Stručně řečeno
Z všech originálů, které Elias Brenner zanechal, je nejslavnější Unknown woman (1683), který se nachází ve sbírce Nationalmuseum, Stockholm. Hned za ním následují Self-portrait (1696) a Karl XI, 1697 (1697). Náš katalog obsahuje 30 děl umělce Elias Brenner; galerie si zachovala 30 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.
10 nejlepších obrazů umělce Elias Brenner: výběr galerie
Claes Fleming af Lieblitz
This miniature portrait, titled Claes Fleming af Lieblitz, captures the likeness of Claes Hermansson Fleming af Lieblitz. He was a friherre and ämbetsman who lived from 1649 to 1685. The work is attributed to the artist Elias Brenner, a man whose hand was accustomed to the precision of small-scale likenesses and the meticulous study of fine detail.
Anna Kruus af Gudhem
To hold a work of this scale is to encounter a private world. This portrait of Anna Kruus af Gudhem is an intimate encounter with a woman of the Swedish nobility, captured in a moment of quiet dignity. The subject is presented in a bust-length view, her presence defined by the soft, luminous quality of the light that falls upon her face. There is a certain stillness here, a sense…
Výběr umělce Elias Brenner pokračuje, od 11 do 30
Motivy, které zaujaly Elias Brenner
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
Oval frame 2 děl
Muzea, v nichž jsou vystavena originálna umělce Elias Brenner
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Elias Brenner | Obrazy z tohoto seznamu |
|---|---|---|---|
| Stockholm | 22 | Unknown woman, Self-portrait, Karl XI, 1697 | |
| Helsinki | 8 | Rovasti Östen Pihl, Magdalena Stenbock, 1667 - 1717, Two Male Portraits Framed in a Signet Ring |
Elias Brenner dekáda po dekádě: originální díla, která definují každou z nich
Díla podle dekád
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
Susanna Elisabeth Brenner (1677-1700), konstnärens dotter, g Gyllenhöök
Otázky sběratelů o obrazech umělce Elias Brenner
Kterým dílem je Elias Brenner nejznámější?Odhalit odpověď
Unknown woman (1683), Nationalmuseum, Stockholm. Následují Self-portrait (1696) a Karl XI, 1697 (1697).
Kolik let bylo Elias Brenner, když bylo vytvořeno dílo Unknown woman?Odhalit odpověď
36 let: dílo Unknown woman pochází z roku 1683 a Elias Brenner se narodil/a v roce 1647.
Kterých deset nejslavnějších obrazů má Elias Brenner?Odhalit odpověď
Unknown woman, Self-portrait, Karl XI, 1697, Susanna Elisabeth Brenner (1677-1700), konstnärens dotter, g Gyllenhöök, Hartwick Losck, Rovasti Östen Pihl, Claes Fleming af Lieblitz, Anna Kruus af Gudhem, Unknown Man a Unknown Man. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Kolik obrazů zanechal(a) Elias Brenner?Odhalit odpověď
Náš katalog obsahuje 30 děl umělce Elias Brenner z let 1683 až 1712.
Ve kterých muzeích jsou vystavena díla mistrovská umělce Elias Brenner?Odhalit odpověď
Většinou v Nationalmuseum (Stockholm) a Finnish National Gallery (Helsinki). V tabulce muzeí výše jsou vypsány všechny.
V jakých letech namaloval Elias Brenner svá nejznámější díla?Odhalit odpověď
V období 1690s: 2 z celkem 30 děl na této stránce vzniklo právě tehdy, z toho Self-portrait z nich.
Jaká jsou první a poslední slavná originální díla umělce Elias Brenner?Odhalit odpověď
Na této stránce je nejstarší dílo z Unknown woman (1683) a nejnovější z Rovasti Östen Pihl (1712).
Kterou techniku používal(a) Elias Brenner nejčastěji?Odhalit odpověď
Oil, u 2 z 30 děl na této stránce.
Která díla umělce Elias Brenner jsou vystavena v Nationalmuseum?Odhalit odpověď
Unknown woman, Self-portrait a Karl XI, 1697: muzeum Nationalmuseum, Stockholm má v obsluze 22 děl z této stránky.
Elias Brenner: život a dílo
A Life of Discovery and Detail
Born in the parish of Storkyro within Finland, Elias Brenner entered a world of vast numbers as one of twenty children. His early years were shaped by the guidance of his father, a vicar, and the schools of Nykarlely and Pori. This foundation of learning eventually led him to Uppsala University, where he initially sought to study theology. However, the pull of the past proved stronger than the call of the pulpit. Under the tutelage of scholars like Johannes Schefferus, his interests shifted toward archaeology and the study of ancient remains.
This transition from sacred texts to physical antiquities defined his professional path. In 1668, he began his service as a draftsman for the Antiquity College. He worked closely with Johan Hadorph, assisting in the vital task of documenting Sweden's historical treasures. His travels even took him alongside King Charles XI during an expedition to Copenhagen. These years of meticulous observation and technical assistance provided the essential training for the diverse array of skills he would later master.
The Hand of the Miniature Painter
By 1672, Brenner chose to step away from his official duties to pursue a more independent existence. He turned his focus toward the delicate art of portrait miniatures and the scientific study of coins. His talent for capturing small-scale likenesses earned him a prestigious appointment as a miniature painter at the Royal Court of Sweden in 1677. This role required an immense level of precision, whether he was working with gouache on vellum or painting enamels.
His technical repertoire was remarkably broad for a single man. He moved between many different mediums with ease:
- Copperplate engraving to produce detailed prints
- Enamel painting for lasting, lustrous surfaces
- Watercolor and gouache on parchment and oak panels
- Draftsmanship used for both art and historical documentation
His ability to render fine details allowed him to create intimate portraits that captured the essence of his subjects. These small works often featured intricate gold frames or enamel borders, reflecting the high status of those he depicted.
A Legacy in Coin and Ink
Beyond the brush and the engraver's tool, Brenner was a dedicated numismatist. His scholarly devotion to Swedish coins culminated in the publication of Thesaurus nummorum Sveo-Gothicorum in 1691. This work, which documented hundreds of coins with great care, gained significant praise even beyond the borders of Sweden. It was a labor of intense research that solidified his reputation as an antiquarian of high standing.
His life was also marked by personal milestones and social elevation. He was admitted to the nobility in 1712, a recognition of his contributions to Swedish culture and science. Through his marriages, including his union with the writer Sophia Elisabet Brenner, he remained at the center of an intellectual circle that valued both art and learning. When he passed away in Stockholm in 1717, he left behind a body of work that bridged the gap between the scientific recording of history and the delicate beauty of fine art.