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Autorská práva Toto dílo je volno v rámci veřejného vlastnictví. Hiroshige zemřel(a) v roce 1858; autorská práva trvají 70 let po smrti umělce, takže vypršela v roce 1928.
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Aronia and Parrot — Hiroshige
Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 61 při smrti.
Shaded: životopis Hiroshige (1797–1858) každý obraz s datem vzniku, dekáda po dekádě
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Tyto práce společně tvoří 56,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 262 děl tohoto umělce, z nichž 48 byla prohlédnuta alespoň jednou. Tento obraz se v tomto žebříčku nachází na 11 místě, přičemž si připravuje 3,2% této pozornosti. Stále stejné, měsíc po měsíci
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Narozen(a) v Tokyo, Japonsko
Ando Hiroshige, born Andō Tokutarō in 1797 within the bustling heart of Edo (modern Tokyo), wasn’t initially destined for a life steeped in artistic expression. His lineage traced back to samurai origins, yet fate took an unexpected turn with the untimely loss of his parents during his youth. This pivotal moment led to an apprenticeship under Utagawa Toyohiro, a respected figure within the ukiyo-e tradition – a world of woodblock prints capturing the ephemeral beauty of everyday life. While early works didn’t immediately garner acclaim, Hiroshige diligently honed his skills, patiently refining his technique and gradually forging a path toward artistic recognition. He even briefly fulfilled familial obligations as a fire warden, a stark contrast to the delicate landscapes that would ultimately define his legacy. This blend of duty and burgeoning artistry shaped a unique perspective, one deeply attuned to both the grandeur and the quiet moments of Edo society.
Hiroshige's true breakthrough came with his dedication to landscape prints, a genre considered somewhat minor at the time. He transcended mere representation, imbuing his scenes with an emotional resonance that resonated deeply with audiences. His work wasn’t simply about places; it was about the feeling of being in those places – the gentle mist clinging to Mount Fuji, the bustling energy of the Tokaido Road, the serene beauty of a plum orchard in bloom. His series became windows into the soul of Japan. The iconic “Thirty-Six Views of Mount Fuji” stands as a testament to this mastery, presenting the sacred mountain from countless perspectives, each revealing a different facet of its symbolic power – from its imposing majesty to its veiled serenity under winter snows. Equally celebrated is "Fifty-Three Stations of the Tōkaidō," a meticulously detailed chronicle of the vital trade route connecting Edo and Kyoto. These weren’t just maps; they were vibrant snapshots of life in motion, capturing the travelers, merchants, and landscapes that defined this crucial artery of Japanese commerce. One Hundred Famous Views of Edo, his most ambitious undertaking, offered a panoramic vision of the capital city, showcasing its diverse neighborhoods, scenic vistas, and cultural landmarks with unparalleled detail and sensitivity. Hiroshige’s masterful use of color—often achieved through multiple printing impressions—created subtle gradations and atmospheric effects that were revolutionary for the time.
By the late 19th century, Hiroshige’s art had embarked on an extraordinary journey westward, becoming a cornerstone of the Japonisme movement that swept through Europe. European artists, captivated by the unique aesthetic sensibilities of Japanese prints, eagerly absorbed Hiroshige's innovative techniques and compositional approaches. The impact was profound. Vincent van Gogh, deeply moved by Hiroshige’s use of color and perspective, created his own interpretations of several prints, demonstrating a clear admiration for the Japanese master. Claude Monet, another leading figure in Impressionism, also drew inspiration from Hiroshige's atmospheric effects and emphasis on capturing fleeting moments. The influence extended beyond painting; elements of Hiroshige’s designs can be seen in the flowing lines and natural motifs of Art Nouveau. His work wasn’t merely copied but served as a catalyst for artistic innovation, prompting Western artists to re-evaluate their own approaches to color, composition, and subject matter.
Ando Hiroshige passed away in 1858, leaving behind a body of work that continues to captivate and inspire. He is often regarded as the last great master of ukiyo-e, marking a turning point in Japanese art history. His emphasis on landscape, his poetic sensibility, and his innovative use of color and composition set him apart from his contemporaries and paved the way for future generations of artists.
His prints offer invaluable insights into life in Edo-period Japan.
He elevated landscape painting to new heights within the ukiyo-e tradition.
His work played a crucial role in introducing Japanese art and aesthetics to the West.
Today, Hiroshige’s prints are treasured possessions of museums and private collectors worldwide. His legacy endures not only through his stunning artwork but also through the enduring influence he exerted on artists across cultures and generations – a testament to the power of a poetic vision that continues to resonate with audiences centuries later.
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Aronia and Parrot — Hiroshige
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Dílo „Aronia and Parrot“ od Hiroshige spadá do patří do volného užití – autorská práva vypršela. Doba trvání autorského práva se počítá od úmrtí umělce, ke kterému došlo v roce 1858.
Díla podobná dílu „Aronia and Parrot“ od Hiroshige jsou shromážděna na stránce Podobná díla tohoto díla.
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