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Niger Delta Apocalypse

Jméno Třída Datum

Dele Jegede, Niger Delta Apocalypse (2011), Yemisi Shyllon Museum of Art. Reproduková pro ilustrační účely; veškerá práva jsou vyhrazena vlastníkem práv. Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Dele Jegede originaluniqueart.com/cs/artists/dele-jegede/
Datum vzniku díla
1945 –
Malováno
2011
Technika
Painting
Období
Contemporary
Koná se v
Yemisi Shyllon Museum of Art originaluniqueart.com/cs/museums/yemisi-shyllon-museum-of-art-lagos_cs/
Artistic style
Illustrative, colorful painting
Notable elements
Mushroom cloud, vibrant colors, red canvas
Subject or theme
Pipeline vandalism and environmental disaster

V kontextu

Niger Delta Apocalypse — Dele Jegede

Kdy bylo toto dílo namalováno?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období, přičemž rok narození se počítá jako nula.

Vymalováno v době, kdy bylo umělci 66 let. 0 z celkových 1 děl tohoto umělce v našem katalogu je datováno dříve.

▲ toto dílo, 2011 každý obraz s datem vzniku, dekáda po dekádě

Barvy

Určeno podle obrazu

    Hlavní barva

    Espresso #443f3e

    Katalogizovaná paleta

    • #443F3E
    • #5DA29A
    • #BB3B3D
    • #B36F6B

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Dark Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Espresso
    Intenzita
    Vivid Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Gentle Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Strong Color Unity Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Balanced Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Clear Color Presence Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Dele Jegede za posledních dvanáct měsíců — celkem 1 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 100,0%

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 1 nejvíce prohlížených děl umělce Dele Jegede

    1. 1 Niger Delta Apocalypse, 2011 tento obraz 100,0%

    Tyto práce společně si nárokují 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 1 děl tohoto umělce, z nichž 1 byla prohlédnuta alespoň jednou. Tento obraz se v tomto žebříčku nachází na 1 místě, přičemž si připravuje 100,0% této pozornosti. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    Niger Delta Apocalypse — Dele Jegede

    Omodele Jegede is a Nigerian illustrator, art historian, cartoonist and painter born in Ikere-Ekiti, Ekiti state in 1945. He obtained an OND and HND in Fine Arts from Yaba College of Technology between 1965 and 1969; a BA (First Class Hons) in Fine Arts from Ahmadu Bello University, 1973; MA and PhD in Art History, Indiana University, Bloomington, USA, in 1981 and 1983 respectively. Dele started out his career in Nigeria as a cartoonist in 1972, publishing series of cartoons in the Nigerian press through which he lent his voice to the social and political challenges/happenings in the country at the time. He has lived and worked as an artist and a scholar in the US since his relocation in the 80s in numerous institutions including the Spelman College, Atlanta (1987-88); the Smithsonian Institution in Washington, DC, (1995); Miami University in Oxford, Ohio (2005-2010) among others. He retired as an emeritus professor in 2015. Dele has been recognized and lauded for his contributions to the growth of African art through his scholarly research, publications and curatorial pursuits.The Niger Delta Apocalypse is an expression of the terror and catastrophe associated with pipeline vandalism, a commonplace in the oil-rich Niger Delta of Nigeria. Dele seeks to address this man-induced disaster which is “apocalyptic” in every sense as it is hazardous to the both human, plant and animal lives and property in the region. Explosion of pipelines, oil rig locations or tank farms also occur out of negligence and failure to strictly adhere to safety rules and procedures on the part of the oil and gas companies in the region, as outlined by the governing bodies. Currently on display at the exhibition Mirroring Man: Society and Politics in Nigerian Art at the Yemisi Shyllon Museum of Art, this colourful painting by Dele Jegede invites the attention of all viewers to, for a moment, reflect on the unhealthy activities of militants and the oil exploration companies which potentially could lead to a very sad end of the region if it continues.

    Umělec a muzeum

    Autor

    Dele Jegede

    Narozen(a) v Ikere Ekiti, Nigeria

    A Voice of Conscience: The Multifaceted Legacy of Dele Jegede

    In the vibrant tapestry of Nigerian and American art, few figures possess the intellectual depth and social resonance of dele jegede. A true polymath of the visual arts, his identity spans the roles of painter, art historian, cartoonist, curator, and critic. Born in Ikere-Ekiti, Nigeria, his journey from a humble beginning—working as a housekeeper selling firewood while sketching portraits for customers—to becoming a distinguished Professor Emeritus is a testament to an unyielding passion for the creative spirit. His work does not merely exist for aesthetic contemplation; it serves as a profound commentary on the human condition, weaving together the traditional aesthetics of Africa with the sharp, biting wit of political satire.

    The foundations of his artistic mastery were laid in Nigeria, where he pursued formal training at the Yaba College of Technology and later earned a First Class Honors degree in Fine Arts from Ahmadu Bello University in 1973. This period marked the beginning of his influential career as a cartoonist for the Nigerian press. Through series such as 'Flower Power' and 'Kole Omole', he utilized the medium of caricature to lend a powerful voice to the social and political challenges facing his nation. His cartoons were often described by scholars as copious sketches of the very skeleton of a nation, capturing the tensions, excesses of the privileged, and the struggles of the common people with unparalleled clarity.

    Scholarship and Global Influence

    As his career expanded beyond the borders of Nigeria, Jegede’s intellectual pursuits led him to the United States, where he further refined his understanding of art history. Studying under the tutelage of Professor Roy Sieber at Indiana University, Bloomington, he earned both his MA and PhD. His doctoral dissertation, which focused on contemporary Nigerian art, remains a landmark achievement, as it was the first work to focus solely on the evolution of this specific movement. This scholarly rigor allowed him to bridge the gap between African artistic traditions and the global art discourse, making him a pivotal figure in promoting Nigerian art to the Western world.

    His academic journey took him through some of the most prestigious institutions in the United States. He served as a Senior Post-Doctoral Fellow at the Smithsonian Institution in Washington, DC, and held significant teaching positions at Spelman College, Atlanta, where he was a Visiting Fulbright Scholar, and Indiana State University, where he served as Professor and Chair of the Department of Art. His tenure at Miami University in Oxford, Ohio, further solidified his reputation as an educator and administrator. Throughout these roles, he remained deeply committed to the intersection of art and society, curating exhibitions like Art By Metamorphosis that challenged viewers to look deeper into the transformative power of the image.

    The Art of Social Reflection

    The essence of Jegede’s painting lies in its ability to address the most pressing environmental and political catastrophes of his time. His work often draws inspiration from traditional African painting and sculpture, yet it is uniquely infused with contemporary influences, including the energy of hip-hop subculture. A poignant example of his thematic depth is found in Niger Delta Apocalypse, a powerful expression of the terror and devastation caused by pipeline vandalism and oil exploration in the Niger Delta. Through this work, he invites viewers to reflect on the man-induced disasters that threaten human, plant, and animal life, highlighting the ecological negligence of large corporations.

    Ultimately, the significance of dele jegede lies in his refusal to separate art from activism. Whether through the sharp lines of a political cartoon or the evocative colors of a landscape in crisis, his oeuvre remains a steadfast witness to history. His contributions are recognized not only through his academic accolades, such as the Distinguished Africanist Award from the University of Texas, but through his enduring impact on the development of Nigerian newspaper cartoons and his role as a bridge between continents. He remains a towering figure whose work continues to demand attention, reflection, and social responsibility.

    Muzeum

    Yemisi Shyllon Museum of Art

    Vystaveno v Lagos, Nigérie

    A Beacon of Nigerian Artistic Heritage: The Yemisi Shyllon Museum of Art

    Nestled on the campus of Pan-Atlantic University in Lekki, Lagos State, Nigeria, stands a singular institution – The Yemisi Shyllon Museum of Art. More than just an exhibition space, it’s a testament to visionary philanthropy and a celebration of Nigeria's vibrant artistic legacy, marking the nation’s first university art museum.

    Established in October 2019 thanks to the generous donation of Prince Yemisi Shyllon—one of Africa’s foremost art collectors—the museum embodies a remarkable blend of scholarly rigor and aesthetic beauty. Its creation stemmed from a desire to foster artistic appreciation within the university community and to safeguard Nigeria's cultural treasures for future generations.

    A Legacy Built on Passion:

    The genesis of YSMA lies in April 2011 with the launch of the Virtual Museum of Modern and Contemporary Nigerian Art, showcasing Shyllon’s dedication to disseminating art knowledge. Subsequent proposals from other collectors solidified the vision for a physical museum at PAU.

    Architectural Harmony:

    Designed by Jess Castellote, the museum building prioritizes natural light and open spaces, creating an inviting environment that complements its artistic collections.

    Celebrating Nigeria’s Artistic Soul

    The museum's core strength resides in its impressive collection of over 1000 artworks spanning pre-colonial times to the present day. These pieces represent a comprehensive panorama of Nigerian art history, reflecting diverse cultural traditions and artistic styles.

    Sculptural Diversity:

    From intricate Yoruba wooden sculptures by Lamidi Olonade Fakeye to monumental Ife head replicas—symbols of Nigeria’s ancient civilizations—the sculptural collection showcases remarkable craftsmanship and stylistic evolution.

    Painting Masters:

    Notable artists like Ben Enwonwu, El Anatsui, Bruce Onobrakpeya, and Aina Onabolu contribute to the museum's painting repertoire. Their canvases capture pivotal moments in Nigerian history and artistic expression.

    Historical Significance & Cultural Impact

    Beyond its aesthetic appeal, YSMA plays a crucial role in educating students and researchers about Nigeria’s artistic heritage. Exhibits on Ife art and Benin art—featuring iconic bronze sculptures like the Ife head—provide invaluable insights into the region's rich cultural past.

    Photographic Narratives:

    The museum’s photographic archive documents significant Nigerian cultural festivals, capturing the dynamism of traditions and artistic performances. Ariyo Oguntimehin’s photographs are particularly noteworthy.

    A Unique Contribution to Art Education

    The Yemisi Shyllon Museum of Art distinguishes itself as Nigeria's inaugural university art museum—a pioneering endeavor that underscores the importance of fostering creativity and cultural understanding. Its mission extends beyond mere display; it strives to inspire dialogue, promote artistic appreciation, and contribute to the intellectual enrichment of its visitors.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Niger Delta Apocalypse

    originaluniqueart.com/cs/art/download/dele-jegede-niger-delta-apocalypse-D763JQ-en/

    Jak citovat toto dílo

    MLA
    Jegede, Dele. Niger Delta Apocalypse. 2011, Yemisi Shyllon Museum of Art. https://originaluniqueart.com/cs/art/dele-jegede-niger-delta-apocalypse-D763JQ-en/
    APA
    Jegede, Dele (2011). Niger Delta Apocalypse [Painting]. Yemisi Shyllon Museum of Art. https://originaluniqueart.com/cs/art/dele-jegede-niger-delta-apocalypse-D763JQ-en/
    Chicago
    Dele Jegede. Niger Delta Apocalypse. 2011. Yemisi Shyllon Museum of Art. https://originaluniqueart.com/cs/art/dele-jegede-niger-delta-apocalypse-D763JQ-en/
    Harvard
    Jegede, Dele (2011) Niger Delta Apocalypse. Yemisi Shyllon Museum of Art. Available at: https://originaluniqueart.com/cs/art/dele-jegede-niger-delta-apocalypse-D763JQ-en/

    Zaměřte se pozorně

    Niger Delta Apocalypse — Dele Jegede

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: oil spill, environmentalism, explosion. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Dele Jegede bylo při vzniku tohoto díla ve věku přibližně 66. Co v něm vypadá jako práce umělce právě v této životní fázi?
    5. Témata, která se v díle Dele Jegede opakovaně objevují: social and political commentary, environmental disaster themes, nigerian oil crisis. Která z nich vidíte i zde?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Je k dispozici prezentace pro „Niger Delta Apocalypse“ od Dele Jegede?

    Dílo „Niger Delta Apocalypse“ od Dele Jegede si můžete prohlédnout v podobě diaporamy na stránce Slideshow.

    Jak intenzivní jsou barvy v díle „Niger Delta Apocalypse“ od Dele Jegede?

    Barvy v díle „Niger Delta Apocalypse“ od Dele Jegede mají Vivid intenzitu.

    Kdo je autorem díla "Niger Delta Apocalypse" a do kterého uměleckého směru patří?

    Dílo "Niger Delta Apocalypse" vytvořil/a Dele Jegede v rámci stylu Contemporary Art. Autor/ka i toto umělecké směřování definují tradici tohoto díla.