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María Concepción Laca Ugaldebere, Floral centrepiece, Gipuzkoa Heritage Collection Centre. Reproduková pro ilustrační účely; veškerá práva jsou vyhrazena vlastníkem práv. Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
María Concepción Laca Ugaldebere originaluniqueart.com/cs/artists/maria-concepcion-laca-ugaldebere/
Datum vzniku díla
1925 – 2018
Původní rozměry
16 x 24 cm
Koná se v
Gipuzkoa Heritage Collection Centre originaluniqueart.com/cs/museums/gipuzkoa-heritage-collection-centre-irun/

V kontextu

Floral centrepiece — María Concepción Laca Ugaldebere

Jak velké je?

Původní rozměry jsou 16 × 24 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy mohl být tento obraz vytvořen?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 93 při smrti.

Shaded: životopis María Concepción Laca Ugaldebere (1925–2018) každý obraz s datem vzniku, dekáda po dekádě

U tohoto záznamu není uvedeno přesné datum — vzhledem k délce života umělce a stylu díla, jaké desetiletí byste odhadli?

Porovnat s

  • Floral centrepiece originaluniqueart.com/cs/art/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C7G-en/
  • Floral centrepieces originaluniqueart.com/cs/art/maria-concepcion-laca-ugaldebere-floral-centrepieces-DD2C8K-en/

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: originaluniqueart.com/cs/art/similar/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C8R-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Black #020200

    Katalogizovaná paleta

    • #020200
    • #EAE7E5
    • #B2A299
    • #636340

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Black
    Intenzita
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Softly Mixed Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Deep_shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Top 2 nejvíce prohlížených děl umělce María Concepción Laca Ugaldebere

    1. 1 Floral centrepiece 100,0%100 visits
    2. — Floral centrepiece tento obraz 0,0%0 visits

    Tyto práce společně si nárokují 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 3 děl tohoto umělce, z nichž 1 byla prohlédnuta alespoň jednou. Tento obraz zatím v daném období nebyl prohlédnut – uzavírá seznam bez uvedeného pořadí. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    Floral centrepiece — María Concepción Laca Ugaldebere

    Flat oval-shaped bisque plate with a convex base ring bearing a vase containing a round-bodied posy of flowers, with other flowers also arranged around the vase. A coating of transparent glaze has been applied to flowers, leaves and stems. The plate is decorated with mouldings and gold-painted. The flowers and leaves are painted in colours, with a low-fired glaze applied on the bisque.The piece is the work of sculptor and decorator Concha Laca, who was given her own workshop at Porcelanas Bidasoa from 1957, due to her great skill in modelling and reproducing motifs from nature in the porcelain which she then painted. With help from two operators, Laca was in charge of the whole process of design, manufacture and decoration of the pieces. Here series of especially delicate flowers was not sold commercially. Markings and stamps: On the base:Bidasoa in a blue laurel wreath Handwritten signature: C. Laca, 1955Bibliography:Jiménez, Maite. Flores en porcelana de Conchita Laca, arte con pasión y talento. Deia (2013-10-26), 22-23. Agirre Sorondo, Antxon. Concha Laca. Artista de la porcelana, Euskonews & Media, 429. 2008.Álvarez, Marian; Jiménez, Maite; Mujika Goñi, Amaia. Euskal lozak eta portzelanak = Lozas y Porcelanas Vascas. Siglos XVIII-XX Mendeak. Bilbao, Euskal Museoa - Museo Vasco, 2009. 478http://www.euskonews.com/artisautza/0429zbk/Ilustrazioak_es.htmlhttp://blogs.deia.com/historiasdelosvascos/tag/conchita-laca/Inventory Number:: GFA-018685-001

    Umělec a muzeum

    Autor

    María Concepción Laca Ugaldebere

    Narozen(a) v Madrid, Spain

    A Legacy of Floral Elegance: The Life of María Concepción Laca Ugaldebere

    María Concepción Laca Ugaldebere, known affectionately to many as Concha Laca, was a singular figure in the realm of Spanish ceramic art, a master who possessed the rare ability to breathe life into porcelain. Born in Madrid in 1925, her early years were shaped by a blend of cultural influences; while her roots were firmly planted in the Spanish capital, her father, Doroteo Laca, was a mechanic from Vizcaya, creating a family life that oscillated between the urban heart of Madrid and the rugged landscapes of Bérriz. This duality of environment—the structured city and the natural vitality of the Basque country—would later find its way into her work, manifesting as a profound connection to the organic world.

    Her journey toward artistic mastery began not with administrative studies, as she had initially intended, but through the transformative influence of the Cerámica Municipal de Madrid. Under the mentorship of Francisco Alcántara, Laca honed her technical precision, securing a prestigious scholarship that allowed her to refine her skills until 1947. This period of rigorous training laid the foundation for a career defined by an unparalleled attention to detail and a dedication to the delicate nuances of form and color.

    The Mastery of Porcelain and the Bidasoa Years

    The trajectory of Laca’s career was irrevocably changed by her long-standing association with Porcelanas Bidasoa, a period that spanned from 1952 to 1984. It was within this prestigious institution that she truly ascended from an assistant teacher to a renowned independent artist and sculptor. Her technical prowess was so significant that by 1957, she was granted her own workshop, where she took full command of the creative process—from the initial modeling of clay to the final, delicate application of glazes.

    Laca’s work at Bidasoa was characterized by a remarkable versatility. She was tasked with designing and executing an array of decorative figures, ranging from animals to couples dressed in traditional regional costumes. However, it was her botanical explorations that would secure her place in the annals of ceramic history. Her ability to translate the ephemeral grace of a blooming flower into the enduring medium of porcelain was nothing short\\short of miraculous. She utilized complex techniques involving:

    The meticulous molding of bisque plaques to create three-dimensional textures.

    The application of transparent glazes to capture the dewy luster of petals and leaves.

    Intricate hand-painting with low-fired glazes to achieve vibrant, lifelike colors.

    The use of gold-painted accents to provide a sense of regal sophistication to her floral arrangements.

    Artistic Vision and Historical Significance

    Beyond the technical brilliance of her craftsmanship, Laca’s work carries a deep emotional resonance. Her most exquisite creations—the ultra-delicate floral centerpieces—were often deemed too precious for commercial sale. Instead, they were reserved as prestigious gifts, embodying a level of artistry that transcended mere decoration to become true sculptural poetry. These pieces, such as her water lily plaques, serve as a testament to her ability to capture the fleeting moment of a blossom's peak beauty and freeze it in time.

    The historical significance of María Concepción Laca Ugaldebere lies in her role as a pioneer of contemporary Spanish ceramics. She bridged the gap between traditional artisanal craft and fine art, proving that porcelain could be a medium for profound sculptural expression. Her dedication to preserving the splendor of nature through painstaking hand-painting techniques has left an indelible mark on Spanish artistic heritage. Even after her passing in 2018, her legacy continues to bloom, reminding us of a time when art was defined by the patient, loving touch of a master's hand.

    Muzeum

    Gipuzkoa Heritage Collection Centre

    Vystaveno v Irún, Spain

    A Sanctuary of Light and Heritage

    Nestled amidst the sun-drenched hills and fragrant lavender fields of Provence, the

    Gipuzkoa Heritage Collection Centre

    stands as a profound testament to the enduring power of artistic vision and regional identity. While its name evokes the rugged beauty of the Basque landscape, the museum’s narrative is a deeply layered experience that weaves together local history, ancestral legacy, and an unyielding spirit of preservation. To step into this institution is to enter a space where the past is not merely remembered but vibrantly alive, offering a sanctuary for those who seek to connect with the soul of cultural heritage.

    The architecture of the centre serves as a captivating prelude to the treasures held within its walls. Much like the historic estates of Europe, the structure itself tells a story of transformation and purpose. The interplay of light and shadow across its surfaces creates a rhythmic dialogue between the permanence of stone and the ephemeral nature of art. For the interior designer or the lover of classical aesthetics, the building offers a masterclass in how space can be curated to evoke emotion, blending structural grandeur with an intimate atmosphere that invites quiet contemplation and deep aesthetic engagement.

    The Art of the Collective and the Masterpiece

    At the heart of the collection lies a fascinating tension between individual genius and the beauty of collaborative mastery. One cannot discuss this institution without reflecting on the luminous legacy of the

    Unión De Artistas Vidrieros De Irún

    . This collective, hailing from the Basque town of Irún, represents a vibrant confluence of talent dedicated to the exquisite and ancient art of stained glass. Their work is not merely about individual expression but about a shared commitment to reviving traditional techniques that once faced the threat of industrial decline. Through their meticulous restoration of historical windows in churches and private residences, they have breathed new life into the very fabric of the region's architectural history.

    The museum’s holdings extend far beyond the translucent brilliance of glass, offering a diverse array of works that span centuries. Visitors are often moved by the way the collection balances the monumental with the intimate. From large-scale works that command a room to delicate sketches that capture a fleeting moment of inspiration, the curation encourages a holistic view of artistic expression. This diversity makes the centre an essential destination for collectors looking to understand the evolution of craftsmanship and for art lovers who find beauty in the intersection of different media and eras.

    A Living Legacy of Tradition and Innovation

    What truly distinguishes this museum is its role as a living organism, constantly engaging with both its historical roots and contemporary dialogues. It does not function merely as a repository for the old, but as an active participant in the modern art world. Through notable exhibitions that explore themes ranging from regional identity to international movements, the centre fosters a vibrant dialogue between history and community. It serves as a bridge, connecting the ancient Roman roots of the territory with the innovative spirit of today’s artisans.

    For those drawn to the intersection of art and lifestyle, the museum offers an immersive journey into a world where every window, every frame, and every texture tells a story. Whether one is inspired by the painstaking reconstruction of a medieval glass pane or the bold strokes of a modern master, the Gipuzkoa Heritage Collection Centre provides a profound appreciation for the timeless beauty found in the dedication to craft. It remains a beacon for dreamers and scholars alike, ensuring that the luminous legacies of the past continue to illuminate the cultural landscape of the future.

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    QR kód odkazující na stránku ke stažení Floral centrepiece

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    Jak citovat toto dílo

    MLA
    Ugaldebere, María Concepción Laca. Floral centrepiece. n.d., Gipuzkoa Heritage Collection Centre. https://originaluniqueart.com/cs/art/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C8R-en/
    APA
    Ugaldebere, María Concepción Laca (n.d.). Floral centrepiece [Painting]. Gipuzkoa Heritage Collection Centre. https://originaluniqueart.com/cs/art/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C8R-en/
    Chicago
    María Concepción Laca Ugaldebere. Floral centrepiece. n.d. Gipuzkoa Heritage Collection Centre. https://originaluniqueart.com/cs/art/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C8R-en/
    Harvard
    Ugaldebere, María Concepción Laca (n.d.) Floral centrepiece. Gipuzkoa Heritage Collection Centre. Available at: https://originaluniqueart.com/cs/art/maria-concepcion-laca-ugaldebere-floral-centrepiece-DD2C8R-en/

    Zaměřte se pozorně

    Floral centrepiece — María Concepción Laca Ugaldebere

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Znovu se podívejte na dílo Floral centrepiece, které jste v tomto průvodci viděli dříve. Jmenujte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Co by vás umělec mohl chtít vyvolat?
    5. Kdybyste mohli umělci o tomto díle položit jedinou otázku, co byste se ho zeptali?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Je dílo "Floral centrepiece" k dispozici jako umělecká tisknutá reprodukce?

    Pokud si chcete pořídit tisk díla „Floral centrepiece“ od María Concepción Laca Ugaldebere, stačí si jej objednat přímo na jeho stránce Kvalitní umělecký tisk: umělecký tisk na bavlněném plátně nebo archivním plátnovém papíře.

    Jakou barvu v kompozici díla „Floral centrepiece“ od María Concepción Laca Ugaldebere dominuje?

    Dominantní barvou díla „Floral centrepiece“ od María Concepción Laca Ugaldebere je Black (#020200).

    V jaké orientaci je dílo „Floral centrepiece“ od María Concepción Laca Ugaldebere?

    Formát díla „Floral centrepiece“ je Landscape. Tato informace vám pomůže při plánování umístění reprodukce.