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John Ferneley, Snr, Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857) (1857), York Army Museum. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
John Ferneley, Snr originaluniqueart.com/cs/artists/john-ferneley-snr/
Datum vzniku díla
1814 – 1862
Malováno
1857
Původní rozměry
49 x 68 cm
Koná se v
York Army Museum originaluniqueart.com/cs/museums/york-army-museum-york/

V kontextu

Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857) — John Ferneley, Snr

Jak velké je?

Původní rozměry jsou 49 × 68 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 48 při smrti.

Vymalováno v době, kdy bylo umělci 43 let. Umělec dožil se 48 let. 11 z celkových 14 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis John Ferneley, Snr (1814–1862) ▲ toto dílo, 1857 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1832 Hlavní období tvůrčí činnosti: 1832–1850 Pozdní díla: od 1850

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: originaluniqueart.com/cs/art/similar/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Celadon #a6cfd3

    Katalogizovaná paleta

    • #A6CFD3
    • #95866A
    • #271115
    • #8E3E27

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Celadon
    Intenzita
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Discordant Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Balanced Soft Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora John Ferneley, Snr za posledních dvanáct měsíců — celkem 4 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 64,3%900 visits
    2. 2 Hongkong 21,4%300 visits
    3. 3 Spojené království 7,1%100 visits
    4. 4 Spojené státy americké 7,1%100 visits

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 10 nejvíce prohlížených děl umělce John Ferneley, Snr

    1. 1 Two Racehorses, Called 'Cock Robin' and 'Langar', 1834 21,4%300 visits
    2. 2 Portrait of Sir Henry Goodricke, 7th Baronet, clearing a fence on his grey hunter 14,3%200 visits
    3. 3 A Grey Hunter, 1820 14,3%200 visits
    4. 4 The Marriott Family 14,3%200 visits
    5. 5 The Bays, Manchester, 1843 7,1%100 visits
    6. 6 Marvel, KingFisher And The Lad, Three Hunters Belonging To William Angerstein, In A Field With His Dog Spring 7,1%100 visits
    7. 7 The Rossendale Hunt 7,1%100 visits
    8. 8 Emlius, Winter of the 1832 Derby, held by a Groom at Doncaster 7,1%100 visits
    9. 9 Mr. C. N. Hogg's Claxton and a Groom in a Stable 7,1%100 visits
    10. — Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857), 1857 tento obraz 0,0%0 visits

    Tyto práce společně si nárokují 99,8% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 47 děl tohoto umělce, z nichž 9 byla prohlédnuta alespoň jednou. Tento obraz zatím v daném období nebyl prohlédnut – uzavírá seznam bez uvedeného pořadí. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    Umělec a muzeum

    Autor

    John Ferneley, Snr

    John Ferneley Snr (1814-1862): The Painter of Hunting Elegance

    John Ferneley Snr (1814-1862) stands as a pivotal figure in British sporting art, embodying the romantic spirit of the Victorian era and capturing the grandeur of rural pursuits with unparalleled precision. Born in Thrussington, Leicestershire, on May 18th, 1782, Ferneley’s artistic journey unfolded against the backdrop of a burgeoning fascination with equestrian portraiture and meticulously rendered hunting scenes—a passion that would define his entire oeuvre. His untimely death in Melton Mowbray in 1860 tragically curtailed his prolific career, yet his legacy persists as one of the most celebrated artists documenting the aristocratic traditions of his time.

    Early Life & Artistic Training:

    Ferneley’s formative years were marked by a privileged upbringing within a family steeped in agricultural enterprise and artistic appreciation. He received an education primarily focused on drawing and painting, nurtured by his father, who recognized John's innate talent early on. This foundational training instilled in him a meticulous attention to detail—a characteristic that would become synonymous with his distinctive style.

    The Rise of Sporting Art & Ferneley’s Distinctive Style

    The mid-19th century witnessed an explosion of interest in equestrian pursuits and aristocratic leisure activities, fueling a burgeoning demand for artistic representations of these subjects. Ferneley skillfully capitalized on this trend, establishing himself as one of the foremost practitioners of sporting art—a genre characterized by its dramatic compositions and masterful depiction of horses and riders in dynamic poses. Unlike many contemporaries who favored idealized portrayals, Ferneley prioritized anatomical accuracy and textural realism, painstakingly recreating the musculature of horses and capturing the subtle nuances of light and shadow on their coats. His canvases pulsated with life, conveying not merely visual information but also an emotional resonance that mirrored the thrill of the hunt.

    Notable Paintings & Commissions:

    Ferneley’s reputation soared as he garnered commissions from prominent families across England—including the Earls of Derby and Northumberland—who sought to commemorate their estates and hunting expeditions. Among his most celebrated works are “The Hunt at Ascadale,” depicting a breathtaking tableau of hounds pursuing deer through the Scottish Highlands, and “A Horse Portrait,” showcasing an exquisitely rendered equine subject bathed in soft afternoon light. These paintings exemplify Ferneley’s technical prowess and artistic vision—demonstrating his ability to transform observation into evocative art.

    Technique & Influences

    Ferneley's technique was rooted in the traditions of Old Master painters, particularly Rembrandt and Rubens. He employed a layered glazing method—applying thin washes of color over multiple subsequent coats—to achieve luminous tonal gradations and unparalleled depth of texture. This painstaking process demanded considerable patience and skill, yet it yielded results that captivated audiences with their breathtaking realism. Ferneley’s artistic sensibilities were further shaped by his engagement with the Romantic movement, which championed emotion and imagination alongside meticulous observation—a duality evident in his depictions of both horses and human subjects.

    Legacy & Historical Significance:

    John Ferneley Snr’s contribution to British art is undeniable. His paintings serve as invaluable documents of Victorian social life, capturing the rituals and traditions associated with aristocratic hunting—a pastime that held considerable sway during his lifetime. More importantly, Ferneley's unwavering commitment to anatomical accuracy and textural realism established him as a pioneer in sporting art—inspiring generations of artists who followed. His works continue to be admired for their beauty and technical brilliance, securing his place among the most enduring figures in British artistic history.

    Further Exploration

    For those wishing to delve deeper into Ferneley’s life and work, scholarly resources include:

    * “John Ferneley Snr” by David Passmore (Philip Wilson Press, 1987)

    * “British Sporting Art: The Rise of Animal Painting in Britain” edited by Richard Woodcock (Victoria & Albert Museum Publishing, 2003)

    Muzeum

    York Army Museum

    Vystaveno v York, United Kingdom

    A Journey Through Yorkshire’s Military Soul: The York Army Museum

    Nestled within the historic heart of York, a city steeped in centuries of layered narratives, lies the York Army Museum – more than just a repository of relics, it's a vibrant testament to the enduring spirit and evolving strategies of British military history. Founded on the legacy of the Prince of Wales’s Own Regiment of Yorkshire and the Royal Dragoon Guards, this museum offers an intimate and profoundly moving exploration of over 300 years of service, from the rugged landscapes of colonial campaigns to the complexities of modern warfare. The building itself, a carefully preserved structure within York's ancient walls, immediately establishes a connection to the city’s rich past – a past inextricably linked with military significance dating back to Roman times and beyond.

    The museum distinguishes itself through its remarkably focused approach. Unlike sprawling national museums that attempt to encompass all facets of warfare, York Army Museum delves deep into the specific experiences of these two regiments. This specialization allows for an unparalleled level of detail, revealing not just the grand narratives of battles won and lost, but also the personal stories of individual soldiers – their uniforms meticulously preserved, their weapons bearing witness to countless campaigns, and their letters offering poignant glimpses into the realities of life on the front lines. The collection is a rich tapestry woven from medals awarded for bravery, intricate weaponry reflecting technological advancements, and personal items that speak volumes about the lives lived in service to the nation.

    A Collection Forged in Service and Sacrifice

    The heart of the York Army Museum’s appeal lies within its diverse collection. A particular highlight is the extensive display of medals – a tangible representation of the sacrifices made by countless individuals throughout British military history. Each medal, from the earliest Victorian-era awards to more recent honors, tells a story of courage, dedication, and unwavering commitment. Beyond these symbols of recognition, visitors will encounter an impressive array of uniforms, meticulously researched and displayed, showcasing the evolution of military fashion and the distinct identities of each regiment. The weaponry collection is equally captivating, ranging from antique muskets and swords to more modern rifles and machine guns, illustrating the dramatic shifts in military technology over centuries.

    Beyond these core elements, the museum boasts a fascinating selection of photographs documenting campaigns across the globe – from the Napoleonic Wars to the Crimean Peninsula and beyond. Personal items, such as diaries, letters, and even small mementos, offer intimate glimpses into the daily lives of soldiers, revealing their hopes, fears, and experiences far removed from the battlefield. The museum’s commitment to preserving these tangible connections to the past creates a profoundly immersive experience for visitors.

    Echoes of York's Military Past

    The York Army Museum isn’t simply situated within a historic city; it is part of that history. Its location in York, a city with roots stretching back to Roman times and a pivotal role in medieval England, provides a powerful context for understanding the museum’s significance. The very foundations of the building likely rest upon layers of past events – a subtle reminder of the enduring legacy of military service within this region. The museum's connection to the Prince of Wales’s Own Regiment, with its deep ties to Yorkshire and its people, further reinforces this local identity.

    Unique Exhibitions & A Living History

    While the permanent collection offers a comprehensive overview of the regiments’ history, the York Army Museum consistently introduces new and engaging exhibitions. Currently, “Object Journeys,” a fascinating exploration of military collecting practices and the journeys of artifacts from Europe to Africa, is captivating visitors with its insights into colonial warfare and cultural exchange. This exhibition, supported by the Weston Loan Programme, highlights the museum's commitment to fostering dialogue and challenging conventional narratives surrounding military history. Regular events, including talks, demonstrations, and family activities, ensure that the museum remains a vibrant hub for learning and engagement – a place where the stories of Yorkshire’s soldiers continue to resonate with audiences of all ages.

    Planning Your Visit

    The York Army Museum is an ideal destination for history enthusiasts, families seeking engaging educational experiences, and anyone interested in delving deeper into Britain's military past. Located at 3 Tower Street, York, YO1 9SB, the museum offers a unique opportunity to connect with the stories of those who have served their nation. Check their website –

    https://yorkarmymuseum.co.uk/

    – for current exhibitions, events, and opening hours. Allow ample time to explore the thoughtfully curated exhibits and immerse yourself in the rich history of this remarkable institution.

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    QR kód odkazující na stránku ke stažení Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)

    originaluniqueart.com/cs/art/download/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/

    Jak citovat toto dílo

    MLA
    Snr, John Ferneley,. Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857). 1857, York Army Museum. https://originaluniqueart.com/cs/art/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/
    APA
    Snr, John Ferneley, (1857). Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857) [Painting]. York Army Museum. https://originaluniqueart.com/cs/art/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/
    Chicago
    John Ferneley, Snr. Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857). 1857. York Army Museum. https://originaluniqueart.com/cs/art/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/
    Harvard
    Snr, John Ferneley, (1857) Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857). York Army Museum. Available at: https://originaluniqueart.com/cs/art/john-ferneley-snr-lieutenant-colonel-arthur-bentinck-commanding-the-AQU6W2-en/

    Zaměřte se pozorně

    Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857) — John Ferneley, Snr

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: military parade, victorian era, equestrian art. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu The 4th Royal Irish Dragoon Guards (1848), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. John Ferneley, Snr bylo při vzniku tohoto díla ve věku přibližně 43. Co v něm vypadá jako práce umělce právě v této životní fázi?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Jaká barevná paleta je použita v díle „Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)“ od John Ferneley, Snr?

    Barvy díla „Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)“ tvoří Neutrals paletu. Tato klasifikace popisuje dominantní barevné skupiny.

    Je dílo "Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)" k dispozici jako umělecká tisknutá reprodukce?

    Tisk díla „Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)“ od John Ferneley, Snr si můžete objednat přímo na jeho stránce Kvalitní umělecký tisk: umělecký tisk na bavlněném plátně nebo archivním plátnovém papíře.

    Kdo vytvořil "Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)"?

    Dílo "Lieutenant Colonel Arthur Bentinck, Commanding the 7th (Princess Royal's) Dragoon Guards (1854–1857)" vytvořil/a John Ferneley, Snr. Informace na této stránce popisují originální dílo umělce John Ferneley, Snr.