Portrét Anna Claypoole Peale

22 nejslavnějších obrazů autora Anna Claypoole Peale, každý naprosto unikátní

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 23 děl umělce Anna Claypoole Peale v našem katalogu

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Woman in a Red Dress (1821) je obraz autora Anna Claypoole Peale, který přitahuje nejvíce pohledů; originál se nachází v Smithsonian American Art Museum, Washington, D.C.. Poté se zrak přesouvá k Sarah Ann Beck (1818) a Marianne Beckett (1829). Z 23 děl umělce Anna Claypoole Peale v našem katalogu je těchto 22 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1791 – 1878, Philadelphia Neoclassicism Nejvíce děl: Metropolitan Museum of Art

Top 10 obrazů autora Anna Claypoole Peale podle výběru galerie

1
Woman in a Red Dress (1821) od Anna Claypoole Peale

Woman in a Red Dress

1821 · Watercolor · Smithsonian American Art Museum, Washington, D.C.

A single woman occupies the center of this oval world. She is a bust-length figure, her presence defined by the deep, saturated crimson of her dress. This red is not a loud color; it is a heavy, quiet weight that anchors the composition against a dark, muted background. Her skin appears pale and luminous, catching a gentle, directional light that carves her features out of the shadows. Her brunette hair…

2
Sarah Ann Beck (1818) od Anna Claypoole Peale

Sarah Ann Beck

1818 · Watercolor · Metropolitan Museum of Art, New York

Within two delicate oval frames resides a captivating miniature portrait – “Sarah Ann Beck,” painted by the remarkably talented Anna Claypoole Peale around 1818. This isn't merely a likeness; it’s a window into the refined aesthetics and social customs of early America, rendered with exquisite detail and imbued with a quiet intimacy that speaks across centuries. The work, executed primarily in watercolor and pastel on ivory, exemplifies the miniature portraiture…

3
Marianne Beckett (1829) od Anna Claypoole Peale

Marianne Beckett

1829 · Watercolor · Cincinnati Art Museum, Cincinnati

The portrait of Marianne Beckett is a work by Anna Claypoole Peale. Created in 1829, this miniature captures a young woman in a moment of quiet stillness. The subject faces toward the right, though her gaze is directed toward the viewer. She is rendered in a bust-length composition that focuses on the delicate features of her face and the soft lines of her neck.

4
Rubens Peale (1822) od Anna Claypoole Peale

Rubens Peale

1822 · Watercolor · Smithsonian American Art Museum, Washington, D.C.

In this intimate portrait, Anna Claypoole Peale captures the likeness of her cousin, Rubens Peale, in a work completed in 1822. The sitter is a man who would eventually leave behind a career in painting to manage various museums, but here he is frozen in a moment of quiet dignity. He is the son of the prominent Charles Willson Peale, and this connection places him at the very heart of…

5
Paní Thomas Larcombeová (Anna Smith) (1818) od Anna Claypoole Peale

Paní Thomas Larcombeová (Anna Smith)

1818 · Akvarel · Metropolitan Museum of Art, New York

The gaze of Mrs. Thomas Larcombe (Anna Smith) meets the viewer from within a delicate oval frame, capturing a quiet moment of presence. This portrait, rendered by Anna Claypoole Peale, presents Anna Smith Larcombe in a moment of serene composure. The subject turns her body slightly to the left, a subtle movement that breaks the stillness of the formal pose. Her expression remains steady, offering a glimpse into the dignified…

6
Still LIfe (1811) od Anna Claypoole Peale

Still LIfe

1811 · Oil

The painting titled Still LIfe is a work by Anna Claypoole Peale. Created about 1811, this piece emerged from the artist's early period. Peale was born in Philadelphia, United States, on March 6, 1791. She lived until December 25, 1878.

7
Rembrant Peale (1823) od Anna Claypoole Peale

Rembrant Peale

1823 · Watercolor

A bearded man in a formal suit and tie gazes into the distance with a stern expression. He holds a violin, the instrument resting in his hands. Executed in watercolor, the portrait carries a vintage appearance that softens the intensity of his stare.

8
Marianne Beckett (1829) od Anna Claypoole Peale

Marianne Beckett

1829 · Watercolor

The portrait of Marianne Beckett is a work by Anna Claypoole Peale, dating from 1829. This piece is a bust-length portrait of a young woman, captured in a moment of quiet stillness. The subject is depicted with long red hair, her gaze directed toward the viewer. It is a delicate encounter with a face from the early nineteenth century.

Slavná díla umělce Anna Claypoole Peale, čísla 11 až 22

Motivy, které zaujaly Anna Claypoole Peale

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Anna Claypoole Peale

6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Anna Claypoole Peale Obrazy z tohoto seznamu
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 8 Sarah Ann Beck, Paní Thomas Larcombeová (Anna Smith), George Weaver
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Woman in a Red Dress, Rubens Peale
Cincinnati Art Museum, CincinnatiCincinnati Art Museum Cincinnati 1 Marianne Beckett
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Portrait of a Lady
Finnish National Gallery, HelsinkiFinnish National Gallery Helsinki 1 Woman in a Red Dress
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Portrait of a Woman

Anna Claypoole Peale napříč desetiletími: jeden unikátní originál pro každou dekádu

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Obrazy umělce Anna Claypoole Peale: dotazy pro galerii

Kterým nejznámějším dílem je Anna Claypoole Peale?Odhalit odpověď

Woman in a Red Dress (1821), Smithsonian American Art Museum, Washington, D.C.. Následují Sarah Ann Beck (1818) a Marianne Beckett (1829).

V jakém věku vytvořil(a) Anna Claypoole Peale dílo Woman in a Red Dress?Odhalit odpověď

30 let: dílo Woman in a Red Dress pochází z roku 1821 a Anna Claypoole Peale se narodil/a v roce 1791.

Kterých deset obrazů autora Anna Claypoole Peale je nejznámějších?Odhalit odpověď

Woman in a Red Dress, Sarah Ann Beck, Marianne Beckett, Rubens Peale, Paní Thomas Larcombeová (Anna Smith), Still LIfe, Rembrant Peale, Marianne Beckett, Lady Slippers in a Parian Vase a George Weaver. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik známých děl má autor Anna Claypoole Peale?Odhalit odpověď

Náš katalog obsahuje 23 děl umělce Anna Claypoole Peale z let 1811 až 1866.

Kde lze vidět nejznámější originály umělce Anna Claypoole Peale?Odhalit odpověď

Většinou v Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington, D.C.) a Cincinnati Art Museum (Cincinnati). V tabulce muzeí výše jsou vypsány všechny.

V jakém období vytvořil(a) Anna Claypoole Peale svá nejznámější obrazy?Odhalit odpověď

V období 1820s: 5 z celkem 22 děl na této stránce vzniklo právě tehdy, z toho Woman in a Red Dress z nich.

Který slavný obraz od Anna Claypoole Peale je nejstarší a který nejnovější?Odhalit odpověď

Na této stránce je nejstarší dílo z Still LIfe (1811) a nejnovější z Lady Slippers in a Parian Vase (1866).

Jakým tématům se Anna Claypoole Peale věnoval/a nejčastěji?Odhalit odpověď

Portraits (9), Portrait (6) a Women (6) napříč 22 díly na této stránce.

Jaké materiály používal(a) Anna Claypoole Peale nejčastěji?Odhalit odpověď

Watercolor, u 6 z 22 děl na této stránce.

K kterému směru patří dílo umělce Anna Claypoole Peale?Odhalit odpověď

Neoclassicism, podle originálů na této stránce.

Jaká originální díla Anna Claypoole Peale mohu vidět v Metropolitan Museum of Art?Odhalit odpověď

Sarah Ann Beck, Paní Thomas Larcombeová (Anna Smith) a George Weaver: muzeum Metropolitan Museum of Art, New York má v obsluze 8 děl z této stránky.

Anna Claypoole Peale: portrét umělce

A Pioneering Spirit in Miniature: The Life and Art of Anna Claypoole Peale

Anna Claypoole Peale, born in Philadelphia on March 6, 1791, emerged as a remarkable figure in the landscape of early American art. She wasn’t simply an artist; she was a trailblazer, one of the first women to achieve professional recognition and success in a field largely dominated by men. Her story is inextricably linked to the celebrated Peale family—a dynasty of artists that profoundly shaped the cultural identity of the nascent United States. Her father, James Peale, a skilled portrait miniaturist himself, provided her initial training, while her uncle, Charles Willson Peale, a prominent artist and founder of the Pennsylvania Academy of the Fine Arts, served as an influential guiding force. From a young age, Anna absorbed the artistic atmosphere within her family, demonstrating an early aptitude for capturing likenesses and a surprising entrepreneurial spirit—selling copies of French landscapes at just fourteen years old. This precocious talent hinted at the dedication and skill that would define her career.

Formative Years and Artistic Development

Anna’s artistic journey was one of diligent study and refinement. She underwent a five-year apprenticeship under her father, mastering the intricacies of portraiture, particularly the demanding art of miniature painting on ivory. This period wasn't merely technical training; it was an immersion into the aesthetic principles and practical considerations of creating compelling portraits within a limited space. The influence of Charles Willson Peale extended beyond mere familial connection. His co-founding of the Pennsylvania Academy played a crucial role in establishing standards for artistic education and exhibition, providing Anna with opportunities to showcase her work and gain recognition. Around 1810, she began signing her paintings with a simple “C,” acknowledging her mother’s Claypoole heritage—a subtle yet significant assertion of identity within a family already renowned for its artistic contributions. Initially experimenting with still life painting, Anna soon gravitated towards portrait miniatures, recognizing both the market demand and her own burgeoning talent in this specialized field. Her early work, such as *Girl with a Book* (circa 1807), reveals a developing mastery of capturing not just physical resemblance but also the personality and inner life of her subjects.

A Career Forged Through Talent and Determination

Anna Claypoole Peale’s career unfolded against a backdrop of societal constraints for women artists, yet she navigated these challenges with remarkable resilience. Her participation in the first exhibition at the Pennsylvania Academy of the Fine Arts in 1811—with a still life painting—marked an important early milestone. However, it was her dedication to portrait miniatures from around 1814 that truly established her reputation. She became known for her ability to create strikingly accurate and vibrant likenesses, attracting a clientele that included prominent figures from American society. In 1824, a watershed moment arrived when Anna, alongside her sister Sarah Miriam Peale, was elected as one of the first women academicians of the Pennsylvania Academy of the Fine Arts—a testament to their artistic merit and a significant step towards greater recognition for female artists. Her sitters read like a who’s-who of early American leadership: two presidents, ambassadors, senators, writers, and scientists all entrusted their portraits to her skilled hand. Anna distinguished herself through a unique stylistic approach, favoring rich colors and glazing techniques that departed from the typical translucent effects often seen in other miniatures of the period. This bold choice contributed to the distinctive character of her work, imbuing it with a sense of depth and vitality.

Legacy and Historical Significance

Anna Claypoole Peale’s artistic legacy extends far beyond the exquisite beauty of her miniature portraits. She was a vital link in the continuation of the Peale family's artistic tradition, building upon the foundations laid by her father and uncle. More importantly, she stands as an exemplar of early female professional artists in America, paving the way for future generations to pursue their creative ambitions. Her work provides invaluable insights into the appearance and social standing of prominent individuals during a formative period in American history. Though she retired from painting after marrying General William Duncan in 1841, following the earlier death of her first husband, William Staughton, her contributions were not forgotten. Today, Anna Claypoole Peale is celebrated for her technical skill, artistic vision, and unwavering determination to succeed in a challenging environment. Her miniatures are treasured as both works of art and historical documents, offering a glimpse into the lives and personalities of those who shaped the early American nation. She remains an inspiring figure—a testament to the power of talent, perseverance, and the enduring legacy of a pioneering spirit.