Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 109 děl umělce Dominic Serres v našem katalogu
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Z pohledu galerie je nejslavnějším dílem Dominic Serres obrazem Captain William Locker (1769), jehož originál je vystaven v Yale Center for British Art v obci New Haven. Ships In A Gale a English Ships Coming to Anchor in a Fresh Breeze (1750) doplňují trio, které každé oko okamžitě pozná. Z 109 děl umělce Dominic Serres v našem katalogu představuje galerie níže 100 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.
Dominic Serres captures Captain William Locker in a formal waist-up composition that emphasizes the quiet authority of 18th-century naval leadership. The subject is positioned slightly off-center, dressed in a deep blue naval coat accented by heavy gold trim and prominent buttons. A white waistcoat and cravat provide a sharp tonal contrast to the dark fabric of the uniform, while a black tricorne hat adds a structured silhouette to the upper…
In this oil on canvas, titled Ships In A Gale, the artist Dominic Serres captures a moment of intense maritime struggle. Painted in 1770, the work presents a scene of Dutch men-of-war ships navigating through a violent storm. The composition focuses on the interaction between these heavy vessels and the turbulent elements of the sea and sky.
English Ships Coming to Anchor in a Fresh Breeze is an oil painting by Dominic Serres. Executed about 1750, the work captures a fleet of English sailing ships navigating the sea. The composition focuses on the movement of these vessels within a maritime environment.
The sea churns under a heavy, overcast sky, swallowing the horizon in shades of pale blue and cream. Amidst the salt spray and the restless swell, the air thickens with the grey haze of cannon smoke. This is the chaotic theater of the 29th of December, 1758. Massive sailing ships dominate the mid-ground, their wooden hulls dark against the churning water, their masts cutting vertical lines through the swirling atmosphere.…
The oil on canvas titled A Naval Action was painted by Dominic Serres in 1763. This maritime scene captures a moment of engagement between sailing ships. The work emerged during a period of significant naval conflict, documenting the movement of multi-masted vessels across a wide expanse of sea. It remains a precise record of maritime life and the mechanics of 18th-century warfare.
The Capture of Saint Lucia, 26 February 1762 by Dominic Serres depicts a historical naval engagement. Painted about 1772, the work focuses on maritime activity near a coastline. The scene contains several large sailing ships, which appear to be warships, positioned across the water. These vessels feature various flags flying from their masts and rigging. In the foreground, smaller rowing boats move through the water, providing a sense of scale…
The oil painting titled 'Experiment' taking the 'Telemaque', 19 July 1757 is a work by the artist Dominic Serres. Created in 1769, this maritime composition depicts a specific historical naval battle. The scene focuses on the engagement between two large sailing ships on a calm sea under a cloudy sky. One vessel is positioned in the foreground in profile, moving toward the right, while the second ship is partially obscured…
The Capture of Havana, 1762: the Landing, 7th June is an oil painting by Dominic Serres. Created about 1770, the work captures a precise moment of 18th-century naval warfare. It depicts a large-scale military landing operation where the sea meets the shore. Numerous ships of the line move through the water alongside smaller transport boats. These vessels approach a coastline defined by the presence of troops and heavy fortifications.
The Royal Visit to the Fleet is a large-scale maritime oil painting by Dominic Serres. Created in 1774, this work captures a significant naval procession. The scale of the canvas allows for an expansive view of the fleet under a dramatic sky.
The Royal Visit to the Fleet III is an oil painting by Dominic Serres. Executed about 1775, the work belongs to a period of significant maritime activity in British history. Serres, born in Auch, France, in 1722, established himself as a central figure in the development of marine art following his relocation to London.
The Royal Visit to the Fleet IV1775 · Royal Collection
12
The Royal Visit to the Fleet II1775 · Royal Collection
13
An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze1770 · Yale Center for British Art
14
Hms 'experiment' Taking The 'telemaque'
15
View From Portsdown Hill Overlooking Portsmouth Harbour
16
American Fireships on the Hudson, 16 August 17761777 · Melford Hall
17
Foudroyant and Pégase entering Portsmouth Harbour, 17821782 · Art Gallery of South Australia
18
Saint Vincents, near West Malling, Kent1779 · Yale Center for British Art
19
A Calm1789 · Royal Collection
20
Elizabeth Castle, Jersey
21
The Capture of the Comte de St Florentine by HMS Achilles, 4 April 1759National Maritime Museum
22
A Dutch Ship Saluting an English FlagshipNational Maritime Museum
23
Barrington's Action At St Lucia -National Maritime Museum
24
English Shipping Scene
25
Shipping -
26
The Action Off Providien
27
The Capture Of Havana -
28
The Battle Of The Dogger BankMelford Hall
29
Shipping
30
Action At TarrytownMelford Hall
31
Two_british_men
32
The Action Off Negapatam
33
The Capture Of MartiniqueIckworth
34
The Capture Of Havana -
35
The Action Off Sadras
36
The British Fleet Entering HavanaNational Maritime Museum
37
Forcing The Boom On The Hudson RiverMelford Hall
38
Captain Augustus John HerveyIckworth
39
Barrington's Action At St LuciaNational Maritime Museum
40
The Passage Of The Hudson RiverMelford Hall
41
The 'st George' With Other VesselsNational Maritime Museum
42
Attack On GoreeNational Maritime Museum
43
Lord Augustus John HerveyIckworth
44
Attack On Goree -National Maritime Museum
45
A Naval Action
46
The Action Off Porto-novo
47
A British Squadron Off St LuciaMelford Hall
48
The Cathedral At Havana
49
The Capture Of Saint Lucia
50
The Action Off Trincomalee
51
The Capture Of HavanaNational Maritime Museum
52
Ships Off The Gun Wharf At PortsmouthNational Maritime Museum
53
Seascape With Shipping
54
Seascape With Man O' War
55
Men-of-war At PlymouthNational Maritime Museum
56
View Of Port Mahon
57
The Capture Of Chandernagore, MarchNational Maritime Museum
58
The Capture Of Havana -National Maritime Museum
59
The Landing Of William, Duke Of Clarence
60
The 'royal George' And Other VesselsNational Maritime Museum
61
Mrs Wood
62
Admiral Sir George Brydges RodneyIckworth
63
Attack On Goree -National Maritime Museum
64
Return Of A Fleet Into Plymouth HarbourNational Maritime Museum
65
The Capture Of The 'duc De Chartres'National Maritime Museum
66
The Capture Of Havana -
67
British Warship Leaving Portsmouth Harbour
68
Rodney's Fleet Bombarding MartiniqueAnglesey Abbey
69
A FrigateNational Maritime Museum
70
The English Fleet At Madras
71
View Of Dover
72
The Capture Of Havana By The English Squadron
73
The Capture Of Havana -
74
A Ketch Rigged Royal Yacht Close-hauled On The Starboard TackNational Maritime Museum
75
The Capture Of GeriahNational Maritime Museum
76
British Men-of-war At Anchor In Blackwall ReachFitzwilliam Museum
77
Battle Of NegapatamNational Maritime Museum
78
The Capture Of The Comte De St Florentine By Hms 'achilles'
79
Captain Wood Of Bolling Hall
80
British Attack On The Citadel Of MartiniqueAnglesey Abbey
81
Hms 'monmouth' Burning The French Frigate 'rose'National Maritime Museum
82
Gibraltar Relieved By Sir George Rodney
83
Drake's Island, PlymouthNational Maritime Museum
84
Attack On Goree -National Maritime Museum
85
Rodney's Fleet Taking In Prizes After The Moonlight BattleNational Maritime Museum
86
Arrival Of Their Sicilian Majesties At NaplesNational Maritime Museum
87
Ships On A Lee Shore
88
A Dutch Ship Saluting An English Flagship
89
A Mediterranean Seaport
90
Fishing Boats And Man O' War In A Breeze At The Mouth Of A River
91
The Shipwreck Of The 'phoenix' At Night On The Coast Of CubaMelford Hall
92
An English Frigate Chased By The French Off The Indian CoastNational Maritime Museum
93
The Capture Of Havana -
94
Hms 'pearl' Capturing The 'esperance'National Maritime Museum
95
American Fire Ships On The Hudson
96
The East Indiaman 'pitt' And Other VesselsNational Maritime Museum
97
William Sands
98
French Fire-ships Attacking The English Fleet Off QuebecNational Maritime Museum
99
Action Between HmsNational Maritime Museum
100
A Frigate With A View Of The Needles
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Dominic Serres | Obrazy z tohoto seznamu |
|---|---|---|---|
 National Maritime Museum |
Londýn | 40 | The Capture of Saint Lucia, 26 February 1762, 'Experiment' taking the 'Telemaque', 19 July 1757, The Capture of Havana, 1762: the Landing, 7th June |
 Melford Hall |
7 | American Fireships on the Hudson, 16 August 1776, The Battle Of The Dogger Bank, Action At Tarrytown | |
 Ickworth |
Suffolk County | 5 | A Naval Action, The Capture Of Martinique, Captain Augustus John Hervey |
 Royal Collection |
Londýn | 5 | The Royal Visit to the Fleet, The Royal Visit to the Fleet III, The Royal Visit to the Fleet IV |
 Yale Center for British Art |
New Haven | 4 | Captain William Locker, English Ships Coming to Anchor in a Fresh Breeze, An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze |
 Anglesey Abbey |
2 | Rodney's Fleet Bombarding Martinique, British Attack On The Citadel Of Martinique | |
 Art Gallery of South Australia |
Adelaide | 1 | Foudroyant and Pégase entering Portsmouth Harbour, 1782 |
 Fitzwilliam Museum |
1 | British Men-of-war At Anchor In Blackwall Reach |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
English Ships Coming to Anchor in a Fresh Breeze is an oil painting by Dominic Serres. Executed about 1750, the work captures a fleet of English sailing ships navigating the sea. The composition focuses on the movement of these vessels within a maritime environment.
Dominic Serres captures Captain William Locker in a formal waist-up composition that emphasizes the quiet authority of 18th-century naval leadership. The subject is positioned slightly off-center, dressed in a deep blue naval coat accented by heavy gold trim and prominent buttons. A white waistcoat and cravat provide a sharp tonal contrast to the dark fabric of the uniform, while a black tricorne hat adds a structured silhouette to the upper…
The Capture of Saint Lucia, 26 February 1762 by Dominic Serres depicts a historical naval engagement. Painted about 1772, the work focuses on maritime activity near a coastline. The scene contains several large sailing ships, which appear to be warships, positioned across the water. These vessels feature various flags flying from their masts and rigging. In the foreground, smaller rowing boats move through the water, providing a sense of scale…
The oil painting titled Foudroyant and Pégase entering Portsmouth Harbour, 1782 by Dominic Serres depicts a specific naval occurrence from the American Revolutionary War. The work, created in 1782, documents the arrival of two large vessels within the waters of Portsmouth Harbour. The scene captures the HMS Foudroyant as it performs the task of towing the captured French ship Pégase into the port. This maritime event follows a naval engagement…
Captain William Locker (1769), Yale Center for British Art, New Haven. Následují Ships In A Gale a English Ships Coming to Anchor in a Fresh Breeze (1750).
47 let: dílo Captain William Locker pochází z roku 1769 a Dominic Serres se narodil/a v roce 1722.
Captain William Locker, Ships In A Gale, English Ships Coming to Anchor in a Fresh Breeze, Attack on Goree 29 decembre 1758, A Naval Action, The Capture of Saint Lucia, 26 February 1762, 'Experiment' taking the 'Telemaque', 19 July 1757, The Capture of Havana, 1762: the Landing, 7th June, The Royal Visit to the Fleet a The Royal Visit to the Fleet III. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 109 děl umělce Dominic Serres z let 1750 až 1789.
Většinou v National Maritime Museum (Londýn), Melford Hall a Ickworth (Suffolk County). V tabulce muzeí výše jsou vypsány všechny.
V období 1770s: 9 z celkem 100 děl na této stránce vzniklo právě tehdy, z toho The Capture of Saint Lucia, 26 February 1762 z nich.
Na této stránce je nejstarší dílo z English Ships Coming to Anchor in a Fresh Breeze (1750) a nejnovější z A Calm (1789).
Sea (15), Sailing ships (12) a Sky (12) napříč 100 díly na této stránce.
Oil, u 10 z 100 děl na této stránce.
Neoclassicism, podle originálů na této stránce.
The Capture of Saint Lucia, 26 February 1762, 'Experiment' taking the 'Telemaque', 19 July 1757 a The Capture of Havana, 1762: the Landing, 7th June: muzeum National Maritime Museum, Londýn má v obsluze 34 děl z této stránky.
