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Samuel Frederick Smith, Ensayo sobre la selva amazonica, Graffitimundo. Reproduková pro ilustrační účely; veškerá práva jsou vyhrazena vlastníkem práv. Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Samuel Frederick Smith originaluniqueart.com/cs/artists/samuel-frederick-smith/
Datum vzniku díla
1992 –
Původní rozměry
76 x 54 cm
Koná se v
Graffitimundo originaluniqueart.com/cs/museums/graffitimundo-buenos-aires/

V kontextu

Ensayo sobre la selva amazonica — Samuel Frederick Smith

Jak velké je?

Původní rozměry jsou 76 × 54 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy mohl být tento obraz vytvořen?

  1. 1990

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období, přičemž rok narození se počítá jako nula.

každý obraz s datem vzniku, dekáda po dekádě

U tohoto záznamu není uvedeno přesné datum — vzhledem k délce života umělce a stylu díla, jaké desetiletí byste odhadli?

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: originaluniqueart.com/cs/art/similar/samuel-frederick-smith-ensayo-sobre-la-selva-amazonica-D683BA-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Putty #d9d7d9

    Katalogizovaná paleta

    • #D9D7D9
    • #211E20
    • #D55952
    • #7D7A7E

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Putty
    Intenzita
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Unified Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Bright Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Balanced Soft Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Umělec a muzeum

    Autor

    Samuel Frederick Smith

    Narozen(a) v London, United Kingdom

    Early Life and Musical Awakening

    Samuel Frederick Smith, born on May 19, 1992, in London, England, emerged from a relatively unassuming background to become one of contemporary pop music’s most celebrated voices. Growing up in the rural village of Great Chishill, Cambridgeshire, young Sam was encouraged by their parents – a truck driver and greengrocer father and a banker mother – to nurture a burgeoning talent for singing after impressing them with an early rendition of Whitney Houston's “My Love Is Your Love.” This initial spark ignited a passion that would lead Smith down a path of vocal training, local theatre productions, and ultimately, international stardom. Early experiences within the Cantate Youth Choir and Bishops Stortford Musical Theatre Society honed their skills and provided a foundational understanding of performance. However, adolescence wasn’t without its challenges; Smith faced bullying related to their appearance, an experience that would later inform the vulnerability and emotional honesty present in their songwriting. This formative period instilled a resilience and self-awareness that became hallmarks of their artistic identity.

    The Breakthrough: From Disclosure to Solo Success

    Smith's ascent into the public consciousness began in 2012 with a pivotal collaboration—featuring on Disclosure’s breakthrough single, “Latch.” The track, propelled by Smith’s distinctive falsetto and emotive delivery, quickly gained traction within the UK music scene, peaking at number eleven on the Singles Chart. This initial success served as a crucial stepping stone, introducing Smith's vocal prowess to a wider audience. However, it was in 2013 that their trajectory truly shifted with an appearance on Naughty Boy’s “La La La,” which soared to the top of the UK charts and cemented Smith’s position as a rising star. These collaborations weren’t merely guest appearances; they were demonstrations of a unique vocal quality capable of elevating electronic music into something deeply personal and resonant. The following year marked the release of Smith's debut studio album, In the Lonely Hour, through Capitol Records UK. This record wasn’t just an introduction to their sound—it was a raw and honest exploration of heartbreak and longing, inspired by personal experiences navigating love and sexuality.

    In The Lonely Hour: A Defining Moment

    In the Lonely Hour debuted at number one on the UK Albums Chart and quickly became a global phenomenon. Tracks like “Lay Me Down” (released prior to "La La La") and “Money on My Mind” further established Smith’s chart dominance in the United Kingdom, but it was the release of “Stay with Me” that catapulted them to international fame. The song's simple yet profoundly moving lyrics and Smith’s vulnerable vocal performance resonated deeply with audiences worldwide, reaching number two on the US Billboard Hot 100. The album wasn’t simply a collection of songs; it was a narrative woven from personal struggles and triumphs, offering a relatable portrayal of love, loss, and self-discovery. This emotional depth, coupled with Smith's exceptional vocal range and artistry, garnered critical acclaim and widespread commercial success. The culmination of this period came in 2015 at the 57th Annual Grammy Awards, where In the Lonely Hour secured four prestigious awards—Best Pop Vocal Album, Best New Artist, Record of the Year, and Song of the Year—solidifying Smith’s status as a major force in contemporary music.

    Continued Evolution and Artistic Recognition

    Following the monumental success of In The Lonely Hour, Smith continued to push creative boundaries with their subsequent releases. “Writing's on the Wall,” commissioned as the theme song for the James Bond film Spectre (2015), earned them a Golden Globe Award and an Academy Award for Best Original Song, demonstrating their versatility and ability to craft compelling music across diverse genres. Their second studio album, The Thrill of It All (2017), once again topped both the UK and US charts, showcasing continued growth in songwriting and production. The lead single, “Too Good at Goodbyes,” became another international hit, further cementing their global appeal. Smith’s collaborative spirit remained evident through partnerships with artists like Calvin Harris and Normani, resulting in chart-topping singles such as "Promises" and "Dancing with a Stranger." Their third album, Love Goes (2020), reflected a period of personal exploration and artistic experimentation. Most recently, the 2022 single “Unholy” featuring Kim Petras marked a significant milestone—becoming Smith’s first number one hit in the US and earning them the Grammy Award for Best Pop Duo/Group Performance.

    Legacy and Impact

    Samuel Frederick Smith's impact on contemporary music extends beyond chart success and accolades. They have become an important voice for LGBTQ+ representation, openly identifying as non-binary and using their platform to advocate for inclusivity and self-acceptance. Smith is the first openly non-binary musician to achieve a number one song on the Billboard Hot 100 and win a Grammy Award—a testament to their groundbreaking influence within the industry. Their willingness to be vulnerable in their songwriting, coupled with their exceptional vocal talent, has resonated deeply with audiences worldwide, inspiring countless others to embrace authenticity and self-expression. With albums that have spent an extraordinary amount of time at number one on UK charts throughout the 2010s—behind only Ed Sheeran, Adele, and Eminem—Smith’s legacy as a defining artist of their generation is firmly established. Their music continues to evolve, pushing boundaries and challenging conventions while remaining deeply rooted in emotional honesty and soulful artistry.

    Muzeum

    Graffitimundo

    Vystaveno v Buenos Aires, Argentina

    Exploring Buenos Aires' Vibrant Street Art Scene: Graffitimundo’s Unique Approach

    Graffitimundo stands apart as a beacon of artistic engagement within Buenos Aires, Argentina. Founded in 2009, this non-profit organization isn’t merely displaying art; it actively cultivates creativity and fosters a profound understanding of urban art's role as social commentary—a mission brilliantly realized through immersive experiences and unwavering support for local artists. Unlike traditional museums confined to static spaces, Graffitimundo’s “collection” is perpetually refreshed by new artworks appearing daily on the city’s walls, guaranteeing each visit feels like an original discovery.

    A Living Canvas:

    The museum's core philosophy centers around recognizing street art as a dynamic form of expression—a living testament to Buenos Aires’ cultural pulse.

    Guided Tours & Artistic Exploration:

    Visitors embark on expertly crafted tours delving into the history, techniques, and socio-political significance embedded within Buenos Aires’ graffiti landscape. These journeys illuminate not just visual aesthetics but also the narratives shaping Argentina's urban identity.

    Collection Highlights: Reflecting Buenos Aires’ Soul

    Graffitimundo’s curated selection showcases a diverse range of artistic styles, reflecting the multifaceted character of Buenos Aires itself. Among its notable pieces are “Untitled from the series Buenos Aires Buenos Aires” by Sara Facio—a poignant black & white photograph capturing candid moments of urban life with remarkable realism and timeless appeal—and “Sueño N° 7, Buenos Aires” by Grete Stern Coppola – a captivating collage blending Parisian landmarks alongside whimsical figures, executed in bold lines and vibrant colors that evoke an irresistible sense of urban absurdity. Furthermore, "Paris - buenos aires" by Antonio Bueno presents a striking juxtaposition of styles, utilizing naive collage techniques to convey a playful critique of cultural iconography. Finally, the work of bs.as.stncl—a Buenos Aires stencil collective since 2001—demonstrates powerful subversive art, confronting iconic imagery and sparking dialogue about social issues.

    Architectural Context & Museum Design

    Situated in the heart of Buenos Aires’ bohemian Floresta neighborhood, Graffitimundo occupies a repurposed industrial building that embodies the spirit of urban renewal. The architectural design prioritizes natural light and openness, mirroring the vibrancy of the street art it celebrates—a deliberate choice to immerse visitors within the artistic environment. Its façade incorporates textured concrete panels reminiscent of graffiti surfaces, subtly reinforcing the museum’s conceptual framework.

    Notable Exhibitions & Artistic Collaborations

    Graffitimundo distinguishes itself through collaborative exhibitions featuring emerging Argentine artists alongside established figures—a testament to its commitment to nurturing artistic talent and fostering dialogue across generations. These events regularly explore themes of social justice, identity, and cultural heritage, prompting reflection on Buenos Aires’ role as a crossroads of influences and perspectives.

    Why Graffitimundo Matters

    More than just an art institution, Graffitimundo serves as a catalyst for artistic engagement and community empowerment. By offering hands-on workshops and fostering connections between artists and audiences, it champions creativity and promotes understanding—solidifying Buenos Aires’ position as a global hub for innovative urban art practices. Its enduring mission is to preserve this unique cultural heritage while inspiring future generations of artists and enthusiasts.

    Kde si přečíst více informací

    • Autor díla Samuel Frederick Smith originaluniqueart.com/cs/artists/samuel-frederick-smith/
    • Muzeum Graffitimundo originaluniqueart.com/cs/museums/graffitimundo-buenos-aires/
    • Podobná díla Další díla k porovnání originaluniqueart.com/cs/art/similar/samuel-frederick-smith-ensayo-sobre-la-selva-amazonica-D683BA-en/

    Najděte si online

    QR kód odkazující na stránku ke stažení Ensayo sobre la selva amazonica

    originaluniqueart.com/cs/art/download/samuel-frederick-smith-ensayo-sobre-la-selva-amazonica-D683BA-en/

    Jak citovat toto dílo

    MLA
    Smith, Samuel Frederick. Ensayo sobre la selva amazonica. n.d., Graffitimundo. https://originaluniqueart.com/cs/art/samuel-frederick-smith-ensayo-sobre-la-selva-amazonica-D683BA-en/
    APA
    Smith, Samuel Frederick (n.d.). Ensayo sobre la selva amazonica [Painting]. Graffitimundo. https://originaluniqueart.com/cs/art/samuel-frederick-smith-ensayo-sobre-la-selva-amazonica-D683BA-en/
    Chicago
    Samuel Frederick Smith. Ensayo sobre la selva amazonica. n.d. Graffitimundo. https://originaluniqueart.com/cs/art/samuel-frederick-smith-ensayo-sobre-la-selva-amazonica-D683BA-en/
    Harvard
    Smith, Samuel Frederick (n.d.) Ensayo sobre la selva amazonica. Graffitimundo. Available at: https://originaluniqueart.com/cs/art/samuel-frederick-smith-ensayo-sobre-la-selva-amazonica-D683BA-en/

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    Ensayo sobre la selva amazonica — Samuel Frederick Smith

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    Kde mohu koupit print díla „Ensayo sobre la selva amazonica“ od Samuel Frederick Smith?

    Dílo "Ensayo sobre la selva amazonica" je k dispozici jako umělecký tisk na bavlněném plátně nebo archivním plátnovém papíře. Objednávku můžete zadat na stránce Kvalitní umělecký tisk v požadované velikosti.

    Lze dílo „Ensayo sobre la selva amazonica“ od Samuel Frederick Smith, které je uloženo v Graffitimundo, legálně reprodukovat?

    Autorskoprávní status díla „Ensayo sobre la selva amazonica“ od Samuel Frederick Smith je jasný: toto dílo spadá do stále chráněno autorským právem. Jeho umístění v instituci Graffitimundo tento stav nemění.

    Mohu si prohlédnout „Ensayo sobre la selva amazonica“ od Samuel Frederick Smith pod jiným osvětlením?

    Stránka Rentgenové snímky díla „Ensayo sobre la selva amazonica“ od Samuel Frederick Smith nabízí interaktivní prohlížeč, který vám umožňuje procházet jedenácti optickými vrstvami obrazu, včetně pohledu ve stylu rentgenu.