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The Supper at Emmaus

Jméno Třída Datum

Pedro Orrente, The Supper at Emmaus (1620), Szépművészeti Múzeum. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Pedro Orrente originaluniqueart.com/cs/artists/pedro-orrente/
Datum vzniku díla
1580 – 1645
Malováno
1620
Původní rozměry
81 x 101 cm
Koná se v
Szépművészeti Múzeum originaluniqueart.com/cs/museums/szepmuveszeti-muzeum-budapest_cs/

V kontextu

The Supper at Emmaus — Pedro Orrente

Jak velké je?

Původní rozměry jsou 81 × 101 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1580
  2. 1590
  3. 1600
  4. 1610
  5. 1620
  6. 1630
  7. 1640

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 65 při smrti.

Vymalováno v době, kdy bylo umělci 40 let. Umělec dožil se 65 let. 2 z celkových 5 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Pedro Orrente (1580–1645) ▲ toto dílo, 1620 každý obraz s datem vzniku, dekáda po dekádě

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: originaluniqueart.com/cs/art/similar/pedro-orrente-the-supper-at-emmaus-8Y3EDS-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Black #100b0a

    Katalogizovaná paleta

    • #100B0A
    • #D3CDBA
    • #4A3728
    • #887259

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Black
    Intenzita
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Balanced Harmony Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Deep_shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Pedro Orrente za posledních dvanáct měsíců — celkem 4 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 69,2%900 visits
    2. 2 Izrael 15,4%200 visits
    3. 3 Itálie 7,7%100 visits
    4. 4 Spojené státy americké 7,7%100 visits

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 10 nejvíce prohlížených děl umělce Pedro Orrente

    1. 1 The Sacrifice of Isaac, 1616 35,7%500 visits
    2. 2 Vstup do Jeruzaléma, 1620 14,3%200 visits
    3. 3 The crucifixion 7,1%100 visits
    4. 4 Martyrdom of St. James the Less 7,1%100 visits
    5. 5 El bateig de Crist 7,1%100 visits
    6. 6 The crucifixion 7,1%100 visits
    7. 7 Aprisco 7,1%100 visits
    8. 8 The crucifixion 7,1%100 visits
    9. 9 Le Repos du berger 7,1%100 visits
    10. — The Supper at Emmaus, 1620 tento obraz 0,0%0 visits

    Tyto práce společně si nárokují 99,7% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 23 děl tohoto umělce, z nichž 9 byla prohlédnuta alespoň jednou. Tento obraz zatím v daném období nebyl prohlédnut – uzavírá seznam bez uvedeného pořadí. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    Umělec a muzeum

    Autor

    Pedro Orrente

    Narozen(a) v Murcia, Spain

    The Spanish Bassano: The Life and Legacy of Pedro Orrente

    In the vibrant tapestry of the Spanish Golden Age, few threads are as intricately woven yet subtly colored as those left by Pedro Orrente. Born in Murcia in 1580, Orrente emerged during a transformative era when the dramatic tensions of the Baroque were beginning to coalesce with a burgeoning interest in naturalism. While history often shines its brightest spotlight on more flamboyant figures like El Greco, Orrente carved out a profound niche by bridging these two worlds. His life was one of movement and adaptation, traveling from his native Murcia to the artistic hubs of Toledo and eventually settling in Valencia, where he would pass away in 1645. This nomadic existence allowed him to absorb the diverse artistic currents of Spain, creating a body of work that feels both deeply rooted in Spanish tradition and breathlessly connected to the broader European landscape.

    The foundations of Orrente’s mastery were laid in his early years, likely under the tutelage of the Murcia painter Juan de Arizmendi. However, it was his time in Toledo around 1600 that truly ignited his professional ascent. It was here that he encountered Jorge Manuel Theotocóp_uli, the son of El Greco, a friendship that undoubtedly exposed him to the lingering echoes of Mannerism. Yet, Orrente’s true artistic soul found its resonance elsewhere. His travels took him to Venice, where the influence of the Bassano family became an indelible part of his visual vocabulary. Often referred to as "the Spanish Bassano," Orrente adopted their unique ability to transform biblical narratives into dynamic genre scenes. He learned to populate his canvases with lively figures set against lush, detailed landscapes, moving away from stiff, idealized compositions toward a more visceral, human experience of the divine.

    A Mastery of Naturalism and Dramatic Light

    Orrente’s technical prowess is most evident in his ability to manipulate light and shadow to evoke profound emotional responses. He was a pioneer of naturalism within the Spanish Baroque framework, prioritizing an accurate, almost tactile representation of the world around him. In masterpieces such as "The Sacrifice of Isaac" (1616), one can witness this tension between the sacred and the earthly. The composition is charged with an urgent, palpable anxiety, where the intervention of the angel provides a moment of divine grace amidst the raw, human terror of the scene. His use of chiaroscuro—the dramatic interplay of light and dark—serves not merely as a stylistic flourish but as a narrative tool to anchor the viewer’s eye to the most poignant emotional beats of his stories.

    This skill is further illuminated in works like "Entry into Jerusalem" (c. 1620), where the biblical event is stripped of distant abstraction and rendered as a vibrant, crowded tableau. Through his brush, Jesus does not arrive merely as a theological icon but as a figure moving through a real, breathing world, surrounded by a diverse crowd of worshippers, skeptics, and onlookers. Orrente had a remarkable gift for detail; whether it was the texture of a donkey's coat, the fluttering of birds in a vast sky, or the subtle expressions of devotion on a disciple's face, his work invites a slow, meditative gaze that rewards the observer with endless layers of meaning.

    Historical Significance and Artistic Triumph

    The enduring significance of Pedro Orrente lies in his role as a transitional architect of Spanish art. He stood at the crossroads of eras, helping to steer the Spanish aesthetic away from the elongated, spiritualized forms of the late Renaissance toward the grounded, dramatic realism that would define much of the 17th century. His ability to synthesize the Venetian approach to landscape and genre with the intense religious fervor of Spain created a unique visual language that resonated across the regions where he worked.

    Reflecting on his contributions, several key elements define his artistic triumph:

    Pioneering Naturalism: He was among the first in his region to prioritize realistic, human-centric representations within religious subjects.

    The Venetian Connection: His successful integration of the Bassano family's style allowed him to introduce a new sense of landscape and movement to Spanish altarpieces.

    Emotional Depth: Through masterful use of light and composition, he transformed static biblical stories into living, breathing dramas.

    Cultural Bridge: His work served as a vital link between the fading influence of El Greco's Mannerism and the rising tide of the Baroque.

    Though his name may not always command the immediate recognition of the most famous masters, the impact of Pedro Orrente is felt in every shadow and every sun-drenched landscape of his canvases. He remains a vital figure for any student of art history, representing a moment of profound change where the divine was brought down to earth through the lens of breathtaking realism.

    Muzeum

    Szépművészeti Múzeum

    Vystaveno v Budapešť, Maďarsko

    A Palace of Visions: Unveiling the Szépművészeti Múzeum in Budapest

    Nestled within the imposing grandeur of Heroes’ Square – a monumental space itself steeped in Hungarian history and national identity – lies the Szépművészeti Múzeum, or Museum of Fine Arts. More than simply a repository for artistic treasures, it is an architectural statement of ambition, a testament to Europe's rich artistic journey, and a building designed not merely to house art, but to become art itself. Completed in 1906 by the esteemed architects Albert Schickedanz and Fülöp Herzog, this neoclassical palace whispers tales of bold vision, deliberate exclusion, and an unwavering commitment to presenting the very best of European artistic heritage – a story that continues to unfold within its golden-hued walls.

    The initial conception of the museum was remarkably strategic. Unlike many institutions of its time, the Szépművészeti Múzeum deliberately excluded Hungarian art from its early collections, establishing an international perspective and prioritizing a survey of European masterpieces. This decision, born out of a desire to cultivate a truly cosmopolitan collection, shaped the museum’s trajectory and continues to inform its curatorial approach today. The palace itself was meticulously designed to reflect this ethos – a deliberate departure from the prevailing trends of the era, favoring a grand, classical style that spoke to Europe's artistic past while simultaneously embracing modern sensibilities.

    Architectural Majesty: A Symphony in Stone and Light

    The building’s architectural significance is immediately arresting. The façade, bathed in the warm glow of Hungarian sunlight, is an intricate tapestry of sculpted figures representing various artistic movements – a visual encyclopedia of European art history rendered in stone. Each figure, painstakingly crafted by renowned sculptors, embodies a different era and style, creating a dynamic and engaging spectacle for visitors. Beyond the facade, the interior spaces are equally impressive, boasting soaring ceilings adorned with elaborate frescoes, marble floors that gleam under the light, and meticulously restored rooms that evoke the elegance of the early 20th century. The architects skillfully blended neoclassical ideals – symmetry, proportion, and grandeur – with a touch of modern innovation, resulting in a building that is both timelessly beautiful and remarkably functional.

    A Panorama of European Art: Highlights from Antiquity to Today

    Within its walls, the Szépművészeti Múzeum boasts an astonishing collection exceeding 100,000 pieces, meticulously organized into six distinct departments that offer a comprehensive overview of European art history. The museum’s highlights are truly captivating, ranging from ancient Egyptian artifacts to contemporary works. A visit is a journey through time and style, beginning with the breathtaking Egyptian Collection – a miniature replica of the famed halls of Cairo, housing monumental sarcophagi guarding pharaohs and intricate hieroglyphic inscriptions that narrate tales of gods and rulers. Moving forward, one encounters captivating Greek and Roman sculptures, embodying the enduring legacy of Western artistic tradition; Old Master paintings by masters like Maso di Banco and Raphael’s poignant “Esterhazy Madonna,” alongside Rubens' dramatic "Mucius Scaevola Before Porsenna"; a vibrant Dutch Masters Wing showcasing Rembrandt’s evocative portraits and Vermeer’s serene landscapes; and, crucially, the Department of Drawings and Prints – a treasure trove containing Leonardo da Vinci’s preparatory sketches for “The Battle of Anghiari,” offering an unparalleled glimpse into the artist's creative process. The collection also includes a fascinating equestrian sculpture tentatively attributed to Leonardo da Vinci—a testament to the museum’s dedication to preserving even the most enigmatic aspects of artistic history.

    Beyond the Icons: Unveiling Hidden Gems

    While the museum is undoubtedly renowned for its iconic works, it offers far more than just familiar masterpieces. The collection extends beyond celebrated paintings and sculptures to encompass intimate drawings, striking sculptures, and captivating prints – providing a richer, more nuanced understanding of European art history. Particular attention should be drawn to the Old Sculpture Collection, which includes a fascinating equestrian sculpture tentatively attributed to Leonardo da Vinci—a testament to the museum’s dedication to preserving even the most enigmatic aspects of artistic history. The sheer breadth and depth of the collection ensure that every visitor will discover something new and unexpected.

    A Living Legacy: Engagement and Innovation

    The Szépművészeti Múzeum is not merely a static museum; it’s a vibrant cultural hub actively fostering appreciation for the arts. Through rotating exhibitions, engaging educational programs, and ongoing research initiatives, the museum remains remarkably relevant in an ever-changing world. Workshops, lectures, and family activities are designed to inspire curiosity and foster a deeper connection with European art heritage. Located within Heroes’ Square – a symbolic heartland of Hungarian national identity – the museum continues to evolve, ensuring its place as a vital contributor to Budapest's thriving artistic scene. For more information on current exhibitions and events, please visit:

    https://www.mfab.hu/

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení The Supper at Emmaus

    originaluniqueart.com/cs/art/download/pedro-orrente-the-supper-at-emmaus-8Y3EDS-en/

    Jak citovat toto dílo

    MLA
    Orrente, Pedro. The Supper at Emmaus. 1620, Szépművészeti Múzeum. https://originaluniqueart.com/cs/art/pedro-orrente-the-supper-at-emmaus-8Y3EDS-en/
    APA
    Orrente, Pedro (1620). The Supper at Emmaus [Painting]. Szépművészeti Múzeum. https://originaluniqueart.com/cs/art/pedro-orrente-the-supper-at-emmaus-8Y3EDS-en/
    Chicago
    Pedro Orrente. The Supper at Emmaus. 1620. Szépművészeti Múzeum. https://originaluniqueart.com/cs/art/pedro-orrente-the-supper-at-emmaus-8Y3EDS-en/
    Harvard
    Orrente, Pedro (1620) The Supper at Emmaus. Szépművészeti Múzeum. Available at: https://originaluniqueart.com/cs/art/pedro-orrente-the-supper-at-emmaus-8Y3EDS-en/

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    The Supper at Emmaus — Pedro Orrente

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    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: food, meal. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Vstup do Jeruzaléma (1620), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Pedro Orrente bylo při vzniku tohoto díla ve věku přibližně 40. Co v něm vypadá jako práce umělce právě v této životní fázi?

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