Portrét Charles Bird King

89 nejslavnějších obrazů autora Charles Bird King, výběr z galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 92 děl umělce Charles Bird King v našem katalogu

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Z všech originálů, které Charles Bird King zanechal, je nejslavnější Portrait of John Ridge (1825), který se nachází ve sbírce Crystal Bridges Museum of American Art, Bentonville. Hned za ním následují Petalesharro (Generous Chief), Pawnee (1822) a Stephen Decatur (1820). Náš katalog obsahuje 92 děl umělce Charles Bird King; galerie si zachovala 89 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1785 – 1862, Newport Romanticism Nejvíce děl: Smithsonian American Art Museum

10 nejlepších obrazů umělce Charles Bird King: výběr galerie

2
Petalesharro (Generous Chief), Pawnee (1822) od Charles Bird King

Petalesharro (Generous Chief), Pawnee

1822 · Oil

The work titled Petalesharro (Generous Chief), Pawnee is a portrait created by the artist Charles Bird King. The subject of this depiction is a Pawnee Brave. This specific image exists as a hand-colored lithograph, identified as Plate 23. It was published in 1838.

3
Stephen Decatur (1820) od Charles Bird King

Stephen Decatur

1820 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

This oil painting by Charles Bird King depicts Stephen Decatur in naval attire. The subject is presented from the torso up, positioned centrally against a dark, muted background. He wears a formal military uniform characterized by dark fabric and gold-toned accents on the buttons and epaulettes. A light-colored shirt is visible beneath the structured layers of the naval jacket. The portrait was executed in 1820.

4
Louis McLane (1820) od Charles Bird King

Louis McLane

1820 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

In this formal portrait, Charles Bird King presents Louis McLane in a moment of quiet composure. Painted about 1820, the work captures the subject in a three-quarter view, seated within an interior space that suggests a private study or an official office. The sitter's posture and steady gaze are intended to convey his specific likeness and the underlying character of the man himself.

6
Rip van Winkle Returning from a Morning Lounge (1825) od Charles Bird King

Rip van Winkle Returning from a Morning Lounge

1825 · Oil · Muzeum umění v Bostonu, Boston

Step into the shadows of this interior, where the air feels heavy with the scent of woodsmoke and old stone. We find ourselves in a dimly lit, rustic space, a scene captured in 1825 that feels as though we have stumbled upon a private moment of domestic life. The composition draws us inward, pulling our gaze from the dark, textured foreground toward a sudden, sharp influx of light pouring through…

7
The Vanity of the Artist's Dream (1830) od Charles Bird King

The Vanity of the Artist's Dream

1830 · Oil On Canvas · Harvard Art Museums, Cambridge

In this 1830 composition, we find ourselves peering into a shallow, wooden niche that feels less like a display and more like a private, cluttered sanctuary. The scene is a dense arrangement of objects, a still life that invites a slow, deliberate gaze. A marble bust rests amidst a collection of aged books and scattered papers, their edges softened by time. Writing implements, including quills and inkpots, lie near a…

8
Poor Artist's Cupboard (1815) od Charles Bird King

Poor Artist's Cupboard

1815 · Oil · National Gallery of Art, Washington

In the quiet, shadowed alcove of Charles Bird King’s 1815 masterpiece, Poor Artist's Cupboard, we are invited into a deeply intimate and melancholic corner of a creative life. This nearly square still life is far more than a mere collection of objects; it is a profound narrative of struggle, intellectual hunger, and the heavy weight of financial instability. At first glance, the viewer encounters a cluttered niche, an arched space…

9
Young Omahaw War Eagle, Little Missouri, and Pawnees (1821) od Charles Bird King

Young Omahaw War Eagle, Little Missouri, and Pawnees

1821 · Oil On Canvas

In this 1821 oil on canvas, Charles Bird King presents Young Omahaw War Eagle, Little Missouri, and Pawnees. The work captures a specific moment of diplomatic encounter, portraying Plains Indian chiefs who traveled to Washington to negotiate territorial rights with the government. Through his brush, King documents these Native American leaders during a period of significant political negotiation.

10
McIntosh, A Creek Chief od Charles Bird King

McIntosh, A Creek Chief

Oil On Panel

The painting titled McIntosh, A Creek Chief was created by the artist Charles Bird King. The subject of the work is a man depicted wearing a hat adorned with feathers. His attire includes a uniform and a tie. In his hand, he holds an object that resembles a drum or a flag. The figure's appearance suggests he may represent a Native American leader or a military figure.

Výběr umělce Charles Bird King pokračuje, od 11 do 89

11Sarah Weston Seaton with her Children Augustine and Julia (1815) od Charles Bird KingSarah Weston Seaton with her Children Augustine and Julia1815 · National Portrait Gallery 12Henry Clay (1821) od Charles Bird KingHenry Clay1821 · National Gallery of Art 13John C. Calhoun, Secretary of War (1818) od Charles Bird KingJohn C. Calhoun, Secretary of War1818 14Jesse Bushyhead (1828) od Charles Bird KingJesse Bushyhead1828 15Jack o pa (The Six) (1827) od Charles Bird KingJack o pa (The Six)1827 16Co sne boin (1827) od Charles Bird KingCo sne boin1827 17Possibly Jonathan Elliot (1830) od Charles Bird KingPossibly Jonathan Elliot1830 · National Portrait Gallery 18Mrs. John Quincy Adams (1824) od Charles Bird KingMrs. John Quincy Adams1824 · Smithsonian American Art Museum 19John C. Calhoun (1823) od Charles Bird KingJohn C. Calhoun1823 · National Portrait Gallery 20Indian Girl at Her Toilett (1835) od Charles Bird KingIndian Girl at Her Toilett1835 21Powasheek (To Dash the Water Off), a Fox Chief (1837) od Charles Bird KingPowasheek (To Dash the Water Off), a Fox Chief1837 22Thomas Jefferson (1836) od Charles Bird KingThomas Jefferson1836 · National Portrait Gallery 23Nesouaquoit (Bear in the Fork of a Tree), A Fox Chief (1837) od Charles Bird KingNesouaquoit (Bear in the Fork of a Tree), A Fox Chief1837 24Miss Satterlee (1839) od Charles Bird KingMiss Satterlee1839 25No Heart (Nan che ning ga) (1837) od Charles Bird KingNo Heart (Nan che ning ga)1837 · Smithsonian American Art Museum 26Portrait of a Girl (1859) od Charles Bird KingPortrait of a Girl1859 27NOT-CHI-MI-NE. AN IOWAY CHIEF od Charles Bird KingNOT-CHI-MI-NE. AN IOWAY CHIEF 28Pah-she-pah-how od Charles Bird KingPah-she-pah-how 29M'INTOSH. A CREEK CHIEF od Charles Bird KingM'INTOSH. A CREEK CHIEF 30OPOTHLE YOHOLO. A CREEK CHIEF od Charles Bird KingOPOTHLE YOHOLO. A CREEK CHIEF 31Joshua Johnson od Charles Bird KingJoshua JohnsonSmithsonian American Art Museum 32Portrait of Mrs. William Creighton (Elizabeth Meade Creighton) od Charles Bird KingPortrait of Mrs. William Creighton (Elizabeth Meade Creighton) 33Sequoyah od Charles Bird KingSequoyahNational Portrait Gallery 34Portrait of John C. Calhoun od Charles Bird KingPortrait of John C. Calhoun 35Joshua Johnson od Charles Bird KingJoshua Johnson 36Mrs. Joshua Johnson od Charles Bird KingMrs. Joshua Johnson 37Hayne Hudjihini (Eagle of Delight) od Charles Bird KingHayne Hudjihini (Eagle of Delight) 38Makataimeshikiakiah (Back Hawk) (1833) od Charles Bird KingMakataimeshikiakiah (Back Hawk)1833 39John C. Calhoun, Secretary of War od Charles Bird KingJohn C. Calhoun, Secretary of WarChrysler Museum of Art 40Push-Ma-Ta-Ha, Chactan Warrior od Charles Bird KingPush-Ma-Ta-Ha, Chactan Warrior 41Tshusick, An Ojibway Woman od Charles Bird KingTshusick, An Ojibway Woman 42Petalesharoo, A Pawnee Brave od Charles Bird KingPetalesharoo, A Pawnee Brave 43A-MIS-QUAM, A WINNEBAGO BRAVE od Charles Bird KingA-MIS-QUAM, A WINNEBAGO BRAVE 44Payta-Kootha, A Shawanoe Warrior od Charles Bird KingPayta-Kootha, A Shawanoe Warrior 45Foke-Luste-Hajo, A Seminole od Charles Bird KingFoke-Luste-Hajo, A Seminole 46Wa-baun-see, A Pottawatome Chief od Charles Bird KingWa-baun-see, A Pottawatome Chief 47JOHN ROSS. A CHEROKEE CHIEF od Charles Bird KingJOHN ROSS. A CHEROKEE CHIEF 48Caa-tou-see. an Ojibray od Charles Bird KingCaa-tou-see. an Ojibray 49Hayne Hudjihini. Eagle of Delight od Charles Bird KingHayne Hudjihini. Eagle of Delight 50Kee-Shes-Wa, A Fox Chief od Charles Bird KingKee-Shes-Wa, A Fox Chief 51Chippeway [Chippewa] squaw ^ child od Charles Bird KingChippeway [Chippewa] squaw ^ child 52Jack-O-Pa, a Chippeway [Chippewa] chief od Charles Bird KingJack-O-Pa, a Chippeway [Chippewa] chief 53Chon-ca-pe od Charles Bird KingChon-ca-pe 54ASSEOLA, A SEMINOLE LEADER od Charles Bird KingASSEOLA, A SEMINOLE LEADER 55Mar-Ko-Me-Te, A Menomene Brave od Charles Bird KingMar-Ko-Me-Te, A Menomene Brave 56TUKO-SEE-MATHLA. A SEMINOLE CHIEF od Charles Bird KingTUKO-SEE-MATHLA. A SEMINOLE CHIEF 57Ma-Has-Kah or White Cloud. an Ioway chief od Charles Bird KingMa-Has-Kah or White Cloud. an Ioway chief 58Chippeway squaw ^ child od Charles Bird KingChippeway squaw ^ child 59Major Ridge, A Cherokee Chief od Charles Bird KingMajor Ridge, A Cherokee Chief 60MA-KA-TAI-ME-SHE-KIA-KIAH od Charles Bird KingMA-KA-TAI-ME-SHE-KIA-KIAH 61John C. Calhoun of South Carolina, Vice President of the United States, and President of the Senate od Charles Bird KingJohn C. Calhoun of South Carolina, Vice President of the United States, and President of the Senate 62TEH-RO-HON, AN IOWAY WARRIOR od Charles Bird KingTEH-RO-HON, AN IOWAY WARRIOR 63Ki-On-Twog-Ky or Cornplant od Charles Bird KingKi-On-Twog-Ky or Cornplant 64Keokuk, Chief of the Sacs ^ Foxes od Charles Bird KingKeokuk, Chief of the Sacs ^ Foxes 65Rant che wai me, Female Flying Pigeon od Charles Bird KingRant che wai me, Female Flying Pigeon 66Little Eagle, Wad-ben-de-ba od Charles Bird KingLittle Eagle, Wad-ben-de-ba 67Co-sne-boin od Charles Bird KingCo-sne-boinSmithsonian American Art Museum 68Portrait of David Vann od Charles Bird KingPortrait of David Vann 69Tah-Chee, A Cherokee Chief od Charles Bird KingTah-Chee, A Cherokee Chief 70Petelesharro (Generous Chief) od Charles Bird KingPetelesharro (Generous Chief) 71Red Jacket od Charles Bird KingRed Jacket 72Ong-pa-ton-ga, or, The big elk, chief of the Omahas od Charles Bird KingOng-pa-ton-ga, or, The big elk, chief of the Omahas 73Wai-Kee-Chai, Sanky Chief, Crouching Eagle od Charles Bird KingWai-Kee-Chai, Sanky Chief, Crouching EagleCrystal Bridges Museum of American Art 74SPRING FROG. A CHEROKEE CHIEF od Charles Bird KingSPRING FROG. A CHEROKEE CHIEF 75Still Life on a Green Table Cloth od Charles Bird KingStill Life on a Green Table ClothMuzeum umění v Bostonu 76Blowing Bubbles od Charles Bird KingBlowing Bubbles 77Ottoe Half Chief, Husband of Eagle of Delight od Charles Bird KingOttoe Half Chief, Husband of Eagle of DelightCrystal Bridges Museum of American Art 78Poor Artist's Cupboard od Charles Bird KingPoor Artist's Cupboard 79Jack-o-pa (The Six) od Charles Bird KingJack-o-pa (The Six)Smithsonian American Art Museum 80ME-NA-WA. A CREEK WARRIOR od Charles Bird KingME-NA-WA. A CREEK WARRIOR 81Mrs. Joshua Johnson od Charles Bird KingMrs. Joshua JohnsonSmithsonian American Art Museum 82YOHOLO-MICCO. A CREEK CHIEF od Charles Bird KingYOHOLO-MICCO. A CREEK CHIEFSmithsonian American Art Museum 83Monchousia (White Plume) od Charles Bird KingMonchousia (White Plume) 84Portrait of Louisa Adams, wife of John Quincy Adams od Charles Bird KingPortrait of Louisa Adams, wife of John Quincy Adams 85Sharitarish (Wicked Chief) od Charles Bird KingSharitarish (Wicked Chief) 86No-way-ke-sug-ga od Charles Bird KingNo-way-ke-sug-gaSmithsonian American Art Museum 87Shaumonekusse (Prairie Wolf) od Charles Bird KingShaumonekusse (Prairie Wolf) 88Itinerant Artist (1830) od Charles Bird KingItinerant Artist1830 89Young Omahaw, War Eagle, Little Missouri, and Pawnees (1821) od Charles Bird KingYoung Omahaw, War Eagle, Little Missouri, and Pawnees1821 · Smithsonian American Art Museum

Slavná díla Charles Bird King podle jednotlivých období

Motivy, které zaujaly Charles Bird King

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Charles Bird King

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Charles Bird King Obrazy z tohoto seznamu
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 9 Mrs. John Quincy Adams, No Heart (Nan che ning ga), Joshua Johnson
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 7 Stephen Decatur, Louis McLane, Sarah Weston Seaton with her Children Augustine and Julia
Crystal Bridges Museum of American Art, BentonvilleCrystal Bridges Museum of American Art Bentonville 3 Portrait of John Ridge, Wai-Kee-Chai, Sanky Chief, Crouching Eagle, Ottoe Half Chief, Husband of Eagle of Delight
Muzeum umění v Bostonu, BostonMuzeum umění v Bostonu Boston 2 Rip van Winkle Returning from a Morning Lounge, Still Life on a Green Table Cloth
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Poor Artist's Cupboard, Henry Clay
Buffalo AKG Art Museum, BuffaloBuffalo AKG Art Museum Buffalo 1 Sagoyewatha (known as "Red Jacket")
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 The Vanity of the Artist's Dream
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 John C. Calhoun, Secretary of War

Charles Bird King dekáda po dekádě: originální díla, která definují každou z nich

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Otázky sběratelů o obrazech umělce Charles Bird King

Kterým dílem je Charles Bird King nejznámější?Odhalit odpověď

Portrait of John Ridge (1825), Crystal Bridges Museum of American Art, Bentonville. Následují Petalesharro (Generous Chief), Pawnee (1822) a Stephen Decatur (1820).

Kolik let bylo Charles Bird King, když bylo vytvořeno dílo Portrait of John Ridge?Odhalit odpověď

40 let: dílo Portrait of John Ridge pochází z roku 1825 a Charles Bird King se narodil/a v roce 1785.

Kterých deset nejslavnějších obrazů má Charles Bird King?Odhalit odpověď

Portrait of John Ridge, Petalesharro (Generous Chief), Pawnee, Stephen Decatur, Louis McLane, Sagoyewatha (known as "Red Jacket"), Rip van Winkle Returning from a Morning Lounge, The Vanity of the Artist's Dream, Poor Artist's Cupboard, Young Omahaw War Eagle, Little Missouri, and Pawnees a McIntosh, A Creek Chief. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik obrazů zanechal(a) Charles Bird King?Odhalit odpověď

Náš katalog obsahuje 92 děl umělce Charles Bird King z let 1815 až 1859.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Charles Bird King?Odhalit odpověď

Většinou v Smithsonian American Art Museum (Washington, D.C.), National Portrait Gallery (Washington, D.C.) a Crystal Bridges Museum of American Art (Bentonville). V tabulce muzeí výše jsou vypsány všechny.

V jakých letech namaloval Charles Bird King svá nejznámější díla?Odhalit odpověď

V období 1820s: 14 z celkem 89 děl na této stránce vzniklo právě tehdy, z toho Portrait of John Ridge z nich.

Jaká jsou první a poslední slavná originální díla umělce Charles Bird King?Odhalit odpověď

Na této stránce je nejstarší dílo z Poor Artist's Cupboard (1815) a nejnovější z Portrait of a Girl (1859).

Jaká témata si Charles Bird King vybíral nejčastěji?Odhalit odpověď

Portraits (45), Man (7) a Portraiture (7) napříč 89 díly na této stránce.

Kterou techniku používal(a) Charles Bird King nejčastěji?Odhalit odpověď

Oil, u 7 z 89 děl na této stránce.

K kterému uměleckému směru patří Charles Bird King?Odhalit odpověď

Romanticism, podle originálů na této stránce.

Která díla umělce Charles Bird King jsou vystavena v Smithsonian American Art Museum?Odhalit odpověď

Mrs. John Quincy Adams, No Heart (Nan che ning ga) a Joshua Johnson: muzeum Smithsonian American Art Museum, Washington, D.C. má v obsluze 9 děl z této stránky.

Charles Bird King: život a dílo

A Life Etched in Portraiture: The World of Charles Bird King

Charles Bird King, born in Newport News, United States of America (1785), stands as a pivotal figure in the evolution of American portraiture during an era defined by profound national transformation. His life story is a compelling tapestry woven with threads of personal hardship and unwavering artistic ambition—a journey that ultimately immortalized not only the nation’s political elite but also its Native American leaders, a demographic often overlooked within the artistic landscape of his time. The early years of King's existence were marked by tragedy; at just four years old, he endured the loss of his father, Zebulon King, a veteran of the Revolutionary War, who fell victim to an attack near Marietta, Ohio. This devastating event prompted a return with his mother to Newport, Rhode Island, where the seeds of his artistic calling would begin to sprout and take root.

From European Academies to the American Capital

King’s formal artistic training commenced at the age of fifteen under the tutelage of Edward Savage in New York City—a foundational experience that ignited within him a passionate dedication to portraiture. However, it was his subsequent seven-year sojourn at the Royal Academy in London, studying alongside the esteemed Benjamin West, that truly defined his artistic sensibilities and shaped his evolving style. This immersive period within European art traditions—particularly those of the Dutch and Northern Renaissance masters—would become a defining characteristic woven into the very fabric of his work. The meticulous observation of anatomy and drapery, combined with an understanding of chiaroscuro – the dramatic interplay of light and shadow – were lessons that would resonate throughout King’s career. Upon returning to the United States amidst the tumult of the War of 1812, King navigated a shifting landscape, briefly establishing himself in Philadelphia, Baltimore, and Richmond before ultimately settling in Washington, D.C. This strategic move proved decisive; the burgeoning capital offered both economic opportunity and access to a powerful network of potential patrons. It was here that King would establish himself as the preeminent portraitist of his era, capturing the likenesses of influential politicians, diplomats, and military figures with remarkable skill and sensitivity. He skillfully blended classical influences with emerging American realism—a testament to his adaptability and artistic vision.

A Legacy Forged in Likeness: Style and Influences

King’s artistic style is characterized by a meticulous attention to detail, a refined sense of composition, and a subtle yet compelling psychological depth. While firmly rooted in European traditions, his work possesses a distinctly American quality—a realism tempered by an understated elegance. The influence of Dutch masters is particularly evident in his masterful use of light and shadow, the exquisite texture of fabrics, and the overall sense of quiet dignity that permeates his portraits. Artists like Rembrandt and Johannes Vermeer served as constant inspiration, guiding King’s approach to rendering human form and emotion with unparalleled accuracy. He wasn't driven by flamboyant displays or dramatic narratives but rather focused on presenting his sitters with honesty and respect—an approach that resonated deeply with a society that valued decorum, intellect, and civic virtue. His portraits weren't merely representations; they were statements about character and status.

Portraits of Power and Cultural Exchange

Perhaps King’s most enduring contribution lies in his remarkable series of portraits depicting Native American leaders and tribesmen. Commissioned by Thomas L. McKenney, the Superintendent of Indian Trade, these paintings were intended to document the diverse cultures and individuals encountered during diplomatic missions to Washington D.C. These works are not simply historical records; they are powerful statements about cultural exchange, political negotiation, and the complex relationship between the United States government and Native American tribes. Portraits such as those of Kee-shes-wa (a Fox chief), Jack-o-pa (a Chippewa chief), and Teh-ro-hon (an Ioway warrior) stand as testaments to King’s skill in capturing not only physical likeness but also the dignity, strength, and cultural identity of his subjects. While some modern critics have noted potential inaccuracies or romanticized depictions within these portraits, their historical significance remains undeniable—they offer a rare glimpse into a formative period of American history. These paintings served as both artistic achievements and diplomatic tools.

Enduring Impact and Artistic Remembrance

Charles Bird King’s success was not solely attributable to his artistic talent; he possessed a remarkable ability to cultivate relationships with influential patrons, including John Quincy Adams, Henry Clay, James Monroe, and Daniel Webster. This social acumen, combined with his unwavering dedication to his craft, allowed him to thrive in the competitive art world of early 19th-century America. Elected an honorary academician by the National Academy of Design in 1827, King continued to paint prolifically until his death in Washington D.C. in 1862. In a final act of generosity, he bequeathed his collection of paintings, books, and prints to the Redwood Library and Athenaeum, ensuring that his legacy would endure for generations to come. Today, Charles Bird King’s works are held in prominent museums across the United States, serving as invaluable windows into a formative period of American history and artistic expression.
  • Key Achievements: Masterful portraiture of Native American leaders and influential political figures.
  • Artistic Style: Blend of European (Dutch & Northern Renaissance) techniques with an understated American realism.
  • Historical Significance: Documented a crucial period of cultural exchange and political negotiation in early America.