Portrét Augustus Wall Callcott

95 nejslavnějších obrazů autora Augustus Wall Callcott, každý naprosto unikátní

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 162 děl umělce Augustus Wall Callcott v našem katalogu

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Study of a Spanish Nobleman (1822) je obraz autora Augustus Wall Callcott, který přitahuje nejvíce pohledů; originál se nachází v Royal Collection, Londýn. Poté se zrak přesouvá k Greenwich from Blackwall Reach (1830) a Windsor Castle from the Old Bridge (1830). Z 162 děl umělce Augustus Wall Callcott v našem katalogu je těchto 95 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1779 – 1844, Kensington Romantic landscape Nejvíce děl: Royal Collection

Top 10 obrazů autora Augustus Wall Callcott podle výběru galerie

1
Study of a Spanish Nobleman (1822) od Augustus Wall Callcott

Study of a Spanish Nobleman

1822 · Oil On Canvas · Royal Collection, Londýn

Study of a Spanish Nobleman by Augustus Wall Callcott presents a somber and dignified full-length portrait of a man dressed in historical Spanish noble attire. This vertical single-figure study positions the subject slightly off-center, establishing a commanding sense of presence. The monochromatic color palette, rendered in grayscale, emphasizes tonal values over hue to define the figure's form.

2
Greenwich from Blackwall Reach (1830) od Augustus Wall Callcott

Greenwich from Blackwall Reach

1830 · Oil On Canvas · National Maritime Museum, Londýn

In this work, titled Greenwich from Blackwall Reach, we encounter a quiet moment of maritime life captured by Augustus Wall Callcott. Painted around 1830, the scene presents a tranquil river landscape that reflects the artist's deep connection to the British countryside. Callcott, an English landscape painter born in Kensington, United Kingdom, in 1779, moved away from his early training in portraiture to focus on the atmospheric qualities of the natural…

3
Windsor Castle from the Old Bridge (1830) od Augustus Wall Callcott

Windsor Castle from the Old Bridge

1830 · Oil On Canvas · Laing Art Gallery, Newcastle upon Tyne

The scene unfolds in "Windsor Castle from the Old Bridge," a work that captures a serene river landscape. Augustus Wall Callcott presents this view of the castle and its surrounding countryside, inviting the eye to wander across the water toward the distant architecture. The composition draws attention to a prominent tree that frames the vista, anchoring the viewer amidst the flowing river and the organic shapes of the hills. It…

4
Wooden Bridge (1835) od Augustus Wall Callcott

Wooden Bridge

1835 · Oil On Canvas

The scene unfolds in Wooden Bridge, a work by the English landscape painter Augustus Wall Callcott. Created about 1835, this oil on canvas captures a quiet moment in the countryside. A wooden bridge rests at the heart of the view, acting as the anchor for the entire landscape. It sits amidst a tranquil rural setting where the pace of life feels slow and undisturbed.

5
Dutch Peasants Waiting the Return of the Passage Boat (1834) od Augustus Wall Callcott

Dutch Peasants Waiting the Return of the Passage Boat

1834 · Oil On Canvas

In this 1834 oil on canvas, we find ourselves observing a serene Dutch landscape, a scene that captures the rhythmic, unhurried pace of rural life. The composition is balanced, leading the eye from a small boat in the left foreground, where two figures rest upon the water, toward a gathering of people in the middle ground. These figures congregate around a wooden structure, perhaps a stall, engaged in the simple…

6
Edward Whitaker Gray (1800) od Augustus Wall Callcott

Edward Whitaker Gray

1800 · Oil On Canvas · Králská společnost, Londýn

The portrait depicts a man positioned in a three-quarter profile, facing toward the right of the frame. He possesses gray hair and a light covering of stubble along his chin. His attire consists of a dark suit worn over a white shirt, secured with a black cravat. The subject maintains a steady, serious expression, with his gaze directed slightly away from the viewer. The background remains dark and indistinct, which…

7
Edward Whitaker Gray (1748–1806) (1800) od Augustus Wall Callcott

Edward Whitaker Gray (1748–1806)

1800 · Oil On Canvas · Králská společnost, Londýn

Edward Whitaker Gray (1748–1806): A Portrait of Dignified Observation Edward Whitaker Gray (1748–1806) stands as a testament to the neoclassical aesthetic—a genre defined by its unwavering commitment to realism, clarity, and order. This striking portrait captures the essence of a man whose gaze holds both intellectual curiosity and quiet composure, reflecting the spirit of Enlightenment Britain. Commissioned likely during Gray’s tenure as secretary to the Royal Society, the artwork embodies…

8
Classical Landscape (1817) od Augustus Wall Callcott

Classical Landscape

1817 · Oil

In the quietude of 1817, Sir Augustus Wall Callcott captured a moment of profound stillness that transcends the boundaries of time. His Classical Landscape is not merely a depiction of nature, but an invitation into a world where the human spirit and the natural environment exist in perfect, rhythmic harmony. As one gazes upon this expansive scene, the eye is immediately drawn to the gentle interaction between man and beast;…

9
Výběžná zahrádkářská krajina (1829) od Augustus Wall Callcott

Výběžná zahrádkářská krajina

1829 · Olej na plátně · Alfred East Art Gallery, Kettering

Sir Augustus Wall Callcottův Krajina s Lidmi – Klasická Romantická Elegance Krajina s Lidmi od Augusta Wall Callotta představuje nádherný obraz venkovského životního prostoru, který vypráví příběh o krásě přírody a melancholické nostalgii za minulostí. Tento dílo vzniklo roku 1829 a bylo vytvořeno v období romantismu – umění, které oslavovalo sílu emocí a estetickou hodnotu jednoduchosti. Jeho působivá atmosféra je výsledkem pečlivě zvolených technik a bohatého koloritu. Kompozice: Obrázek využívá…

10
On the Tiber (1840) od Augustus Wall Callcott

On the Tiber

1840 · Oil On Canvas · The Mercer Art Gallery, Harrogate

Augustus Wall Callcott completed On the Tiber in 1840. This oil on canvas work measures 89 x 119 cm. It is currently part of the collection at The Mercer Art Gallery in Harrogate.

Slavná díla umělce Augustus Wall Callcott, čísla 11 až 95

11An Extensive View Of Oxford From Elsfield od Augustus Wall CallcottAn Extensive View Of Oxford From Elsfield 12Old Houses at Shrewsbury (1804) od Augustus Wall CallcottOld Houses at Shrewsbury1804 · Royal Collection 13River Thames to the West, with the Isle of Dogs (1800) od Augustus Wall CallcottRiver Thames to the West, with the Isle of Dogs1800 · Greenwich Heritage Centre 14A Scene near Capel-Curig, North Wales (1811) od Augustus Wall CallcottA Scene near Capel-Curig, North Wales1811 · Royal Collection 15Travelling Tinkers (1808) od Augustus Wall CallcottTravelling Tinkers1808 · Royal Collection 16A View of Richmond Bridge, on the Thame (1808) od Augustus Wall CallcottA View of Richmond Bridge, on the Thame1808 · Yale Center for British Art 17John Wall Callcott (1805) od Augustus Wall CallcottJohn Wall Callcott1805 · Royal College of Music 18Classical Landscape with Diana and Actaeon (1810) od Augustus Wall CallcottClassical Landscape with Diana and Actaeon1810 19A Road Leading to a Village (1812) od Augustus Wall CallcottA Road Leading to a Village1812 20A River Scene with Barges (1825) od Augustus Wall CallcottA River Scene with Barges1825 · Nottingham Castle Museum And Art Gallery 21Cow Boys (1807) od Augustus Wall CallcottCow Boys1807 · Herbert Art Gallery - Museum 22John Wall Callcott (1766–1821) (1805) od Augustus Wall CallcottJohn Wall Callcott (1766–1821)1805 · Royal College of Music 23Morning (1810) od Augustus Wall CallcottMorning1810 24Cottage by a country lane (1820) od Augustus Wall CallcottCottage by a country lane1820 · Yale Center for British Art 25The Shore at Scheveningen (after Willem van de Velde) (1820) od Augustus Wall CallcottThe Shore at Scheveningen (after Willem van de Velde)1820 26River Scene with Boats (1815) od Augustus Wall CallcottRiver Scene with Boats1815 27Landscape and Figures (1829) od Augustus Wall CallcottLandscape and Figures1829 · Alfred East Art Gallery 28A Mountain Landscape (1837) od Augustus Wall CallcottA Mountain Landscape1837 · Royal Collection 29Dutch Coast Scene (1832) od Augustus Wall CallcottDutch Coast Scene1832 30An Inn Door near Gravesend (1835) od Augustus Wall CallcottAn Inn Door near Gravesend1835 31Returning from Market (1834) od Augustus Wall CallcottReturning from Market1834 32On an Italian Lake (Garda ) (1835) od Augustus Wall CallcottOn an Italian Lake (Garda )1835 · National Trust 33The Temple of Aesculapius (1837) od Augustus Wall CallcottThe Temple of Aesculapius1837 · Towneley Hall Art Gallery - Museum 34Dutch Landscape with Cattle (1840) od Augustus Wall CallcottDutch Landscape with Cattle1840 35Northfleet, near Greenwich, London (1841) od Augustus Wall CallcottNorthfleet, near Greenwich, London1841 · Ferens Art Gallery 36Sheerness and the Isle of Sheppey (after J.M.W. Turner) (1807) od Augustus Wall CallcottSheerness and the Isle of Sheppey (after J.M.W. Turner)1807 · Tate Britain 37Landscape with Water Mill (1803) od Augustus Wall CallcottLandscape with Water Mill1803 · Manchester Art Gallery 38A Swiss Landscape od Augustus Wall CallcottA Swiss Landscape 39View In Italy od Augustus Wall CallcottView In Italy 40Verona od Augustus Wall CallcottVerona 41The Passage Point od Augustus Wall CallcottThe Passage Point 42Dead Calm Boats off Cowes Castle od Augustus Wall CallcottDead Calm Boats off Cowes CastleNational Maritime Museum 43Classical Landscape od Augustus Wall CallcottClassical Landscape 44Lady Maria Callcott, née Dundas (1785–1842), Author and Traveller od Augustus Wall CallcottLady Maria Callcott, née Dundas (1785–1842), Author and TravellerGovernment Art Collection 45Dutch River Scene (1842) od Augustus Wall CallcottDutch River Scene1842 46A Sunny Morning (1811) od Augustus Wall CallcottA Sunny Morning1811 47Southampton Castle od Augustus Wall CallcottSouthampton CastleThe Ashmolean Museum of Art and Archaeology 48Coast Scene (1830) od Augustus Wall CallcottCoast Scene1830 49The Junction of the Thames and the Medway od Augustus Wall CallcottThe Junction of the Thames and the MedwayThe Ashmolean Museum of Art and Archaeology 50The Haymakers od Augustus Wall CallcottThe HaymakersIndianapolis Museum of Art 51Fisherman on a Beach with Their Catch od Augustus Wall CallcottFisherman on a Beach with Their Catch 52Rocks And Sea, Isle Of Wight, od Augustus Wall CallcottRocks And Sea, Isle Of Wight, 53Roadside Cottages od Augustus Wall CallcottRoadside Cottages 54Sea Piece with Dutch shipping od Augustus Wall CallcottSea Piece with Dutch shipping 55Greenwich hospital od Augustus Wall CallcottGreenwich hospital 56Fishing Smack Lying to od Augustus Wall CallcottFishing Smack Lying to 57Studies Of Composition_5 od Augustus Wall CallcottStudies Of Composition_5 58Studies Of Composition_3 od Augustus Wall CallcottStudies Of Composition_3 59The Abbey and Nungate Bridge, Haddington, East od Augustus Wall CallcottThe Abbey and Nungate Bridge, Haddington, East 60Italian Landscape with Ancient Roman Sarcophagus od Augustus Wall CallcottItalian Landscape with Ancient Roman Sarcophagus 61Dort (dordrecht) od Augustus Wall CallcottDort (dordrecht) 62Harbour Scene od Augustus Wall CallcottHarbour Scene 63A Sea Port - Gale Rising od Augustus Wall CallcottA Sea Port - Gale Rising 64Lugger Making for the Mouth of a Harbour od Augustus Wall CallcottLugger Making for the Mouth of a Harbour 65Landscape With Water Mill od Augustus Wall CallcottLandscape With Water Mill 66A Brisk Gale - A Dutch East-indiaman Landing Passengers od Augustus Wall CallcottA Brisk Gale - A Dutch East-indiaman Landing Passengers 67Streatley-on-thames, Berkshire od Augustus Wall CallcottStreatley-on-thames, Berkshire 68A Road Leading To A Village od Augustus Wall CallcottA Road Leading To A Village 69Slender And Anne Page od Augustus Wall CallcottSlender And Anne Page 70View Of Ghent od Augustus Wall CallcottView Of Ghent 71Southampton Castle - od Augustus Wall CallcottSouthampton Castle - 72A Sea Piece, With A Dutch Fishing Boat Coming In, And Men Of War In The Distance od Augustus Wall CallcottA Sea Piece, With A Dutch Fishing Boat Coming In, And Men Of War In The DistancePetworth House 73A View of the Thames, with Eton Chapel od Augustus Wall CallcottA View of the Thames, with Eton Chapel 74View Of Greenwich Hospital And The River Thames Taken On The Isle Of Dogs od Augustus Wall CallcottView Of Greenwich Hospital And The River Thames Taken On The Isle Of Dogs 75Harlech Castle od Augustus Wall CallcottHarlech CastleWilliamson Art Gallery - Museum 76Eventide od Augustus Wall CallcottEventide 77Coastal Scene od Augustus Wall CallcottCoastal Scene 78The River Thames at Chiswick, London od Augustus Wall CallcottThe River Thames at Chiswick, LondonOrleans House Gallery 79Sea Pier od Augustus Wall CallcottSea PierUsher Gallery 80Italian Landscape with Cows Watering od Augustus Wall CallcottItalian Landscape with Cows Watering 81Falstaff And Simple od Augustus Wall CallcottFalstaff And Simple 82Coast Scene with a Shrimper od Augustus Wall CallcottCoast Scene with a Shrimper 83Cottage Scene od Augustus Wall CallcottCottage Scene 84Landscape A Wood and Cattle under a Stormy Sky od Augustus Wall CallcottLandscape A Wood and Cattle under a Stormy Sky 85Diana at the Chase od Augustus Wall CallcottDiana at the Chase 86'The Merry Wives of Windsor', Act I, Scene 1, Anne Page and Slender od Augustus Wall Callcott'The Merry Wives of Windsor', Act I, Scene 1, Anne Page and Slender 87Sheerness and the Isle of Sheppey (after J. M. W. Turner) od Augustus Wall CallcottSheerness and the Isle of Sheppey (after J. M. W. Turner) 88Landscape, Market Day od Augustus Wall CallcottLandscape, Market DayTabley House Collection 89Landscape with mother and children od Augustus Wall CallcottLandscape with mother and children 90A Mill near Llangollen (1812) od Augustus Wall CallcottA Mill near Llangollen1812 91A coastal scene with figures bargaining for fish od Augustus Wall CallcottA coastal scene with figures bargaining for fish 92Windsor from Eton (1808) od Augustus Wall CallcottWindsor from Eton1808 · Yale Center for British Art 93Littlehampton Pier (1811) od Augustus Wall CallcottLittlehampton Pier1811 94Passage and Luggage Boats (1815) od Augustus Wall CallcottPassage and Luggage Boats1815 · Národní Muzeum 95Entrance to Pisa from Leghorn (1833) od Augustus Wall CallcottEntrance to Pisa from Leghorn1833

Motivy, které zaujaly Augustus Wall Callcott

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Augustus Wall Callcott

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Augustus Wall Callcott Obrazy z tohoto seznamu
Royal Collection, LondýnRoyal Collection Londýn 5 Study of a Spanish Nobleman, Old Houses at Shrewsbury, A Scene near Capel-Curig, North Wales
Yale Center for British Art, New HavenYale Center for British Art New Haven 3 A View of Richmond Bridge, on the Thame, Cottage by a country lane, Windsor from Eton
National Maritime Museum, LondýnNational Maritime Museum Londýn 2 Greenwich from Blackwall Reach, Dead Calm Boats off Cowes Castle
Králská společnost, LondýnKrálská společnost Londýn 2 Edward Whitaker Gray, Edward Whitaker Gray (1748–1806)
Alfred East Art Gallery, KetteringAlfred East Art Gallery Kettering 2 Výběžná zahrádkářská krajina, Landscape and Figures
Royal College of Music, LondonRoyal College of Music London 2 John Wall Callcott, John Wall Callcott (1766–1821)
The Ashmolean Museum of Art and Archaeology, OxfordThe Ashmolean Museum of Art and Archaeology Oxford 2 Southampton Castle, The Junction of the Thames and the Medway
Laing Art Gallery, Newcastle upon TyneLaing Art Gallery Newcastle upon Tyne 1 Windsor Castle from the Old Bridge

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Obrazy umělce Augustus Wall Callcott: dotazy pro galerii

Kterým nejznámějším dílem je Augustus Wall Callcott?Odhalit odpověď

Study of a Spanish Nobleman (1822), Royal Collection, Londýn. Následují Greenwich from Blackwall Reach (1830) a Windsor Castle from the Old Bridge (1830).

V jakém věku vytvořil(a) Augustus Wall Callcott dílo Study of a Spanish Nobleman?Odhalit odpověď

43 let: dílo Study of a Spanish Nobleman pochází z roku 1822 a Augustus Wall Callcott se narodil/a v roce 1779.

Kterých deset obrazů autora Augustus Wall Callcott je nejznámějších?Odhalit odpověď

Study of a Spanish Nobleman, Greenwich from Blackwall Reach, Windsor Castle from the Old Bridge, Wooden Bridge, Dutch Peasants Waiting the Return of the Passage Boat, Edward Whitaker Gray, Edward Whitaker Gray (1748–1806), Classical Landscape, Výběžná zahrádkářská krajina a On the Tiber. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik známých děl má autor Augustus Wall Callcott?Odhalit odpověď

Náš katalog obsahuje 162 děl umělce Augustus Wall Callcott z let 1800 až 1842.

Kde lze vidět nejznámější originály umělce Augustus Wall Callcott?Odhalit odpověď

Většinou v Royal Collection (Londýn), Yale Center for British Art (New Haven) a National Maritime Museum (Londýn). V tabulce muzeí výše jsou vypsány všechny.

V jakém období vytvořil(a) Augustus Wall Callcott svá nejznámější obrazy?Odhalit odpověď

V období 1800s: 12 z celkem 95 děl na této stránce vzniklo právě tehdy, z toho Edward Whitaker Gray z nich.

Který slavný obraz od Augustus Wall Callcott je nejstarší a který nejnovější?Odhalit odpověď

Na této stránce je nejstarší dílo z Edward Whitaker Gray (1800) a nejnovější z Dutch River Scene (1842).

Jakým tématům se Augustus Wall Callcott věnoval/a nejčastěji?Odhalit odpověď

Scenes (12), Beach (8) a Rivers (7) napříč 95 díly na této stránce.

Jaké materiály používal(a) Augustus Wall Callcott nejčastěji?Odhalit odpověď

Oil On Canvas, u 11 z 95 děl na této stránce.

K kterému směru patří dílo umělce Augustus Wall Callcott?Odhalit odpověď

Romantic landscape, podle originálů na této stránce.

Jaká originální díla Augustus Wall Callcott mohu vidět v Royal Collection?Odhalit odpověď

Study of a Spanish Nobleman, Old Houses at Shrewsbury a A Scene near Capel-Curig, North Wales: muzeum Royal Collection, Londýn má v obsluze 5 děl z této stránky.

Augustus Wall Callcott: portrét umělce

Sir Augustus Wall Callcott (1779–1844) – A Pioneer of Romantic Landscape Painting

Augustus Wall Callcott (1779–1844) stands as a pivotal figure in the history of British landscape painting, embodying the spirit of Romanticism and establishing himself as one of its foremost practitioners. Born at Kensington Gravel Pits, Middlesex—now part of London—Callcott’s early life was shaped by musical inclinations; his elder brother, John Wall Callcott (1766–1821), a celebrated composer and organist, instilled in him a lifelong passion for music, which manifested in performances with Westminster Abbey choir. This formative experience profoundly influenced his artistic sensibilities, fostering an appreciation for harmony and visual elegance that would permeate his oeuvre.

Early Artistic Training and Influences

Following the footsteps of his brother, Callcott pursued formal training at the Royal Academy Schools, where he honed his skills under John Hoppner, a fellow Academician renowned for his portraiture prowess. However, Callcott swiftly transitioned away from portraiture towards landscape painting—a decision that would define his artistic trajectory and solidify his reputation as a master of atmospheric perspective and tonal subtlety. His formative years were marked by exposure to the works of Claude Lorrain and Nicolas Poussin—artists who championed idealized landscapes infused with mythological narratives—influences that instilled in him a belief in the transformative power of art and its ability to convey profound emotional resonance.

The Rise of Romantic Landscape Style

Callcott’s artistic breakthrough arrived in 1804, coinciding with his election as an Associate Academician. From this moment onward, he exclusively devoted himself to landscape painting, eschewing portraiture altogether—a deliberate choice that reflected the prevailing aesthetic trends of the era and distinguished him from contemporaries like Turner. His canvases captured the grandeur of British riversides and coastlines with remarkable precision and sensitivity, employing a technique characterized by luminous color palettes and meticulous attention to detail. Unlike Turner’s dramatic explorations of light and shadow, Callcott favored a more restrained approach—one that prioritized tranquility and harmony while simultaneously conveying an awareness of the sublime beauty inherent in nature.

Notable Works and Recognition

Callcott's artistic achievements garnered considerable acclaim during his lifetime, securing him commissions from wealthy patrons and establishing him as a favorite among connoisseurs. Among his most celebrated paintings are *The Entrance to the Pool of London* (1816), *The Mouth of the Tyne* (1818), and *A Dead Calm on the Medway* (1820)—works that exemplify his mastery of tonal gradation and atmospheric rendering—as well as *Rochester* (1824) – a monumental depiction of Rochester Cathedral reflecting Callcott’s fascination with Gothic architecture. His artistic reputation extended beyond Britain, attracting admiration from artists across Europe who recognized the elegance and sincerity of his vision. Furthermore, he was awarded knighthood in 1837 by Queen Victoria—a testament to his enduring contribution to British art history.

Legacy and Artistic Significance

Augustus Wall Callcott’s legacy resides not merely in his impressive artistic output but also in his role as a champion of Romantic landscape painting—a genre that profoundly shaped the visual culture of Victorian England. His unwavering commitment to capturing the beauty of the natural world, combined with his refined artistic style and profound understanding of tonal harmony, cemented his place among the most influential painters of his time. Callcott’s work continues to inspire artists today, serving as a reminder of the enduring power of art to evoke emotion and convey sublime grandeur—a testament to his enduring contribution to British artistic heritage.