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Průvodce studentskou tvorbou

A Great Bargain

Jméno Třída Datum

Flora Macdonald Reid, A Great Bargain (1921), Doncaster Museum And Art Gallery. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Flora Macdonald Reid originaluniqueart.com/cs/artists/flora-macdonald-reid/
Datum vzniku díla
1860 – 1938
Malováno
1921
Původní rozměry
27 x 36 cm
Koná se v
Doncaster Museum And Art Gallery originaluniqueart.com/cs/museums/doncaster-museum-and-art-gallery-doncaster/

V kontextu

A Great Bargain — Flora Macdonald Reid

Jak velké je?

Původní rozměry jsou 27 × 36 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 78 při smrti.

Vymalováno v době, kdy bylo umělci 61 let. Umělec dožil se 78 let. 8 z celkových 10 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Flora Macdonald Reid (1860–1938) ▲ toto dílo, 1921 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1895 Hlavní období tvůrčí činnosti: 1895–1905 Pozdní díla: od 1905

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: originaluniqueart.com/cs/art/similar/flora-macdonald-reid-a-great-bargain-AQUD28-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Rosy Brown #b8b892

    Katalogizovaná paleta

    • #B8B892
    • #8C8451
    • #4E4F35
    • #202319

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Název hlavní barvy
    Rosy Brown
    Intenzita
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Strong Color Unity Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Subtle Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Flora Macdonald Reid za posledních dvanáct měsíců — celkem 2 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 50,0%100 visits
    2. 2 Nový Zéland 50,0%100 visits

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 2 nejvíce prohlížených děl umělce Flora Macdonald Reid

    1. 1 A Great Bargain, 1921 tento obraz 50,0%100 visits
    2. 2 'The Latest News' (In a Dutch Market), 1895 50,0%100 visits

    Tyto práce společně si nárokují 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 13 děl tohoto umělce, z nichž 2 byla prohlédnuta alespoň jednou. This painting ranks 1 of them, with 50,0% of that attention (100 visits). Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    A Great Bargain — Flora Macdonald Reid

    The Doncaster Museum And Art Gallery in the United Kingdom is home to a remarkable oil on canvas painting, A Great Bargain, created by the talented artist Flora Macdonald Reid in 1921. This captivating piece measures 27 x 36 cm and showcases the artist's skill in depicting everyday life scenes with great detail and warmth.

    Composition and Style

    The painting features a lively gathering of people around a table, where various items are on display, including pumpkins and bottles. The atmosphere is one of social interaction and enjoyment, with some individuals engaged in conversation while others observe the activities taking place at the table. The use of bold colors and simplicity in composition is reminiscent of the Naive Art / Primitivism style, which emphasizes everyday life and simplicity.

    Artist's Background

    Flora Macdonald Reid was a skilled artist known for her ability to capture the essence of everyday life in her paintings. Her work is characterized by its warmth and attention to detail, making her pieces truly unique and captivating. For more information on Flora Macdonald Reid and other artists, visit /art/list/?Filter=AQUD28-Flora-Macdonald-Reid-A-Great-Bargain.

    Some notable artworks that showcase similar styles and techniques include:

    Still Life. Malwa. by Pyotr Konchalovsky, which can be found at /art/list/?Filter=8XYT34-Pyotr-Konchalovsky-Still-Life-Malwa-

    The woman in front of a mirror by Pyotr Konchalovsky, available at /art/list/?Filter=8XYSHR-Pyotr-Konchalovsky-The-woman-in-front-of-a-mirror

    Portrait of Alice Derain by André Derain, which is a prime example of Naive Art / Primitivism, can be found at /art/list/?Filter=portrait+of+alice+derain,portrait,alice,derain&

    For handmade oil painting reproductions of these and other artworks, visit https://AllPaintingsStore.com. The website offers a wide range of paintings in various styles, including Fauvism and Naive Art / Primitivism, making it an ideal destination for art enthusiasts.

    Umělec a muzeum

    Autor

    Flora Macdonald Reid

    The Luminous World of Flora Macdonald Reid

    Flora Macdonald Reid was an artist who possessed a rare gift for finding the extraordinary within the ordinary. Born in London in 1860 to Scottish parents, her early years were shaped by a rich cultural tapestry that spanned from the bustling streets of Islington to the academic rigor of Edinburgh. As a child, she moved with her family to Scotland, where her artistic sensibilities were first nurtured at the Trustees Academy School of Art. This formative period was deeply influenced by her brother, the esteemed painter John Robertson Reid, who served as both a sibling and a mentor. Under his guidance, Flora developed a keen eye for the subtle interplay of light and shadow, a skill that would become the hallmark of her mature work. Her upbringing was one of shared creative passion, as her sisters Elizabeth and Janet were also accomplished artists, creating a familial atmosphere where art was not merely a pursuit but a way of life.

    The trajectory of Reid’s career was marked by a remarkable sense of movement and international curiosity. In 1881, she returned to London with her siblings, settling in the vibrant area of Haverstock Hill. This period saw her emergence on the prestigious stages of the British art world; by the age of sixteen, she was already exhibiting at the Royal Scottish Academy, and as she matured, her work graced the walls of the Royal Academy in London and the Royal Glasgow Institute of the Fine Arts. Her ambitions, however, were never confined to the British Isles. Reid’s travels took her through Norway, France, and Belgium, allowing her to absorb the diverse atmospheres of Europe. This cosmopolitan journey culminated in significant international recognition, most notably at the 1900 Exposition Universelle in Paris, where she was awarded a bronze medal for her painting Faith (later known as A Bruges Market Place), and her participation in the groundbreaking Woman's Building at the 1893 World's Columbian Exposition in Chicago.

    Mastery of Light and the Cornish Spirit

    While her training was rooted in classical observation, Reid’s true artistic soul found its most profound expression in the landscapes and lives of Cornwall. Between 1891 and 1907, she lived in the coastal villages of Looe and Polperro, a decade that would fundamentally transform her palette and subject matter. It was here that her work transitioned into a beautiful synthesis of realism and Impressionism. She became a chronicler of the Cornish way of life, capturing the rhythmic toil of fishermen hauling nets and the vibrant, sun-drenched energy of local marketplaces. Her canvases are celebrated for their ability to convey the fleeting effects of light—the way a golden afternoon glow settles upon a thatched cottage or how dappled sunlight dances across a crowded market stall.

    Reid’s technique was characterized by a meticulous attention to detail that never sacrificed the emotional weight of the scene. While she primarily worked in oils, her occasional forays into etching and pastel demonstrated a versatile mastery over different textures and mediums. Her subjects were rarely grand or heroic; instead, she found dignity in the everyday. Whether depicting The Flemish Lacemaker or scenes of women engaged in domestic tasks, she imbued her figures with a quiet, soulful presence. This focus on the working classes and the beauty of mundane existence allowed her to create works that resonate with a timeless, human quality. Her ability to blend the precise observation of a realist with the atmospheric sensitivity of an Impressionist ensured that her paintings were not merely records of a place, but emotional evocations of a moment in time.

    Legacy and Artistic Significance

    The historical significance of Flora Macdonald Reid lies in her role as a prominent female voice during a transformative era for British art. In an age where women artists often struggled for recognition, Reid achieved sustained success on the international stage, proving herself a formidable talent capable of competing in the most prestigious salons of Europe. Her work serves as a vital visual record of late 19th and early 20th-century life, preserving the textures of Cornish maritime culture and the bustling energy of European marketplaces with an intimacy that few others could achieve.

    Today, her contributions are honored in several esteemed collections, ensuring that her luminous vision continues to inspire. Her legacy is defined by:

    Technical Versatility: Her ability to navigate between the precision of realism and the atmospheric light of Impressionism.

    Cultural Documentation: Her evocative portrayals of Cornish village life and the daily rhythms of working people.

    International Achievement: Her decorated career, including accolades from the Paris Exposition Universelle and exhibitions in Chicago and London.

    Artistic Lineage: Her place within a significant family of Scottish artists that helped shape the landscape of British painting.

    Muzeum

    Doncaster Museum And Art Gallery

    Vystaveno v Doncaster, United Kingdom

    A Tapestry of Time: The Soul of Doncaster

    In the heart of South Yorkshire, where the echoes of Roman legions once met the rhythmic pulse of the industrial revolution, lies a sanctuary of culture known as the Danum Gallery, Library and Museum. To step through its doors is to embark on a journey that transcends mere observation; it is an immersion into a living narrative where history breathes alongside artistic expression. The museum, now harmoniously integrated into a larger cultural complex, serves as a profound testament to Doncaster’s enduring legacy. It is a place where the ancient and the contemporary exist in a delicate, beautiful tension, inviting art lovers and historians alike to contemplate the layers of human achievement that have shaped this landscape.

    The museum’s foundations are deeply rooted in the soil of Roman Danum. Visitors are often captivated by the exquisite archaeological treasures unearthed from the site of the ancient Roman fort, including intricately crafted mosaics that depict mythological scenes and the quiet rhythms of everyday life in a vanished world. These relics are far more than mere artifacts; they are windows into the ambitions and artistry of Roman engineers and craftsmen, offering a tangible connection to an empire’s expansion. This sense of discovery is woven seamlessly into the museum's identity, creating a bridge between the classical past and the modern spirit.

    Industrial Grandeur and Artistic Vision

    As one moves through the galleries, the narrative shifts from the ancient to the transformative power of the Victorian era. Doncaster’s ascent as a global hub for railway engineering is celebrated with a poignant reverence. The museum meticulously chronicles this period of innovation, showcasing magnificent locomotives that stand as iron monuments to Britain's industrial revolution. These mechanical marvels, such as the Great Northern Railway C1 class and the London and North Eastern Railway Class V2 Green Arrow, evoke a sense of nostalgia and awe, reminding us of a time when steam and steel redefined the boundaries of human movement.

    Yet, amidst this celebration of industry, the museum remains a vibrant stage for fine and decorative arts. The collection is a curated dialogue between different eras, featuring rotating exhibitions that introduce a diverse panorama of styles. From Impressionist landscapes that capture the serene, rolling beauty of the South Yorkshire countryside to contemporary installations that challenge our perceptions of identity and social commentary, the galleries stimulate an endless intellectual curiosity. For the interior designer or collector, these displays offer profound inspiration, showcasing how art can reflect cultural values and transform a space through color, texture, and emotion.

    A Sanctuary of Light and Memory

    The architecture of the Danum Gallery complex itself is a masterpiece of thoughtful design, prioritizing an experience of light and accessibility. The modern lines of the building blend seamlessly into Doncaster's urban fabric, creating an inviting atmosphere for quiet contemplation. Natural light floods the galleries, illuminating the fine details of every brushstroke and the weathered textures of historical artifacts, fostering a deep connection between the art and its surroundings. This architectural elegance ensures that the setting is never merely a backdrop but an active participant in the viewing experience.

    What truly distinguishes this institution is its unparalleled ability to weave together disparate threads—archaeology, military commemoration, and fine art—into a single, compelling story. The museum also serves as a poignant site of remembrance, particularly through the Regimental Museum of the King's Own Yorkshire Light Infantry. Here, uniforms, medals, and personal diaries offer an intimate glimpse into the lives of soldiers, adding a layer of human vulnerability to the grander historical scale. It is this unique synthesis of the monumental and the deeply personal that makes the Danum Gallery, Library and Museum a destination of incomparable depth, inspiring all who wander through its halls.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení A Great Bargain

    originaluniqueart.com/cs/art/download/flora-macdonald-reid-a-great-bargain-AQUD28-en/

    Jak citovat toto dílo

    MLA
    Reid, Flora Macdonald. A Great Bargain. 1921, Doncaster Museum And Art Gallery. https://originaluniqueart.com/cs/art/flora-macdonald-reid-a-great-bargain-AQUD28-en/
    APA
    Reid, Flora Macdonald (1921). A Great Bargain [Painting]. Doncaster Museum And Art Gallery. https://originaluniqueart.com/cs/art/flora-macdonald-reid-a-great-bargain-AQUD28-en/
    Chicago
    Flora Macdonald Reid. A Great Bargain. 1921. Doncaster Museum And Art Gallery. https://originaluniqueart.com/cs/art/flora-macdonald-reid-a-great-bargain-AQUD28-en/
    Harvard
    Reid, Flora Macdonald (1921) A Great Bargain. Doncaster Museum And Art Gallery. Available at: https://originaluniqueart.com/cs/art/flora-macdonald-reid-a-great-bargain-AQUD28-en/

    Zaměřte se pozorně

    A Great Bargain — Flora Macdonald Reid

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu 'The Latest News' (In a Dutch Market) (1895), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Flora Macdonald Reid bylo při vzniku tohoto díla ve věku přibližně 61. Co v něm vypadá jako práce umělce právě v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Patří „A Great Bargain“ od Flora Macdonald Reid do volného tisku?

    Stav autorských práv pro dílo „A Great Bargain“ od Flora Macdonald Reid: toto dílo spadá do v rámci volného užití – autorská práva vypršela. To určuje, zda lze volně vytvářet reprodukce tohoto obrazu.

    Jak spolu v díle "A Great Bargain" ladí barvy?

    Barevná harmonie díla "A Great Bargain" je hodnocena jako Strong Color Unity.

    Odkud pocházejí návštěvníci díla „A Great Bargain“ od Flora Macdonald Reid?

    Stránka Statistiky díla „A Great Bargain“ od Flora Macdonald Reid zobrazuje statistiky veřejných návštěv: měsíční návštěvnost tohoto díla, srovnání s nejvíce prohlíženými díly daného umělce a původ jeho návštěvníků.