Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 10 děl umělce Anthon van Rappard v našem katalogu
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Z pohledu galerie je nejslavnějším dílem Anthon van Rappard obrazem Weaver (1884), jehož originál je vystaven v Van Goghovo muzeum v obci Amsterdam. Portrait of a Girl (1884) a Woman at the Spinning Wheel (1891) doplňují trio, které každé oko okamžitě pozná. Z 10 děl umělce Anthon van Rappard v našem katalogu představuje galerie níže 10 nejznámějších děl, z nichž každé je originálem s uvedením roku vzniku, muzea a toho, co jej činí jedinečným.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Anthon van Rappard | Obrazy z tohoto seznamu |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
Utrecht | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 Van Goghovo muzeum |
Amsterdam | 2 | Weaver, Old Drenthe Woman |
Deset let, od 1882 do 1891, bylo pro Anthon van Rappard dostatečných: galerie je prochází rok po roce, jeden slavný originál za druhým.
Vyberte rok a prohlédněte si originály.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Více od 1884
Weaver (1884), Van Goghovo muzeum, Amsterdam. Následují Portrait of a Girl (1884) a Woman at the Spinning Wheel (1891).
26 let: dílo Weaver pochází z roku 1884 a Anthon van Rappard se narodil/a v roce 1858.
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine a Washing strands of Cotton. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 10 děl umělce Anthon van Rappard z let 1882 až 1891.
Většinou v Museum Boijmans Van Beuningen (Rotterdam), Centraal Museum (Utrecht) a Van Goghovo muzeum (Amsterdam). V tabulce muzeí výše jsou vypsány všechny.
V období 1884: 3 z celkem 10 děl na této stránce vzniklo právě tehdy, z toho Weaver z nich.
Na této stránce je nejstarší dílo z Tile Painters (1882) a nejnovější z Woman at the Spinning Wheel (1891).
Portrait of a Girl, Woman at the Spinning Wheel a Landing-stage with boats: muzeum Museum Boijmans Van Beuningen, Rotterdam má v obsluze 5 děl z této stránky.
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
