Portrét Copley Fielding

Obrazy autora Copley Fielding: 89 nejznámějších díel podle pohledu galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 105 děl umělce Copley Fielding v našem katalogu

Stručně řečeno

Z pohledu galerie je nejslavnějším dílem Copley Fielding obraz Richmond hill, (1830). Ambelside, (1829) a Lake Nemi with Pontine Marshes in the Background (1837) doplňují trio, které každé oko okamžitě pozná. Z 105 děl umělce Copley Fielding v našem katalogu představuje galerie níže 89 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.

1787 – 1855, Sowerby Bridge Romanticism Nejvíce děl: Birmingham Museum and Art Gallery

Top 10 obrazů umělce Copley Fielding v naší galerii

Obrazy autora Copley Fielding, seřazeny od 11 do 89

11Rotha Quillinan od Copley FieldingRotha Quillinan 12Figures Conversing In A Highland Landscape od Copley FieldingFigures Conversing In A Highland Landscape 13Thomas Lombe Taylor od Copley FieldingThomas Lombe Taylor 14Coniston Beck, Lake District od Copley FieldingConiston Beck, Lake District 15William Cubitt, Lord Mayor Of London od Copley FieldingWilliam Cubitt, Lord Mayor Of London 16View From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods od Copley FieldingView From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods 17Loch Katrine od Copley FieldingLoch Katrine 18Dunster Castle, sunset od Copley FieldingDunster Castle, sunsetArt Gallery of New South Wales 19Loch Lomond at Dawn od Copley FieldingLoch Lomond at Dawn 20Sea Piece od Copley FieldingSea Piece 21On The Wye od Copley FieldingOn The Wye 22A shipwreck on the yorkshire coast. od Copley FieldingA shipwreck on the yorkshire coast. 23A fishing vessel heading out to sea in a squall od Copley FieldingA fishing vessel heading out to sea in a squall 24Nanette Rocks od Copley FieldingNanette Rocks 25North View Of Tintern Abbey od Copley FieldingNorth View Of Tintern Abbey 26The Vale Of Neath od Copley FieldingThe Vale Of Neath 27Shipping In Rough Seas od Copley FieldingShipping In Rough Seas 28Henry Graves od Copley FieldingHenry Graves 29A Sea Piece od Copley FieldingA Sea Piece 30John Gibson od Copley FieldingJohn Gibson 31Hauling In The Fishing Boat Onto The Shore od Copley FieldingHauling In The Fishing Boat Onto The Shore 32Evening, Cattle Grazing By A Lake od Copley FieldingEvening, Cattle Grazing By A Lake 33Shipping off Portsmouth od Copley FieldingShipping off Portsmouth 34St. john's vale od Copley FieldingSt. john's vale 35View Of Langdale Pikes And Ullswater od Copley FieldingView Of Langdale Pikes And Ullswater 36Near Cadar Idris, North Wales od Copley FieldingNear Cadar Idris, North Wales 37Figures On A Bridge, With Ruins Beyond od Copley FieldingFigures On A Bridge, With Ruins Beyond 38Skiddaw from derwentwater od Copley FieldingSkiddaw from derwentwater 39Near Ullswater od Copley FieldingNear Ullswater 40Crowded Waters At Dusk od Copley FieldingCrowded Waters At Dusk 41Off to the fishing grounds od Copley FieldingOff to the fishing grounds 42Scarborough Castle od Copley FieldingScarborough Castle 43An Extensive Landscape With Cattle And A Drover od Copley FieldingAn Extensive Landscape With Cattle And A Drover 44On the glaslyn, north wales od Copley FieldingOn the glaslyn, north wales 45Droving cattle od Copley FieldingDroving cattle 46Mountainous Landscape With Lake And Stream od Copley FieldingMountainous Landscape With Lake And Stream 47Bolton Abbey From The River Wharfe, South View od Copley FieldingBolton Abbey From The River Wharfe, South View 48Loch Achray Ruskin od Copley FieldingLoch Achray Ruskin 49Distant View Of The Cumberland Hills From Eskdale od Copley FieldingDistant View Of The Cumberland Hills From Eskdale 50Scene Near Capel Curig Looking Towards Snowdon od Copley FieldingScene Near Capel Curig Looking Towards Snowdon 51Off Fingle's Cave, Staffa, Argyllshire od Copley FieldingOff Fingle's Cave, Staffa, Argyllshire 52Fishing Smacks And Other Vessels Off The Coast In A Squall od Copley FieldingFishing Smacks And Other Vessels Off The Coast In A Squall 53Mrs John Forster od Copley FieldingMrs John Forster 54Cattle Watering In The Lake District od Copley FieldingCattle Watering In The Lake District 55River view od Copley FieldingRiver view 56Dolbadern castle od Copley FieldingDolbadern castle 57Windsor Castle From The Park od Copley FieldingWindsor Castle From The Park 58View Of Loch Katrine, Perthshire, With Ben Venue Beyond od Copley FieldingView Of Loch Katrine, Perthshire, With Ben Venue Beyond 59Harlech Castle od Copley FieldingHarlech Castle 60An Extensive Landscape With A Hay-cart And Figures In The Foreground od Copley FieldingAn Extensive Landscape With A Hay-cart And Figures In The Foreground 61A View On The Brathay Near Ambleside od Copley FieldingA View On The Brathay Near Ambleside 62Cayton Cliff Mill, near Scarborough od Copley FieldingCayton Cliff Mill, near Scarborough 63Traeth Mawr, Port Maddock, North Wales od Copley FieldingTraeth Mawr, Port Maddock, North Wales 64Arundel Castle od Copley FieldingArundel Castle 65An Extensive Landscape With Cattle And Figures In The Foreground od Copley FieldingAn Extensive Landscape With Cattle And Figures In The Foreground 66View of langdale pikes and bow fell, over windermere, westmoreland od Copley FieldingView of langdale pikes and bow fell, over windermere, westmoreland 67Scarborough, with a boat being vitalled in the harbour od Copley FieldingScarborough, with a boat being vitalled in the harbour 68Fishing vessels before st michael's mount od Copley FieldingFishing vessels before st michael's mount 69Figures Conversing In A Mountainous Lake Landscape od Copley FieldingFigures Conversing In A Mountainous Lake Landscape 70Off ramsgate at sunset od Copley FieldingOff ramsgate at sunset 71Fishing boats in a stiff breeze, off shore od Copley FieldingFishing boats in a stiff breeze, off shore 72A Storm Passing Off on the Coast of Merionethshire od Copley FieldingA Storm Passing Off on the Coast of Merionethshire 73Distant View Of Rievaulx Abbey, Near Helmsley, Yorkshire od Copley FieldingDistant View Of Rievaulx Abbey, Near Helmsley, Yorkshire 74A Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape od Copley FieldingA Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape 75A View Of Penrhyn Castle, Wales, With Figures In The Foreground od Copley FieldingA View Of Penrhyn Castle, Wales, With Figures In The Foreground 76Figures by a lake at dusk od Copley FieldingFigures by a lake at dusk 77Lazing on the downs, watching over the flock od Copley FieldingLazing on the downs, watching over the flock 78Cows In A River Landscape od Copley FieldingCows In A River Landscape 79Adam Sedgwick, Fellow, Geologist And Woodwardian Professor od Copley FieldingAdam Sedgwick, Fellow, Geologist And Woodwardian Professor 80Byland Abbey, Yorkshire od Copley FieldingByland Abbey, Yorkshire 81The ferry boat, possibly dartmouth cove od Copley FieldingThe ferry boat, possibly dartmouth cove 82A figure standing on a beach with shipping beyond od Copley FieldingA figure standing on a beach with shipping beyond 83A Scene On The Coast, Merionethshire od Copley FieldingA Scene On The Coast, MerionethshireYale Center for British Art 84Richard Lynch Cotton od Copley FieldingRichard Lynch Cotton 85A rest by the wayside, sunset od Copley FieldingA rest by the wayside, sunset 86William Gibbs od Copley FieldingWilliam GibbsTyntesfield 87Ennerdale, from high point farm od Copley FieldingEnnerdale, from high point farm 88John Frederick Lewis od Copley FieldingJohn Frederick Lewis 89Mrs Susannah Milner-gibson, Nee Cullum od Copley FieldingMrs Susannah Milner-gibson, Nee Cullum

Motivy, které zaujaly Copley Fielding

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Copley Fielding

4 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Copley Fielding Obrazy z tohoto seznamu
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 2 Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 Dunster Castle, sunset
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 A Scene On The Coast, Merionethshire
TyntesfieldTyntesfield 1 William Gibbs

Copley Fielding, jeden ikonický obraz na každé desetiletí

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Copley Fielding: odpovědi galerie

Který obraz autora Copley Fielding je nejslavnější ze všech?Odhalit odpověď

Richmond hill, (1830). Následují Ambelside, (1829) a Lake Nemi with Pontine Marshes in the Background (1837).

Kolik let bylo Copley Fielding, když dokončil/a Richmond hill,?Odhalit odpověď

43 let: dílo Richmond hill, pochází z roku 1830 a Copley Fielding se narodil/a v roce 1787.

Kterých 10 nejlepších obrazů má Copley Fielding?Odhalit odpověď

Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide a Unloading the catch, whitby. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik děl vytvořil/a Copley Fielding?Odhalit odpověď

Náš katalog obsahuje 105 děl umělce Copley Fielding z let 1829 až 1851.

Kde jsou vystavena nejznámější originály umělce Copley Fielding?Odhalit odpověď

Většinou v Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sydney) a Yale Center for British Art (New Haven). V tabulce muzeí výše jsou vypsány všechny.

Kdy Copley Fielding vytvořil své nejslavnější obrazy?Odhalit odpověď

V období 1830s: 4 z celkem 89 děl na této stránce vzniklo právě tehdy, z toho Richmond hill, z nich.

Která jsou nejstarší a nejnovější slavná díla umělce Copley Fielding?Odhalit odpověď

Na této stránce je nejstarší dílo z Ambelside, (1829) a nejnovější z Byland Abbey, (1851).

Kterým tématům se Copley Fielding věnoval(a) nejčastěji?Odhalit odpověď

Beach (11), Landscape (9) a Animals (8) napříč 89 díly na této stránce.

S jakým směrem je spojen(a) Copley Fielding?Odhalit odpověď

Romanticism, podle originálů na této stránce.

Jaká originální díla Copley Fielding má v obsluze Birmingham Museum and Art Gallery?Odhalit odpověď

Lake Nemi with Pontine Marshes in the Background a Scottish Loch With Mountains: muzeum Birmingham Museum and Art Gallery, Birmingham má v obsluze 2 děl z této stránky.

Copley Fielding: umělec

The Visionary Brush of Anthony Vandyke Copley Fielding

In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.

Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.

A Mastery of Landscape and Marine Subjects

The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.

His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.

Legacy and Historical Significance

The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.

Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.