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Entombment

Jméno Třída Datum

Giorgio Vasari, Entombment (1532), Casa Vasari. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Giorgio Vasari originaluniqueart.com/cs/artists/giorgio-vasari_cs/
Datum vzniku díla
1511 – 1574
Malováno
1532
Původní rozměry
144 x 113 cm
Koná se v
Casa Vasari originaluniqueart.com/cs/museums/casa-vasari-arezzo/

V kontextu

Entombment — Giorgio Vasari

Jak velké je?

Původní rozměry jsou 144 × 113 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1510
  2. 1520
  3. 1530
  4. 1540
  5. 1550
  6. 1560
  7. 1570

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 63 při smrti.

Vymalováno v době, kdy bylo umělci 21 let. Umělec dožil se 63 let. 0 z celkových 60 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Giorgio Vasari (1511–1574) ▲ toto dílo, 1532 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1546 Hlavní období tvůrčí činnosti: 1546–1567 Pozdní díla: od 1567

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: originaluniqueart.com/cs/art/similar/giorgio-vasari-entombment-8Y3KRB-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Black #100a0f

    Katalogizovaná paleta

    • #100A0F
    • #704126
    • #3A241D
    • #B37C45

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Black
    Intenzita
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Gentle Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Strong Color Unity Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Deep_shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Subtle Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Giorgio Vasari za posledních dvanáct měsíců — celkem 14 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 58,2%
    2. 2 Hongkong 8,9%
    3. 3 Singapur 7,6%
    4. 4 Brazílie 6,3%
    5. 5 Spojené státy americké 5,1%
    6. 6 Španělsko 2,5%
    7. 7 Itálie 2,5%
    8. 8 Arménie 1,3%
    9. 9 Švýcarsko 1,3%
    10. 10 Německo 1,3%
    11. · 4 dalších zemí 5,0%

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 20 nejvíce prohlížených děl umělce Giorgio Vasari

    1. 1 Posouzení posledního (detail), 1572 7,5%
    2. 2 The Last Judgment (detail), 1572 7,5%
    3. 3 Perseus and Andromeda, 1570 6,5%
    4. 4 Annunciation, 1570 5,6%
    5. 5 Allegory of the Immaculate Conception, 1541 5,6%
    6. 6 Marriage at Cana, 1566 5,6%
    7. 7 Annunciation, 1564 4,7%
    8. 8 The 1530 Siege of Florence, 1558 3,7%
    9. 9 Posouzení posledního, 1572 2,8%
    10. 10 Childhood of Jupiter, 1556 2,8%
    11. 11 Façade, 1560 2,8%
    12. 12 Ateliér malíře, 1563 2,8%
    13. 13 Abraham and the Three Angels 2,8%
    14. 14 Lorenzo il Magnifico among philosophers and scholars, 1558 1,9%
    15. 15 Three river gods 1,9%
    16. 16 Triumphant entrance of Leone X in Florence, 1563 1,9%
    17. 17 Martyrdom of St Stephen, 1560 1,9%
    18. 18 The Adoration of the Magi, 1567 1,9%
    19. 19 Justice, 1542 1,9%
    20. — Entombment, 1532 tento obraz 0,0%

    Tyto práce společně si nárokují 72,1% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 72 děl tohoto umělce, z nichž 41 byla prohlédnuta alespoň jednou. Tento obraz zatím v daném období nebyl prohlédnut – uzavírá seznam bez uvedeného pořadí. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    Umělec a muzeum

    Autor

    Giorgio Vasari

    Narozen(a) v Arezzo, Itálie

    A Life Woven into the Renaissance Fabric

    Giorgio Vasari, born in Arezzo, Tuscany, on July 30, 1511, was more than simply a painter; he was a quintessential embodiment of the Italian Renaissance spirit. His life unfolded as a vibrant tapestry woven with threads of artistic creation, architectural innovation, insightful historical writing, and an unwavering dedication to celebrating the masters who came before him. From his earliest training under Guglielmo da Marsiglia, a skilled artisan in stained glass, young Giorgio’s path was steered towards visual artistry. However, it was his move to Florence at sixteen that truly ignited his potential. Immersing himself within the dynamic circle of Andrea del Sarto and absorbing the influences of Rosso Fiorentino and Jacopo Pontormo, Vasari began a journey that would see him become one of the most influential figures of his era. His formative years were also deeply marked by the patronage and friendship of the powerful Medici family, a relationship that would shape both his career and his perspective on art’s role in society.

    The Artist's Hand and Eye

    Vasari’s artistic style is often categorized as Mannerist, reflecting the prevailing aesthetic trends of the mid-16th century. His paintings are characterized by elongated figures, dynamic compositions, and a sophisticated use of color—qualities highly admired during his lifetime. While perhaps not achieving the same level of enduring fame as some of the artists he chronicled, Vasari’s skill was undeniable. Notable works such as The Studio of the Painter, a fresco housed in Casa Vasari in Arezzo, offer a fascinating glimpse into the artistic practices of the time. The sheer scale and ambition of his frescoes for the Palazzo Vecchio in Florence, undertaken between 1555 and 1572, demonstrate his mastery of large-scale decorative schemes. His final monumental undertaking, The Last Judgement, adorning the cupola of Florence Cathedral—completed after his death by Federico Zuccari—stands as a testament to his unwavering commitment to grand artistic visions. Beyond painting, Vasari’s architectural contributions were equally significant. He designed the elegant loggia of the Palazzo degli Uffizi, transforming it into a public piazza and creating a vital link within Florence's urban landscape. Perhaps most famously, he conceived and oversaw the construction of the Vasari Corridor, a secret passageway connecting the Uffizi Gallery with the Palazzo Pitti—a feat of engineering and architectural ingenuity that continues to captivate visitors today.

    A Historian Forging a Legacy

    However, it is arguably as an art historian that Giorgio Vasari secured his most lasting legacy. His monumental work, Lives of the Most Excellent Painters, Sculptors, and Architects, published in 1550 (with a revised edition in 1568), revolutionized the way art was understood and appreciated. This groundbreaking text wasn’t merely a collection of biographies; it established a narrative framework for the development of Italian Renaissance art, tracing its evolution from the early masters like Cimabue and Giotto to his contemporaries Michelangelo and Raphael. Vasari's work introduced the very concept of the “Renaissance” – a rebirth of classical ideals—and laid the foundation for modern art history as a discipline. While acknowledging that Vasari’s accounts are not without their biases and inaccuracies, particularly concerning artists predating his own time, the impact of Lives remains profound. It provided a crucial historical context for artistic creation, elevating the status of artists from skilled craftsmen to intellectual figures worthy of scholarly attention.

    Influences and Enduring Significance

    Vasari’s artistic development was profoundly shaped by his exposure to the works of Renaissance masters. His visit to Rome in 1529, where he studied the art of Raphael and other High Renaissance artists, proved pivotal. He absorbed their principles of composition, anatomical accuracy, and idealized beauty, incorporating them into his own style. Michelangelo, whom Vasari greatly admired, exerted a particularly strong influence on both his painting and architecture. The grandeur and dynamism characteristic of Michelangelo’s work are evident in many of Vasari’s projects. Beyond specific artists, the broader intellectual currents of the Renaissance—humanism, classical learning, and a renewed interest in empirical observation—also informed Vasari's approach to art and history. Giorgio Vasari died on June 27, 1574, in Florence, leaving behind a multifaceted legacy that continues to resonate today. He was not only a talented artist and architect but also a pioneering historian whose writings shaped our understanding of one of the most transformative periods in Western art history. His work remains essential for anyone seeking to explore the rich cultural heritage of the Italian Renaissance.

    Major Achievements

    The Studio of the Painter (Fresco, Casa Vasari, Arezzo): A seminal work showcasing his early Mannerist style and artistic techniques.

    Frescoes in Palazzo Vecchio (Florence): Including the monumental decoration of the Salone dei Cinquecento, demonstrating his mastery of large-scale historical narratives.

    Design of the Uffizi Gallery Loggia: A transformative public space that redefined Florentine urban design.

    Construction of the Vasari Corridor: An ingenious architectural solution connecting two prominent palaces in Florence – a testament to his engineering skills.

    Lives of the Most Excellent Painters, Sculptors, and Architects (1550 & 1568): A foundational text for art history, establishing a framework for understanding the development of Renaissance art.

    Key Influences

    Early Influences:

    Guglielmo da Marsiglia: His initial training in stained glass provided a foundation in craftsmanship and artistic technique.

    Andrea del Sarto & Rosso Fiorentino: Exposure to these prominent Florentine artists shaped his understanding of composition, color theory, and classical influences.

    Later Influences:

    Michelangelo Buonarroti: Vasari deeply admired Michelangelo’s artistic genius and incorporated elements of his style into his own work.

    Renaissance Humanism & Classical Learning: The intellectual currents of the Renaissance profoundly influenced his approach to art, history, and scholarship.

    Muzeum

    Casa Vasari

    Vystaveno v Arezzo, Italy

    A Florentine Jewel of Renaissance Harmony

    Nestled in the heart of Arezzo, Tuscany, the

    Casa Vasari

    stands as a profound testament to the enduring legacy of Giorgio Vasari and his pivotal role in shaping our understanding of the Italian Renaissance. More than just a historic residence, it is a meticulously crafted microcosm of the era's artistic ideals—a place where architecture, painting, and sculpture converge to create an experience both profoundly beautiful and deeply revealing. Originally conceived as a workshop for Vasari’s brother, Pietro, the Casa evolved into a private sanctuary and, crucially, a living laboratory for Vasari’s revolutionary approach to art history and biography. To walk through its doors is to step into a world where the boundaries between life and art are intentionally blurred.

    The building itself is an extraordinary achievement of Renaissance design, reflecting a period when structure was as much about mathematical grace as it was about physical shelter. Constructed between 1537 and 1549, the Casa Vasari is not simply built; it is

    composed

    . Vasari meticulously planned every detail, striving for a harmonious balance between classical restraint and exuberant ornamentation. The façade, a masterful example of Tuscan Renaissance architecture, is dominated by a series of arched windows framed by engaged columns—a deliberate echo of Roman grandeur. Notice the subtle shifts in scale and proportion; Vasari employed precise mathematical ratios to achieve a sense of visual equilibrium, reflecting his deep engagement with humanist principles. The use of terracotta brick lends the building an earthy warmth that contrasts beautifully with the delicate, sophisticated details found above.

    A Sanctuary for Art and Scholarship

    Within the Casa’s walls resides a remarkable collection of paintings that are not merely displayed but are integrated into the very architectural fabric of the house. These works, primarily by Vasari himself alongside those by his brother Pietro and other artists associated with the family, create an immersive environment where every room tells a story. One cannot mention the Casa without speaking of the

    Sala di Giocondina

    (Room of Giocondina), named after a small, exquisite portrait believed to be by Leonardo da Vinci. The room’s proportions were carefully calculated to enhance the impact of the painting, demonstrating Vasari's belief that art should exist within a carefully orchestrated environment rather than in isolation.

    The collection is further enriched by breathtaking frescoes depicting scenes from the lives of Florentine artists—a deliberate act of self-promotion and a foundational element of Vasari’s groundbreaking

    Lives

    . These murals offer invaluable insights into the vibrant Florentine artistic community of the 16th century, turning the walls themselves into a historical narrative. Beyond its visual splendor, the Casa Vasari holds a unique significance as the birthplace of art historical writing. It served as Vasari's primary research space, filled with sketches, notes, and models that document his meticulous process of investigation. It was within these very rooms that he painstakingly pieced together the stories of Michelangelo, Leonardo da Vinci, and Raphael, shaping their reputations and solidifying their place in the canon of Western art.

    A Living Museum of Continuous Discovery

    The Casa Vasari is far from a static monument; it remains a dynamic space dedicated to preserving and interpreting its rich heritage. Throughout the year, the museum hosts a variety of exhibitions that explore different facets of Vasari's work, Renaissance art, and the history of the building itself. These events often incorporate cutting-edge technology, such as virtual reality reconstructions, allowing modern visitors to experience the Casa as it might have appeared during Vasari’s lifetime, bridging the gap between the sixteenth century and the present day.

    For the art lover, the collector, or the interior designer seeking inspiration, the museum offers a masterclass in aesthetic cohesion. Ongoing conservation efforts are crucial to maintaining the integrity of both the architecture and the artworks, with recent restoration work revealing hidden details that have strengthened the building's structural and visual foundations. The Casa Vasari offers a profoundly intimate encounter with one of the most influential figures in art history, providing a rare opportunity to walk in the footsteps of a master craftsman and witness firsthand the birth of modern art criticism.

    Kde si přečíst více informací

    • Autor díla Giorgio Vasari originaluniqueart.com/cs/artists/giorgio-vasari_cs/
    • Muzeum Casa Vasari originaluniqueart.com/cs/museums/casa-vasari-arezzo/
    • Podobná díla Další díla k porovnání originaluniqueart.com/cs/art/similar/giorgio-vasari-entombment-8Y3KRB-en/

    Najděte si online

    QR kód odkazující na stránku ke stažení Entombment

    originaluniqueart.com/cs/art/download/giorgio-vasari-entombment-8Y3KRB-en/

    Jak citovat toto dílo

    MLA
    Vasari, Giorgio. Entombment. 1532, Casa Vasari. https://originaluniqueart.com/cs/art/giorgio-vasari-entombment-8Y3KRB-en/
    APA
    Vasari, Giorgio (1532). Entombment [Painting]. Casa Vasari. https://originaluniqueart.com/cs/art/giorgio-vasari-entombment-8Y3KRB-en/
    Chicago
    Giorgio Vasari. Entombment. 1532. Casa Vasari. https://originaluniqueart.com/cs/art/giorgio-vasari-entombment-8Y3KRB-en/
    Harvard
    Vasari, Giorgio (1532) Entombment. Casa Vasari. Available at: https://originaluniqueart.com/cs/art/giorgio-vasari-entombment-8Y3KRB-en/

    Zaměřte se pozorně

    Entombment — Giorgio Vasari

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: birth and death. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Posouzení posledního (detail) (1572), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Giorgio Vasari bylo při vzniku tohoto díla ve věku přibližně 21. Co v něm vypadá jako práce umělce právě v této životní fázi?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Odkud pocházejí návštěvníci díla „Entombment“ od Giorgio Vasari?

    Pro dílo „Entombment“ je k dispozici stránka Statistiky. Zobrazuje měsíční počet návštěv tohoto díla i dalších děl daného umělce s rozpadem podle zemí a jazyků.

    Co zachycuje dílo „Entombment“ od Giorgio Vasari?

    Motivy díla „Entombment“ jsou birth and death.

    Kolik let bylo Giorgio Vasari, když vzniklo dílo „Entombment“?

    Giorgio Vasari vytvořil/a dílo „Entombment“ v возрасте 21 let. Umělec se narodil/a v 1511 a dílo je datováno na 1532.