Portrét Delmar Harmood Banner

Obrazy autora Delmar Harmood Banner: 39 nejznámějších díel podle pohledu galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 39 děl umělce Delmar Harmood Banner v našem katalogu

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Z pohledu galerie je nejslavnějším dílem Delmar Harmood Banner obrazem Reverend Doctor David Herbert Somerset Cranage (1866–1957), Secretary of the Local Lectures Syndicate (1902), and Secretary of the Board of Extra Mural Studies (1924–1928) (1928), jehož originál je vystaven v Madingley Hall v obci Cambridge. Lakeland Summits Pillar from Green Gable (1938) a 'Solitary' (The Wanderer and the Poet) doplňují trio, které každé oko okamžitě pozná. Z 39 děl umělce Delmar Harmood Banner v našem katalogu představuje galerie níže 39 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.

1896 – 1983, Freiburg im Breisgau Nejvíce děl: Abbot Hall Art Gallery

Top 10 obrazů umělce Delmar Harmood Banner v naší galerii

Obrazy autora Delmar Harmood Banner, seřazeny od 11 do 39

11Skiddaw from Great Gable (1940) od Delmar Harmood BannerSkiddaw from Great Gable1940 12Great Gable Praeludia et fuga nubium (1941) od Delmar Harmood BannerGreat Gable Praeludia et fuga nubium1941 · Abbot Hall Art Gallery 13Scafell from Walna Scar (1941) od Delmar Harmood BannerScafell from Walna Scar1941 · Bolton Museum And Art Gallery 14Bowfell from Wetherlam (1940) od Delmar Harmood BannerBowfell from Wetherlam1940 · Abbot Hall Art Gallery 15Cross Fell from Calf, Sedbergh Fells, Cumbria (1942) od Delmar Harmood BannerCross Fell from Calf, Sedbergh Fells, Cumbria1942 · Ferens Art Gallery 16Great Gable from High Stile (1946) od Delmar Harmood BannerGreat Gable from High Stile1946 17Scafell, Looking North (1945) od Delmar Harmood BannerScafell, Looking North1945 18Beatrix Potter (1866–1943), as a Young Woman (1948) od Delmar Harmood BannerBeatrix Potter (1866–1943), as a Young Woman1948 19Stone Circle, Threlkeld, Cumbria (1946) od Delmar Harmood BannerStone Circle, Threlkeld, Cumbria1946 20Lakeland Fells (1945) od Delmar Harmood BannerLakeland Fells1945 · Abbot Hall Art Gallery 21Scafell from Birker Moor, Eskdale, Cumberland (1944) od Delmar Harmood BannerScafell from Birker Moor, Eskdale, Cumberland1944 · New Walk Museum - Art Gallery 22September White Grass (1945) od Delmar Harmood BannerSeptember White Grass1945 · Wolverhampton Art Gallery 23Sketch for 'Stone Circle, Threlkeld, Cumbria' (1946) od Delmar Harmood BannerSketch for 'Stone Circle, Threlkeld, Cumbria'1946 24Coniston Fell, Lancashire, from Harter Fell, Cumberland (1947) od Delmar Harmood BannerConiston Fell, Lancashire, from Harter Fell, Cumberland1947 25Great Gable (1944) od Delmar Harmood BannerGreat Gable1944 · Grundy Art Gallery 26Yews in Mardale Church Yard before Destruction (1945) od Delmar Harmood BannerYews in Mardale Church Yard before Destruction1945 27On Top of Goatfell, Arran (1948) od Delmar Harmood BannerOn Top of Goatfell, Arran1948 28Scafell, Cumbria (1944) od Delmar Harmood BannerScafell, Cumbria1944 · Laing Art Gallery 29Scafell from Hard Knott Fell, Cumbria (1946) od Delmar Harmood BannerScafell from Hard Knott Fell, Cumbria1946 · Maidstone Museum - Bentlif Art Gallery 30Dow Crag and Old Man (1946) od Delmar Harmood BannerDow Crag and Old Man1946 · Abbot Hall Art Gallery 31Scar Fell in Storm, Viewed from Burnmoor (1945) od Delmar Harmood BannerScar Fell in Storm, Viewed from Burnmoor1945 · University of Bradford 32View of Coniston Fells od Delmar Harmood BannerView of Coniston FellsAbbot Hall Art Gallery 33Great Gable from Wandope od Delmar Harmood BannerGreat Gable from WandopeSunderland Museum - Winter Gardens 34Blencathra from Scafell od Delmar Harmood BannerBlencathra from ScafellAbbot Hall Art Gallery 35Hardknott Fell from Upper Eskdale od Delmar Harmood BannerHardknott Fell from Upper EskdaleUniversity of Bradford 36Mellbreak from Rannerdale od Delmar Harmood BannerMellbreak from RannerdaleAbbot Hall Art Gallery 37Professor Bernard Groom, Matriculated (1915) od Delmar Harmood BannerProfessor Bernard Groom, Matriculated (1915)Magdalen College, Oxford 38Georges S. F. C. Kaeckenbeeck (1892–1973), Matriculated (1914) od Delmar Harmood BannerGeorges S. F. C. Kaeckenbeeck (1892–1973), Matriculated (1914)Magdalen College, Oxford 39Joseph J. W. Gynes, Steward of the Junior Common Room (1914–1931) od Delmar Harmood BannerJoseph J. W. Gynes, Steward of the Junior Common Room (1914–1931)Magdalen College, Oxford

Motivy, které zaujaly Delmar Harmood Banner

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Delmar Harmood Banner

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Delmar Harmood Banner Obrazy z tohoto seznamu
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 8 Lakeland Summits Pillar from Green Gable, Great Gable Praeludia et fuga nubium, Bowfell from Wetherlam
Magdalen College, Oxford, OxfordMagdalen College, Oxford Oxford 3 Professor Bernard Groom, Matriculated (1915), Georges S. F. C. Kaeckenbeeck (1892–1973), Matriculated (1914), Joseph J. W. Gynes, Steward of the Junior Common Room (1914–1931)
Nottingham Castle Museum And Art Gallery, NottinghamNottingham Castle Museum And Art Gallery Nottingham 2 Clement Fothergill Pitman (d.1973), Art Director and Curator of Nottingham Castle Museum (1930–1959), Coniston Fells from Upper Eskdale, Cumberland (Grey Friar, Old Man, Dow Crag, Hardknott and Upper Eskdale from Black Apron, November)
The Queen's College, OxfordThe Queen's College Oxford 2 Edward Mewburn Walker (1857–1941), Provost (1930–1933), Burnett Hillman Streeter (1874–1937), Provost (1933–1937)
University of Bradford, BradfordUniversity of Bradford Bradford 2 Scar Fell in Storm, Viewed from Burnmoor, Hardknott Fell from Upper Eskdale
Madingley Hall, CambridgeMadingley Hall Cambridge 1 Reverend Doctor David Herbert Somerset Cranage (1866–1957), Secretary of the Local Lectures Syndicate (1902), and Secretary of the Board of Extra Mural Studies (1924–1928)
Bolton Museum And Art Gallery, BoltonBolton Museum And Art Gallery Bolton 1 Scafell from Walna Scar
Ferens Art Gallery, HullFerens Art Gallery Hull 1 Cross Fell from Calf, Sedbergh Fells, Cumbria

Delmar Harmood Banner, jeden ikonický obraz na každé desetiletí

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Delmar Harmood Banner: odpovědi galerie

Který obraz autora Delmar Harmood Banner je nejslavnější ze všech?Odhalit odpověď

Reverend Doctor David Herbert Somerset Cranage (1866–1957), Secretary of the Local Lectures Syndicate (1902), and Secretary of the Board of Extra Mural Studies (1924–1928) (1928), Madingley Hall, Cambridge. Následují Lakeland Summits Pillar from Green Gable (1938) a 'Solitary' (The Wanderer and the Poet).

Kolik let bylo Delmar Harmood Banner, když dokončil/a Reverend Doctor David Herbert Somerset Cranage (1866–1957), Secretary of the Local Lectures Syndicate (1902), and Secretary of the Board of Extra Mural Studies (1924–1928)?Odhalit odpověď

32 let: dílo Reverend Doctor David Herbert Somerset Cranage (1866–1957), Secretary of the Local Lectures Syndicate (1902), and Secretary of the Board of Extra Mural Studies (1924–1928) pochází z roku 1928 a Delmar Harmood Banner se narodil/a v roce 1896.

Kterých 10 nejlepších obrazů má Delmar Harmood Banner?Odhalit odpověď

Reverend Doctor David Herbert Somerset Cranage (1866–1957), Secretary of the Local Lectures Syndicate (1902), and Secretary of the Board of Extra Mural Studies (1924–1928), Lakeland Summits Pillar from Green Gable, 'Solitary' (The Wanderer and the Poet), Clement Fothergill Pitman (d.1973), Art Director and Curator of Nottingham Castle Museum (1930–1959), Sketch for 'The Solitary Wanderer and the Poet', Edward Mewburn Walker (1857–1941), Provost (1930–1933), Burnett Hillman Streeter (1874–1937), Provost (1933–1937), Beatrix Potter (1866–1943), in Old Age, Beatrix Potter a Coniston Fells from Upper Eskdale, Cumberland (Grey Friar, Old Man, Dow Crag, Hardknott and Upper Eskdale from Black Apron, November). Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik děl vytvořil/a Delmar Harmood Banner?Odhalit odpověď

Náš katalog obsahuje 39 děl umělce Delmar Harmood Banner z let 1927 až 1948.

Kde jsou vystavena nejznámější originály umělce Delmar Harmood Banner?Odhalit odpověď

Většinou v Abbot Hall Art Gallery (Kendal), Magdalen College, Oxford (Oxford) a Nottingham Castle Museum And Art Gallery (Nottingham). V tabulce muzeí výše jsou vypsány všechny.

Kdy Delmar Harmood Banner vytvořil své nejslavnější obrazy?Odhalit odpověď

V období 1940s: 21 z celkem 39 děl na této stránce vzniklo právě tehdy, z toho Skiddaw from Great Gable z nich.

Která jsou nejstarší a nejnovější slavná díla umělce Delmar Harmood Banner?Odhalit odpověď

Na této stránce je nejstarší dílo z Clement Fothergill Pitman (d.1973), Art Director and Curator of Nottingham Castle Museum (1930–1959) (1927) a nejnovější z Beatrix Potter (1866–1943), as a Young Woman (1948).

Kterým tématům se Delmar Harmood Banner věnoval(a) nejčastěji?Odhalit odpověď

Mountain landscape (4), Lake district (3) a Scenic view (2) napříč 39 díly na této stránce.

Jaká originální díla Delmar Harmood Banner má v obsluze Abbot Hall Art Gallery?Odhalit odpověď

Lakeland Summits Pillar from Green Gable, Great Gable Praeludia et fuga nubium a Bowfell from Wetherlam: muzeum Abbot Hall Art Gallery, Kendal má v obsluze 8 děl z této stránky.

Delmar Harmood Banner: umělec

Delmar Harmood Banner: A Lake District Visionary

Delmar Harmood Banner (1896-1983) wasn’t a name widely recognized during his lifetime, yet his evocative paintings of the British Lake District and Cumbria have steadily gained appreciation for their atmospheric beauty and subtle mastery. Born in Freiburg im Breisgau, Germany, to British parents, Banner's early life was marked by a brief immersion in German culture before relocating to England at the age of seven. This dual heritage profoundly shaped his artistic sensibility – a grounding in European tradition blended with an intimate understanding of the rugged landscapes he would come to call home. His journey towards becoming a renowned artist began with formal training at Cheltenham College and later at Regent Street Polytechnic School of Art, where he honed his skills in watercolour and oil painting, ultimately finding his true voice amidst the dramatic scenery of the Lake District.

Early Life and Influences

Banner’s formative years were a tapestry woven with diverse influences. His German ancestry instilled a deep appreciation for light and shadow, while his English upbringing provided a connection to British artistic traditions. Crucially, his time at Regent Street Polytechnic introduced him to Josefina de Vasconcellos, a fellow artist and sculptor who became his wife and lifelong companion. Their shared passion for art and nature fueled their creative partnership, and their home in Little Langdale, nestled within the breathtaking Cumbrian fells, served as both a sanctuary and an endless source of inspiration. The close friendship he cultivated with Beatrix Potter further enriched his artistic life; her encouragement and patronage undoubtedly contributed to his growing confidence and recognition. Potter’s appreciation for detail and connection to nature resonated deeply with Banner's own artistic sensibilities, evident in the meticulous observation and serene beauty captured in his paintings.

A Landscape of Emotion: Style and Technique

Banner’s distinctive style is characterized by a remarkable ability to capture the essence of the Lake District – its dramatic light, shifting mists, and imposing mountains. He eschewed overtly romanticized depictions, instead favoring a more nuanced approach that emphasized atmosphere and mood. His brushwork is often loose and impressionistic, creating a sense of movement and depth within his landscapes. He skillfully employed color to evoke specific emotions, utilizing subtle shifts in tone to convey the changing light conditions and the ever-present drama of the weather. While rooted in realism, Banner’s paintings possess an intangible quality – a feeling of quiet contemplation and connection with the natural world. His use of oil paints allowed him to build up layers of color and texture, creating a rich and luminous surface that draws the viewer into the scene. The influence of Turner is subtly present, particularly in his masterful rendering of light and atmosphere, but Banner developed a uniquely personal vision within this established tradition.

Notable Works and Recognition

Among Banner’s most celebrated works are “Dow Crag & Old Man” (1946) and numerous depictions of the surrounding fells, including Catbells and Skiddaw. These paintings exemplify his ability to capture the grandeur and serenity of the Lake District with remarkable precision and emotional depth. His portrait of Beatrix Potter, a tender and intimate depiction of the literary icon, is held in the National Portrait Gallery collection – a testament to his skill as a portrait artist. Furthermore, Banner’s participation in the 1948 London Olympics, where he represented Great Britain in the painting event, showcased his artistic talent on an international stage. His work was exhibited at numerous galleries throughout the UK, including Abbot Hall, Ferens Art Gallery, and Leicester Museum and Art Gallery, solidifying his place as a significant figure in British landscape art.

Legacy and Enduring Appeal

Delmar Harmood Banner’s legacy extends beyond his individual paintings; he represents a vital link between the artistic traditions of Europe and the burgeoning landscape movement in Britain. His evocative depictions of the Lake District continue to resonate with viewers today, offering a glimpse into a timeless world of beauty and tranquility. His ability to capture not just the visual appearance of the landscape but also its emotional essence ensures that his work remains profoundly moving and relevant. He is remembered as a quiet yet dedicated artist who found his true calling in translating the majesty of the British countryside onto canvas, leaving behind a body of work that speaks volumes about the power of observation, sensitivity, and artistic vision.