resulted in a series of breathtaking paintings of the Grand Canyon, where he captured the geological majesty of the landscape through a Romantic lens. Whether depicting a moonlit forest in A Fantasy or the melancholic beauty of a young girl in Shepherdess, his oeuvre is characterized by an impasto texture and an evocative mood that invites the viewer into a dreamlike state.

Daingerfield’s contribution to American art extends beyond the canvas; he was also a dedicated scholar and biographer, documenting the lives of his contemporaries like George Inness and Ralph Albert Blakelock. His life, marked by both personal tragedy and immense professional triumph, concluded in Manhattan in 1932. Today, his legacy remains etched in the landscapes of North Carolina and the halls of museums worldwide, reminding us of a time when art served as a profound window into the soul of nature.