Portrét Elizabeth Jane Gardner

19 nejslavnějších obrazů autora Elizabeth Jane Gardner, výběr z galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 19 děl umělce Elizabeth Jane Gardner v našem katalogu

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Z všech originálů, které Elizabeth Jane Gardner zanechal, je nejslavnější Daphnis and Chloe (1882) v kolekci Appleton Museum of Art. Hned za ním následují The Improvised Cup (1884) a In the Garden (1900). Náš katalog obsahuje 19 děl umělce Elizabeth Jane Gardner; galerie si zachovala 19 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1837 – 1922, Exeter Nejvíce děl: Dahesh Museum of Art

10 nejlepších obrazů umělce Elizabeth Jane Gardner: výběr galerie

1
Daphnis and Chloe (1882) od Elizabeth Jane Gardner

Daphnis and Chloe

1882 · Oil On Canvas · Appleton Museum of Art

Elizabeth Jane Gardner’s Daphnis and Chloe, created about 1882, presents two young figures within a lush, wooded setting. The scene captures a moment of pastoral innocence and budding romance. The subjects are positioned in a way that emphasizes their intimate interaction, set against a backdrop of deep forest greens and earthy browns.

2
The Improvised Cup (1884) od Elizabeth Jane Gardner

The Improvised Cup

1884 · Oil On Canvas

The Improvised Cup is an Academic oil on canvas painting by Elizabeth Jane Gardner. This work was created about 1884. The artist, Elizabeth Jane Gardner, was born in Exeter, United States, and later established her practice in Paris, France.

3
In the Garden (1900) od Elizabeth Jane Gardner

In the Garden

1900 · Oil On Canvas

In the Garden is an oil on canvas painting by the American artist Elizabeth Jane Gardner. Created about 1900, this work is an example of Academicism. The piece functions as a sentimental portrait of youth and innocence, focusing on a single subject within a natural setting.

4
The Judgement of Paris (1905) od Elizabeth Jane Gardner

The Judgement of Paris

1905 · Oil

Elizabeth Jane Gardner painted The Judgement of Paris about 1905. The work presents a group of four children situated within a lush, wooded setting. This composition captures a quiet moment of interaction centered around a simple, perhaps allegorical, exchange of fruit.

5
Maternal Love (1905) od Elizabeth Jane Gardner

Maternal Love

1905 · Oil

In this intimate oil painting titled Maternal Love, we encounter a quiet moment captured by Elizabeth Jane Gardner. The work, which dates to about 1905, presents a tender scene of domesticity through a photographic print of the original painting. It offers a glimpse into the artist's ability to render human connection with a sense of stillness and grace.

Výběr umělce Elizabeth Jane Gardner pokračuje, od 11 do 19

Motivy, které zaujaly Elizabeth Jane Gardner

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Elizabeth Jane Gardner

5 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Elizabeth Jane Gardner Obrazy z tohoto seznamu
Dahesh Museum of Art New York 2 After the Engagement, Before the Engagement
Appleton Museum of ArtAppleton Museum of Art 1 Daphnis and Chloe
Georgia Museum of Art, AthensGeorgia Museum of Art Athens 1 La Confidence
Indianapolis Museum of Art, IndianapolisIndianapolis Museum of Art Indianapolis 1 Copy of "Young Girl and Child" by William Bouguereau
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 The Shepherd David

Elizabeth Jane Gardner rok po roce: originální díla, která definují každou éru

Od 1880 do 1905, Elizabeth Jane Gardner tvořil po dobu 26 let: tato výběrová kolekce sleduje tuto dlouhou kariéru rok po roce prostřednictvím jeho nejlepších originálů.

Díla podle roku

Vyberte rok a prohlédněte si originály.

Otázky sběratelů o obrazech umělce Elizabeth Jane Gardner

Kterým dílem je Elizabeth Jane Gardner nejznámější?Odhalit odpověď

Daphnis and Chloe (1882), Appleton Museum of Art. Následují The Improvised Cup (1884) a In the Garden (1900).

Kolik let bylo Elizabeth Jane Gardner, když bylo vytvořeno dílo Daphnis and Chloe?Odhalit odpověď

45 let: dílo Daphnis and Chloe pochází z roku 1882 a Elizabeth Jane Gardner se narodil/a v roce 1837.

Kterých deset nejslavnějších obrazů má Elizabeth Jane Gardner?Odhalit odpověď

Daphnis and Chloe, The Improvised Cup, In the Garden, The Judgement of Paris, Maternal Love, La Confidence, Copy of "Young Girl and Child" by William Bouguereau, After the Engagement, Before the Engagement a Garde. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik obrazů zanechal(a) Elizabeth Jane Gardner?Odhalit odpověď

Náš katalog obsahuje 19 děl umělce Elizabeth Jane Gardner z let 1880 až 1905.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Elizabeth Jane Gardner?Odhalit odpověď

Většinou v Dahesh Museum of Art (New York), Appleton Museum of Art a Georgia Museum of Art (Athens). V tabulce muzeí výše jsou vypsány všechny.

V jakých letech namaloval Elizabeth Jane Gardner svá nejznámější díla?Odhalit odpověď

V období 1905: 2 z celkem 19 děl na této stránce vzniklo právě tehdy, z toho The Judgement of Paris z nich.

Jaká jsou první a poslední slavná originální díla umělce Elizabeth Jane Gardner?Odhalit odpověď

Na této stránce je nejstarší dílo z La Confidence (1880) a nejnovější z The Judgement of Paris (1905).

Jaká témata si Elizabeth Jane Gardner vybíral nejčastěji?Odhalit odpověď

Woman (3), Forest (3) a Green foliage (3) napříč 19 díly na této stránce.

Kterou techniku používal(a) Elizabeth Jane Gardner nejčastěji?Odhalit odpověď

Oil On Canvas, u 4 z 19 děl na této stránce.

Která díla umělce Elizabeth Jane Gardner jsou vystavena v Dahesh Museum of Art?Odhalit odpověď

After the Engagement a Before the Engagement: muzeum Dahesh Museum of Art, New York má v obsluze 2 děl z této stránky.

Elizabeth Jane Gardner: život a dílo

A Life Dedicated to Art: The Story of Elizabeth Jane Gardner Bouguereau

Born in Exeter, New Hampshire, on October 4th, 1837, Elizabeth Jane Gardner’s journey was one of remarkable determination and artistic passion. Her upbringing, steeped in the values of education and community, laid a solid foundation for her future endeavors. She received instruction at both the Young Ladies' Female Academy in Exeter and Lasell Female Seminary in Auburndale, Massachusetts, where she cultivated not only an appreciation for art but also fluency in multiple languages – English, French, Italian, and German – skills that would prove invaluable during her extended sojourn in Europe. A brief period teaching French in Worcester, Massachusetts, followed graduation, yet the pull of artistic ambition soon led her across the Atlantic to Paris, a city then brimming with creative energy and opportunity.

Parisian Training and Overcoming Obstacles

The year 1864 marked a pivotal moment as Gardner, accompanied by Imogene Robinson, embarked on formal art training in Paris. She initially studied under the tutelage of Antoine-Louis Barye, renowned for his animal sculptures, Hugues Merle, and Jules Joseph Lefebvre – all prominent figures within the Parisian art world. However, the path to artistic mastery was not without its challenges, particularly for a woman during that era. Access to life drawing classes featuring nude models, considered essential for developing anatomical understanding, was largely denied to female students. Undeterred, Gardner cleverly circumvented this restriction by disguising herself as a man to attend classes at the Manufacture Nationale des Gobelins et de la Savonnerie, demonstrating an extraordinary level of commitment and resourcefulness. Later, she gained admission to the Académie Julian, where she continued her studies with Lefebvre and, crucially, William-Adolphe Bouguereau, a relationship that would profoundly shape both her artistic style and personal life.

A Muse and a Master: The Influence of Bouguereau

Gardner’s connection with Bouguereau evolved over seventeen years into a deep courtship culminating in marriage in 1896, following the passing of his mother who initially opposed their union. While some critics have viewed Gardner's work as merely imitative of her husband’s, it is essential to understand the context of this relationship and her own artistic philosophy. She openly acknowledged Bouguereau as her primary inspiration, famously stating a preference for being “the best imitator of Bouguereau than be nobody!” This was not an admission of lacking originality but rather a conscious choice to master a highly respected academic style at a time when female artists struggled for recognition. Gardner adopted Bouguereau’s favored subjects – idyllic scenes, portraits, and mythological themes – as well as his meticulous technique, resulting in paintings that often bear a striking resemblance to his own. This stylistic convergence sometimes leads to questions of authorship, yet it also highlights her dedication to achieving technical excellence within the established artistic conventions of the time.

Recognition and Legacy

Elizabeth Jane Gardner Bouguereau’s talent did not go unnoticed. She achieved a significant milestone in 1868 by becoming the first American woman to exhibit at the prestigious Paris Salon, and her work was accepted into an impressive twenty-five subsequent Salons. In 1872, she received a gold medal – an unprecedented achievement for a female artist – solidifying her position within the Parisian art community. Among her notable works are The Shepherd David Triumphant, considered her best-known piece, depicting a tender scene of youthful compassion; Cinderella; Cornelia and Her Jewels; and Daphne and Chloe. Gardner’s success paved the way for future generations of female painters, challenging societal norms and demonstrating that women could achieve artistic excellence in a male-dominated field. While initially overshadowed by Bouguereau's fame, her work has experienced renewed appreciation in recent decades as interest in 19th-century academic painting has grown. Her story stands as a testament to perseverance, talent, and the complexities of artistic collaboration within a historical context, reminding us that even within established traditions, individual voices can find expression and leave an enduring mark on the world of art.