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Anno 1648. The Peace of Munster (1850) je obraz autora Barend Wijnveld, který přitahuje nejvíce pohledů; originál se nachází v Amsterdam Museum, Amsterdam. Poté se zrak přesouvá k Anno 1584. The Murder of Willem van Oranje (1850) a Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850). Z 56 děl umělce Barend Wijnveld v našem katalogu je těchto 56 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
Top 10 obrazů autora Barend Wijnveld podle výběru galerie
Slavná díla umělce Barend Wijnveld, čísla 11 až 56
Muzea, v nichž jsou vystavena originálna umělce Barend Wijnveld
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Barend Wijnveld | Obrazy z tohoto seznamu |
|---|---|---|---|
| Amsterdam | 55 | Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten |
Barend Wijnveld napříč desetiletími: jeden unikátní originál pro každou dekádu
Díla podle dekád
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
Count Jan II grants the first Privilege to Amsterdam, 1300
Obrazy umělce Barend Wijnveld: dotazy pro galerii
Kterým nejznámějším dílem je Barend Wijnveld?Odhalit odpověď
Anno 1648. The Peace of Munster (1850), Amsterdam Museum, Amsterdam. Následují Anno 1584. The Murder of Willem van Oranje (1850) a Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850).
V jakém věku vytvořil(a) Barend Wijnveld dílo Anno 1648. The Peace of Munster?Odhalit odpověď
30 let: dílo Anno 1648. The Peace of Munster pochází z roku 1850 a Barend Wijnveld se narodil/a v roce 1820.
Kterých deset obrazů autora Barend Wijnveld je nejznámějších?Odhalit odpověď
Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten, Anno 1672. The Heroic Defense of Aardenburg, Anno 1648. The first laying of the stone of the Amsterdamse stadhuis, Anno 1465. Duke Arnoud van Gelre is taken prisoner by his son Adolf, Anno 70. Brinio as Leader of the Kaninefaten Raised on the Shield, Anno 70. Claudius Civilis incites the Batavians to revolt, Anno 1830. The Prince of Orange escapes the wrath of the Brussels people a Anno 1018. The Duke of Lotharingen is defeated by Dirk III of Holland near Dordrecht. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Kolik známých děl má autor Barend Wijnveld?Odhalit odpověď
Náš katalog obsahuje 56 děl umělce Barend Wijnveld z let 1850 až 1885.
Kde lze vidět nejznámější originály umělce Barend Wijnveld?Odhalit odpověď
Většinou v Amsterdam Museum (Amsterdam). V tabulce muzeí výše jsou vypsány všechny.
V jakém období vytvořil(a) Barend Wijnveld svá nejznámější obrazy?Odhalit odpověď
V období 1860s: 44 z celkem 56 děl na této stránce vzniklo právě tehdy, z toho Count Jan II grants the first Privilege to Amsterdam, 1300 z nich.
Který slavný obraz od Barend Wijnveld je nejstarší a který nejnovější?Odhalit odpověď
Na této stránce je nejstarší dílo z Anno 1648. The Peace of Munster (1850) a nejnovější z Anno 1573. The Battle on the Zuiderzee (1885).
Jaká originální díla Barend Wijnveld mohu vidět v Amsterdam Museum?Odhalit odpověď
Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje a Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten: muzeum Amsterdam Museum, Amsterdam má v obsluze 55 děl z této stránky.
Barend Wijnveld: portrét umělce
The Life of a Dutch Painter
Born in the bustling streets of Amsterdam, Barend Wijnveld entered a world where the brush and the palette were the primary tools of a dedicated life. His path was one of steady progression, beginning his active work in the mid-1830s and continuing until his final days. He was a man deeply embedded in the artistic fabric of the Netherlands, finding a home within the prestigious circles of Arti et Amicitiae from 1854. His existence was defined by the quiet discipline of the studio and the lively exchange of ideas among his peers.
His presence in the Dutch art scene was not merely that of a solitary creator, but that of a mentor. He understood that the survival of craft depended on the passing of knowledge from one hand to another. This commitment to the future of art led him to the halls of the Rijksakademie van Beeldende Kunsten, where he held the position of professor starting in 1869. Through his guidance, many pupils learned to see the world through a painter's eyes, ensuring his influence extended far beyond his own canvases.
A Legacy of Instruction and Residence
Wijnveld’s professional life was marked by several significant roles that allowed him to engage with the creative community in diverse ways. His influence was felt in both the formal academy and the more intimate settings of artistic gathering. His career was characterized by these specific engagements:
- Professor at the Rijksakademie van Beeldende Kunsten
- Member of the society Arti et Amicitiae
- Artist-in-residence at Natura Artis Magistra
His work often turned its gaze toward the past, capturing moments of historical weight. One such effort involved depicting the people of Dordrecht as they celebrated William III in 1672. He sought to translate the collective energy of a nation into a visual form, documenting the spirit of a specific era through his brushwork. Whether painting historical scenes or participating in the academic life of his country, he remained a constant figure in the Dutch landscape.
The Final Years in Haarlem
As the decades passed, Wijnveld’s connection to the art world only deepened. He moved through the various stages of a long and productive career, maintaining his practice from 1835 until his death in 1902. His final years were spent in Haarlem, far from the birthplace of his youth but still within the heart of the culture he helped shape. He left behind a lineage of students and a body of work that remains a part of the historical record of the Netherlands.








