Portrét Čeng Sie

14 nejslavnějších obrazů autora Čeng Sie, výběr z galerie

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 15 děl umělce Čeng Sie v našem katalogu

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Z všech originálů, které Čeng Sie zanechal, je nejslavnější Bamboo and Poem (1729), který se nachází ve sbírce Metropolitan Museum of Art, New York. Hned za ním následují Bamboo and rock (1729) a 清 鄭燮 蘭竹圖 卷 Orchids and Bamboo (1742). Náš katalog obsahuje 15 děl umělce Čeng Sie; galerie si zachovala 14 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.

1693 – 1766, Ťiang-su Nejvíce děl: Metropolitan Museum of Art

10 nejlepších obrazů umělce Čeng Sie: výběr galerie

Výběr umělce Čeng Sie pokračuje, od 11 do 14

Muzea, v nichž jsou vystavena originálna umělce Čeng Sie

4 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Čeng Sie Obrazy z tohoto seznamu
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 4 Bamboo and Poem, 清 鄭燮 蘭竹圖 卷 Orchids and Bamboo, 清 鄭燮 遠山煙竹圖 軸 Misty Bamboo on a Distant Mountain
Hong Kong Museum of Art, Hong KongHong Kong Museum of Art Hong Kong 1 Bamboo and rock
Clevelandské muzeum umění, ClevelandClevelandské muzeum umění Cleveland 1 Bamboo and Rock
Indianapolis Museum of Art, IndianapolisIndianapolis Museum of Art Indianapolis 1 Bamboo and Rocks

Čeng Sie dekáda po dekádě: originální díla, která definují každou z nich

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Otázky sběratelů o obrazech umělce Čeng Sie

Kterým dílem je Čeng Sie nejznámější?Odhalit odpověď

Bamboo and Poem (1729), Metropolitan Museum of Art, New York. Následují Bamboo and rock (1729) a 清 鄭燮 蘭竹圖 卷 Orchids and Bamboo (1742).

Kolik let bylo Čeng Sie, když bylo vytvořeno dílo Bamboo and Poem?Odhalit odpověď

36 let: dílo Bamboo and Poem pochází z roku 1729 a Čeng Sie se narodil/a v roce 1693.

Kterých deset nejslavnějších obrazů má Čeng Sie?Odhalit odpověď

Bamboo and Poem, Bamboo and rock, 清 鄭燮 蘭竹圖 卷 Orchids and Bamboo, Orchids, 清 鄭燮 遠山煙竹圖 軸 Misty Bamboo on a Distant Mountain, Bamboo and Rock, Bamboo, Orchids, and Rocks, Bamboo, Bamboo and Rocks a Bamboo. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik obrazů zanechal(a) Čeng Sie?Odhalit odpověď

Náš katalog obsahuje 15 děl umělce Čeng Sie z let 1729 až 1765.

Ve kterých muzeích jsou vystavena díla mistrovská umělce Čeng Sie?Odhalit odpověď

Většinou v Metropolitan Museum of Art (New York), Hong Kong Museum of Art (Hong Kong) a Clevelandské muzeum umění (Cleveland). V tabulce muzeí výše jsou vypsány všechny.

V jakých letech namaloval Čeng Sie svá nejznámější díla?Odhalit odpověď

V období 1720s: 2 z celkem 14 děl na této stránce vzniklo právě tehdy, z toho Bamboo and Poem z nich.

Jaká jsou první a poslední slavná originální díla umělce Čeng Sie?Odhalit odpověď

Na této stránce je nejstarší dílo z Bamboo and Poem (1729) a nejnovější z Bamboo and Rock (1765).

Která díla umělce Čeng Sie jsou vystavena v Metropolitan Museum of Art?Odhalit odpověď

Bamboo and Poem, 清 鄭燮 蘭竹圖 卷 Orchids and Bamboo a 清 鄭燮 遠山煙竹圖 軸 Misty Bamboo on a Distant Mountain: muzeum Metropolitan Museum of Art, New York má v obsluze 4 děl z této stránky.

Čeng Sie: život a dílo

Zheng Xie (1693–1766): The Poet Painter of Yangzhou

Zheng Xie (鄭燮, 1693-1765), commonly known as Zheng Banqiao (鄭板橋) or Banqiao Daoren (板橋道人), stands as a singular figure in Qing dynasty Chinese art—a painter who simultaneously embraced calligraphy and literature, forging an artistic vision deeply rooted in observation of the natural world and imbued with humanist sensibilities. Born in Xinghua County, Jiangsu Province, his early life was marked by hardship; orphaned at a young age after his father’s death, he endured considerable poverty before securing a position as a magistrate in Shandong—a testament to his determination and intellectual aptitude. This administrative role provided him with valuable experience but also exposed him to the compromises inherent in serving the imperial bureaucracy, fostering a disillusionment that would ultimately propel him toward artistic expression as a means of grappling with personal reflection and societal critique. His rejection of official dogma and subsequent resignation following criticism regarding his unwavering commitment to alleviating poverty—a stance that resonated deeply with Confucian ideals—represented a pivotal moment shaping Zheng Xie’s trajectory. This courageous defiance solidified his moral compass and fueled his desire for artistic autonomy, distancing him from the constraints imposed by institutional patronage. Recognizing the limitations of formal art academies, he deliberately pursued an independent path—one prioritizing genuine creative vision over adherence to prescribed conventions—a decision that cemented his place among the Eight Eccentrics of Yangzhou, a group of artists who challenged prevailing aesthetic norms and championed intellectual freedom. The Eight Eccentrics of Yangzhou (八怪) were a cohort of artists and intellectuals who defied artistic orthodoxy and celebrated individuality during the Qianlong reign (1735–1796). Unlike many contemporaries preoccupied with securing imperial favor, Zheng Xie actively shunned official institutions, prioritizing instead the pursuit of authentic artistic expression. This ethos—characterized by boldness, sincerity, and a profound engagement with nature—became synonymous with Yangzhou painting, particularly landscapes featuring bamboo and orchids. These subjects weren’t merely decorative; they carried symbolic weight – bamboo embodying resilience and virtue, while orchids symbolizing refinement and nobility—reflecting Zheng Xie's belief in art as a conduit for moral contemplation and spiritual enlightenment. Zheng Xie’s distinctive artistic style—characterized by bold brushstrokes and expressive rendering—became instantly recognizable and profoundly influential. His technique involved layering pigments with meticulous precision, capturing subtle nuances of light and shadow to convey an unparalleled sense of depth and atmosphere. He skillfully employed tonal variations – ranging from muted browns to vibrant greens – to depict the textures of bamboo stalks and orchid blossoms with breathtaking realism. Furthermore, Zheng Xie’s calligraphy style—developed organically from his fascination with orchid drawings—was equally innovative. He experimented with unconventional ink washes and brushstrokes, creating works that possessed both visual beauty and poetic resonance. His poems explored themes of everyday life with remarkable sensitivity and honesty—a stylistic hallmark that distinguished him from other artists of his time. A significant contribution to Zheng Xie’s artistic legacy lies in his pioneering exploration of the interplay between landscape painting and calligraphy. He believed that these disciplines should complement each other, fostering a holistic aesthetic experience that transcended mere visual representation. His paintings weren't simply depictions of natural scenery; they were invitations to contemplation—encouraging viewers to immerse themselves in the tranquility and grandeur of the mountains and forests while simultaneously engaging with the lyrical beauty of his poems. This approach—rooted in Confucian principles of harmony and balance—established Zheng Xie as a visionary artist who elevated Yangzhou painting to new heights of artistic sophistication. His enduring influence continues to inspire artists today, reminding us that true creativity resides not merely in technical skill but also in intellectual depth and moral conviction.