Portrét Charles Robert Leslie

Obrazy autora Charles Robert Leslie: 100 nejznámějších díel podle pohledu galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 159 děl umělce Charles Robert Leslie v našem katalogu

Stručně řečeno

Z pohledu galerie je nejslavnějším dílem Charles Robert Leslie obrazem James William Wallack (1837), jehož originál je vystaven v Art Institute of Chicago v obci Chicago. Charles Robert Leslie (1814) a Charles Pepys, 1st Earl of Cottenham (1840) doplňují trio, které každé oko okamžitě pozná. Z 159 děl umělce Charles Robert Leslie v našem katalogu představuje galerie níže 100 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.

1794 – 1859, Londýn Nejvíce děl: Muzeum umění v Bostonu

Top 10 obrazů umělce Charles Robert Leslie v naší galerii

1
James William Wallack (1837) od Charles Robert Leslie

James William Wallack

1837 · Oil On Canvas · Art Institute of Chicago, Chicago

A Presence in Shadow The man sits before us, caught in a moment of quiet, dignified stillness. His gaze drifts slightly to the left, away from the viewer, as if lost in a private thought or a memory just out of reach. The light enters from the upper left, brushing against the bridge of his nose and the curve of his cheek, leaving the right side of his face to…

2
Charles Robert Leslie (1814) od Charles Robert Leslie

Charles Robert Leslie

1814 · Oil On Canvas · National Portrait Gallery, Londýn

This portrait by Charles Robert Leslie presents a quiet study of a man from the early nineteenth century. Created in 1814, the work captures a specific moment in the sitter's life, rendered in oil on canvas. The subject is depicted with a composed presence, looking directly toward the viewer from his position within the frame.

3
Charles Pepys, 1st Earl of Cottenham (1840) od Charles Robert Leslie

Charles Pepys, 1st Earl of Cottenham

1840 · Oil · National Portrait Gallery, Londýn

A single book rests in the hand of Charles Pepys, 1st Earl of Cottenham. He stands against a heavy drape, a figure anchored by the gravity of his own station. A white cravat catches the light, sharp against the dark expanse of his coat. His wig is a structured crown of hair, framing a face that holds the stillness of a man accustomed to being observed. In the shadows behind…

4
Benjamin West (1817) od Charles Robert Leslie

Benjamin West

1817 · Oil On Canvas · Muzeum umění v Bostonu, Boston

The portrait presents an elderly man positioned in a bust-length composition against a dark, indistinct background. The subject is rendered in a monochromatic palette, utilizing a range of grayscale tones from deep blacks in the heavy fabric of his coat to bright whites on his forehead and cravat. Light strikes the upper portion of the face, specifically the high forehead and cheekbones, while the lower elements of the figure and…

5
Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828) (1823) od Charles Robert Leslie

Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828)

1823 · Oil

The scene unfolds within the dramatic narrative of Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828). This oil painting captures a moment of profound revelation, where the truth of a master's descent into madness is spoken aloud in an opulent, shadowed setting. The work is the creation of Charles Robert Leslie, an artist whose life and vision spanned the transition of…

6
Sir Walter Scott (1824) od Charles Robert Leslie

Sir Walter Scott

1824 · Oil On Canvas · Muzeum umění v Bostonu, Boston

This portrait of Sir Walter Scott, executed by the artist Charles Robert Leslie, captures the Scottish writer in a moment of quietude. The work is dated 1824. It presents the subject not as a figure of myth, but as a man of presence and weight. The sitter's gaze is fixed forward, meeting the viewer with a steady, direct clarity.

7
John Constable (1776–1837) (1830) od Charles Robert Leslie

John Constable (1776–1837)

1830 · Oil On Panel

In this intimate portrait, we find ourselves in the presence of John Constable, captured by Charles Robert Leslie in 1830. The work is a study in restraint, presenting the artist in a three-quarter pose that feels remarkably immediate. He gazes directly at us, his expression carrying a weight of contemplation that suggests a mind preoccupied with the nuances of light and landscape. There is a stillness here, a moment of…

8
Sarah Cabot Parkman Atkinson (1818-1892) (1833) od Charles Robert Leslie

Sarah Cabot Parkman Atkinson (1818-1892)

1833 · Oil On Canvas · Harvard Art Museums, Cambridge

This 1833 oil on canvas presents a formal portrait of a young woman, Sarah Cabot Parkman Atkinson, depicted from the waist up. The subject is positioned in a straight-on, eye-level view, creating a direct connection with the viewer. She maintains a poised posture and a calm expression. Her clothing consists of a white fabric with a translucent quality, draped over her shoulders and chest, paired with a heavy, matte brown…

9
Amy Robsart (1532–1560) (1836) od Charles Robert Leslie

Amy Robsart (1532–1560)

1836 · Oil On Canvas

A young woman is seated in a central position, her body angled slightly while her gaze remains fixed in a contemplative manner. She rests one hand against her forehead, a gesture that directs attention to the pale skin of her face and the subtle expression of her features. Her attire consists of heavy, draped fabric in shades of deep red and gold, which gathers in thick folds around her torso…

Obrazy autora Charles Robert Leslie, seřazeny od 11 do 100

11Children playing at coach and horses od Charles Robert LeslieChildren playing at coach and horses 12Don Quixote And Dorothea od Charles Robert LeslieDon Quixote And Dorothea 13Lady Jane Grey Prevailed on to Accept the Crown (1827) od Charles Robert LeslieLady Jane Grey Prevailed on to Accept the Crown1827 14Scottish Loch, Sunset od Charles Robert LeslieScottish Loch, Sunset 15At the Pool (1840) od Charles Robert LeslieAt the Pool1840 · Grundy Art Gallery 16A Scene from Tristram Shandy ('Uncle Toby and the Widow Wadman') (1831) od Charles Robert LeslieA Scene from Tristram Shandy ('Uncle Toby and the Widow Wadman')1831 17My Uncle Toby and the Widow Wadman (1831) od Charles Robert LeslieMy Uncle Toby and the Widow Wadman1831 18The Last Throw (1840) od Charles Robert LeslieThe Last Throw1840 · Metropolitan Museum of Art 19Ellen Tree, Mrs Charles Kean (1806–1880), as Hermione (from 'The Winter's Tale') (1840) od Charles Robert LeslieEllen Tree, Mrs Charles Kean (1806–1880), as Hermione (from 'The Winter's Tale')1840 20Morning, Ullswater, Lake District (1860) od Charles Robert LeslieMorning, Ullswater, Lake District1860 · Tunbridge Wells Museum And Art Gallery 21Highlands (1868) od Charles Robert LeslieHighlands1868 22Welsh Landscape, Llyn Nant y Clif, North Wales (1871) od Charles Robert LeslieWelsh Landscape, Llyn Nant y Clif, North Wales1871 23The Moors at Cotantagle, Perthshire (1882) od Charles Robert LeslieThe Moors at Cotantagle, Perthshire1882 24Thirlmere Looking towards Helvellyn (1882) od Charles Robert LeslieThirlmere Looking towards Helvellyn1882 25Loch Lubnaig, Perthshire (1882) od Charles Robert LeslieLoch Lubnaig, Perthshire1882 26The Moors at Cotantagle, Perthshire (1882) od Charles Robert LeslieThe Moors at Cotantagle, Perthshire1882 · The Dock Museum 27View of a Loch (possibly in Scotland) (1885) od Charles Robert LeslieView of a Loch (possibly in Scotland)1885 28Loch Katrine, Ellen’s Isle (1879) od Charles Robert LeslieLoch Katrine, Ellen’s Isle1879 · Royal Holloway 29Llyn Gader (1881) od Charles Robert LeslieLlyn Gader1881 · Llyfrgell Genedlaethol Cymru / The National Library of Wales 30Snowdon from Capel Curig (1880) od Charles Robert LeslieSnowdon from Capel Curig1880 · Llyfrgell Genedlaethol Cymru / The National Library of Wales 31Uncle Toby and Widow Wadman (1831) od Charles Robert LeslieUncle Toby and Widow Wadman1831 · Shandy Hall 32Queen Victoria Receiving the Sacrament at her Coronation, 28 June 1838 od Charles Robert LeslieQueen Victoria Receiving the Sacrament at her Coronation, 28 June 1838Royal Collection 33John Howard Payne od Charles Robert LeslieJohn Howard PayneMuzeum umění v Bostonu 34Le Bourgeois Gentilhomme od Charles Robert LeslieLe Bourgeois Gentilhomme 35Olivia od Charles Robert LeslieOlivia 36Florizel And Perdita - od Charles Robert LeslieFlorizel And Perdita - 37Elizabeth Fry - od Charles Robert LeslieElizabeth Fry - 38Scene From 'the Taming Of The Shrew' By William Shakespeare od Charles Robert LeslieScene From 'the Taming Of The Shrew' By William Shakespeare 39Dr. John Wakefield Francis od Charles Robert LeslieDr. John Wakefield FrancisMetropolitan Museum of Art 40Proposal od Charles Robert LeslieProposal 41Study Of 16th Century Costumes od Charles Robert LeslieStudy Of 16th Century Costumes 42Grandmaman od Charles Robert LeslieGrandmaman 43Sir Isaac Newton od Charles Robert LeslieSir Isaac Newton 44A Garden Scene, with a boy od Charles Robert LeslieA Garden Scene, with a boy 45Autolycus, scene from 'A Winter's Tale od Charles Robert LeslieAutolycus, scene from 'A Winter's Tale 46Hermione od Charles Robert LeslieHermione 47A Female Head od Charles Robert LeslieA Female Head 48A Garden Scene od Charles Robert LeslieA Garden Scene 49Queen Victoria, In Her Coronation Robes od Charles Robert LeslieQueen Victoria, In Her Coronation Robes 50The Merry Wives Of Windsor od Charles Robert LeslieThe Merry Wives Of Windsor 51Jeanie Deans And Queen Caroline od Charles Robert LeslieJeanie Deans And Queen Caroline 52Sketch For 'sancho Panza In The Apartment Of The Duchess' od Charles Robert LeslieSketch For 'sancho Panza In The Apartment Of The Duchess' 53Mountain Scene, Wales ( ) od Charles Robert LeslieMountain Scene, Wales ( ) 54Head Of Prince Hal od Charles Robert LeslieHead Of Prince Hal 55Katherine Of Aragon With Her Maid od Charles Robert LeslieKatherine Of Aragon With Her Maid 56Honeysuckle Roses and Carnations od Charles Robert LeslieHoneysuckle Roses and CarnationsAuckland Art Gallery Toi o Tāmaki 57Juliet od Charles Robert LeslieJuliet 58Portia od Charles Robert LesliePortia 59A Squall, Southampton Water od Charles Robert LeslieA Squall, Southampton Water 60Sketch For 'charles Ii And Lady Bellenden' od Charles Robert LeslieSketch For 'charles Ii And Lady Bellenden' 61The Discovery od Charles Robert LeslieThe Discovery 62Griselda od Charles Robert LeslieGriselda 63Perdita od Charles Robert LesliePerdita 64May Day In The Reign Of Queen Elizabeth od Charles Robert LeslieMay Day In The Reign Of Queen Elizabeth 65A Scene From Milton's 'comus' od Charles Robert LeslieA Scene From Milton's 'comus' 66The Present od Charles Robert LeslieThe Present 67Falstaff Personating The King od Charles Robert LeslieFalstaff Personating The King 68Ben lawers from ben ledi, looking across loch tay od Charles Robert LeslieBen lawers from ben ledi, looking across loch tay 69Uncle Toby And Widow Wadman od Charles Robert LeslieUncle Toby And Widow Wadman 70Tom Purdie od Charles Robert LeslieTom Purdie 71Scene From Callaco od Charles Robert LeslieScene From Callaco 72The Birthday Present od Charles Robert LeslieThe Birthday Present 73Sketch For 'the Rape Of The Lock' od Charles Robert LeslieSketch For 'the Rape Of The Lock' 74Sir John Falstaff od Charles Robert LeslieSir John Falstaff 75Sketch For 'the Duke And Duchess Reading' Don Quixote od Charles Robert LeslieSketch For 'the Duke And Duchess Reading' Don Quixote 76My Uncle Toby And The Widow Wadman - od Charles Robert LeslieMy Uncle Toby And The Widow Wadman - 77Autolycus - od Charles Robert LeslieAutolycus - 78Sarah Dillwyn's Deathbed od Charles Robert LeslieSarah Dillwyn's Deathbed 79Sketch For 'christ Rebuking His Disciples By Calling The Little Child' od Charles Robert LeslieSketch For 'christ Rebuking His Disciples By Calling The Little Child' 80Knocking At The Door od Charles Robert LeslieKnocking At The Door 81Dominie Sampson od Charles Robert LeslieDominie Sampson 82Sancho Panza - od Charles Robert LeslieSancho Panza - 83Consultation od Charles Robert LeslieConsultation 84The Duke Of Wellington od Charles Robert LeslieThe Duke Of Wellington 85The last Throw od Charles Robert LeslieThe last Throw 86The Toilette od Charles Robert LeslieThe Toilette 87Sketch For 'twelfth Night', Act I od Charles Robert LeslieSketch For 'twelfth Night', Act I 88Timon Of Athens Crleslie od Charles Robert LeslieTimon Of Athens Crleslie 89Florizel And Perdita od Charles Robert LeslieFlorizel And Perdita 90Autolycus od Charles Robert LeslieAutolycus 91The Secret Messenger od Charles Robert LeslieThe Secret Messenger 92Uncle Toby And The Widow Wadman od Charles Robert LeslieUncle Toby And The Widow Wadman 93Scene From William Shakespeare's 'the Merry Wives Of Windsor' od Charles Robert LeslieScene From William Shakespeare's 'the Merry Wives Of Windsor' 94Benjamin Travers od Charles Robert LeslieBenjamin Travers 95The 1st Duke Of Wellington Looking At A Bust Of Napoleon od Charles Robert LeslieThe 1st Duke Of Wellington Looking At A Bust Of Napoleon 96Slender, with the assistance of shallow, courting anne page od Charles Robert LeslieSlender, with the assistance of shallow, courting anne page 97The Locket od Charles Robert LeslieThe Locket 98Sancho Panza In The Apartment Of The Duchess od Charles Robert LeslieSancho Panza In The Apartment Of The Duchess 99Le Malade Imaginaire od Charles Robert LeslieLe Malade Imaginaire 100Head Of Falstaff od Charles Robert LeslieHead Of Falstaff

Slavná díla Charles Robert Leslie podle jednotlivých období

Motivy, které zaujaly Charles Robert Leslie

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Charles Robert Leslie

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Charles Robert Leslie Obrazy z tohoto seznamu
Muzeum umění v Bostonu, BostonMuzeum umění v Bostonu Boston 3 Benjamin West, Sir Walter Scott, John Howard Payne
National Portrait Gallery, LondýnNational Portrait Gallery Londýn 3 Charles Robert Leslie, Charles Pepys, 1st Earl of Cottenham
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 2 The Last Throw, Dr. John Wakefield Francis
Llyfrgell Genedlaethol Cymru / The National Library of Wales, AberystwythLlyfrgell Genedlaethol Cymru / The National Library of Wales Aberystwyth 2 Llyn Gader, Snowdon from Capel Curig
Petworth House, PetworthPetworth House Petworth 4 A Lady contemplating Suicide (Juliet from William Shakespeare's 'Romeo and Juliet')
Tunbridge Wells Museum And Art Gallery, Tunbridge WellsTunbridge Wells Museum And Art Gallery Tunbridge Wells 2 Morning, Ullswater, Lake District
Royal Collection, LondýnRoyal Collection Londýn 2 Queen Victoria Receiving the Sacrament at her Coronation, 28 June 1838
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 James William Wallack

Charles Robert Leslie, jeden ikonický obraz na každé desetiletí

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Charles Robert Leslie: odpovědi galerie

Který obraz autora Charles Robert Leslie je nejslavnější ze všech?Odhalit odpověď

James William Wallack (1837), Art Institute of Chicago, Chicago. Následují Charles Robert Leslie (1814) a Charles Pepys, 1st Earl of Cottenham (1840).

Kolik let bylo Charles Robert Leslie, když dokončil/a James William Wallack?Odhalit odpověď

43 let: dílo James William Wallack pochází z roku 1837 a Charles Robert Leslie se narodil/a v roce 1794.

Kterých 10 nejlepších obrazů má Charles Robert Leslie?Odhalit odpověď

James William Wallack, Charles Robert Leslie, Charles Pepys, 1st Earl of Cottenham, Benjamin West, Sancho Panza in the Duchess's Apartment, Declaring the Madness of His Master Don Quichotte, 1823 (or 1828), Sir Walter Scott, John Constable (1776–1837), Sarah Cabot Parkman Atkinson (1818-1892), Amy Robsart (1532–1560) a A Lady contemplating Suicide (Juliet from William Shakespeare's 'Romeo and Juliet'). Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik děl vytvořil/a Charles Robert Leslie?Odhalit odpověď

Náš katalog obsahuje 159 děl umělce Charles Robert Leslie z let 1814 až 1852.

Kde jsou vystavena nejznámější originály umělce Charles Robert Leslie?Odhalit odpověď

Většinou v Muzeum umění v Bostonu (Boston), National Portrait Gallery (Londýn) a Metropolitan Museum of Art (New York). V tabulce muzeí výše jsou vypsány všechny.

Kdy Charles Robert Leslie vytvořil své nejslavnější obrazy?Odhalit odpověď

V období 1830s: 7 z celkem 100 děl na této stránce vzniklo právě tehdy, z toho James William Wallack z nich.

Která jsou nejstarší a nejnovější slavná díla umělce Charles Robert Leslie?Odhalit odpověď

Na této stránce je nejstarší dílo z Charles Robert Leslie (1814) a nejnovější z A Lady contemplating Suicide (Juliet from William Shakespeare's 'Romeo and Juliet') (1852).

Kterým tématům se Charles Robert Leslie věnoval(a) nejčastěji?Odhalit odpověď

Portrait (12), Man (9) a Portraiture (8) napříč 100 díly na této stránce.

V jaké technice tvořil(a) Charles Robert Leslie nejčastěji?Odhalit odpověď

Oil On Canvas, u 7 z 100 děl na této stránce.

Jaká originální díla Charles Robert Leslie má v obsluze Muzeum umění v Bostonu?Odhalit odpověď

Benjamin West, Sir Walter Scott a John Howard Payne: muzeum Muzeum umění v Bostonu, Boston má v obsluze 3 děl z této stránky.

Charles Robert Leslie: umělec

Early Life and Artistic Training

Charles Robert Leslie, a name now synonymous with charming depictions of London life in the 19th century, was born on October 19, 1794, in the heart of London to American parents. His father, Robert Charles Leslie, a clergyman, and his mother, Lydia Leslie, brought a distinctly transatlantic influence to his formative years. Just five years later, the family relocated to Philadelphia, Pennsylvania, where young Charles received his early education. This move proved pivotal, shaping not only his upbringing but also his artistic trajectory. Initially apprenticed to a bookseller – a common path for aspiring artists of the time – Leslie’s true passion quickly revealed itself: painting and theatre. He possessed an innate talent, coupled with a keen eye for detail and a remarkable ability to capture the essence of human interaction. In 1811, driven by ambition and a desire to hone his skills in the bustling artistic hub of London, Leslie embarked on a new chapter. Armed with letters of recommendation from prominent artists, he arrived in the capital, seeking opportunities within the Royal Academy Schools. These institutions provided him with invaluable training, immersing him in the techniques and traditions of British art. It was here that he began to develop his distinctive style, influenced by the works of Benjamin West and Washington Allston – both masters known for their historical paintings and dramatic compositions. Leslie’s early work reflected this influence, often exploring grand historical themes before ultimately discovering his true calling: genre painting—scenes of everyday life, portraits, and social commentary.

A Flourishing Artistic Career

Leslie's artistic career quickly gained momentum in the 1820s. He swiftly established himself as a respected artist, known for his ability to capture the spirit of London’s diverse population. His paintings weren’t merely representations; they were imbued with a sense of immediacy and warmth, reflecting the vibrant energy of Victorian society. A particularly notable early work, “The Murder of Rutland by Lord Clifford,” showcased Leslie's burgeoning talent in historical painting, demonstrating his ability to recreate dramatic scenes with meticulous detail and emotional resonance. However, it was his depictions of Londoners engaged in their daily routines that truly cemented his reputation. Paintings like "Londoners Gypsying" offered a glimpse into the lives of street performers, vendors, and ordinary citizens—a refreshing departure from the formal portraits prevalent at the time. These works were characterized by their lightheartedness, humor, and keen observation of human behavior. Leslie’s skill extended beyond genre scenes; he also produced striking portraits, including a memorable depiction of Sir Walter Scott, a celebrated Scottish poet and novelist, highlighting his ability to capture the personality and character of his subjects.

Museum Involvement and Legacy

Leslie's artistic contributions were recognized by the Royal Academy, where he was elected as an associate in 1821 – a significant achievement for a relatively young artist. Further solidifying his position within the art world, he received full membership in 1826. His work is now preserved and studied at the Centre d’art britannique de Yale, ensuring that his artistic legacy continues to be appreciated by future generations. Beyond his own artistic endeavors, Leslie played a significant role in the cultural landscape of London. He was a close friend of fellow artist John Constable, for whom he penned the first biography, “Memoirs of the Life of John Constable.” This biographical work offered valuable insights into Constable’s life and artistic process, contributing to a deeper understanding of his work. Leslie's career spanned several decades, during which he consistently produced works that reflected both the changing times and his own unique artistic vision. He died on May 5, 1859, leaving behind a rich body of work that continues to captivate audiences today.

Key Influences and Artistic Style

Leslie’s artistic development was profoundly shaped by several key influences. Benjamin West, a prominent portraitist and historical painter, instilled in him a strong sense of composition and dramatic storytelling. Washington Allston, known for his atmospheric landscapes and romantic sensibilities, encouraged Leslie to explore the expressive potential of color and light. The Royal Academy itself—with its emphasis on classical techniques and rigorous training—provided him with a solid foundation in artistic principles. Leslie’s style was characterized by a remarkable blend of realism and sentimentality. He possessed an exceptional ability to capture the nuances of human expression, conveying emotions through subtle gestures and facial expressions. His use of light and shadow created a sense of depth and atmosphere, while his attention to detail brought scenes to life with vividness and authenticity. His genre paintings, in particular, were notable for their warmth, humor, and insightful portrayal of everyday London life.

Concluding Thoughts

Charles Robert Leslie’s artistic journey is a testament to the power of talent, dedication, and inspiration. From his early apprenticeship to his recognition as a respected artist within the Royal Academy, he consistently demonstrated a remarkable ability to capture the spirit of his time. His paintings offer a valuable window into Victorian London—a vibrant, bustling metropolis teeming with life, culture, and social change. Leslie’s legacy endures through his enduring works, which continue to be admired for their beauty, artistry, and insightful portrayal of human experience.