Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 35 děl umělce Cornelis Van Der Voort v našem katalogu
Stručně řečeno
Portrait of Laurens Reael (1620) je obraz autora Cornelis Van Der Voort, který přitahuje nejvíce pohledů; originál se nachází v Rijksmuseum, Amsterdam. Poté se zrak přesouvá k Portrait of Jacobus Rolandus (1562-1632), assessor National Synod of Dordrecht, minister (1621) a Civic Guards of the Company of Captain Jonas Cornelisz. Witsen and Lieutenant Volckert Overlander (Kloveniersdoelen) (1612). Z 35 děl umělce Cornelis Van Der Voort v našem katalogu je těchto 33 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
A full-length figure occupies the center of this vertical composition, presented in a formal, standing pose. The subject, Laurens Reael, is depicted from an eye-level perspective, creating a direct confrontation with the viewer. He wears a dark doublet of silk or satin, which reflects light along the folds of the fabric, and a large, white ruff collar that encircles his neck. His right hand holds a walking stick, while his…
Regents of the Rasphuis1618 · Amsterdam Museum
12
Portrait of Pieter Pietersz. Hasselaer (1583-1651)1611 · Amsterdam Museum
13
Portrait of Aeghje Hooft (1587-1653)1611 · Amsterdam Museum
14
Civic Guardsmen at the Shooting Range1612 · Amsterdam Museum
15
Portrait of a gentleman in a black costume with white ruff holding a pair of gloves1609
16
Portrait of an unknown woman1612
17
Portrait of Gysbert V Paulusz. van Beresteyn1614 · Museum Mayer van den Bergh
18
Portrait of a Lady, Aged 241619
19
Jan van Hoek (1595-1674)1624
20
Officers of the Company of Lieutenant Pieter Pietersz Hasselaer1623 · Amsterdam Museum
21
Portrait of a 26-year-old man1623 · Hallwyl Museum
22
Portrait of Dirck Corver (1587-1633)1622 · Rijksmuseum
23
Portrait of Jacobus Rolandus (1562-1632)Rijksmuseum
24
Portrait of Brechtje Overrijn van Schoterbosch (1592-1618), Cornelis van der Voort, 16141614 · Rijksmuseum
25
Portrait of a young womanFinnish National Gallery
26
Portrait of a Gentleman1610
27
Portrait of Dirck Corver (1587-1633), Cornelis van der Voort, 16221622
28
Portrait of Dirck Hasselaer (1581-1645), Cornelis van der Voort, 16141614 · Stedelijk Museum
29
Portrait of Cornelis Pietersz Hooft (1546-1626), Cornelis van der Voort, 16221622 · Amsterdam Museum
30
Portrait of a Man, Cornelis van der Voort (follower of), in or after c. 16481648 · Rijksmuseum
31
Portrait of Maria Overrijn van Schoterbosch (1599/1600-38), Cornelis van der Voort, 16221622 · Rijksmuseum
32
Portrait of a woman, three quarter length, wearing an elaborate lace ruff, cap and cuffs
33
Portrait of Pieter Dircksz Hasselaer (1554-1616), Cornelis van der Voort (copy after), after c. 16101610 · Rijksmuseum
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Cornelis Van Der Voort | Obrazy z tohoto seznamu |
|---|---|---|---|
 Amsterdam Museum |
Amsterdam | 10 | Civic Guards of the Company of Captain Jonas Cornelisz. Witsen and Lieutenant Volckert Overlander (Kloveniersdoelen), Regents of the Old Men's and Woman's Almshouse, 1618, Regents of the Binnengasthuis |
 Rijksmuseum |
Amsterdam | 7 | Portrait of Laurens Reael, Portrait of Dirck Corver (1587-1633), Portrait of Jacobus Rolandus (1562-1632) |
 Statens Museum for Kunst |
Kodaň | 2 | Portrait of a 38-Year-Old Man, Portrait of a 22-Year-Old Woman |
 Museum Catharijneconvent |
Utrecht | 1 | Portrait of Jacobus Rolandus (1562-1632), assessor National Synod of Dordrecht, minister |
 Královské muzeum výtvarného umění Antverpy |
Antverpy | 1 | Portrait of a 43-year old man with wife and child |
 Museum Mayer van den Bergh |
Antwerp | 1 | Portrait of Gysbert V Paulusz. van Beresteyn |
 Hallwyl Museum |
Stockholm | 1 | Portrait of a 26-year-old man |
 Finnish National Gallery |
Helsinki | 1 | Portrait of a young woman |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
A full-length figure occupies the center of this vertical composition, presented in a formal, standing pose. The subject, Laurens Reael, is depicted from an eye-level perspective, creating a direct confrontation with the viewer. He wears a dark doublet of silk or satin, which reflects light along the folds of the fabric, and a large, white ruff collar that encircles his neck. His right hand holds a walking stick, while his…
Portrait of Laurens Reael (1620), Rijksmuseum, Amsterdam. Následují Portrait of Jacobus Rolandus (1562-1632), assessor National Synod of Dordrecht, minister (1621) a Civic Guards of the Company of Captain Jonas Cornelisz. Witsen and Lieutenant Volckert Overlander (Kloveniersdoelen) (1612).
44 let: dílo Portrait of Laurens Reael pochází z roku 1620 a Cornelis Van Der Voort se narodil/a v roce 1576.
Portrait of Laurens Reael, Portrait of Jacobus Rolandus (1562-1632), assessor National Synod of Dordrecht, minister, Civic Guards of the Company of Captain Jonas Cornelisz. Witsen and Lieutenant Volckert Overlander (Kloveniersdoelen), Portrait of Justina van Teylingen (1596-1643). wife of Jonkheer Adriaen de Kies van Wissen, Portrait of a 43-year old man with wife and child, Portrait of a 38-Year-Old Man, Portrait of a 22-Year-Old Woman, Regents of the Old Men's and Woman's Almshouse, 1618, Regents of the Binnengasthuis a Anna Jacobsdr. Blaeu (1556-1627). Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 35 děl umělce Cornelis Van Der Voort z let 1609 až 1624.
Většinou v Amsterdam Museum (Amsterdam), Rijksmuseum (Amsterdam) a Statens Museum for Kunst (Kodaň). V tabulce muzeí výše jsou vypsány všechny.
V období 1610s: 15 z celkem 33 děl na této stránce vzniklo právě tehdy, z toho Civic Guards of the Company of Captain Jonas Cornelisz. Witsen and Lieutenant Volckert Overlander (Kloveniersdoelen) z nich.
Na této stránce je nejstarší dílo z Portrait of a gentleman in a black costume with white ruff holding a pair of gloves (1609) a nejnovější z Jan van Hoek (1595-1674) (1624).
Man (3) a Black clothing (2) napříč 33 díly na této stránce.
Oil On Canvas, u 2 z 33 děl na této stránce.
Baroque, podle originálů na této stránce.
Civic Guards of the Company of Captain Jonas Cornelisz. Witsen and Lieutenant Volckert Overlander (Kloveniersdoelen), Regents of the Old Men's and Woman's Almshouse, 1618 a Regents of the Binnengasthuis: muzeum Amsterdam Museum, Amsterdam má v obsluze 10 děl z této stránky.
Cornelis van der Voort (c. 1576 – buried on November 2, 1624) remains a captivating figure within the annals of early Dutch art, often overshadowed yet undeniably pivotal in shaping the trajectory of portrait painting during the Golden Age. Born around 1576 in Antwerp, amidst the turbulent backdrop of the Habsburg Netherlands and the burgeoning Protestant Reformation, his life was marked by both artistic promise and familial upheaval. His origins trace back to Pieter van der Voort, a cloth weaver, suggesting an upbringing rooted in practical craftsmanship – a foundation that subtly informed Van der Voort’s meticulous approach to his art.
The family's relocation to the Northern Netherlands around 1585, driven by their Calvinist beliefs and seeking refuge from religious persecution, proved transformative. This move brought them to Amsterdam, a burgeoning center of commerce and artistic innovation. It was here that young Cornelis began his artistic journey, though the specifics of his early training remain shrouded in the mists of history. While direct mentorship is elusive, art historians generally believe he honed his skills under the tutelage of masters like Aert Pietersz and, crucially, Cornelis Ketel – a figure whose own influence on Dutch portraiture was profound.
Ketel’s impact is particularly noteworthy; he introduced a new dynamism to group portraits, moving away from static formality towards a more engaging depiction of social interaction. Van der Voort clearly absorbed this innovative spirit, demonstrating an early aptitude for capturing not just likeness but also the subtle nuances of personality and atmosphere.
Van der Voort’s career truly blossomed in the early 17th century, coinciding with a significant shift in Dutch society. The rise of the ‘regents,’ wealthy individuals who managed charitable institutions known as ‘stichtingen,’ created a new and lucrative market for portraiture. These regenten, often prominent merchants and civic leaders, commissioned portraits not merely to commemorate their status but also to showcase their piety and commitment to the community. Van der Voort recognized this opportunity and swiftly established himself as the leading artist in this burgeoning genre – the ‘regentenstukken.’
Unlike earlier portrait styles that emphasized formality and grandeur, Van der Voort’s regentenstukken were remarkably intimate and psychologically astute. He skillfully captured the weariness of age, the shrewdness of experience, and the quiet dignity of these influential figures. His compositions were carefully arranged to create a sense of depth and realism, utilizing light and shadow to sculpt form and imbue his subjects with a palpable presence.
Van der Voort’s artistic style is characterized by a remarkable command of light and shadow, a technique he employed to create a sense of three-dimensionality and depth within his portraits. He meticulously observed the way light interacted with surfaces – the sheen of velvet, the texture of fabrics, the glint in the eyes – translating these observations onto canvas with astonishing accuracy.
His use of color was equally deliberate, favoring rich, earthy tones that reflected the materials and settings within his compositions. He avoided overly bright or artificial hues, opting instead for a palette that conveyed a sense of authenticity and realism. Furthermore, Van der Voort’s meticulous attention to detail extended beyond mere representation; he subtly incorporated symbolic elements into his portraits, reflecting the social and religious values of his time.
Notably, he is considered one of the first Dutch artists to introduce the full-length format to portraiture, a departure from the more compact compositions favored by many of his contemporaries.Cornelis van der Voort’s influence on the development of Dutch portrait painting is undeniable. He not only popularized the regentenstukken genre but also established a new standard for realism, psychological insight, and compositional sophistication. His work served as a model for generations of artists, including Rembrandt van Rijn, who clearly drew inspiration from Van der Voort’s innovative approach.
Despite his untimely death in 1624 at the relatively young age of 48, Van der Voort left behind a significant body of work that continues to captivate viewers today. His portraits offer a rare glimpse into the lives and aspirations of a rapidly changing society – a testament to the enduring power of art to illuminate both individual character and collective history.
