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John Pigott (1741–1816)

Jméno Třída Datum

Thomas Gainsborough, John Pigott (1741–1816) (1780), North Somerset Council. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Thomas Gainsborough originaluniqueart.com/cs/artists/thomas-gainsborough_cs/
Datum vzniku díla
1727 – 1788
Malováno
1780
Původní rozměry
75 x 62 cm
Pohyb
British Landscape School Art that puts feeling, wildness and the power of nature above calm order and rules.
Koná se v
North Somerset Council originaluniqueart.com/cs/museums/north-somerset-council-weston-massachusetts/
Artistic style
Landscape painting
Influences
Richard Wilson
Notable elements or techniques
Light palette; Easy strokes
Subject or theme
Portraiture

V kontextu

John Pigott (1741–1816) — Thomas Gainsborough

Jak velké je?

Původní rozměry jsou 75 × 62 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780
  8. 1790

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 61 při smrti.

Vymalováno v době, kdy bylo umělci 53 let. Umělec dožil se 61 let. 320 z celkových 496 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Thomas Gainsborough (1727–1788) ▲ toto dílo, 1780 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1763 Hlavní období tvůrčí činnosti: 1763–1782 Pozdní díla: od 1782

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: originaluniqueart.com/cs/art/similar/thomas-gainsborough-john-pigott-1741-1816-ARJEYJ-cs/

Barvy

Určeno podle obrazu

    Hlavní barva

    Ftalocyaninová zelená #272019

    Katalogizovaná paleta

    • #272019
    • #423428
    • #735D4C
    • #B6A68C

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Zemité tóny Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Ftalocyaninová zelená
    Intenzita
    Monochromní Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Mírný Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Silná barevná jednotnost Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Hluboký stín Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Ztlumené Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Thomas Gainsborough za posledních dvanáct měsíců — celkem 46 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 46,0%35 100 návštěv
    2. 2 Spojené státy americké 9,7%7 400 návštěv
    3. 3 Francie 9,2%7 000 návštěv
    4. 4 Singapur 6,0%4 600 návštěv
    5. 5 Hongkong 4,3%3 300 návštěv
    6. 6 Španělsko 3,1%2 400 návštěv
    7. 7 Spojené království 3,1%2 400 návštěv
    8. 8 Itálie 2,6%2 000 návštěv
    9. 9 Rumunsko 2,6%2 000 návštěv
    10. 10 Mexiko 1,3%1 000 návštěv
    11. · 36 dalších zemí 12,1%9 100 návštěv

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 20 nejvíce prohlížených děl umělce Thomas Gainsborough

    1. 1 Modrý chlapec (Jonathan Buttall) 13,8%13 300 návštěv
    2. 2 Conversation in a Park, 1740 6,6%6 400 návštěv
    3. 3 Mr. a Mme Andrews, 1748 2,9%2 800 návštěv
    4. 4 Conversation in a Park, 1740 1,7%1 600 návštěv
    5. 5 Mr. and Mrs. Andrews, 1749 1,2%1 200 návštěv
    6. 6 Gainsboroughův les (Cornard Wood), 1746 1,2%1 200 návštěv
    7. 7 The Mall in St. James, 1783 1,1%1 100 návštěv
    8. 8 Imaginary Landscape (reworked by a 19th century English follower), 1920 1,1%1 100 návštěv
    9. 9 Mrs Graham, 1777 0,9%900 návštěv
    10. 10 CONVERSATION DANS UN PARC 0,9%900 návštěv
    11. 11 Portrait of a Lady in Blue, 1779 0,8%800 návštěv
    12. 12 The Gravenor Family, 1752 0,8%800 návštěv
    13. 13 Pítadlo, 1777 0,8%800 návštěv
    14. 14 Lambe Barry, 1759 0,8%800 návštěv
    15. 15 Pomeranianka a štěně, 1777 0,8%800 návštěv
    16. 16 Mountain Landscape with Peasants Crossing a Bridge, 1784 0,7%700 návštěv
    17. 17 The Woodcutters' Return, 1772 0,6%600 návštěv
    18. 18 Mrs Mary Cobbold with Her Daughter Anne, 1752 0,6%600 návštěv
    19. 19 Letitia Leigh (1746–1838), Mrs Townley Balfour, 1771 0,6%600 návštěv
    20. 87 John Pigott (1741–1816), 1780 tento obraz 0,3%300 návštěv

    Tyto práce společně si nárokují 38,2% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 623 děl tohoto umělce, z nichž 314 byla prohlédnuta alespoň jednou. Tento obraz se řadí na 87 místě, přičemž si připomíná 0,3% této pozornosti (300 návštěv). Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    John Pigott (1741–1816) — Thomas Gainsborough

    Thomas Gainsborough: The Soul of Landscape

    Thomas Gainsborough (1727–1788) stands as one of Britain’s most revered artists, an innovator whose influence reverberates through generations of painters and continues to captivate audiences today. Born in Sudbury, Suffolk, into a family of weavers—a profession rooted in the practical realities of rural England—Gainsborough's artistic journey began remarkably early, fueled by an innate talent for observation and representation. Unlike many of his peers who pursued formal academic training, Gainsborough honed his skills independently, immersing himself in the serene beauty of the Suffolk countryside and developing a distinctive style that would become synonymous with British landscape painting.

    Early Influences: Gainsborough’s formative years were marked by exposure to Flemish masters like Anthony van Dyck, whose portraits championed elegance and psychological insight—a stylistic preference he would carry throughout his career.

    The Pursuit of Light: What truly distinguishes Gainsborough's oeuvre is his masterful manipulation of light. He eschewed the heavy chiaroscuro favored by Rembrandt and Caravaggio, opting instead for a softer, more diffused illumination that captured the ephemeral qualities of natural landscapes. This technique—a cornerstone of his style—allowed him to convey not merely visual information but also emotional atmosphere.

    A Visionary Eye: Gainsborough’s canvases are imbued with a profound sense of Romantic idealism. He sought to depict the sublime grandeur of nature, conveying its power and majesty while simultaneously acknowledging its vulnerability. This preoccupation with emotion—a hallmark of the Romantic movement—is evident in his depictions of misty hillsides, dappled woodlands, and expansive skies.

    John Pigott: A Portrait Reflecting Landscape Ideals

    The portrait “John Pigott” exemplifies Gainsborough’s artistic philosophy. Painted in 1780, it depicts John Pigott (1741–1816), a gentleman of considerable social standing and an admirer of Gainsborough's work. The subject is presented in a richly textured suit with a crisp white collar—a deliberate stylistic choice that underscores the influence of landscape painting on portraiture during this period. Unlike traditional portraits which often prioritized formal pose and idealized beauty, Gainsborough’s depiction prioritizes psychological realism, capturing Pigott’s gaze and conveying a subtle sense of contemplative repose.

    Composition: The canvas employs a balanced pyramidal composition—a technique borrowed from Raphael and Leonardo da Vinci—creating stability and harmony while directing the viewer's eye towards the central figure.

    Color Palette: Gainsborough utilizes a muted color palette dominated by earthy tones—browns, greens, and ochres—reflecting the dominant hues of the Suffolk landscape that served as inspiration for his work.

    Symbolism: The inclusion of a pastoral backdrop—a distant hillside bathed in soft sunlight—symbolizes Pigott’s connection to nature and reinforces Gainsborough's broader artistic vision. It speaks to the Romantic belief that art should elevate the human spirit by fostering contemplation and appreciation for the natural world.

    Technique and Legacy

    Gainsborough’s distinctive brushwork—characterized by loose, expressive strokes—contributes significantly to the textural richness of his paintings. He achieved remarkable luminosity through careful layering of glazes—thin translucent washes of pigment that subtly alter the color and tone of underlying layers—a technique perfected during his time in Bath. His meticulous attention to detail—particularly in capturing the nuances of facial expression—demonstrates a profound understanding of human psychology. Gainsborough’s legacy extends far beyond his own lifetime, influencing artists such as Joshua Reynolds and Constable, who embraced his innovative approach to landscape painting and portraiture. Today, “John Pigott” remains a testament to Gainsborough's genius—a captivating artwork that embodies the spirit of Romantic idealism and continues to inspire admiration for its beauty and emotional depth.

    Discover More About Thomas Gainsborough

    Umělec a muzeum

    Autor

    Thomas Gainsborough

    Narozen(a) v Sudbury, Spojilováno

    A Suffolk Beginning: The Early Life and Artistic Awakening

    The story of Thomas Gainsborough, one of Britain’s most celebrated artists, unfolds not within the confines of a grand academy or bustling metropolis, but in the tranquil market town of Sudbury, Suffolk. Born in 1727, the youngest son of John Gainsborough, a weaver and wool merchant, young Thomas displayed an innate artistic sensibility from a remarkably early age. While his siblings pursued more conventional paths, Thomas’s world rapidly became consumed by drawing and painting – miniature self-portraits and delicate landscapes blossoming from his hand even before he reached ten years old. This precocious talent wasn't merely a childhood pastime; it was the burgeoning of a vision that would reshape British art. His father, recognizing this unique gift, encouraged its development, setting young Thomas on a path diverging sharply from the family trade. The Suffolk countryside itself became his first studio, imbuing his later works with a deep and abiding love for the natural world – a characteristic that would distinguish him throughout his career. This early immersion in landscape wasn’t simply about replicating what he saw; it was about feeling the essence of the English countryside, an emotional resonance that would permeate his canvases for decades to come.

    London and the Shaping of a Style: Influences and Early Commissions

    In 1740, at the age of thirteen, Gainsborough journeyed to London, embarking on formal artistic training under Hubert Gravelot, a French engraver renowned for his elegant rococo style. This exposure proved pivotal, introducing him to refined techniques and fashionable aesthetics. However, it was his association with William Hogarth and the St Martin’s Lane Academy that truly began to mold his artistic identity. Initially influenced by Hogarth's narrative approach – his satirical depictions of London life – Gainsborough soon charted his own course, developing a distinctive style characterized by its lightness of touch, fluid brushwork, and subtle color palettes. He absorbed lessons from various masters, including the Dutch landscape painters whose influence on his early works is evident in their atmospheric perspective and use of light. Returning to Sudbury after marrying Margaret Burr in 1746, Gainsborough established himself as a portrait painter for the local gentry. This period honed his skills in capturing likenesses and character, but it was during his subsequent move to Ipswich, and later Bath, that he began attracting a more sophisticated clientele – individuals who appreciated not just accurate representation, but also artistic flair and emotional depth.

    Bath and Beyond: Portraiture, Landscape, and Royal Patronage

    The years spent in Bath (1759-1774) marked a significant turning point in Gainsborough’s career. The city was a hub of fashionable society, providing him with ample opportunities to paint portraits of the wealthy and influential. He quickly gained renown for his ability to capture not only physical resemblance but also the personality and social standing of his sitters. His portraits weren't merely depictions; they were statements about identity and status. He experimented with new techniques, incorporating elements of chiaroscuro – dramatic contrasts between light and dark – to create a sense of depth and drama. However, even amidst the demands of portraiture, Gainsborough never abandoned his passion for landscape painting. In fact, he often seamlessly integrated landscapes into his portraits, creating compositions that celebrated both human subjects and the beauty of the natural world. This innovative approach – a hallmark of his style – set him apart from many of his contemporaries. The culmination of his success came with his move to London in 1774, where he established a studio on Pall Mall and became a founding member of the Royal Academy. He also secured royal patronage, becoming a favorite painter of King George III and Queen Charlotte, further solidifying his position as one of Britain’s leading artists. *Mrs. Thomas Gainsborough*, painted in 1785, exemplifies this period – an elegant portrait showcasing rococo style and muted tones.

    A Legacy of Innovation: Enduring Appeal and Influence

    Thomas Gainsborough died in 1788, leaving behind a body of work that continues to captivate audiences today. His influence on subsequent generations of British artists is undeniable. He liberated portraiture from rigid formality, infusing it with spontaneity and emotional resonance. His loose brushwork and atmospheric effects paved the way for the Impressionists, while his lyrical landscapes inspired artists like John Constable, who deeply admired Gainsborough’s ability to capture the spirit of the English countryside. Gainsborough's legacy extends beyond technique; it lies in his profound understanding of human character and his unwavering commitment to artistic expression. He wasn’t simply a painter of portraits or landscapes; he was a storyteller, a poet of light and color, and a visionary who transformed British art. His paintings are a testament to the power of observation, imagination, and the enduring allure of the English landscape.

    Exploring Gainsborough's World Today

    Fortunately, the opportunity to experience Gainsborough’s genius firsthand remains readily available. Gainsborough’s House, in his birthplace of Sudbury, stands as a testament to his life and work, offering visitors an intimate glimpse into his early influences and artistic development. Christchurch Mansion in Ipswich houses a significant collection of Gainsborough paintings alongside works by Constable and other masters. Numerous museums across the United Kingdom and internationally display his masterpieces, including the National Gallery in London and the Metropolitan Museum of Art in New York. His work continues to be studied, analyzed, and celebrated, ensuring that his artistic vision will endure for generations to come. The enduring appeal of Gainsborough’s art lies not only in its technical brilliance but also in its timeless beauty and emotional depth – qualities that resonate with viewers across centuries.

    Muzeum

    North Somerset Council

    Vystaveno v Weston, Massachusetts, United States of America

    About Weston Museum

    Discover the rich tapestry of Weston-super-Mare’s past at the Weston Museum, a captivating institution managed by North Somerset Council. This museum offers a journey through time, showcasing over 50,000 artifacts that span from prehistory to the present day.

    Specializations & Collections

    Local History:

    The museum’s core focus is preserving and interpreting the history of Weston-super-Mare and its surrounding areas, offering a deep dive into the region's evolution.

    Archaeological Finds:

    Explore fascinating archaeological discoveries that reveal the earliest inhabitants and settlements in North Somerset.

    Victorian Era Exhibits:

    Immerse yourself in the elegance and social changes of the Victorian period, a pivotal time for Weston-super-Mare’s development as a seaside resort.

    Contemporary Art & Culture:

    The museum doesn't shy away from modern expressions, notably featuring

    Banksy’s Dismaland Pinwheel

    , a striking piece from the renowned artist’s temporary dystopian art park.

    Notable Aspects & Highlights

    Free Admission:

    Enjoy access to a wealth of history and culture without any cost, making it an accessible destination for all.

    Hands-on Exhibits:

    Engage with interactive displays designed to appeal to visitors of all ages, fostering a deeper understanding of the past.

    Events & Activities:

    The museum regularly hosts events, workshops, and talks that bring history to life and cater to diverse interests.

    Architecture & Building

    The Weston Museum is housed in a beautiful historic building, adding to the overall experience. While specific architectural details aren't widely publicized, the building itself serves as a tangible link to the past and provides an atmospheric setting for exploring local history.

    History of the Museum

    As part of North Somerset Council’s commitment to preserving local heritage, the Weston Museum has evolved over time to become a central hub for understanding the region's story. It continues to grow its collections and enhance its exhibits to provide an engaging experience for visitors.

    What Makes it Unique

    Local Focus:

    Unlike larger national museums, Weston Museum offers a uniquely focused perspective on the history of a specific region, providing intimate insights into its people and places.

    Dismaland Connection:

    The inclusion of Banksy’s Dismaland Pinwheel elevates the museum's profile and attracts visitors interested in contemporary art alongside local history.

    Community Engagement:

    The museum actively engages with the local community through events, outreach programs, and collaborative projects.

    Whether you’re a history enthusiast, an art lover, or simply curious about Weston-super-Mare, the Weston Museum offers a rewarding and enriching experience.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení John Pigott (1741–1816)

    originaluniqueart.com/cs/art/download/thomas-gainsborough-john-pigott-1741-1816-ARJEYJ-cs/

    Jak citovat toto dílo

    MLA
    Gainsborough, Thomas. John Pigott (1741–1816). 1780, North Somerset Council. https://originaluniqueart.com/cs/art/thomas-gainsborough-john-pigott-1741-1816-ARJEYJ-cs/
    APA
    Gainsborough, Thomas (1780). John Pigott (1741–1816) [Painting]. North Somerset Council. https://originaluniqueart.com/cs/art/thomas-gainsborough-john-pigott-1741-1816-ARJEYJ-cs/
    Chicago
    Thomas Gainsborough. John Pigott (1741–1816). 1780. North Somerset Council. https://originaluniqueart.com/cs/art/thomas-gainsborough-john-pigott-1741-1816-ARJEYJ-cs/
    Harvard
    Gainsborough, Thomas (1780) John Pigott (1741–1816). North Somerset Council. Available at: https://originaluniqueart.com/cs/art/thomas-gainsborough-john-pigott-1741-1816-ARJEYJ-cs/

    Zaměřte se pozorně

    John Pigott (1741–1816) — Thomas Gainsborough

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: english painter, landscape art, portrait painting. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Znovu se podívejte na dílo Modrý chlapec (Jonathan Buttall), které jste v tomto průvodci viděli dříve. Jmenujte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. British Landscape School: Art that puts feeling, wildness and the power of nature above calm order and rules. Kde v tomto díle můžete tento prvek spatřit?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Artový kvíz

    John Pigott (1741–1816) — Thomas Gainsborough

    Jak dobře znáte toto umělecké dílo?

    U každé z následujících 5 otázek zaškrtněte jednu odpověď. Každá má právě jednu správnou odpověď.

    1. 1. Jaký byl významný umělecký styl, který Gainsborough vyvinul?

      • A Realismus
      • B Impressionismus
      • C Přirozenec
    2. 2. Kde se Gainsborough narodil a kde žil během své tvorby?

      • A Londýn, Oxford
      • B Sudbury, Ipswich
      • C Paříž, Marseille
    3. 3. V roce kdy byl založen Královská akademie?

      • A 1750
      • B 1769
      • C 1788
    4. 4. Jaký materiál používal Gainsborough při tvorbě svých obrazů?

      • A Akryl
      • B Oleje
      • C Pastel
    5. 5. Která instituce vlastní obraz "John Pigott"?

      • A Louvre
      • B Národní galerie Londýna
      • C Muzeum Umění v Berlíně

    Můj výsledek: ____ z 5

    Klíč k odpovědím – pro učitele

    Tato část začíná na nové vytištěné straně, takže ji lze z kopií jednoduše vynechat.

    1B · 2A · 3B · 4A · 5A

    Ověřte jakoukoli odpověď v katalogovém záznamu tohoto obrazu

    Otázky a odpovědi

    Kolik let bylo Thomas Gainsborough, když vzniklo dílo „John Pigott (1741–1816)“?

    Thomas Gainsborough vytvořil/a dílo „John Pigott (1741–1816)“ v возрасте 53 let. Umělec se narodil/a v 1727 a dílo je datováno na 1780.

    Je k dispozici prezentace pro „John Pigott (1741–1816)“ od Thomas Gainsborough?

    Diaporama díla „John Pigott (1741–1816)“ si můžete prohlédnout na stránce Slideshow.

    Jak světlý je celkově obraz "John Pigott (1741–1816)"?

    Vnímaná jasnost díla „John Pigott (1741–1816)“ od Thomas Gainsborough je hluboký stín. Lze jej přizpůsobit osvětlení daného prostoru.