Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 18 děl umělce Robert William Buss v našem katalogu
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Z pohledu galerie je nejslavnějším dílem Robert William Buss obraz The pifferari in front of the Madonna (1829). The Origin of Music (1845) a The Triumph of Music (1845) doplňují trio, které každé oko okamžitě pozná. Z 18 děl umělce Robert William Buss v našem katalogu představuje galerie níže 17 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The composition unfolds in a sweeping arc, designed to inhabit a curved space such as a lunette or ceiling. Within this semi-circular arrangement, a multitude of cherubic figures interact with symbolic animals and musical instruments. The scene is one of movement and celebration, where draped figures in shades of red, blue, and yellow engage in various musical activities. A lion rests on the left, adorned with floral garlands, while a…
In the vintage oil painting Masters Boydell Sidney Graves by Aurèle Robert, a quiet moment unfolds within an interior setting. The scene centers on two young children, a girl and a boy, who inhabit the space with a sense of stillness. The girl is positioned slightly to the left, her presence anchoring one side of the frame, while the boy sits upon a chair to the right. This arrangement creates…
In A Funeral Bearer by Aurèle Robert, the viewer is met with a quiet, centered portrait of a gentleman. The composition focuses entirely on the figure, which is presented within an oval frame that lends a sense of formality and isolation to the subject. He is dressed in full formal attire, including a black top hat, a tailcoat, a waistcoat, trousers, and boots. To complete his ensemble, he carries a…
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
Robert William Buss – John Cooper as Captain Mouth in ‘The Bride of Ludgate’ John Cooper jako Kapitán Ústa v „Svatbě Ludvíka“ Roberta Viléma Bussa (1804–1875) představuje fascinující dílo viktoriánského umění, které vypráví příběh nejen teatralního výkonu, ale také filozofických otázek o roli umělců ve společnosti. Tento obraz vytvořil Robert William Buss, významný anglický malíř a ilustrátor období romantismu, který se stal jedním z největších podporovatelů vzdělávání a reformy školství.…
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Robert William Buss | Obrazy z tohoto seznamu |
|---|---|---|---|
 Wimpole Hall |
2 | The Origin of Music, The Triumph of Music | |
 Theatre Royal |
Bath | 1 | Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook |
 University of Bristol |
Brno | 1 | John Cooper jako Kapitán Ústa v „Svatbě Ludgate“ |
 Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 The Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 Guildhall Art Gallery |
Londýn | 1 | The Crowd |
 Borough Museum - Art Gallery |
New South Wales | 1 | The Mock Mayor |
 Walker Art Gallery |
Liverpool | 1 | Scene from 'Don Juan' |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The pifferari in front of the Madonna (1829). Následují The Origin of Music (1845) a The Triumph of Music (1845).
24 let: dílo The pifferari in front of the Madonna pochází z roku 1829 a Robert William Buss se narodil/a v roce 1805.
The pifferari in front of the Madonna, The Origin of Music, The Triumph of Music, Masters Boydell Sidney Graves, A Funeral Bearer, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook, John Cooper jako Kapitán Ústa v „Svatbě Ludgate“, J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833, J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 a A Funeral Bearer. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 18 děl umělce Robert William Buss z let 1829 až 1847.
Většinou v Wimpole Hall, Theatre Royal (Bath) a University of Bristol (Brno). V tabulce muzeí výše jsou vypsány všechny.
V období 1840s: 7 z celkem 17 děl na této stránce vzniklo právě tehdy, z toho The Origin of Music z nich.
Na této stránce je nejstarší dílo z The pifferari in front of the Madonna (1829) a nejnovější z The Crowd (1847).
Victorian era (3), Stage performance (3) a Sky (2) napříč 17 díly na této stránce.
Oil On Canvas, u 4 z 17 děl na této stránce.
The Origin of Music a The Triumph of Music: muzeum Wimpole Hall má v obsluze 2 děl z této stránky.
