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First World Problems Third World Edition I

Jméno Ročník Datum

Ayobola Kekere-Ekun, First World Problems Third World Edition I (2018), Rele Arts Foundation. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
Ayobola Kekere-Ekun originaluniqueart.com/cs/artists/ayobola-kekere-ekun/
Datum vzniku díla
1993 – ?
Malováno
2018
Medium
Painting
Pohyb
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Období
Contemporary
Místo konání
Rele Arts Foundation originaluniqueart.com/cs/museums/rele-arts-foundation-lagos/

V kontextu

First World Problems Third World Edition I — Ayobola Kekere-Ekun

Kdy bylo toto dílo vytvořeno?

  1. 1990
  2. 2000
  3. 2010

Shaded: životopis Ayobola Kekere-Ekun (1993–?) ▲ toto dílo, 2018

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Další díla, která se k tomuto hodí: originaluniqueart.com/cs/art/similar/ayobola-kekere-ekun-first-world-problems-third-world-edition-i-DD2EJC-en/

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    Umělec a muzeum

    Umělec

    Ayobola Kekere-Ekun

    Narozen(a) v Lagos, Nigeria

    The Delicate Architecture of Memory

    Born in the vibrant, bustling landscape of Lagos, Nigeria, in 1993, Ayobola Kekere-Ekun has emerged as a profound voice in contemporary visual arts, crafting a language that is as fragile as it is resilient. Her artistic journey is one of deep introspection, where the boundaries between personal history and universal myth begin to blur. Trained at the University of Lagos with degrees in both Graphic Design and Visual Arts, Kekere-Ekun possesses a technical mastery that allows her to transform simple materials into complex psychological landscapes. Her practice is not merely about decoration; it is an architectural reconstruction of the self, using the meticulous medium of paper quilling to navigate the labyrinthine corridors of memory and trauma.

    At the heart of her work lies the painstaking technique of quilling—the art of rolling, shaping, and gluing thin strips of paper into intricate forms. While often categorized as a decorative craft, Kekere-Ekun elevates this method to a high-stakes symbolic language. Each coiled strip and layered cutout serves as a metaphor for the layers of identity and the repetitive, often cyclical nature of processing past experiences. Through these delicate structures, she explores heavy, profound themes such as gender dynamics, power, and the enduring impact of childhood trauma. The physical labor required by her process—the immense patience and time-consuming precision—mirrors the emotional labor involved in confronting difficult truths and reconstructing a fractured sense of self.

    Symbolism and the Sculptural Line

    Kekere-Ekun’s visual aesthetic is defined by a captivating tension between linear patterns and organic, sculptural forms. Her work often feels like a topographical map of the human psyche, where the ridges and valleys of paper create a sense of depth that invites the viewer to look closer. By integrating elements of mythology with personal narrative, she creates a space where the individual experience meets the collective unconscious. This fusion allows her to address contemporary issues of gender and social power through a lens that feels both ancient and urgently modern.

    The artist's development is marked by a transition from formal graphic precision to a more fluid, emotive exploration of space. Her current academic pursuits, including a PhD in Art and Design at the University of Johannesburg, suggest an ongoing evolution of thought, where her role as a lecturer and researcher informs the intellectual depth of her compositions. The following elements are central to her artistic identity:

    Materiality: The use of paper as a medium that represents both vulnerability and structural strength.

    Narrative Depth: The weaving of personal trauma into broader mythological and social discourses.

    Process as Performance: The meditative, repetitive nature of quilling acting as a ritualistic way to process memory.

    Visual Complexity: A reliance on intricate layering and geometric precision to evoke psychological states.

    Recognition and Global Presence

    The contemporary art world has taken significant notice of Kekere-Ekun’s unique contribution to paper arts. Her rise has been characterized by prestigious exhibition opportunities that have brought her Nigerian perspective to a global stage. From the Latitudes Art Fair in Johannesburg to the Arte Fiera Bologna and SCOPE Miami Beach, her work has proven to be a powerful communicator across cultural boundaries. A pivotal moment in her career was her debut solo exhibition, “Resilient Lines,” at rele gallery in 2019, which received critical acclaim and was supported by a grant from the esteemed Dean Collection.

    As she continues to push the boundaries of what paper can achieve, Kekere-Ekun remains a vital figure in the movement of contemporary African art. Her ability to take the minute, the small, and the fragile—a single strip of paper—and expand it into a monumental exploration of human existence ensures her place as an artist of profound historical and emotional significance. Through her hands, the ephemeral becomes permanent, and the whispers of the past are given a tangible, breathtaking form.

    Muzeum

    Rele Arts Foundation

    Vystaveno v Lagos, Nigeria

    Rele Arts Foundation: A Pulse of Contemporary African Art

    Nestled in the vibrant heart of Lagos, Nigeria, the Rele Arts Foundation stands as a beacon illuminating the dynamic landscape of contemporary and traditional African art. More than just a gallery, it’s a carefully cultivated space—a cultural hub where established masters converse with emerging voices, and where the echoes of ancient traditions resonate within the framework of modern expression. Founded by Adenrele Sonariwo in 2010, Rele has rapidly become a pivotal force, not only within Nigeria but increasingly on the global stage, bridging continents and fostering a deeper appreciation for the rich artistic heritage of the continent.

    The foundation’s ethos is rooted in a commitment to providing opportunities for Nigerian artists – particularly those often overlooked by mainstream institutions. This dedication manifests powerfully through its Young Contemporaries program, a prestigious initiative offering mentorship, residencies, and exhibition platforms to a select group of rising talents. But Rele's impact extends far beyond this single program; it’s woven into the very fabric of the gallery itself, a carefully curated environment designed to showcase the breadth and depth of African creativity. The architecture reflects this philosophy – clean lines and minimalist design create a neutral backdrop that allows the artwork to command center stage, while strategic use of natural light enhances the colors and textures, inviting viewers to fully immerse themselves in each piece.

    A Tapestry of Tradition and Innovation

    Rele’s collection is a compelling dialogue between the past and present. Alongside a significant selection of traditional masks and sculptures – powerful embodiments of Nigerian cultural history and spiritual beliefs – you'll discover a diverse array of sculptural works, ranging from abstract explorations of form to evocative figurative representations. These pieces often grapple with themes of identity, social commentary, and environmental concerns, reflecting the complexities of contemporary African life. The gallery’s commitment to showcasing cutting-edge work from emerging Nigerian artists is particularly noteworthy; they are actively shaping the future of art in Africa, pushing boundaries and challenging conventions.

    Notable exhibitions have cemented Rele's reputation as a vital platform for artistic discourse. “The Atlantic Triangle,” curated by Alfons Hug in 2017, offered a powerful exploration of interconnectedness across continents, while "Her Story" provided a poignant lens through which to examine the experiences of women within African society. Perhaps most strikingly, Rele has partnered with Samsung on an ongoing initiative, “Tech Meets Art,” demonstrating a willingness to embrace innovation and explore the intersection of art and technology – a testament to its forward-thinking approach.

    Expanding Horizons: Los Angeles and Beyond

    In 2021, Rele Arts Foundation took a bold step, establishing a location in Los Angeles, California—a landmark achievement as it marked the first African gallery to call the city home. This expansion represents more than just geographical growth; it signifies a deliberate effort to connect African art with a global audience and foster cross-cultural exchange. The Los Angeles space mirrors the ethos of the Lagos gallery – prioritizing emerging talent and creating a welcoming environment for both local collectors and international visitors.

    A Unique Cultural Hub

    What truly distinguishes Rele Arts Foundation is its role as a vibrant cultural hub. It’s a place where artists, curators, critics, and enthusiasts converge to exchange ideas, celebrate creativity, and build connections. The foundation actively promotes dialogue and appreciation for the diverse artistic expressions of Africa, fostering a sense of community and belonging. Rele's influence extends beyond its physical spaces; it has become synonymous with contemporary African art, inspiring artists and collectors alike to embrace the continent’s rich creative legacy.

    Notable Artists at Rele

    Olumide Onadipe:

    A Nigerian artist blending traditional and contemporary techniques to tackle environmental themes and social commentary. His work offers a powerful reflection on the challenges facing Africa today.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení First World Problems Third World Edition I

    originaluniqueart.com/cs/art/download/ayobola-kekere-ekun-first-world-problems-third-world-edition-i-DD2EJC-en/

    Citace tohoto díla

    MLA
    Kekere-Ekun, Ayobola. First World Problems Third World Edition I. 2018, Rele Arts Foundation. https://originaluniqueart.com/cs/art/ayobola-kekere-ekun-first-world-problems-third-world-edition-i-DD2EJC-en/
    APA
    Kekere-Ekun, Ayobola (2018). First World Problems Third World Edition I [Painting]. Rele Arts Foundation. https://originaluniqueart.com/cs/art/ayobola-kekere-ekun-first-world-problems-third-world-edition-i-DD2EJC-en/
    Chicago
    Ayobola Kekere-Ekun. First World Problems Third World Edition I. 2018. Rele Arts Foundation. https://originaluniqueart.com/cs/art/ayobola-kekere-ekun-first-world-problems-third-world-edition-i-DD2EJC-en/
    Harvard
    Kekere-Ekun, Ayobola (2018) First World Problems Third World Edition I. Rele Arts Foundation. Available at: https://originaluniqueart.com/cs/art/ayobola-kekere-ekun-first-world-problems-third-world-edition-i-DD2EJC-en/

    Zaměřte se pozorně

    First World Problems Third World Edition I — Ayobola Kekere-Ekun

    Detailní pohled

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: african life, women, daily life. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Iya Femi (Secret Lives of Baba Segi (2018), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Kde v tomto díle můžete tento prvek spatřit?

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