Portrét Chris Gollon

Obrazy autora Chris Gollon: 9 nejznámějších díel podle pohledu galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 9 děl umělce Chris Gollon v našem katalogu

Stručně řečeno

Z pohledu galerie je nejslavnějším dílem Chris Gollon obrazem ‘Big fish eat little fish’ (right section) (2001), jehož originál je vystaven v River - Rowing Museum v obci Thames. ‘Big fish eat little fish’ (left section) (2001) a ‘Big fish eat little fish’ (centre section) (2001) doplňují trio, které každé oko okamžitě pozná. Z 9 děl umělce Chris Gollon v našem katalogu představuje galerie níže 9 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.

1953 – 2017 Nejvíce děl: River - Rowing Museum

Top 10 obrazů umělce Chris Gollon v naší galerii

Muzea, v nichž jsou vystavena originálna umělce Chris Gollon

2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Chris Gollon Obrazy z tohoto seznamu
River - Rowing Museum, ThamesRiver - Rowing Museum Thames 4 ‘Big fish eat little fish’ (right section), ‘Big fish eat little fish’ (left section), ‘Big fish eat little fish’ (centre section)
Durham University, DurhamDurham University Durham 4 The Gregorian Singer, In the Beginning, Human

Chris Gollon, ikonická díla každého roku

Deset let, od 2001 do 2011, bylo pro Chris Gollon dostatečných: galerie je prochází rok po roce, jeden slavný originál za druhým.

Díla podle roku

Vyberte rok a prohlédněte si originály.

Obrazy umělce Chris Gollon: odpovědi galerie

Který obraz autora Chris Gollon je nejslavnější ze všech?Odhalit odpověď

‘Big fish eat little fish’ (right section) (2001), River - Rowing Museum, Thames. Následují ‘Big fish eat little fish’ (left section) (2001) a ‘Big fish eat little fish’ (centre section) (2001).

Kolik let bylo Chris Gollon, když dokončil/a ‘Big fish eat little fish’ (right section)?Odhalit odpověď

48 let: dílo ‘Big fish eat little fish’ (right section) pochází z roku 2001 a Chris Gollon se narodil/a v roce 1953.

Kolik děl vytvořil/a Chris Gollon?Odhalit odpověď

Náš katalog obsahuje 9 děl umělce Chris Gollon z let 2001 až 2011.

Kde jsou vystavena nejznámější originály umělce Chris Gollon?Odhalit odpověď

Většinou v River - Rowing Museum (Thames) a Durham University (Durham). V tabulce muzeí výše jsou vypsány všechny.

Kdy Chris Gollon vytvořil své nejslavnější obrazy?Odhalit odpověď

V období 2001: 3 z celkem 9 děl na této stránce vzniklo právě tehdy, z toho ‘Big fish eat little fish’ (right section) z nich.

Která jsou nejstarší a nejnovější slavná díla umělce Chris Gollon?Odhalit odpověď

Na této stránce je nejstarší dílo z ‘Big fish eat little fish’ (right section) (2001) a nejnovější z Still Life (I), St Mary's Series (2011).

Jaká originální díla Chris Gollon má v obsluze River - Rowing Museum?Odhalit odpověď

‘Big fish eat little fish’ (right section), ‘Big fish eat little fish’ (left section) a ‘Big fish eat little fish’ (centre section): muzeum River - Rowing Museum, Thames má v obsluze 4 děl z této stránky.

Chris Gollon: umělec

A Life Interwoven with Music, Faith, and the Old Masters

Chris Gollon (1953–2017) was a British artist whose work resonated with a unique blend of technical mastery, spiritual inquiry, and an unconventional approach to artistic boundaries. Born in London, his journey wasn’t one of strict adherence to tradition but rather a dynamic exploration where the techniques of Old Masters seamlessly intertwined with the immediacy of printmaking and the evocative power of music. Gollon didn't simply paint; he constructed visual narratives that invited contemplation on themes of faith, knowledge, and the human condition. His life, though ending in 2017, left behind a legacy of paintings that continue to captivate and challenge viewers with their depth and complexity.

Early Influences and Artistic Development

Gollon’s early artistic development was marked by a fascination with both historical painting techniques and the possibilities of contemporary media. He wasn't content to replicate the past; instead, he sought to integrate its lessons into his own visual language. This led him to master acrylic painting while simultaneously embracing printmaking methods – an unusual combination that allowed for a remarkable degree of detail and layering in his work. The 1980s saw Gollon honing his skills and beginning to exhibit, culminating in his selection as a finalist in the prestigious Spectator Prize in 1989. This early recognition signaled the emergence of a distinctive voice within the British art scene. However, it was the late 1990s that truly ignited his most compelling artistic trajectory—a nineteen-year period dedicated to exploring the intersection of music and visual art. He wasn’t merely inspired by music; he actively collaborated with musicians and songwriters, allowing their creative energy to inform and shape his paintings.

The Crossover: Art and Music in Dialogue

This exploration reached a pivotal moment in 1998 with his participation in ‘ROOT’, an exhibition curated by Thurston Moore of Sonic Youth at the Chisenhale Gallery in London. Moore challenged Gollon, along with other artists like David Bowie and Yoko Ono, to respond to a 52-second tape through either music or art. Gollon’s response, a painting entitled ‘House of Sleep’, became emblematic of his artistic boundary crossing—a testament to how one art form could illuminate another. As Thurston Moore himself noted in the retrospective catalogue for Huddersfield Art Gallery in 2019, Gollon's work moved “beyond painting as singular expression,” creating an environment where "music and its essence of spiritual sentience comes into accord.” This period wasn’t simply about aesthetic fusion; it was a profound investigation into how different creative disciplines could enrich each other, opening new avenues for thought and feeling.

Major Commissions and Spiritual Themes

Gollon's willingness to engage with challenging subject matter led to significant commissions that further defined his artistic identity. In 2000, he received an unusual request from the Church of England: to create fourteen Stations of the Cross paintings for St John on Bethnal Green, a Grade I listed church designed by Sir John Soane. The commission was controversial given Gollon’s lack of formal religious practice, but it also presented a unique opportunity. He collaborated with Fr Alan Green, the Rector of the church, to navigate theological complexities and produce a series of paintings that were both deeply personal and profoundly moving. These works weren't traditional depictions of biblical scenes; they were reinterpretations infused with Gollon’s distinctive style and his exploration of human suffering and redemption. Later projects included an exhibition at the River & Rowing Museum in Henley-on-Thames, inspired by his connection to the river Thames, and a series of paintings focusing on Albert Einstein, prompted by the centenary of the General Theory of Relativity.

Legacy and Historical Significance

Chris Gollon’s work occupies a unique space within contemporary British art. He wasn't easily categorized—his paintings defied simple labels, blending figurative realism with symbolic depth and technical innovation. His willingness to collaborate across disciplines, his engagement with spiritual themes, and his masterful use of acrylic and printmaking techniques set him apart. The inclusion of his works in museum collections, including the British Museum, is a testament to their enduring quality and historical significance. Gollon’s legacy lies not only in the beauty and complexity of his paintings but also in his demonstration that art can be a powerful vehicle for dialogue—a bridge between tradition and innovation, faith and reason, music and visual expression. He left behind a body of work that continues to inspire contemplation and challenge conventional notions of artistic boundaries.