Portrét Berenice Abbottová

75 nejslavnějších obrazů autora Berenice Abbottová, každý naprosto unikátní

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El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue (1976) je obraz autora Berenice Abbottová, který přitahuje nejvíce pohledů; originál se nachází v Boca Raton Museum of Art, Boca Raton. Poté se zrak přesouvá k Fifth Avenue, Nos. 4, 6, 8, Manhattan (1936) a Soap Bubbles (1946). Z 75 děl umělce Berenice Abbottová v našem katalogu je těchto 75 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1898 – 1991, Springfield Documentary photography Nejvíce děl: Boca Raton Museum of Art

Top 10 obrazů autora Berenice Abbottová podle výběru galerie

1
El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue (1976) od Berenice Abbottová

El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue

1976 · Black and White Photography · Boca Raton Museum of Art, Boca Raton

The photograph captures an interior view of the Sixth and Ninth Avenue El station at 72nd Street and Columbus Avenue. The scene is rendered in a monochromatic palette, utilizing a wide tonal range from deep blacks in the shadows to bright whites where light hits the surfaces. The composition centers on the station entrance, where several individuals wait on the platform. Vertical lines from pillars, doorways, and railings dominate the…

Slavná díla umělce Berenice Abbottová, čísla 11 až 75

11Lyric Theatre, 100 Third Avenue, Manhattan (1936) od Berenice AbbottováLyric Theatre, 100 Third Avenue, Manhattan1936 12Wheelock House, 661 West 158th Street, Manhattan (1937) od Berenice AbbottováWheelock House, 661 West 158th Street, Manhattan1937 13Greyhound Bus Terminal Manhattan (1936) od Berenice AbbottováGreyhound Bus Terminal Manhattan1936 14Brooklyn Bridge, Water and Dock Streets, Brooklyn (1936) od Berenice AbbottováBrooklyn Bridge, Water and Dock Streets, Brooklyn1936 15El Second and Third Avenue Lines Bowery and Division Street, Manhattan (1936) od Berenice AbbottováEl Second and Third Avenue Lines Bowery and Division Street, Manhattan1936 16Badenhausen (1940) od Berenice AbbottováBadenhausen1940 17Milliken's General Store, Bridgewater, Maine (1954) od Berenice AbbottováMilliken's General Store, Bridgewater, Maine1954 18Portrait of Anna Wickham (1929) od Berenice AbbottováPortrait of Anna Wickham1929 19Zito (1937) od Berenice AbbottováZito1937 · Židovské muzeum 20Rockefeller Center, New York City (1932) od Berenice AbbottováRockefeller Center, New York City1932 21New York at Night (1932) od Berenice AbbottováNew York at Night1932 22Trinity Churchyard (1932) od Berenice AbbottováTrinity Churchyard1932 23Barclay Street Elevated Platform (1933) od Berenice AbbottováBarclay Street Elevated Platform1933 24South and DePeyster Streets, Manhattan (1935) od Berenice AbbottováSouth and DePeyster Streets, Manhattan1935 25Doorway, 204 West 13th Street, Manhattan (1937) od Berenice AbbottováDoorway, 204 West 13th Street, Manhattan1937 26Spring and Varick Streets, Manhattan (1935) od Berenice AbbottováSpring and Varick Streets, Manhattan1935 27Jacob Heymann Butcher Shop, New York City (1938) od Berenice AbbottováJacob Heymann Butcher Shop, New York City1938 28Financial District Rooftops I, Manhattan (1938) od Berenice AbbottováFinancial District Rooftops I, Manhattan1938 29Father Duffy, Times Square (1937) od Berenice AbbottováFather Duffy, Times Square1937 30Trucks, West and Debrosses Street, Manhattan (1936) od Berenice AbbottováTrucks, West and Debrosses Street, Manhattan1936 31Charles Lane between West and Washington Streets, Manhattan (1938) od Berenice AbbottováCharles Lane between West and Washington Streets, Manhattan1938 32Cropsey Avenue, no. 1736, Bath Beach, Brooklyn (1936) od Berenice AbbottováCropsey Avenue, no. 1736, Bath Beach, Brooklyn1936 33Canyon Broadway and Exchange Place, Manhattan (1936) od Berenice AbbottováCanyon Broadway and Exchange Place, Manhattan1936 34Gunsmith, 6 Centre Market Place, Manhattan (1937) od Berenice AbbottováGunsmith, 6 Centre Market Place, Manhattan1937 35Willow Place, nos. 43 49, Brooklyn (1936) od Berenice AbbottováWillow Place, nos. 43 49, Brooklyn1936 36Fourth Avenue, no. 154, Brooklyn (1936) od Berenice AbbottováFourth Avenue, no. 154, Brooklyn1936 3727th Avenue, no. 1422, Astoria (1937) od Berenice Abbottová27th Avenue, no. 1422, Astoria1937 38West Side of Gramercy Park West, nos. 3 4, Manhattan (1935) od Berenice AbbottováWest Side of Gramercy Park West, nos. 3 4, Manhattan1935 39Poultry Shop, Lower East Side, New York City (1937) od Berenice AbbottováPoultry Shop, Lower East Side, New York City1937 40Downtown Skyport, Foot of Wall Street, Manhattan (1936) od Berenice AbbottováDowntown Skyport, Foot of Wall Street, Manhattan1936 41Snuff Shop, 113 Division Street, New York (1938) od Berenice AbbottováSnuff Shop, 113 Division Street, New York1938 42Hardware Store, 316 318 Bowery, Manhattan (1938) od Berenice AbbottováHardware Store, 316 318 Bowery, Manhattan1938 43Pike and Henry Streets, Manhattan (1936) od Berenice AbbottováPike and Henry Streets, Manhattan1936 44Washington Square North, nos. 21 25, Manhattan (1936) od Berenice AbbottováWashington Square North, nos. 21 25, Manhattan1936 45Starrett Lehigh Building, 601 West 26th Street, Manhattan (1936) od Berenice AbbottováStarrett Lehigh Building, 601 West 26th Street, Manhattan1936 46Newsstand, East 32nd Street and Third Avenue, Manhattan (1935) od Berenice AbbottováNewsstand, East 32nd Street and Third Avenue, Manhattan1935 47Warehouse, Water and Dock Streets, Brooklyn (1936) od Berenice AbbottováWarehouse, Water and Dock Streets, Brooklyn1936 48Corner of East 10th Street and Avenue D, Manhattan (1937) od Berenice AbbottováCorner of East 10th Street and Avenue D, Manhattan1937 49View from West Street, Manhattan (1938) od Berenice AbbottováView from West Street, Manhattan1938 50Brooklyn Bridge, Water and New Dock Streets, Brooklyn (1936) od Berenice AbbottováBrooklyn Bridge, Water and New Dock Streets, Brooklyn1936 51Sumner Healy Antique Shop, 942 Third Avenue (1936) od Berenice AbbottováSumner Healy Antique Shop, 942 Third Avenue1936 52Daily News Building, 220 East 42nd Street, Manhattan (1935) od Berenice AbbottováDaily News Building, 220 East 42nd Street, Manhattan1935 53Rockefeller Center, from 444 Madison Avenue (1937) od Berenice AbbottováRockefeller Center, from 444 Madison Avenue1937 54Daily News Building (1935) od Berenice AbbottováDaily News Building1935 55Manhattan Bridge (1936) od Berenice AbbottováManhattan Bridge1936 56Downtown Skyport, Foot of Wall Street (1936) od Berenice AbbottováDowntown Skyport, Foot of Wall Street1936 57St. Bartholomew's, Waldorf Astoria, General Electric Building (1936) od Berenice AbbottováSt. Bartholomew's, Waldorf Astoria, General Electric Building1936 58My Place, Kingston, Ohio (1935) od Berenice AbbottováMy Place, Kingston, Ohio1935 59Seventh Avenue Looking North from 35th Street Manhattan (1935) od Berenice AbbottováSeventh Avenue Looking North from 35th Street Manhattan1935 60MacDougal Alley, between 8th Street and Washington Sq. North (1936) od Berenice AbbottováMacDougal Alley, between 8th Street and Washington Sq. North1936 61St. Mark's Church, with Skywriting Spiral, East 10th Street at 2nd Avenue (1937) od Berenice AbbottováSt. Mark's Church, with Skywriting Spiral, East 10th Street at 2nd Avenue1937 62Theoline , Pier 11, East River, Manhattan (1936) od Berenice AbbottováTheoline , Pier 11, East River, Manhattan1936 63Central Park Plaza, from Fifth Avenue at 58th Street (1937) od Berenice AbbottováCentral Park Plaza, from Fifth Avenue at 58th Street1937 64Washington Street no. 37 Manhattan (1936) od Berenice AbbottováWashington Street no. 37 Manhattan1936 65George Washington Bridge, Riverside Drive and 179th Street, Manhattan (1936) od Berenice AbbottováGeorge Washington Bridge, Riverside Drive and 179th Street, Manhattan1936 66Rockefeller Center, Collegiate Church of St. Nicholas in Foreground (1936) od Berenice AbbottováRockefeller Center, Collegiate Church of St. Nicholas in Foreground1936 67Pine Street, U.S. Treasury in Foreground (1936) od Berenice AbbottováPine Street, U.S. Treasury in Foreground1936 68Sutton Place, Anne Morgan's Townhouse on Corner, Northeast Corner of East 57th Street, Manhattan (1936) od Berenice AbbottováSutton Place, Anne Morgan's Townhouse on Corner, Northeast Corner of East 57th Street, Manhattan1936 69Leaf, Supersight (1940) od Berenice AbbottováLeaf, Supersight1940 70Village Presbyterian Church, 143 West 13th Street (1948) od Berenice AbbottováVillage Presbyterian Church, 143 West 13th Street1948 71Commerce Street with Cherry Lane Theatre (1948) od Berenice AbbottováCommerce Street with Cherry Lane Theatre1948 72Muller's Antique Shop, Greenwich Avenue and West 10th Street (1948) od Berenice AbbottováMuller's Antique Shop, Greenwich Avenue and West 10th Street1948 73Old Cafe, Lafayette Hotel (1949) od Berenice AbbottováOld Cafe, Lafayette Hotel1949 74Untitled od Berenice AbbottováUntitled 75Sunside Stock Poultry Farm od Berenice AbbottováSunside Stock Poultry Farm

Motivy, které zaujaly Berenice Abbottová

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Berenice Abbottová

2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Berenice Abbottová Obrazy z tohoto seznamu
Boca Raton Museum of Art, Boca RatonBoca Raton Museum of Art Boca Raton 1 El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue
Židovské muzeum, New York CityŽidovské muzeum New York City 1 Zito

Berenice Abbottová napříč desetiletími: jeden unikátní originál pro každou dekádu

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Obrazy umělce Berenice Abbottová: dotazy pro galerii

Kterým nejznámějším dílem je Berenice Abbottová?Odhalit odpověď

El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue (1976), Boca Raton Museum of Art, Boca Raton. Následují Fifth Avenue, Nos. 4, 6, 8, Manhattan (1936) a Soap Bubbles (1946).

V jakém věku vytvořil(a) Berenice Abbottová dílo El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue?Odhalit odpověď

78 let: dílo El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue pochází z roku 1976 a Berenice Abbottová se narodil/a v roce 1898.

Kterých deset obrazů autora Berenice Abbottová je nejznámějších?Odhalit odpověď

El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue, Fifth Avenue, Nos. 4, 6, 8, Manhattan, Soap Bubbles, Mrs. Joyce, Barclay Street, Hoboken Ferry, Department of Docks Building, Pier A, Manhattan, Blossom Restaurant, 103 Bowery, Manhattan, Normandie, North River, Manhattan, from Pier 88, Fulton Street Dock, Manhattan Skyline a Waterfront from Pier 19, East River, Manhattan. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik známých děl má autor Berenice Abbottová?Odhalit odpověď

Náš katalog obsahuje 75 děl umělce Berenice Abbottová z let 1928 až 1976.

Kde lze vidět nejznámější originály umělce Berenice Abbottová?Odhalit odpověď

Většinou v Boca Raton Museum of Art (Boca Raton) a Židovské muzeum (New York City). V tabulce muzeí výše jsou vypsány všechny.

V jakém období vytvořil(a) Berenice Abbottová svá nejznámější obrazy?Odhalit odpověď

V období 1930s: 62 z celkem 75 děl na této stránce vzniklo právě tehdy, z toho Fifth Avenue, Nos. 4, 6, 8, Manhattan z nich.

Který slavný obraz od Berenice Abbottová je nejstarší a který nejnovější?Odhalit odpověď

Na této stránce je nejstarší dílo z Mrs. Joyce (1928) a nejnovější z El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue (1976).

Jakým tématům se Berenice Abbottová věnoval/a nejčastěji?Odhalit odpověď

Roads (23), Usa (7) a New york city (4) napříč 75 díly na této stránce.

K kterému směru patří dílo umělce Berenice Abbottová?Odhalit odpověď

Documentary photography, podle originálů na této stránce.

Berenice Abbottová: portrét umělce

Early Life and Artistic Foundations

Berenice Abbott, born Berenice Alice Abbott on July 17, 1898, in Springfield, Ohio, began her life amidst a quiet yet formative period of transition. Her early years were marked by the dissolution of her parents’ marriage, an experience that instilled within her a sense of independence and a keen awareness of human relationships. Raised primarily by her mother, Lillian Alice Bunn, a woman who herself had faced hardship, Berenice developed a resilience and a deep appreciation for the complexities of family dynamics. Despite attending The Ohio State University briefly in 1918, she soon realized that the structured academic environment wasn’t aligned with her restless spirit. She yearned for a more dynamic and creative outlet, leading her to relocate to New York City in 1918 – a city brimming with artistic energy and a promise of new possibilities. Initially drawn to journalism, Berenice sought employment as a reporter, but it quickly became apparent that photography held a far stronger allure. This shift was largely influenced by her exposure to the burgeoning world of avant-garde art and the vibrant social scene of Greenwich Village, where she found herself immersed in circles frequented by artists, writers, and intellectuals. Crucially, her time in New York introduced her to Man Ray, a pivotal figure whose studio would become a crucible for her artistic development. Her early exposure to photography was not through formal training but rather through assisting Man Ray, an experience that quickly revealed her innate talent and passion for capturing the world through a lens. This apprenticeship provided her with invaluable hands-on experience in darkroom techniques and photographic processes, laying the foundation for her distinctive style.

Parisian Awakening and Photographic Development

A defining moment in Berenice Abbott’s artistic journey arrived in 1921 when she embarked on an extended sojourn to Paris – a city renowned as a global center of art and culture. This move proved transformative, propelling her into the heart of Europe's avant-garde scene and fundamentally altering the trajectory of her career. She enrolled in sculpture classes at the Académie de la Grande Chaumière, seeking to refine her artistic skills and broaden her creative horizons. However, it was her encounter with Man Ray that truly ignited her passion for photography. Working alongside him as his studio assistant, she quickly absorbed his techniques and developed a deep appreciation for the medium’s expressive potential. During this period, Abbott began to experiment with portraiture, capturing the essence of prominent artists and literary figures who frequented Paris's artistic circles – including James Joyce, Marcel Duchamp, and André Breton. Her portraits were characterized by their striking realism and an uncanny ability to capture the personality and spirit of her subjects. This early work garnered recognition, culminating in a solo exhibition at the Galerie Au Sacre du Printemps in 1926, where she showcased her captivating portraits of artistic luminaries. Furthermore, Abbott’s time in Paris coincided with her growing fascination with Eugène Atget, a largely unrecognized street photographer whose meticulous documentation of Parisian life captivated her imagination. She became deeply invested in preserving and promoting his work, recognizing its unique value and historical significance. This dedication would ultimately lead to her acquisition of his entire photographic archive – a remarkable testament to her passion and commitment.

Documenting a Changing City: New York Transformed

Returning to the United States in 1929, Berenice Abbott set her sights on documenting the dramatic transformation unfolding within New York City. Recognizing the city’s rapid modernization and its profound impact on urban life, she embarked on an ambitious project that would become one of her most celebrated achievements: a comprehensive photographic survey of New York's architecture and streetscapes. Supported by funding from the Works Progress Administration (WPA), Abbott meticulously documented the city’s evolving character, capturing both its iconic landmarks and its gritty underbelly. She employed innovative techniques – including “bird’s-eye” and “worm’s-eye” perspectives – to create a unique visual narrative of New York's urban landscape. These photographs weren’t merely static representations; they were dynamic portraits of a city in constant flux, reflecting the energy, diversity, and complexities of modern life. The resulting collection, titled *Changing New York*, was published in 1939 and quickly became a seminal work in documentary photography, establishing Abbott as a leading figure in the field. Her ability to capture both the grandeur and the grit of New York City cemented her reputation as a perceptive observer and a masterful storyteller through images.

Legacy and Enduring Influence

Berenice Abbott’s impact on the world of photography extends far beyond her iconic images. She was a pioneer in documentary photography, demonstrating an unparalleled ability to convey the essence of urban life through her lens. Her portraits offer intimate glimpses into the lives of influential cultural figures, while her New York City photographs serve as a valuable historical record of the city’s evolution. Crucially, Abbott played a vital role in preserving and promoting the work of Eugène Atget, bringing his artistry to wider recognition and ensuring his place in photographic history. Beyond her artistic practice, she contributed significantly to the field through her writings on photographic techniques, furthering its development as an art form. Her photographs are now held in prestigious collections worldwide – including the Smithsonian American Art Museum and the Philadelphia Museum of Art – a testament to their enduring power and significance. Berenice Abbott’s legacy continues to inspire photographers today, reminding us of the profound ability of the camera to document, interpret, and celebrate the world around us. Her work stands as a powerful reminder of the beauty and complexity of urban life, captured with remarkable skill and vision.